tag:blogger.com,1999:blog-19247197076274545652024-03-19T10:48:23.465+02:00Sapphire Magen David A Blog About God's Explicit Name in terms of its Mathematic and Geometric CharacteristicsDavidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.comBlogger104125tag:blogger.com,1999:blog-1924719707627454565.post-37315549699922334952024-03-16T18:51:00.000+02:002024-03-16T18:51:59.292+02:00VaYikra and Tzav<p><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">This week’s<span face=""arial" , "helvetica" , sans-serif"> <i><span face=""arial" , "helvetica" , sans-serif">P</span>arashah</i></span> <i>VaYikra</i> and next weeks (<i>Tzav</i>) <span face=""arial" , "helvetica" , sans-serif">are</span><span face=""arial" , "helvetica" , sans-serif"> on</span> the subject of korbanot (sacrifices and offerings)
including those of bulls and goats, peace offerings, meal
offerings, wine libations and so forth. Certain offerings required
additional constituents measured in precise amounts, and so it might be
appropriate to begin a discussion on several different systems of
measurement. Each originates with the physical properties of the
combined cubic form of the luchot. Since these properties are invariably a function
of the 216 letters of God’s Explicit Name, the ratio between one
measure and another reflects the number and the nature of the letters in
this Name.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The examination will include
specific measurements such as: the “<i>hin</i>;” the "<i>log</i>" or “<i>lugim</i>”; the "<i>minim</i>" or "<i>drop</i>;" the <i>bath</i>; <i>the kav; the se'ah; hours</i>; and "<i>parts</i> of <i>hours</i> (<i>halaqim</i>); and the <i>great year</i>. The term <i>minim</i>
is a relatively modern term (essentially referring to an accurately
measured drop) but the concept and its exact fractional proportion date
back to antiquity. Since both VaYikra and Tzav deal with offerings they
will be combined for purpose of this post. <br /> </span></span><br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Before proceeding, we need to mention that some
of the information you are about to read requires a broader understanding of
certain concepts. The reader is therefore strongly advised to read each
of the essential constructs
listed in the column to the right before proceeding. </span></span></span></span></span></span></span></span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">These
constructs reveal the <span face=""arial" , "helvetica" , sans-serif">correlation</span> between the letters of
the Name
and the multidimensional mathematic and geometric characteristics of the
luchot, both in their divided state and combined cubic form, along with
an explanation of its internal geometry that casts a shadow known as a
magen david. <span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">There is a special connection between the Name, the
luchot and the geometry of the magen. The purpose of this blog is to
show how they connect with one another and to reveal where the <span face=""arial" , "helvetica" , sans-serif">signature geometry</span> is hidden in each week’s parashah. Once you are familiar with
these constructs you can more fully appreciate each post.</span></span></span></span></span></span></span> </span></span><br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Insofar as <i>VaYikra</i> and <i>Tzav</i> are concerned, the <i>Signature of the Architect</i> is (once again) hidden within the conversion of measurements</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">. Liquid and dry measures are closely related. Consider for example, that in terms of dry measure, a <i>log</i> is 1/<span style="color: blue;">72</span>nd of an <i>ephah</i>, and in liquid measure <span face=""arial" , "helvetica" , sans-serif">the <i>log</i></span> is 1/<span style="color: blue;">72</span> of a <i>bath</i>. An <i>egg</i> is also 1/<span style="color: blue;">72</span> of a <i>hin</i>. The relationship between one measure and another results in <span style="color: red;">three</span>
specific ratio's that have a measure of <span style="color: blue;">72</span>
to one. Moreover, two of those ratios pertain to a single type of unit
(the log) and one to a different unit (the egg). This is like the ratio
for the permutation of letters where the triplets are formed (two
letters are from the first position~one from the last position~as is
known). The correlation with
God's Explicit Name should <span face=""arial" , "helvetica" , sans-serif">not go unnoticed</span>. </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The same ratio is found
in the measure of the luchot in side-by-side form: 6 x 12 (<span style="color: blue;">72</span>) x <span style="color: red;">3</span> = <span style="color: red;">216</span>
cubic hand-breadths. Were these relationships a coincidence, we would
not expect other measurements to reflect the same ratio, but they
do! For example, a <i>hin</i> is 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span>th of a <i>bath, </i>an <i>egg </i>is 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span>th of a <i>log</i> and a <i>cab</i> or <i>kav</i> is 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span>th of a <i>se'ah</i>. The <span style="color: blue;">6</span> <i>hin</i> per <i>bath</i>, the <span style="color: blue;">6</span> <i>eggs</i> per <i>log</i> and the <span style="color: blue;">6</span> <i>kav</i> in a <i>se'ah</i> are <span face=""arial" , "helvetica" , sans-serif">also significant <span face=""arial" , "helvetica" , sans-serif">and correlate with</span></span> the "<span style="color: red;">three</span> measures of <span style="color: blue;">6</span>"
in the dimensions of the <i>foundations stone</i><span face=""arial" , "helvetica" , sans-serif">,</span> or the ratio of the hand-breadth to the cubit in those same dimens<span face=""arial" , "helvetica" , sans-serif">ions </span>(1/<span style="color: blue;">6</span>th along each of its <span style="color: red;">three</span> dimensions)<span face=""arial" , "helvetica" , sans-serif">.</span> Those three "measures" determine the volumetric measure of the stone<span face=""arial" , "helvetica" , sans-serif"> which of course equates to the</span> number of letters in God's Explicit Name (</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">216</span></span></span>). </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The measure of time is no less connected. Consider that a day is divided into 24 <i>hours</i> and that in ancient times, each hour was divided into </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">1<span style="color: black;">,</span>08</span></span></span>0 "<i>parts</i>" or <i>halaqim</i> per <i>hour, </i>or<i> </i>what amounts to</span></span> <span style="color: #6fa8dc;">108</span> times 10 <i>"specific units of measure</i>" (</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> being the volumetric measure for each of the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">luchot)</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">. The number of <i>parts</i> in a day was thus the <span style="color: #6aa84f;">12</span> hours of the <span face=""arial" , "helvetica" , sans-serif">day</span> plus <span face=""arial" , "helvetica" , sans-serif">the 12 hours of the night</span> <span style="color: #6aa84f;">12</span> (24 hours) x </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">1<span style="color: black;">,</span>08</span></span></span>0 or <span style="color: #8e7cc3;">25,920</span> "<i>parts/halaqim</i>."
These numbers as they relate to one another are highly significant. The
number <span style="color: #8e7cc3;">25,920</span> for example, happens to be the number of years in the <i>precession of the equinoxes</i>, or what is sometimes called a <i>great year</i>.
So ultimately, the dynamic that defines celestial time, not only
originates with the two halves of the cube [of creation] divided into
its respective male and female halves (the two tablets or shnei luchot)
but each half is a function of the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> that in turn defines the male and female halves of a complete rotation of the earth on its axis, resulting in <span style="color: #6aa84f;">12</span> <i>hours</i> of day (the male half) and <span style="color: #6aa84f;">12</span> <i>hours</i> of night respectively (the female half). </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The precise periods have varied slightly since the time of the flood for reasons explained in the post on <i><a href="https://sapphiremagendavid.blogspot.com/2023/05/behalothekha.html" target="_blank">BeHa'alothekha</a></i>. Insofar as the <i>great year</i> is concerned, there are twelve constellations that rise and fall, through their respective segment of the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">25,920</span> years in the </span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><i>precession of the equinoxes</i>, during which </span></span></span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">2</span>,<span style="color: red;">16</span>0
years elapse (for each of the twelve). So once again we see how time and
space; and the movement of the stars are dictated by the number (and nature) of letters in
the Explicit Name (<span style="color: red;">216</span>) which happens to be abbreviated by <span style="color: #6aa84f;">12</span>-letters, with a <span style="color: #6aa84f;">12</span>-letter counterpart. Contemplate this carefully<span face=""arial" , "helvetica" , sans-serif">. </span>Our reality is <u>literally</u> a reflection of the letters in God's Name. See also the post on <i><a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank">Ki Thetze</a></i> for a more detailed explanation of the 4-letter <span face=""arial" , "helvetica" , sans-serif">primal forms of the Name</span> and the post on <i><a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thavo.html" target="_blank">Ki Thavo</a></i> for a closer look at the 12-letter triad <span face=""arial" , "helvetica" , sans-serif">form</span>. </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The measure of the <i>Mishkan</i> (Tabernacle) is, among other things, a <span face=""arial" , "helvetica" , sans-serif">model of particle interaction in quantum field theory (that will be demonstrated in an upcoming special <span face=""arial" , "helvetica" , sans-serif">post to be listed among the <span face=""arial" , "helvetica" , sans-serif">advanced</span> constructs to the right)<span face=""arial" , "helvetica" , sans-serif">. It is also a very precise model <span face=""arial" , "helvetica" , sans-serif">of </span></span></span>space-time<span face=""arial" , "helvetica" , sans-serif">. Both models<span face=""arial" , "helvetica" , sans-serif"> reveal the <span face=""arial" , "helvetica" , sans-serif">correlation between our physical reality and its origin in the <span face=""arial" , "helvetica" , sans-serif">signature geometry of</span></span></span></span> the letters <span face=""arial" , "helvetica" , sans-serif">in</span> the Name. <span face=""arial" , "helvetica" , sans-serif">As an example, each of the <span face=""arial" , "helvetica" , sans-serif">eight-beam segments containing the kodesh kodeshim (holy of holies) <span face=""arial" , "helvetica" , sans-serif">is <span face=""arial" , "helvetica" , sans-serif">60</span> <span face=""arial" , "helvetica" , sans-serif">hand-breadths</span> high, by </span></span></span>72 hand-breadths long, by 6 hand-breadths thick. Do the math<span face=""arial" , "helvetica" , sans-serif"> (60 x 72 x 6 = </span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span>25,920</span></span></span></span></span>)</span> and you'll find that each of the three walls <span face=""arial" , "helvetica" , sans-serif">h<span face=""arial" , "helvetica" , sans-serif">ave a volumetric measure </span></span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span>25,920</span></span></span></span></span> cubic hand-breadths, which is the same number of years in the </span></span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><i>precession of the equinoxes</i></span></span></span></span></span></span></span> that we mentioned above, and this is just one of many examples. </span>These measures are not a coincidence. They are a function of a reality based on the letters of God's Name, which <i>rules</i> the universe.</span> For more on the measure of the <i>Mishkan</i>, see the post on <span face=""arial" , "helvetica" , sans-serif"><i>Parashah</i> <i><a href="https://sapphiremagendavid.blogspot.com/2024/03/vayakhel.html" target="_blank">VaYakhel</a></i>.</span> </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">We'll now shift our attention to the <i>hin</i> and one of its fractional proportions sometimes referred to as a <i>dram</i> <span face=""arial" , "helvetica" , sans-serif">which</span> is a static measure that is exactly 1/6th of an <i>egg</i> again conforming to the fractional proportions that began with </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">the measure of the luchot (a hand-breadth being 1/<span style="color: blue;">6</span>th of any <span style="color: red;">three</span> of its dimensions). Thus, as mentioned previously, </span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">a <i>hin</i> is a reflection of the letters that define the luchot, as seen in the <i>hin</i> which is 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span>th of a <i>bath; </i>an <i>egg </i>which<i> </i>is 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span>th of a <i>log</i>; and a <i>cab</i> or <i>kav</i> which is 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span>th of a <i>se'ah</i>. </span></span>These
specific units of measure are a reflection of their source in the
combined cubic form of the luchot, which is in turn a reflection of the
letters in the Creator's Name.</span></span></span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><i>Halachic</i>
requirements for various offerings are multiples of these proportions
and invariably equate to the number and nature of the letters. For
example, the first offering of the day was the morning tamid which
required a small amount of oil. How much oil? A "quarter of a <i>hin</i>" to be exact. If you try to find a measuring cup graduated in <i>hin</i>
at your local supermarket or even one of the better culinary boutiques,
good luck. It is unlikely you’ll find one. What exactly is a <i>hin</i>? As it turns out, a <i>hin</i> is 432 <i>drams</i> (R. Culi Me’am Loez) or <span style="color: blue;">72</span> of the 1/6th units of measure within an <i>egg</i>. What this means is that the quarter hin for the morning tamid consisted of <span style="color: #6fa8dc;">108</span> 'drams,' and this '<i>measure</i>' was then juxtaposed against the <span style="color: #6fa8dc;">108</span> drams of the afternoon tamid. Sound familiar? It is the volumetric measure for each <span style="color: #6fa8dc;">half</span> of the cube (shnei luchot) which can be mathematically expressed as </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108 </span></span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">cubic hand-breadths</span></span></span></span> opposite </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> cubic hand-breadths, that in turn (and once again) reflect the number and nature of the letters in the Name. </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><i>As
a side-note</i>: Throughout history there have been several varieties of
drams. However, here it is used to describe one sixth of an <i>egg</i>,
which is a continuation of the fractional proportions established by the
measure of the cubic form of the luchot discussed above (</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">1/<span style="color: blue;">6</span>th; 1/</span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span></span></span>th; and 1/</span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span></span></span>th<i>).</i></span></span> The fractional proportions that are directly 'defined' by the luchot are one <i>half</i> (1/2); one <i>third</i> (1/3); and one <i>sixth</i> (1/6). Each originates in the combined cubic form of the luchot, its division, and the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">216 </span></span></span>letters by which it is measured. How? Why? </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">In its primal undivided state, each of its lower dimensions was measured in terms of </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span></span></span> hand-breadths. This "division is the result of a geometric precedent set
by the 6 faces that define the combined cubic form in the higher, or
3rd dimension (each 2D face is 1/6th of the 3D cube) and so each hand-breadth in each lower dimension must be one <i>sixth</i> (1/6) the measure of any given dimension. This is (literally) the origin of the sacred (royal) hand-breadth.</span></span> </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">When the foundation stone (mathematic foundation of the universe) was divided, it was divided in <i>half</i> (1/2). This resulted in a measure of three hand-breadths along one side, where each hand-breadth was one <i>third</i>
</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"> (1/3) </span></span>the measurement of that side.</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"> These proportions became the
“three primary” fractional proportions in various systems of
measurement, with 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span></span></span>th or 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span></span></span>0th being the dominant ratio(s).</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"> </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">A system of measurement based on these proportions is referred to as a <i>sexigesimal system</i>
of measurement (see also the 'essential construct' on the origin of the
360 "portions" of a circle or sphere listed to the right). </span></span>So it is that we find 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span></span></span>th and 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span></span></span>0th '<i>proportions</i>' used as a basis of both ancient and modern systems of
measurements. </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">It's just that knowledge of how these proportions originated (from the
properties of the luchot) has been lost in antiquity. </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">For halachic purposes, if something is less than 1/</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span></span></span></span></span></span></span>0th (smaller than a '<i>barley corn</i>') it is said <u>not</u> to exist. Chametz being the only (halachic) exception.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">At any rate, the Sages of Israel asserted that the morning and afternoon tamid were
associated with the male and female halves of creation. These halves
originate with the luchot that were each <span style="color: #6fa8dc;">108</span> cubic hand-breadths. Here we
see them in the offerings, just as we saw them above in the measurement
of time where they appeared as </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span>0 <i>"parts</i>" for each hour of the day </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">opposite </span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span>0 "<i>parts</i>" </span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">for each hour </span></span>of the n</span></span>ight. We would be remiss if we did not mention that the "measure" for the radius of the moon in <span face=""arial" , "helvetica" , sans-serif">miles</span> is </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span>0</span></span></span></span> and together with its opposing radius, results in a diameter of <span style="color: red;">216</span>0 <span face=""arial" , "helvetica" , sans-serif">miles</span> (see the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-primordial-torah.html" target="_blank">Primordial Torah</a> for related details). The two halves that are a function of <span style="color: #6fa8dc;">108</span>, be they associated with lunar dynamics; or time, as <i>parts/halaqim</i> of an hour; or the measure of the luchot, are all a reflection of a larger reality defined by the cosmic
blueprint, which is itself a refection of the Creator's Name.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Torah requirements conform to the nature of that blueprint
(the shnei luchot or 'tablets') and so we see halacha require a quarter <i>hin</i> or </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> drams of oil in the morning and </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> in the afternoon. The measure of each “<span style="color: #6fa8dc;">half</span>” (and keep in mind that the gematria of the Hebrew word for “</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">half</span></span></span>” is </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span></span>) was the same as the volumetric measure for each </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">half</span></span></span> of the “cube of creation,” where each tablet was “</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">half</span></span></span>” of the original cubic form. Take a moment to contemplate the implications.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The total measure of oil, just as the total measure
of time, and the total volumetric measure of the luchot, are all numerically
identical, and all are equal to (and a reflection of) the letters in
God’s Explicit Name (<span style="color: red;">216</span>) divided equally into their male and female equivalents for purpose of
creating a universe in like form (the duality seen in physics). Mathematically and/or geometrically,
we might describe this as simply </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> elements opposite </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span>
elements, but it is a pattern that we see consistently, not only in
Torah, but virtually every aspect of the physical universe.<br /><br />The amount of wine for a wine libation, was also given in terms of <i>hin</i>, but the end result was usually a quarter <i>hin</i> (</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span>) twice, or a <span style="color: blue;">half</span> <i>hin</i> (<span style="color: red;">216</span>)
and so the connection to both the volumetric measure of the luchot and
to God’s Name is consistent. There was also a requirement for a third
of a <i>hin</i> which would equate to 144 <i>drams</i> that will be
explained more fully below. This is very interesting in light of the
measurement of the north and south walls of the <i>Mishkan</i>, which were in
the same proportion as the two walls of the golden section (kodesh
kodeshim / holy of holies) in the tabernacle. The external dimensions of
these walls were <span style="color: blue;">72</span> opposite <span style="color: blue;">72</span>, or 144 hand-breadths. </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">These numbers seemed to fall short of the
mark (216) until the <span style="color: red;">third</span> wall came to reconcile the
difference </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">(the remaining <span style="color: blue;">72</span> hand-breadths). S</span></span>ee the post on VaYakhel for details. The same is true with the measurements in VaYikra and Tzav,
where the third (missing) vector is reconciled by additional offerings
that result in a continual series of <span style="color: blue;">72</span>s. The point is that what we
see in the requirements for these offerings is once again a reflection
of both the number of letters in the Name and its triad nature that is
so rarely discussed anywhere, especially their mathematic or geometric
connection to one another in the form of the luchot; cube; and star
magen within. </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The anointing oil and the amount that Moshe created is also a reflection of these letters. In the portion of Tzav it says: “<i>Moshe took some of the anointing oil... and sprinkled it on Aaron</i>.” This anointing oil was known as the <i>shemen afarsimon</i>
(holy anointing oil) and only one batch of it was ever made. It was
made by Moshe who fully understood with proper kavanah (direction of the
heart) what was required to make the oil. Rabbi Yehuda said: “<i><span style="color: #6aa84f;">12</span> lugim were made... and <span style="color: #6aa84f;">12</span> lugim always remained</i>”
because even after a portion was used, a miracle occurred and the
amount never diminished. Why did he specifically mention the number 12
twice?</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The relationship between the <span style="color: #6aa84f;">12</span> at the start and the <span style="color: #6aa84f;">12</span> at the end (like the words used by Rabbi Yehuda to describe it) is like the <span style="color: #6aa84f;">12</span>-letter Explicit Name and it's <span style="color: #6aa84f;">12</span>-letter counterpart explained in the post on Ki Thavo, and part of the same dynamic seen in the measure of time, with <span style="color: #6aa84f;">12</span> hours of day opposite <span style="color: #6aa84f;">12</span> hours of night (each half being a function of the <span style="color: #6fa8dc;">108</span> defined by the cube and ultimately the letters) or the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6aa84f;">12</span></span></span> small faces on one half of a star tetrahedron (</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">three-dimensional </span></span>magen david) opposite the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6aa84f;">12 <span style="color: black;">small faces on the other</span></span></span></span> half </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">(also a function of the <span style="color: #6fa8dc;">108</span>)</span></span>. Each is indicative of a larger reality based on the Creator's Name.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">At any rate, returning to the subject of the anointing oil, how does a <i>hin</i> relate to a <i>log</i>? The answer should come as no surprise: <span style="color: blue;">6</span> <i>lugim</i> are a <span style="color: blue;">half</span> <i>hin</i>, or <span style="color: red;">216</span> <i>drams</i>. There were <span style="color: #93c47d;">12</span> <i>lugim</i>
of oil (like two halves) and the luchot were brought down twice (2 x <span style="color: red;">
216</span>). Take time to understand the significance of these amounts. Each is invariably a
static measure found in one or more combinations of the <a href="http://sapphiremagendavid.blogspot.co.il/p/8-dimensions-of-name.html" target="_blank">Eight Dimensions</a> of the luchot that correlate with the letters of the Name.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">When
adding together various sacrifices and their associated requirements in
the form of liquid measures, not only do we see a connection in terms
of the number of <i>drams</i> (1 times <span style="color: red;">216</span> or 2 times <span style="color: #6fa8dc;">108</span>)
but the various amounts required by halacha are in essence two or
three-dimensional reflections of the luchot as seen in the form of two <span style="color: blue;">6</span>s, or <span style="color: red;">three</span> <span style="color: blue;">6</span>s: <span style="color: blue;">6</span> <i>lugim</i>, <span style="color: blue;">6</span> <i>lugim</i> and <span style="color: blue;">6</span> <i>lugim</i> which mirror the <span style="color: red;">three</span> dimensions of the combined cubic form of the luchot that were <span style="color: blue;">6</span> hand-breadths by <span style="color: blue;">6</span> hand-breadths by <span style="color: blue;">6</span> hand-breadths. All reflect the nature and number of letters in the Name.<br /><br />In
the case of the tamid, the progression would continue daily into
infinity much like the reflection between two mirrors. The repetition is
reminiscent of the <span style="color: red;">three</span> measures of flour (each being <span style="color: blue;">6</span> ounces) in Avraham’s tent for the Divine Presence and the <span style="color: blue;">6</span> days in the cloud, the <span style="color: blue;">6</span> days going back and forth and the start of the event </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">(or end) </span></span>on the <span style="color: blue;">6</span>th of Sivan. Each in its own way is a further reflection of the <i>Signature of the Architect</i> that defines the measure of the blueprint for creation. </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Why did Moshe make (only) 12 <i>lugim</i>? It is important to remember: 1) <u>what</u> actually happened; 2) <u>who</u> brought down the luchot; and 3) <u>how</u>
many “sets” of “twins” were actually brought down. You may recall that
because of the sin of the golden calf, the first twins (2 x </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> = <span style="color: red;">216</span>) were shattered and a second set brought down <span style="color: blue;"><span style="color: black;">(2</span></span> x <span style="color: red;">216</span> = <span style="color: #8e7cc3;">432</span> cubic hand-breadths). There happen to be <span style="color: #8e7cc3;">432</span> <i>drams</i> </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">(2 x </span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">216</span></span></span> = <span style="color: #8e7cc3;">432</span>) </span></span>in <span style="color: #6aa84f;">12</span> <i>lugim</i>.<br /><br />The
diagram below shows some of the different systems of measurement, sets
of measurements and ratios between sets and how they correlate with one
another, using the geometric properties of the luchot as the common
denominator. The measurements themselves may be an expression of
entirely different systems, measuring entirely different things, but the
ratios between one thing and another are always the same and they
always match the ratio between the luchot; it's combined cubic form; or its divided form; and that of the
Triad Name. It doesn't matter if the measurements are in terms of <span style="color: #6fa8dc;">108</span>
cubic <i>hand-breadths</i> or </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> <i>drams</i>, </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> (tens of) <i>parts (of an hour)</i>, or 6 hand-breadths, 6 <i>lugim</i>, 6 <i>eggs</i>, or 2 times </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> <i>drams</i> or <span style="color: red;">216</span> <i>drams</i>.
Not only are they related to one another in terms of their respective
ratio's but those ratios in turn match the characteristics of the cosmic
blueprint and the <i>Signature of the Architect</i> who established them in the first place.</span></span><br />
<br />
</p><div style="text-align: center;">
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Units of Measure</span></span><br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">(<i><span style="font-size: x-small;">as they relate to the volumetric measure of the luchot</span></i>) </span></span></div>
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"> </span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFWgSlFMyoH6Kjk3Xazsf-LuXllyotsKDBda1Jd79fDVzIMYLBm-kJfzw5sc0nabU8GAyj4q9fja5w_WZnWiUlRQhX5pdPnZabEfCijKMjNyWc1N8NSutXo2uifbj8U-HjD0GLc6mzPJsw/s1600/Twin+Twins+1+Hin+and+12+Lugim+Expanded.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFWgSlFMyoH6Kjk3Xazsf-LuXllyotsKDBda1Jd79fDVzIMYLBm-kJfzw5sc0nabU8GAyj4q9fja5w_WZnWiUlRQhX5pdPnZabEfCijKMjNyWc1N8NSutXo2uifbj8U-HjD0GLc6mzPJsw/s1600/Twin+Twins+1+Hin+and+12+Lugim+Expanded.jpg" width="400" /></a></div>
<div style="text-align: center;">
<br />
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;">Click to Enlarge</span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">1/4 hin = <span style="color: #6fa8dc;">108</span> drams = 3 lugim<br />1/2 hin = <span style="color: red;">216</span> drams = 6 lugim<br />1 hin = <span style="color: #8e7cc3;">432</span> drams = 12 lugim</span></span></div>
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><br /> All
of the requirements, all of the measurements and all of the events are a
reflection of God’s Name. If the event occurs twice then we see a
double reflection. Enter the requirement for a third <i>hin</i> of oil or wine. The product of 3 times 144 (a third of a <i>hin</i>)
equals <span style="color: #8e7cc3;">432</span>, which is the same as 2 x <span style="color: red;">216</span>, or the total amount of
anointing oil (in drams) that Moshe made, and the same number of
elements in the two sets of sapphire “twins” that Moshe brought down
(the first having been shattered). <br /><br />All of this requires a
certain amount of contemplation. However the conclusion is inescapable.
The measurement and </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">geometric nature </span></span>of the luchot is the “cosmic blueprint” for creation. it provides
the specifications for everything that follows. Its characteristics are
not only a reflection of the letters of the Name, but the pattern for
everything else that follows. We should therefore not be surprised when
we see these patterns repeated in the linguistic structure of the text
or elsewhere in the physics of the universe. How do we know these
requirements (and patterns) are not the invention of men? These
requirements and patterns are embedded in both the subatomic and stellar nature of the entire
universe. We find them in the physics of time and space, quantum
mechanics, biology and celestial dynamics, and though we will not delve
into them in this post, it is only because we have done so elsewhere,
many times, throughout this blog. <br /><br />We mentioned earlier that a <i>hin</i> was <span style="color: #8e7cc3;">432</span> drams. Interestingly, the term "<i>dram</i>" is also considered to be 1 <i>teaspoon</i>, not a <i>teaspoon</i> by today’s measure but by its original measure which was 60 <i>minims</i> (a <i>minim</i> being a drop of fixed measure)<span style="font-size: xx-small;">1</span>. If a <i>dram</i> is 60 <i>minims</i> (60 <i>drops</i>) and a <i>hin</i> is 432 drams, then how many <i>minims</i> are in a <i>hin</i>?
The answer is exactly <span style="color: #a64d79;">25,920</span> minims. That number should also sound
familiar as it was just mentioned above, as the number of years that it
takes for the stars in the heavens to make one full circuit in the <i>precession of the equinoxes</i> known as a <i>great year</i> or <i>platonic year</i>.
When it was mentioned above, we were talking about the measure of time.
Here, we are talking about a liquid measure that occupies space and has
volume, but both are identical and both have their origin in the
characteristics of the combined cubic form of the luchot. That’s why we
say that everything is interconnected and if you trace the connections
back to their point of origin, it is always the cube of creation (<u>defined</u> <u>by</u> <span style="color: red;">216</span> '<i>measures</i>' that equate to the letters of the Explicit Name). </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Insofar
as this post is concerned, the important thing to remember is that the
measurement of the luchot, the oil, the wine, the movement of the stars
through the heavens, as well as the relationship between actual systems
of measurements like the <i>hin</i>, the <i>dram</i> and the <i>minim</i> (or <i>drop</i>) have their equivalency in some fractional proportion of the <span style="color: red;">216</span>
letters which defines them all (which by the way have been used in one
form or another by every nation from time immemorial). Each system of
measurement is directly or indirectly connected to the letters of God's
One Explicit Name, the knowledge of which was preserved by the Sages of
Israel.<br /><br />In the next post on <i>Shemeni</i>, we will see how these same
systems of measurement and other halachic requirements (that
mathematically and/or geometrically correlate with the Name) have a
connection in physics to the E8 lattice.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span>
<br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">________<br /><br /><span style="font-size: x-small;">Footnote
1 - The minim is actually a "drop" (60 drops in a teaspoon or fluid
dram). Its a modern term that comes from an ancient concept. The term
minim was established because the problem with a drop, was that in
practice it would vary, depending for example, on viscosity and
temperature. The minim is simply a more modern variant that took this
into account to provide for a static measurement. The ratio between one
measurement and another is the same i.e. 1/60th. It goes back to the
roman concept of a drop (minim) being 1/60th of a fl. drachma or a grana
(grain) being 1/60th of a drachma, but this in turn goes back to even
more ancient concepts as in the case of the Torah concept of 1/60th,
which as explained throughout this post originates in the geometry of
the luchot. For
the purpose of this post the term minim is used, even though it is more
modern, because it is a static amount. </span></span></span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-70718757983714544132024-03-11T14:01:00.000+02:002024-03-11T14:01:49.183+02:00Pekudey<p><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">In this parashah “[Betzalel] <i>made the robe</i> [for the Cohen HaGadol]” and they “<i>made pomegranates</i> [and] ..<i>.pure gold bells, and placed the bells in</i> <i>the pomegranates</i>.” It then says “<i>there was a bell and a pomegranate, a bell and a pomegranate all around the bottom of the robe</i>.” </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Before getting into specifics, we need to mention that some
of the information you are about to read requires a broader understanding of
certain concepts. The reader is therefore strongly advised to read each
of the essential constructs
listed in the column to the right before proceeding. These
constructs reveal the basic connection between the letters of
the Name
and the multidimensional mathematic and geometric characteristics of the
luchot, both in their divided state and combined cubic form, along with
an explanation of its internal geometry that casts a shadow known as a
magen david. There
is a special connection between the Name, the luchot and the geometry of
the magen. The purpose of this blog is to show how they connect
with one another, and
to reveal where this unique <i>Signature of the Architect</i> is hidden in each
week’s parashah. Once you are familiar with these constructs you can
more fully appreciate each post. </span></span></span></span></span></span></span></span><br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><br />With
respect <i>Parashah Pekudey</i>, there is considerable debate in the Talmud
and other sources as to specifics regarding the robe, the bells and the
pomegranates. Was there a bell next to each pomegranate, or was there a
bell inside each pomegranate? Some say there were 36, some say 70 and
some say there were 72 pomegranates (and an equal number of bells). </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Given
the numbers, sets of numbers and ratios between the sets found in the
last parashah, relative to the ratio of <i>phi</i>; relative to the
measurements of the tabernacle; and their connection to God’s Name, the
description of the robe with its components might be altogether
different, and so I offer the following for consideration: </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The
number 70 has an indirect relation to God’s Name through a segment of
the geometry in the royal seal (three-dimensional magen david). The
number 36 is a facet of the Name as well, in that it is half of 72, but
half of 72 is just that (only half) and so its connection is also
somewhat indirect. The number 72 has a direct connection to God’s Name,
in that it is the number of triplets, but still just one third the
number of letters. We pointed out in (last week's) post on Parashah <a href="https://sapphiremagendavid.blogspot.com/2024/03/vayakhel.html" target="_blank">VaYakhel</a>,
that without the third wall of the <i>Mishkan</i>, there were only 2 x 72
(hand-breadths) or 144 elements, and so the reflection fell 72 short of
the mark. However, when we added the third wall, which was 72
hand-breadths, the total measurement became <span style="color: red;">3</span> x <span style="color: blue;">72</span> or <span style="color: red;">216</span>
hand-breadths, which properly reflected not only the number of letters
in the Explicit Name, but also the triad nature of that Name.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">In
the case of the robe, if there were 72 pomegranates then there would be
72 bells and we would have the same problem we had in the last parashah
concerning the walls (2 x 72 = 144). Each opinion thus far offered, is
inadequate to reflect both the number and nature of the letters in His
Name. In the case of 72, the total number is missing a vector or
component of the triad form (see the post on VaYakhel for a more
complete explanation). Briefly, in the case of the walls of the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><i>Mishkan</i></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">,
there was a third wall (a <span style="color: red;">third</span> set of <span style="color: blue;">72</span>
hand-breadths) that came along to reconcile the discrepancy. Is it
possible there is yet another number to consider in describing the bells
and pomegranates? </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The
Torah describes the hem of the robe as having a “bell and pomegranate,”
as though they were married together in pairs at the bottom of the
robe. In other words, they could have been side-by-side; or maybe one
inside the other (as suggested in some sources) but whatever their
position, they were somehow juxtaposed one against the other like twins.
Notice also that the phrase "bells and pomegranates," is repeated
twice! Two sets of twins should sound familiar. </span></span><br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><br />Since
there were two items, bells and pomegranates (and the phrase is
repeated twice) then by logical inference the form would seem to mirror
that of the luchot, which were two mathematic and geometric twins
brought down twice in the form of <span style="color: #6fa8dc;">108</span> opposite </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> (cubic hand-breadths). Might there have been </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> pomegranates opposite </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span>
bells? If this were the case, from a purely hypothetically standpoint
of course, how might they be distributed around the bottom of the robe.
Consider what happens, for example, if the<span face=""arial" , "helvetica" , sans-serif">y</span> were not merely
adjacent to one another, but also over top of <span face=""arial" , "helvetica" , sans-serif">one another</span>, and
staggered triangularly as
pictured below.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">This
would mean first, that the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> bells opposite </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> pomegranates, were
like the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> hand-breadths opposite </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> hand-breadths in the measure of
the north and south walls of the tabernacle when portioned according to
the ratio of <i>phi</i>. It would also mean they were like the </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> cubic
hand-breadths of the luchot, opposite </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">its remaining </span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> cubic hand-breadths, all of which</span></span> reflect the number of letters in the Explicit Name. It would however, mean something else. </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">If the bells and </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">pomegranates</span></span> were juxtaposed as a series of triangles they would still be a string of alternating bells and pomegranates,</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"> but the staggered juxtaposition would form a series of triangles. </span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Question: If there were </span></span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span> of each, then h</span></span>ow many triangles would there be?</span></span><br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Answer: There would be exactly <span style="color: blue;">72 <span style="color: red;">tri</span></span>angles (<span style="color: blue;">72</span> x <span style="color: red;">3</span> = <span style="color: red;">216</span>) as shown in the model below.</span></span><br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">In
this configuration, the hem of the robe with its bells and pomegranates
would be a mathematic and geometric mirror image, not only of the walls
of the <i>mishkan</i> that were both <span style="color: red;">3</span> x <span style="color: blue;">72</span> and 2 x <span style="color: #6fa8dc;">108</span> at the same time, as
shown in the picture posted last week in <i>VaYakhel</i>,
but it would also reflect the mathematic and geometric characteristics
of the luchot. The requirement in the written Torah would be met, as
there would be "</span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><i>a bell and a pomegranate, a bell and a pomegranate all around the bottom" </i>as specified<i>. </i></span></span>More importantly, the characteristics of the <i>bells</i> and </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><i>pomegranates</i></span></span></span></span> would mirror the number <u>and</u> the triad nature of the letters in the Explicit Name.<br /> </span></span><br />
</p><div style="text-align: center;">
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span></span> Bells and Pomegran<span face=""arial" , "helvetica" , sans-serif">a</span>tes Triangularly <span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">A</span>rranged</span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"> (<span style="color: red;"><span style="color: black;">Total: </span>216</span>)<br />w/ <span style="color: blue;">72</span> </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">(Virtual) </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">Tri</span>angular Forms</span></span></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXwD8pNQrp3E-HzGzf5NY4cdOVDYVlhAwEK21FaYikuKyXNUO_Z_ObDR5vgqKTWA6vI-FmoiYRtklc1bbxodT9PxOFAKOXJidC7kMMPDhsUwCYxecAf4d3_CiJHhgT9M_H_jqE4Jy02i3o/s1600/Bells+&+Pomeg+3.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXwD8pNQrp3E-HzGzf5NY4cdOVDYVlhAwEK21FaYikuKyXNUO_Z_ObDR5vgqKTWA6vI-FmoiYRtklc1bbxodT9PxOFAKOXJidC7kMMPDhsUwCYxecAf4d3_CiJHhgT9M_H_jqE4Jy02i3o/s1600/Bells+&+Pomeg+3.tiff" width="400" /></a></div>
<span style="font-size: x-small;"><br /></span>
<br />
<div style="text-align: center;">
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: x-small;">(There are <span style="color: blue;">72</span> <span style="color: red;">Tri</span>angular Corners in a Three-Dimensional Magen David) </span></span></span></div>
<div style="text-align: center;">
<i><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: x-small;">3 of the 72 'Virtual' Triangles are Depicted Above</span></span></span></i><br />
<i><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: x-small;">(the blue lines are used merely to show the triangular pattern)</span></span></span></i></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;">(click on the diagram to enlarge it)</span></div>
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Contemplate this for a moment and remember also that when the top angle of an equilateral triangle equals <span style="color: #6fa8dc;">108</span> degrees, the sum of the 2 bottom angles equals <span style="color: blue;">72</span> degrees, and when the top angle equals <span style="color: blue;">72</span> degrees, the sum of the 2 bottom angles equals </span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6fa8dc;">108</span></span></span>
degrees. If you wanted the robe to reflect the number and nature of the
letters in God's Name, how many bells and pomegranates would you
include, and where, and how, would you place them? </span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-85052120770705109542024-03-03T15:09:00.006+02:002024-03-03T15:09:46.906+02:00VaYakhel<p><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Throughout
this blog it has been asserted and repeatedly demonstrated that the
mathematic Signature of the Architect is deeply embedded throughout the entire
Torah in a variety of ways, and that it is hidden from the casual
observer. In this week's parashah we see once again how this unique signature in the form of certain mathematic and geometric
characteristics, is hidden just beneath the surface.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Before
we get into the specifics of this parashah, we should mention that some
of the information presented in this post requires a broader understanding of
certain concepts. The reader is therefore strongly advised to read each
of the essential constructs
listed in the column to the right before proceeding. These
constructs reveal the <span face=""arial" , "helvetica" , sans-serif">correlation</span> between the letters of
the Name
and the multi-dimensional mathematic and geometric characteristics of the
luchot, both in their divided state and combined cubic form, along with
an explanation of its internal geometry that casts a shadow known as a
magen david. <span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">There is a special connection between the Name, the
luchot and the geometry of the magen. The purpose of this blog is to
show how they all connect and to reveal where the <span face=""arial" , "helvetica" , sans-serif">signature geometry</span> is hidden in each week’s parashah. Once you are familiar with
these constructs you can more fully appreciate each post.</span></span></span></span></span></span></span> </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> In
<i> VaYakhel</i>, Betzalel and his assistant carry out the instructions that
God gave to Moshe in <i>Terumah</i>. We are told that these men were gifted
with the ability to know and understand how to build what God had
directed. So with that in mind let's look at what they built and how it
correlates with God’s Name. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The Torah says: “...<i>they made <span style="color: #bf9000;">20</span> </i>[golden] <i>beams for the southern wall</i> [and for] <i>the north</i>[ern wall] <i>they made <span style="color: #bf9000;">20</span> </i></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">[golden] </span></span><i>beams</i>.”
At first glance this appears to be a simple, straight forward
description. However, it also contains a great deal more. Embedded
within these measurements is an accurate reflection of God’s Explicit
Name. How on earth could the <span face=""arial" , "helvetica" , sans-serif">signature geometry</span> be hidden within
these simple measurements? </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">We have shown on numerous occasions that the luchot were each <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: red;">3</span> hand-breadths and that a matrix with this ratio consists of <span style="color: #6fa8dc;">108</span> 'elements' (cubic hand-breadths). There were two luchot, so the measure of the combined form was <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span>, and the total number of elements in the twin matrix was 2 x <span style="color: #6fa8dc;">108</span> or <span style="color: red;">216</span>.
The number of cubic hand-breadths in the luchot is of course equal to
the number of letters in God's Explicit Name. In fact, when the tablets are placed side<span face=""arial" , "helvetica" , sans-serif">-by-side, the ratio </span>becomes 6 x 12 (<span style="color: blue;">72</span>) x <span style="color: red;">3</span> which reflects the number and nature of the <span style="color: blue;">72</span> "<span style="color: red;">tri</span>plets" (<span style="color: blue;">72</span> x <span style="color: red;">3</span> or <span style="color: red;">216</span> letters). This shou<span face=""arial" , "helvetica" , sans-serif">ld be carefully contemplated.</span></span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">As
we proceed through this post you will see how these numbers<span face=""arial" , "helvetica" , sans-serif">,</span> sets of
numbers<span face=""arial" , "helvetica" , sans-serif">,</span> and the ratio between the sets define the architecture of the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i>Mishkan</i></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> (tabernacle). First, consider the ratio known as '<i>phi</i>'
represented by the symbol φ, <span face=""arial" , "helvetica" , sans-serif">also called </span>the golden ratio. Why is it called a "golden" ratio? What's so "golden" about it? <span face=""arial" , "helvetica" , sans-serif">You<span face=""arial" , "helvetica" , sans-serif">'</span>ll see why</span> in a moment. <span face=""arial" , "helvetica" , sans-serif">The<span face=""arial" , "helvetica" , sans-serif"> rati<span face=""arial" , "helvetica" , sans-serif">o is well known and </span></span></span><span face=""arial" , "helvetica" , sans-serif">can</span> be found
throughout the entire universe. <i>Phi</i> is essentially '<i>nature in action</i>.' The curvature of a
seashell is in this proportion. The number of male bees in a hive, to
the number of female bees is in this proportion. The growth of leaves
and stems in most plants conforms to this proportion, as does the shape
of pine cones and sunflowers to name just a few. The hull of a <span face=""arial" , "helvetica" , sans-serif">modern ship</span>
when shaped to this proportion has the most efficient hydrodynamic
advantage. The human body has many examples of this proportion as
represented by Da Vinci's <i>Vitruvian Man</i>. The ratio of <i>phi</i> is the "<i>logic of nature</i>,"
juxtaposed against the chaos that opposes it. In many ancient cultures,
it was proof of intelligent design so it should come as no surprise
that this ratio is found within a certain mathematic relationship
between the walls of the <i>Mishkan</i> and two specific aspects of God's
Explicit Name! We see this quite clearly in the specifications of the
tabernacle. <br /><br />There were 20 beams on one side of the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i>Mishkan</i></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> and
20 beams on the other. If the 20 beams of each wall are divided to the
nearest beam according to the ratio of <i>phi</i> (1/φ x 20) then the two
portions of the wall are <span style="color: #e69138;">12</span> beams and <span style="color: #bf9000;">8</span> beams respectively. Each beam was 1 1/2 cubits in width, which is the same as 9 hand-breadths. The portion consisting of <span style="color: #e69138;">12</span> beams would thus be <span style="color: #6fa8dc;">108</span> hand-breadths and the remaining portion (which was the holy of holies) consist<span face=""arial" , "helvetica" , sans-serif">ed</span> of <span style="color: #bf9000;">8</span> beams, which would be <span style="color: blue;">72</span> hand-breadths. The sum of the two portions (<span style="color: #6fa8dc;">108</span> + <span style="color: blue;">72</span>)
equaled the length of the wall. The point dividing the two segments
was also the point dividing the 'Holy of Holies' from the remaining
area. To put it another way, the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #f1c232;">20</span> beams of each wall were <span style="color: #999999;">180</span> hand-breadths. The <span face=""arial" , "helvetica" , sans-serif">h</span>oly of <span face=""arial" , "helvetica" , sans-serif">h</span>olies, or inner portion, comprised <span style="color: blue;">72</span> of these hand-breadths, and the outer portion comprised the remaining <span style="color: #6fa8dc;">108</span> hand-breadths<span face=""arial" , "helvetica" , sans-serif">.</span> </span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> </span></span><br />Do
those numbers sound familiar? Of course they do! In terms of these
proportions, the 108 hand-breadths on the southern wall, opposite the 108
hand-breadths on the northern wall were just like the luchot with a volumetric measure of </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #6fa8dc;">108</span></span></span> cubic hand-breadths<span face=""arial" , "helvetica" , sans-serif"> </span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">opposite </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #6fa8dc;">108<span style="color: black;"> </span></span></span></span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #6fa8dc;"><span style="color: black;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">cubic hand-breadths</span></span></span></span></span></span>. These portions and their respective
number of elements correspond to the number of letters in God’s Explicit
Name. So too does the remaining portion, in that there are <span style="color: blue;">72</span>
hand-breadths on the southern wall opposite <span style="color: blue;">72</span> hand-breadths on the
northern wall. <span face=""arial" , "helvetica" , sans-serif">However, s</span>ince there are only 2 x 72 (hand-breadths) the
remaining measurements would seem to be deficient!</span></span><br />
<br />
<br />
</p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhniZiyOKEOxc-brwsBrUHfzAGCeA2BOLeXkjLcg-i61MczCFnQaMFg_KMqvhtL387kOdmvJHaOZ8UtPKGB4Se__03rDKIo0-gXUHKQdhptg5s7tNvujSI1d4tE0yYsvZVNc2F4QoN_P111/s1600/Tabernacle+Wall+%25282%2529+%2528Blue+2+x+108%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhniZiyOKEOxc-brwsBrUHfzAGCeA2BOLeXkjLcg-i61MczCFnQaMFg_KMqvhtL387kOdmvJHaOZ8UtPKGB4Se__03rDKIo0-gXUHKQdhptg5s7tNvujSI1d4tE0yYsvZVNc2F4QoN_P111/s1600/Tabernacle+Wall+%25282%2529+%2528Blue+2+x+108%2529.jpg" width="400" /></a></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br />The number of letters in God's Explicit Name is a function of <span style="color: red;">3</span> times <span style="color: blue;">72</span> (the <span style="color: red;">Tri</span>ad Havayah of <span style="color: blue;">72</span>
consisting of <span style="color: red;">tri</span>plets). The above model has only 2 '<i>measures</i>' of 72,
so it appears to be missing a component or vector of the triad form of
God’s Name.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Where is the</span> third "set" of 72<span face=""arial" , "helvetica" , sans-serif">?</span> Have we forgotten something?
What about the third wall? So far, we’ve only
discussed two walls. The tabernacle was closed at the end as pictured
below. It also had a western wall in addition to the northern and southern
walls. Care to guess what the measurement of
the western wall was? </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">That's
right! It turns out that this wall was made of </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #bf9000;">8</span></span></span> beams as well. These </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #bf9000;">8</span></span></span>
beams were also each 9 hand-breadths in width (</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #bf9000;">8</span></span></span> x 9 = <span style="color: blue;">72</span> hand-breadths).
There's our missing <span face=""arial" , "helvetica" , sans-serif">set</span>! The total measure
of the tabernacle where the ("golden" ark was present) was <span style="color: red;">3</span> x <span style="color: blue;">72</span> or <span style="color: red;">216</span>
hand-breadths. <span face=""arial" , "helvetica" , sans-serif">T</span>he total measurement (<span style="color: red;"><span style="color: black;">of </span>216</span> hand-breadths) is clearly divided into 3 groups
(in the form of 3 walls) precisely conforming to, and mathematically
reflecting the triad nature of the Name.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> In
summary, the walls have multiple characteristics that reflect the
characteristics of the Explicit Name and the measure of the luchot<span face=""arial" , "helvetica" , sans-serif">,</span> either in terms of the 108 x 2 (216)
hand-breadths associated with the twin matrix, or in terms of its triad
form, 72 x 3 (216) hand-breadths. The ratio of one to the other (<i>phi</i> / φ)
as it relates to the Name and the measurement of His tabernacle, thus
"defines" what He has created in the properties of nature which adheres
to this ratio.</span></span><br />
<br />
<div style="text-align: center;">
<span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif">(Click to Enlarge)</span></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiMBXBw1rJHiDDfGnEQswBIE1AFwtRh0-G3sp4hdwmyhBS_0q3vkGaswpYgcDg2fXSRLwV3YnTBDfanxc6vXsa0R5pC_LDoPq1AZPqv4HidZXyrpBVGJvCinErrLfeHQlu-ckIDdGb_xRRwZ6sVN5LVVdg1ARl0ysQbK_DBiXCSNXKFFf-cFu-Zfq8HEg=s9000" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5215" data-original-width="9000" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEiMBXBw1rJHiDDfGnEQswBIE1AFwtRh0-G3sp4hdwmyhBS_0q3vkGaswpYgcDg2fXSRLwV3YnTBDfanxc6vXsa0R5pC_LDoPq1AZPqv4HidZXyrpBVGJvCinErrLfeHQlu-ckIDdGb_xRRwZ6sVN5LVVdg1ARl0ysQbK_DBiXCSNXKFFf-cFu-Zfq8HEg=w400-h231" width="400" /></a></div><br />
<br />
<div style="text-align: center;">
<span style="color: #bf9000;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The Section with the Golden <span face=""arial" , "helvetica" , sans-serif">Ark of the Covenant</span></span></span></span><br />
<span style="color: #bf9000;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">is a reflection of the letters in God's Explicit Name </span></span></span></span></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /> Once
again we see the secret, subtle, sublime Signature of the
Architect, hidden just beneath the surface of what appears to be
ordinary circumstances (in this case the measurements of the tabernacle) in order to confound
the casual observer. The significance of all this does not end with the
examples above, and so, for the beggars among us who are not satisfied
with a crust of bread, there is a bit more information to follow. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">In addition to what has been mentioned thus far, the <u>sum</u> <u>total</u> of the opposing halves (<span style="color: #6aa84f;">180</span> hand-breadths opposite <span style="color: #999999;">180</span> hand-breadths) is the like the sum total for the two halves of a circle which is <span style="color: #38761d;">360</span> degrees (</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #999999;">180</span></span></span> + </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #999999;">180</span></span></span> = <span style="color: #38761d;">360</span>).
This is like the two-dimensional shadow of a specific sphere within a
specific cube (the combined cubic form of the luchot) with a specific
measure, and thus a geometric absolute within the cube of creation
defined by its <span style="color: red;">216</span>
cubic hand-breadths. That sphere is .5236 the volume of the cube that
surrounds it, which happens to be the ratio between the royal cubit (the
King's system of measurement) and the metric system (the royal cubit is
.5236 of a meter). </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">We
have already mentioned that when the 20 beams of the wall are divided
</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">to the nearest beam </span></span>according to the ratio of <i>phi</i>, the two resulting portions consisted of <span style="color: #e69138;">12</span> beams and <span style="color: #bf9000;">8</span> beams respectively. What we have not yet mentioned is that the star tetrahedron with its <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners (as a geometric reflection of the Triad Havayah) coincidentally has <span style="color: #e69138;">12</span> edges and <span style="color: #bf9000;">8</span> vertices. The</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> signature numbers of <span style="color: blue;">72</span>, <span style="color: #6fa8dc;">108</span> or <span style="color: red;">216</span></span></span>, are repeatedly found as multiples in the total degrees of its various internal and external angular properties (like <span style="color: red;">2</span>,<span style="color: red;">16</span>0 in the 24 x 90 degree angles of the cube). </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br />We
also mentioned that the beams were covered with gold. You may remember
in the portion of Tetzaveh, we showed how metallic gold had a crystal
lattice that was face-centered cubic, with a measured hardness of <span style="color: red;">216<span style="color: black;"> <i>MPa</i></span></span>; and that the latticework of gold had <span style="color: #6fa8dc;">24</span> triangular (or <span style="color: red;">three</span>-sided) facets (for a total of <span style="color: blue;">72</span> corners).</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">While the external measure of the Holy of Holies consisted of <span style="color: red;">3</span> walls, each <span style="color: blue;">72</span> hand-breadths (mentioned previously) its internal measure (less the thickness of the wall) was <span style="color: blue;">6</span>0 hand-breadths by </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">6</span></span></span>0 hand-breadths by </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">6</span></span></span>0 hand-breadths (</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">6</span></span></span> x </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #3d85c6;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">6</span></span></span></span> x </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">6</span></span></span> times 10-cubed) or <span style="color: red;">216</span>,000 (cubic hand-breadths).
All of these measurements taken together reflect the nature of the
cosmic blueprint (cube [of creation] or shnei luchot) that in turn
reflect the nature and number of letters in the Explicit Name.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
portion of the 3 walls above (wherein each of the 72 hand-breadths is found)
is comprised of 8 beams on each of the 3 walls (thus a total of 24
beams just like the 24 facets in the latticework of gold). The golden
section of the tabernacle (Holy of Holies) with its 3 walls of 8 beams,
is a mirror image of the crystalline structure in metallic gold on the
periodic table of elements. Although it might be more accurate to say
that the gold; the tabernacle; the mathematic and geometric
characteristics of the magen david within the sapphire cube, and indeed
everything (witness the ratio of <i>phi</i> in nature) all bear witness to the <i>
One</i> Who created the universe, and that the Signature of this Architect is hidden within the nature of
each component.</span></span><br />
<br />
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;">(from left to right)</span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;">Three-Dimensional Magen David in the Cube of Creation</span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;">Face-Centered-Cubic Lattice of Gold</span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="font-size: x-small;">Holy of Holies in the Tabernacle </span></span></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzM-sIqmZJ3773QVzszPDnjGQoCVBClttHmGfAOpoNkpQ0aNnUJU7h_mKpK1cQFU82wQEYUQV5rNoYAd-ZnXDWpM4NaSmlySsRLhacYe6C-vnA4dpK10PK0iRxJpjG7pTzspAR63gsgi_I/s1600/Cubes+with+Star+Inside+%2526+Out+w%253AGold+Holy+of+Holies+copy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzM-sIqmZJ3773QVzszPDnjGQoCVBClttHmGfAOpoNkpQ0aNnUJU7h_mKpK1cQFU82wQEYUQV5rNoYAd-ZnXDWpM4NaSmlySsRLhacYe6C-vnA4dpK10PK0iRxJpjG7pTzspAR63gsgi_I/s1600/Cubes+with+Star+Inside+%2526+Out+w%253AGold+Holy+of+Holies+copy.jpg" width="400" /></a></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<br />
<div style="text-align: center;">
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: x-small;">(Click to Enlarge)</span></span></span><br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: x-small;"> </span></span></span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
More Detailed Model of the Holy of Holies</div>
<div style="text-align: center;">
(<i>showing the finishing beams that result in the mathematic connection between</i></div>
<div style="text-align: center;">
<i>the Name and the internal and external measurements</i>)</div>
<br />
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrlMM325NxKBUmLDXgeN-wTiXntvzCWB0UQZlohB7PnInLUmHVTIsy9fELEfFzi8WRYnFEArL_q8YMn-QA39UlVVyDnsiErRfRBoYEO-3E6xN8AYQucp-sQOws3k9BsntjAC_aRDE5ggDh/s1600/Holy+of+Holies+72+and+60b.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1248" data-original-width="1452" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrlMM325NxKBUmLDXgeN-wTiXntvzCWB0UQZlohB7PnInLUmHVTIsy9fELEfFzi8WRYnFEArL_q8YMn-QA39UlVVyDnsiErRfRBoYEO-3E6xN8AYQucp-sQOws3k9BsntjAC_aRDE5ggDh/s400/Holy+of+Holies+72+and+60b.tiff" width="400" /></a></span></span></div>
<br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">With
the above in mind, lets take a look at some of the more advanced
geometric parallels between God's Name, the Tabernacle and the magen
david in the third dimension. Each of these measures should be contemplated as <span face=""arial" , "helvetica" , sans-serif">they</span> appl<span face=""arial" , "helvetica" , sans-serif">y</span> to the letters of God's Name.</span></span><br />
<br />
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">Three-Dimensional Magen David</span><br />External Ratio ~ Cubic<br />Number of Triangular corners <span style="color: red;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span><br /><span style="color: #bf9000;">8</span> Primary (Large) Faces<br /><span style="color: #6fa8dc;">24</span> secondary (small) faces (w/ <span style="color: red;">three</span>-corners) = <span style="color: blue;">72</span> triangular corners</span></span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br />~</span></span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /><span style="color: #bf9000;">Gold</span><br />External Ratio of its Crystalline Structure ~ Cubic<br />Hardness = <span style="color: red;">216<span style="color: black;"> <i>MPa</i></span></span><br />Each side/face = <span style="color: #bf9000;">8</span> lines<br /><span style="color: #6fa8dc;">24</span> tri-angular (<span style="color: red;">3</span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">-sided) facets = <span style="color: blue;">72</span> corners</span></span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br />~</span></span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /><span style="color: #bf9000;">Golden Section (Holy of Holies) of the Tabernacle</span><br />Internal Ratio ~ Cubic<br />Product of Internal Ratio 60x60x60 = <span style="color: red;">216</span> (ten-cubed hand-breadths)<br />Each side/face = <span style="color: #bf9000;">8</span> beams<br /><span style="color: #6fa8dc;">24</span> beams = <span style="color: red;">3</span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> sides/walls of <span style="color: blue;">72</span> hand-breadths<br /> </span></span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">~</span></span></div>
<br />
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Every face on a star tetrahedron or triangle of a magen david has 3 angles.</span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Each of the <span style="color: red;">3</span> angles is <span style="color: blue;">6</span>0 degrees (<span style="color: red;">3</span> x <span style="color: blue;">6</span>0 = <span style="color: #999999;">180</span>).</span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The north and south walls of the Mishkan were <span style="color: #999999;">180</span> hand-breadths in length.</span></span></span></span> </span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The internal measure of the Holy of Holies was in the form of <span style="color: red;">3</span> measures of <span style="color: blue;">6</span>0. </span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The angles of the (equilateral) triangular faces on the star tetrahedron (or magen david) are <span style="color: blue;">6</span>0 degrees, <span style="color: blue;">6</span>0 degrees, and <span style="color: blue;">6</span>0 degrees. </span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The internal measurements of the Holy of Holies is <span style="color: blue;">6</span>0 x <span style="color: blue;">6</span>0 x <span style="color: blue;">6</span>0 (<span style="color: red;">216,000</span> cubic hand-breadths)</span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">3</span> measures of <span style="color: blue;">6</span></span></span>, or </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">3</span> measures of <span style="color: blue;">6</span>0 </span>mentioned </span>above, reflect the measure and ratio of the combined cubic form of the luchot defined by <span style="color: red;">3</span> measures of <span style="color: blue;">6</span> (</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6)</span></span></span> </span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">When the face
of any triangle (on the magen) is "tilted back" into the third
dimension as would be the case on a star tetrahedron (which is
three-dimensional) the ratio of the angles of one to another changes in
terms of its 2-D orthographic projection.</span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">When the top angle is <span style="color: #a64d79;">108</span> degrees, the sum of the 2 bottom angles is <span style="color: blue;">72</span> degrees.</span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">When the top angle is <span style="color: blue;">72</span> degrees, the sum of the 2 bottom angles equals <span style="color: #a64d79;">108</span> degrees (<span style="color: blue;">72</span> + <span style="color: #6fa8dc;">108</span> = <span style="color: #999999;">180</span> or the measurement of the walls).</span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">When the walls of the Mishkan are proportionally divided according to the golden ratio, there are <span style="color: #bf9000;">8</span> beams and <span style="color: #e69138;">12</span> beams respectively. The </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #bf9000;">8</span> beams are</span></span> <span style="color: blue;">72</span> hand-breadths and the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #e69138;">12</span> beams</span></span> are <span style="color: #6fa8dc;">108</span> hand-breadths (</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">72</span> + <span style="color: #6fa8dc;">108</span> = <span style="color: #999999;">180 </span></span></span>hand-breadths).</span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The magen david (in the third dimension) has <span style="color: #bf9000;">8</span> vertices and <span style="color: #e69138;">12</span> edges and the sum total of its various related angles are multiples of </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">72</span> and/or <span style="color: #6fa8dc;">108<span style="color: black;"> degrees.</span></span></span></span></span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The star tetrahedron or magen david (in <span style="color: red;">3</span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> dimensions) has <span style="color: #bf9000;">8</span> primary (large) faces with <span style="color: blue;">72</span> corners.</span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The tetrahedrons of the "star" have <span style="color: #e69138;">12</span> secondary (small) faces with a total of <span style="color: #6fa8dc;">108</span> corners </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">(</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">72</span> + <span style="color: #6fa8dc;">108</span> = <span style="color: #999999;">180 <span style="color: black;">corners</span></span></span></span>)</span></span>.</span></span></li></ul>
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">All
of the above are mathematic or geometric reflections of characteristics
within and without the original sapphire cube that was </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span></span></span></span></span> (<span style="color: red;">216</span>
cubic hand-breadths): the two luchot that were 2 x <span style="color: #6fa8dc;">108</span> cubic hand-breadths
(<span style="color: red;">216</span>) or in their ratio of a single side-by-side matrix of <span style="color: blue;">72</span> x <span style="color: red;">3</span> cubic
hand-breadths (<span style="color: red;">216</span>); and the geometric characteristics of the magen
david in the third dimension. All have a direct correlation with God's
Name. Is this a coincidence or is it the result of careful design, and
if it is of design, then who is the designer? The answer should be
somewhat obvious!</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> This
week's post will end with one last assertion. As hard as it may be to
believe, it can be shown in the geometry of the 3 walls consisting of 8
beams covered in gold (with its 24 facets) together with the resulting
internal measurements, that these numbers, sets of numbers and ratios
between sets, provide an accurate reflection of the number of letters in
the written Torah. However, an in-depth explanation of this particular
mathematic relationship is beyond the scope of a weekly post because it
involves aspects of the twins that are far more complex. However, a
glimpse of this relationship can be seen in the post on “<i><a href="http://sapphiremagendavid.blogspot.co.il/p/8-dimensions-of-name.html" target="_blank">The Eight Dimensions</a></i>.”</span></span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-72002367811371851842024-02-24T18:46:00.001+02:002024-02-24T18:46:30.147+02:00Ki Thisa<p><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">In this parashah the sapphire twins are 'born' when they are divided and brought down, as it is written: “<i>Moshe... began going down the mountain with the shnei luchot</i>” in hand </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">(two tablets of the covenant) </span></span>(Ex 32:15). </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The event is the culmination/fulfillment of the prophetic allusions that were seen in both <i><a href="https://sapphiremagendavid.blogspot.com/2023/11/toldot.html" target="_blank">Toldot</a></i> and <i><a href="https://sapphiremagendavid.blogspot.com/2023/12/vayeshev.html" target="_blank">VaYeshev</a></i>: “<i>When it came time to give birth</i>... <i>there were twins in Her womb</i>,”
alluding to the <i>Shechinah</i> and the giving of the <i>luchot</i>. The exact same
phrase is repeated twice, in two entirely different portions of the
Torah, involving two different women and two entirely different sets of
twins. The unusual language that references the twins (becoming twins
when it was time) is a reflection of the primordial division (duality)
of the cosmic blueprint (two tablets) and that which it defined (the
physical universe) and the two times the phrase/events occur, is a
reflection of the two times that Moshe would actually
bring down two different sets of twins. The numbers and sets of
numbers attributed to the luchot in its volumetric measure and the
number of degrees in its various angles equate to the number of
letters in God's Explicit Name (<span style="color: red;">216</span>).</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">We will <span face=""arial" , "helvetica" , sans-serif">look more closely at this allusion</span> in a moment. <span face=""arial" , "helvetica" , sans-serif">In the meantime</span>, <span face=""arial" , "helvetica" , sans-serif">if you</span></span> are </span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">new to this blog and have not yet read the essential constructs
listed in the column to the right, please do so before proceeding. They
explain some of the basic connections between the letters of God's
Explicit Name and the multidimensional mathematic and geometric
characteristics of the shnei luchot<span face=""arial" , "helvetica" , sans-serif"> (two tablets)</span> both in the divided state and combined
cubic form, along with the internal geometry that casts a shadow known
as a magen david. There is a special connection between the Name, the
luchot and the geometry of the magen. The purpose of this blog is to
show how they all connect and to reveal where the <span face=""arial" , "helvetica" , sans-serif">signature geometry</span> is hidden in each week’s parashah. Once you are familiar with
these constructs you can more fully appreciate each post.</span></span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
prophetic reference(s) to the giving of the luchot were hidden in the
events pertaining to Rivka and Tamar (in <i>Toldot</i> and <i>VaYeshev</i>). The important point to remember is
that the prophecy appears in the form of two sets of “twins” as well, like the
luchot that are mathematic, geometric and substantive twins, a
template for the "duality” of a universe with male and
female aspects.</span></span><br />
<br />
<br />
</p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGP2qkIeUX0dw4_je0naFB4DrbKUgD3SgBcKyucZmSGYgYjh785lonqZLw1YUFGygk9GVtn7k8W7Cz9aIBrmiUPVhePu3cqWzx5NFFjzl5Yn2JoCaP-qhnw4uU0zkyvhR21cCmRB9RxJ7J/s1600/Luchot+Template+%28Ends+Only%29.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGP2qkIeUX0dw4_je0naFB4DrbKUgD3SgBcKyucZmSGYgYjh785lonqZLw1YUFGygk9GVtn7k8W7Cz9aIBrmiUPVhePu3cqWzx5NFFjzl5Yn2JoCaP-qhnw4uU0zkyvhR21cCmRB9RxJ7J/s1600/Luchot+Template+(Ends+Only).tiff" width="400" /></a></div>
<div style="text-align: center;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">6 <span style="color: black;">x</span> 6 <span style="color: black;">x</span> 3</span> (<span style="color: red;">108</span>) Plus <span style="color: blue;">6 <span style="color: black;">x</span> 6 <span style="color: black;">x</span> 3</span> (<span style="color: blue;">108</span>) Equals <span style="color: #c27ba0;">216</span> </span></span></div>
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> The people were not prepared to receive the first set and the two halves were destroyed. A second set was then brought down. <br /><br />These two events involving the 10 commandments and the luchot, parallel the descent of the 10 sephirot. The</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> tablets with the 10 commandments are shattered, but then brought back.</span></span>
Likewise, the 10 sephirot are shattered, but then
brought back (as is known and discussed in numerous commentaries). The
blueprint defines reality, and reality reflects the geometry of the
luchot, all of which reflect the nature of the letters in God's Name and
its abbreviated forms.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Each event is a reflection of it’s source above, which is the cosmic blueprint or cube [of
creation] consisting of 5 opposing constructs (10: that are 5 male ~ 5 female) as explained and modeled in the post on <i><a href="http://sapphiremagendavid.blogspot.co.il/p/string-theory-and-the.html" target="_blank">string theory and the luchot</a></i>. The primordial (Torah) luchot before division, was not just 'a cube,' but <u>the</u> cube [of creation] or what we generally refer to as the combined cubic
form of the luchot. The tablets are mathematically and geometrically defined by the <span style="color: red;">216</span> letters of God's Name (as seen in its volumetric measure of <span style="color: red;">216</span>
cubic hand-breadths; <span style="color: red;">216</span> elements/angles; <span style="color: red;">2</span>,<span style="color: red;">16</span>0
degrees etc) regardless of whether they are perceived in their combined
cubic form (as they were above) or their divided state (as they are
below). In their combined cubic form they are also referred to as the
cube [of metatron] the <i>mem-tet</i> angel. The word '<i>MeTRon</i>' means to measure (or '<i>to judge</i>'). It is the origin of the word '<i>MeTRic</i>,' a system of measurement as well as a unit of measurement that is also found in words like <i>MeTRonome</i>,
which is a device that signifies the passage of time (used by musicians
for keeping time). In English, the word <i>Mea<span style="color: red;">s</span>uRe</i> has an '<span style="color: red;">S</span>,' but the origin of the word and its letters <span face=""arial" , "helvetica" , sans-serif">are</span> the same: <i>Me<span style="color: blue;">T</span>Ron</i>. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">RAMBAM (Rabbi
Moshe Maimonides) in his “Guide for the Perplexed,” Ch. 5 on Verse
24:10 of Exodus, points out that (prior to the division of the luchot)
those who had gone up with Moshe “...<i>saw the God of Israel and</i> [something] <i>...under His Feet</i>,” rather than simply saying that “<i>they saw the God of Israel</i>.” Why? According to Maimonides, this comes to explain that while they were able “<i>to see</i>” [the sapphire cube] as “<i>something</i>,”
they failed to describe [to understand, perceive, comprehend or delve
into its significance]. This opinion has a number of fascinating
implications worth pondering in light of the information advanced in
such posts as the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-primordial-torah.html" target="_blank"><i>primordial torah</i></a>; the measured <i><a href="http://sapphiremagendavid.blogspot.co.il/p/the-speed-of-light.html" target="_blank">speed of light</a></i> and <i>string theory and the luchot</i> (mentioned above).</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Maimonides then asserts and admonishes the reader: “<i>How much more is it incumbent on us</i>...” (having the benefit of hindsight) that we “...<i>persevere in perfecting our knowledge of the elements</i>,” which is further clarified in: “<i>the principle part</i> [to which he was referring] which is what “...<i>was under His feet</i> [the]<i> 'paved work' of a sapphire stone,</i>”
(Ex 24:10) the '<i>paved work</i>' alluding to the plan or path, <u>literally</u> "<i>written in stone</i>" (the geometry of the stones) established by the
letters of the Name that (again literally) define the geometry of the '<i>sapphire cube</i>.' </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The gematria or mathematic sum of the letters in “<i><span style="color: blue;">HaEvanim</span></i>” (heh-aleph-bet-nun-yud-mem) which is the Hebrew phrase for “<i>the stones</i>,” is <span style="color: blue;">108</span></span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">.
This is, once again, the volumetric measure fo<span face=""arial" , "helvetica" , sans-serif">r</span> each of the stones/luchot. The phrase is invariably mentioned <span style="color: #6fa8dc;">twice</span> (as demonstrated in the post on Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/07/eikev.html" target="_blank">Eikev</a>) alluding to the <span style="color: #6fa8dc;">two</span> sets of
tablets that were brought down <span style="color: #6fa8dc;">twice</span>.</span> </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Each cubic hand-breadth of the original undivided cube of 'stone' (<span style="color: red;"><span style="color: black;">with a total of </span>216</span>) corresponds mathematically to a
letter of the Name </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">(<span style="color: red;">216</span> letters) but each</span></span>
hand-breadth further consists of 5 "elements” (a hand having 5 fingers).
These 5 elements are like a geometric extension of each letter
corresponding to </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">each cubic hand-breadth</span></span>. There are
“twenty-two basic forms of energy (represented by the letters) associated with any given '<i>hand</i>' and we are told
(in sefer yetzirah) that the divine law "<i>engraved them in voice, carved them in breath and placed
them in the mouth in five places: the throat, palate, tongue, teeth and
lips</i>.” This is how man creates (as in the words he speaks). How did
God create? He spoke the world into existence. Speech
is sound, and sound consists of
vibration or oscillation as in vibrating strands of energy, in
particular those associated with 22 specific letters. The 5 string
theories as they relate to the 5 'elements of <span face=""arial" , "helvetica" , sans-serif">each</span> 'Hand' (insofar
as the 216 cubic hand-breadths associated with each of the 216 letters
are concerned).</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">In contemplating man's participation as co-creator, it should be remembered that '<i>man is created in the image of God</i>.' </span></span>When we
speak, we make use of <span face=""arial" , "helvetica" , sans-serif">4</span> places in the mouth, opposite <span face=""arial" , "helvetica" , sans-serif">4</span> <span face=""arial" , "helvetica" , sans-serif">in the th<span face=""arial" , "helvetica" , sans-serif">roat <span face=""arial" , "helvetica" , sans-serif">that co</span></span></span>mbine to control the flow of air (<span face=""arial" , "helvetica" , sans-serif">4</span> opposite <span face=""arial" , "helvetica" , sans-serif">4</span> like the <span face=""arial" , "helvetica" , sans-serif">letters of the Name <i>yud-key-vav-key</i> opposite the 4 letters of <span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">the Name a</span>leph-dalet-nun-yud</span></span>). <span face=""arial" , "helvetica" , sans-serif">Moreover, t</span>here are <span style="color: #c27ba0;"><span face=""arial" , "helvetica" , sans-serif">4</span></span> specific letters of one type involved (the <i>Gutterals</i>: אחהע) opposite <span style="color: #8e7cc3;"><span face=""arial" , "helvetica" , sans-serif">4</span></span> of another<span face=""arial" , "helvetica" , sans-serif"> (the <i>Palatals</i>: גיכק) </span>as is known <span face=""arial" , "helvetica" , sans-serif">(the </span>ARI). The gematria of the first set is 84 and the gematria of the second set is 133, the total being 217. The AR<span face=""arial" , "helvetica" , sans-serif">I points out that when you subtract one unit for the whole, the result is <span style="color: red;">216</span><span face=""arial" , "helvetica" , sans-serif">, <span face=""arial" , "helvetica" , sans-serif">adding</span> that this is <span style="color: red;">3</span> x <span style="color: blue;">72</span> (<span face=""arial" , "helvetica" , sans-serif"><i>HaShem Hame</i><span face=""arial" , "helvetica" , sans-serif"><i>forash</i> / the Explicit Name) <span face=""arial" , "helvetica" , sans-serif">which</span> gives rise to the remaining "<span style="color: red;">3</span>" phonetic groups (the <i>Dentals, Labials</i> and <i>Sibilants</i>).</span></span></span> The primal (<span face=""arial" , "helvetica" , sans-serif">abbreviated</span>) form of the Explicit Name thus expands to the full form, as creation<span face=""arial" , "helvetica" , sans-serif"> progresses. </span>There is of course much more to the allusion and its implications. </span></span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The greater the awareness we have of God’s Name, the easier it is to properly create. The alternative is to <u>im</u>properly
create (which on a certain level) is the same as using God’s Name in
vain. In failing to comprehend the '<i>something</i>' that was seen under the throne, or even trying to comprehend it, all of those who were with Moshe, could see only that “<i>under His feet was</i> ‘<i>something</i>’ <i>like a sapphire stone</i>,”
never really describing it or recognizing its significance. Something. In the works of
our sages like Maimonides, the Maharal and the Vilna <i>Gaon</i>, we can see
this mistake was later rectified (as demonstrated in posts like the <i><a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_6.html" target="_blank">Four Species and God's Name</a></i> and <a href="http://sapphiremagendavid.blogspot.co.il/p/8-dimensions-of-name.html" target="_blank"><i>The Eight Dimensions</i></a>. In the works of Maimonides, in
particular, we see this in his admonishment to the people as well, where
it is explained that it is incumbent on us to (essentially follow in his footsteps
and) describe what we see around us in terms of God's Name.</span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-40651277282073124442024-02-17T18:23:00.001+02:002024-02-17T18:23:07.513+02:00Tetzaveh<p><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><i>Tetzaveh</i> has a number of remarkable allusions to
the signature geometry of God’s Explicit Name as well as the cube [of creation] in both its combined and divided state (</span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><i>shnei luchot</i>) and their
sapphire-like attributes. The first reference is the command to “<i>Make the ephod... out of gold</i> (filament) <i><span style="color: #6fa8dc;">blue</span>, </i></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><i><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: #674ea7;">purple</span></span></span> and </i></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><i><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">crimson</span></span></span></i> (strands of) <i><u>wool</u>, together with twined <u>linen</u></i>."</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">How was this done? They would take...</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span> strands of <span style="color: #3d85c6;">blue</span> <u>wool</u>, and weave it together with one filament of <span style="color: #bf9000;">gold</span> <br /><span style="color: blue;">6</span> strands of <span style="color: #674ea7;">purple</span> <u>wool</u> and weave it together with one filament of <span style="color: #bf9000;">gold</span><br /><span style="color: blue;">6</span> strands of <span style="color: red;">crimson</span> <u>wool</u> and weave it together with one filament of <span style="color: #bf9000;">gold</span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">In other words they would weave <span style="color: red;">3</span> threads with <span style="color: blue;">6</span> strands of <u>wool</u>, just like the <span style="color: red;">3</span> measures of <span style="color: blue;">6</span> in the combined cubic form of the luchot with a total volumetric measure of <span style="color: red;">216</span>
cubic hand-breadths. The element of gold, interestingly enough, has a measure of hardness equal to <span style="color: red;">216</span> MPa</span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;"><span><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;"><span><span style="color: black;"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;"><span>1</span></span></span></span></span></span></span></span></span> <span style="color: black;">(a unique measure that will be further expanded upon in succeeding paragraphs</span></span></span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;"><span><span style="color: black;">)</span></span></span>. All of these elements are a reflection of a larger reality that revolves around the
letters in the Explicit Name. The divine service was always performed
with a knowledge of these letters.</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">If
you are new to this blog and have not yet read the essential constructs
listed in the column to the right, please do so before proceeding. They
explain some of the basic connections between the letters of God's
Explicit Name and the multidimensional mathematic and geometric
characteristics of the luchot, both in the divided state and combined
cubic form, along with the internal geometry that casts a shadow known
as a magen david. There is a special connection between the Name, the
luchot and the geometry of the magen. The purpose of this blog is to
show how they all connect with one another, and to reveal where this Signature of the
Architect is hidden in each week’s parashah. Once you are familiar with
these constructs you can more fully appreciate each post.</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">You may recall other places in the Torah where the events were a reflection of these letters, specifically in the form of </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span> measures of <span style="color: blue;">6</span></span></span>, like the </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span> measures </span></span> of flour that were each <span style="color: blue;">6</span> ounces in <i><a href="https://sapphiremagendavid.blogspot.com/2023/10/vayera.html" target="_blank">VaYera</a></i>; and the <span style="color: red;">3 </span>periods of time measured as a function of ‘<span style="color: blue;">6</span>’
in <i><a href="https://sapphiremagendavid.blogspot.com/2024/02/mishpatim.html" target="_blank">Mishpatim</a></i> (6 days in the cloud; 6 days bringing the words of God to
the people; and the events beginning or ending on the 6th of Sivan). All
of these numbers allude to the ratio of the sapphire cube of creation
measured in terms of <span style="color: red;">three</span> <span style="color: blue;">6</span>s (hand-breadths) <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span>, where the number of elements in the matrix (<span style="color: red;">216<span style="color: black;"> cubic hand-breadths</span></span>) corresponds to the number of letters in the Explicit Name or <span style="color: red;">Tri</span>ad Havayah of <span style="color: blue;">72</span> (<span style="color: red;">3 </span>x <span style="color: blue;">72</span> = <span style="color: red;">216</span>).</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">There was of course another thread, but it was made of linen, <u>not</u>
wool. It too was woven together with a filament of gold. These 4
threads together are a reflection of the two primary abbreviations of
the Explicit Name: the Tetragrammaton and the Havayah of
Adnoot that are married together to create the 4 letters of Ehyeh as is
known. You’ll note that </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">one</span></span></span> thread (the linen) is different from the other </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">three</span></span></span> (of wool). This is like the 4 “couples,” in the marriage of the two abbreviations, where </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">one</span></span></span> couple (the vav and the nun) are different from the other </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">three</span></span></span>. This ratio is mentioned in numerous other posts like Parashah <i><a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank">Ki Thetze</a></i>, <i><a href="https://sapphiremagendavid.blogspot.com/2023/07/massey-and-devarim.html" target="_blank">Massey and Devarim</a></i>, and the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">Marriage of the Letters</a>, so it will not be repeated here, except to say that when the 4 letters of one are married to the 4 letters of the other, </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">one</span></span></span> couple (the vav and the nun) is different from the other </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">three</span></span></span> couples, because the form or substance of the letter is “subtracted,” rather than "added."</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">When
the threads of wool and the threads of linen are woven together in proper
fashion, they properly reflect the nature and number of letters in the Explicit
Name and its abbreviated forms. Were we to wear an ordinary garment
containing both wool and linen, it would not necessarily reflect these
characteristics and would or could be tantamount to what is called <i>chillul HaShem </i>
(a desecration, diminishment, tarnishing or distortion) of the King's
Name. Hence it is forbidden. There are recognized exceptions in
<i>halachically</i> required garments such as a <i>talith</i>, but the <i>talith</i> is to be
made with techelet, where <span style="color: blue;">one</span> strand (</span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">the one with techelet</span></span>) is actually different from the other <span style="color: red;">three</span>,
and where the 4 are "doubled over" making them 4 opposite 4, like the
letters mentioned above that are married to one another during
unification. The reason why we should not wear an ordinary garment
containing both wool and linen, should be somewhat obvious. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">One</span>
is different from the other <span style="color: red;">three</span>? That ratio should sound familiar for another reason. It
also happens to be a dominant aspect in the geometric ratio of the royal seal, between the number of points in any one
dimension </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">(</span></span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span style="color: black;">any </span>one</span></span></span></span> point </span></span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">of a tetrahedron </span></span>)</span></span> in contrast to the number of points above that dimension </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">(</span></span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;"><span style="color: black;">the other </span>three</span></span></span></span> points </span></span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">of that tetrahedron</span></span></span></span></span></span>) </span></span>as pictured below. <br /> </span></span><span style="font-size: medium;"><br /></span>
</p><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">The Two Tetrahedrons as a Reflection</span></div><span style="font-size: small;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">of the Marriage Between the Letters</span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhtNprrunr0eFlG-BlVBYZSZ72-q5GgMdfOJ9is9u7sX1fIn8h72KO0S5vbZZx2hWcqwzO_Yw5Jxrb6aybPK2jtep5jbhB-c8LURmSl0kU2gMIpFq8MybNLXnJH6JR4BOaALLdSd3L6vwG/s1600/Tetrahedron+%282+Opposites+-+Small%29w:text.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhtNprrunr0eFlG-BlVBYZSZ72-q5GgMdfOJ9is9u7sX1fIn8h72KO0S5vbZZx2hWcqwzO_Yw5Jxrb6aybPK2jtep5jbhB-c8LURmSl0kU2gMIpFq8MybNLXnJH6JR4BOaALLdSd3L6vwG/s1600/Tetrahedron+(2+Opposites+-+Small)w:text.tiff" width="255" /></a></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span></div><span style="font-size: medium;">
<span><span face=""arial" , "helvetica" , sans-serif"><br />The
total number of points (which is 8) is equal to the total number of
letters in the Tetragrammaton and the <i>Havayah</i> of <i>Adnoot</i> (also 8) and the
geometric marriage of each pair of points (a total of 4 pairs)
corresponds to the marriage of the 4 '<i>couples</i>' in the Name. Further, the marriage in the geometry of the two <i>alpha</i> points (<span style="color: blue;">one</span> couple) is different from the marriage between the remaining six <i>beta</i> points (<span style="color: red;">three</span>
couples). See the model above. The geometry of the royal seal (a subset
of the geometry in the combined cubic form of the luchot) merely
'reflects' the characteristics of the letters of the Name and its
abbreviated forms that define it's properties (as an aspect of the
luchot). </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">For
purpose of clarification: a tetrahedron is half of a three-dimensional
magen david, or royal seal of the King as explained in our post on <i><a href="https://sapphiremagendavid.blogspot.com/2023/05/emor.html" target="_blank">Emor</a></i>.
When two tetrahedrons are married together in opposing directions </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">(much as the letters are during unification)</span></span>
the result is a star tetrahedron. The “star” casts a two-dimensional
shadow known as a magen david. The number and the nature of the letters
in the King’s Name are hidden within t</span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">he seal as a function of its geometry</span></span>.<br /> </span></span><br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">The Marriage in the Royal Seal</span></div><span style="font-size: small;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">and its Shadow</span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
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<br />
<br />
<br />
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkT6CTQllAcy3M3SkBncJiBo4j5AIlixsP9E8AlS_AW4r2kagCSj2GrjYbgI3JMB8w-B1uCACFg7OJA6qGeXZmATxeAla-c9B-YTx4id3AI05YLq02vwos7PBsmF-z1yZ5xknu0yzk_LQw/s1600/Magen+Shadow+3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkT6CTQllAcy3M3SkBncJiBo4j5AIlixsP9E8AlS_AW4r2kagCSj2GrjYbgI3JMB8w-B1uCACFg7OJA6qGeXZmATxeAla-c9B-YTx4id3AI05YLq02vwos7PBsmF-z1yZ5xknu0yzk_LQw/s1600/Magen+Shadow+3.jpg" /></a></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
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<br />
<span><span face=""arial" , "helvetica" , sans-serif">The tetrahedron is <u>one</u>
of the five mathematic constructs in the combined cubic form of the
luchot. When it is juxtaposed against its polar opposite, the two form what we call the <i>royal seal</i>
containing the geometric Signature of the Architect. The tetrahedron is
unique in that it is only construct within the combined cubic form of
the <i>shnei luchot</i> that is <u>its</u> <u>own</u> polar opposite (oriented in the opposing direction). This construct is shown below within the geometry of '<i>the cubit-cubed.</i>' The 5 constructs and their polar opposites are modeled and explained in greater detail in the post on <a href="http://sapphiremagendavid.blogspot.co.il/p/string-theory-and-the.html" target="_blank"><i>String Theory and the Luchot</i></a>.<br /> </span></span><br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">The Combined Cubic Form of the Luchot</span></div><span style="font-size: small;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">and the Royal Seal of the King Hidden Within</span></div><span style="font-size: small;">
</span><div style="text-align: center;"><span style="font-size: small;">
</span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span></div><span style="font-size: medium;">
<span><span face=""arial" , "helvetica" , sans-serif"><br />Although
we've said this before, it bears repeating. The star tetrahedron
(three-dimensional magen david) or royal seal, is a geometric
reflection of the <span style="color: red;">216</span> letters in the Explicit Name. When the two tetrahedrons are joined, the marriage results in <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners. This triad nature is an aspect of the Explicit Name or the <span style="color: red;">Tri</span>ad <i>Havayah</i> of <span style="color: blue;">72</span> as it is called. We see the geometric nature of this Name (<i>revealed</i>)
in the measure of the luchot, but only when it is divided and in
side-by-side form, where its volumetric measure is expressed as <span style="color: blue;">72</span> x <span style="color: red;">3</span> hand-breadths (the total being <span style="color: red;">216</span>). Otherwise, it is (<i>hidden</i>) in the volumetric measure of the cube (before division) and its internal geometry in the star tetrahedron with </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">72 <span style="color: red;">tri</span></span>angular</span></span> corners, where the sum of various angles (in degrees) is a multiple of either 72 or 216 (like <span style="color: blue;">72</span>0, <span style="color: red;">2</span>,<span style="color: red;">16</span>0 degrees etc). </span></span><br />
<span><span face=""arial" , "helvetica" , sans-serif"><br />In <i>Tetzaveh</i> we see these same reflections. The <span style="color: red;">3</span> threads with <span style="color: blue;">6</span> strands of wool are a reflection of the volumetric measure in the combined cubic form of the luchot (<span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> = <span style="color: red;">216</span>). The 4 types of thread consisting of <span style="color: red;">one</span> type (linen) opposite <span style="color: blue;">three</span> others (wool) is a reflection of its <a href="http://sapphiremagendavid.blogspot.co.il/p/8-dimensions-of-name.html" target="_blank">eight dimensions</a>
(that are 4 opposite 4) both externally and internally, and thus the
geometry is a perfect reflection of the primary abbreviated forms of the
Name as well. However, t<span><span face=""arial" , "helvetica" , sans-serif">he nature of these geometric reflections does not end with the <span style="color: red;">216</span> elements hidden in the combined cubic form of the luchot. </span></span></span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">For example, when
the gold is added to each thread, it adds a whole new dimension to the connection to the letters of the Name. </span></span>What part does gold play and how does it reflect the nature of the letters? </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">The
gold filament completes the geometric picture. It was of course real gold that had been beaten into fine sheets and
then sliced into filaments. When these were added to the threads of wool
and the thread of linen, there were a total of <span style="color: #c27ba0;">28</span> strands or filaments. The number <span style="color: #c27ba0;">28</span> is a prominent mathematic feature of Torah as demonstrated in posts like <i>Emor</i> and <i><a href="https://sapphiremagendavid.blogspot.com/2023/12/miketz.html" target="_blank">Miketz</a></i> because it is also the number of elements in two tetrahedrons, </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">and thus an integral aspect of the tetrahedral geometry in the royal seal</span></span></span></span>. </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">For the purpose of this post on <i>Tetzaveh</i>, we’ll merely point out that the number <span style="color: #c27ba0;">28</span> is invariably embedded in the linguistic structure of the text, generally as a function of two opposing 14s (<span style="color: blue;">14</span> opposite <span style="color: blue;">14</span>). The two 14’s are essentially a <span style="color: blue;">one</span>-dimensional mathematic expression for the <span style="color: blue;">14</span> elements of a <span style="color: red;">three</span>-dimensional tetrahedron, opposite the <span style="color: blue;">14</span>
elements of its counterpart (</span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: #c27ba0;">28</span></span></span></span></span><span><span face=""arial" , "helvetica" , sans-serif"> as shown below) whose marriage creates a
star tetrahedron.</span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">Students of the ARI will recogn<span face=""arial" , "helvetica" , sans-serif">ize this aspect </span><span face=""arial" , "helvetica" , sans-serif">of the</span> geometry <span face=""arial" , "helvetica" , sans-serif">as</span> a reflection of what is known as the <i>supernal stream</i> (<span face=""arial" , "helvetica" , sans-serif">n</span>achal) consist<span face=""arial" , "helvetica" , sans-serif">ing</span> of seven names with 4 letters <span face=""arial" , "helvetica" , sans-serif">each, or </span></span></span><span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: #c27ba0;">28</span></span></span></span></span></span> letters <span face=""arial" , "helvetica" , sans-serif">total</span>. </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> </span></span></span></span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">All of the above helps us to further understand</span> why we find this pattern subtly hidden in the
linguistic structure of the text in so many places. More specifically, the letters of Torah
are a reflection of the mathematic nature of the combined cubic form of
the luchot, which are in turn a reflection of the letters in the Name.
Our reality is literally orchestrated by those letters!<br /> </span></span><br />
</span><div style="text-align: center;">
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The <span style="color: #c27ba0;">28</span>: <span style="color: blue;">14</span> Opposite <span style="color: blue;">14</span> </span></span></div><span style="font-size: small;">
</span><div style="text-align: center;"><span style="font-size: small;">
</span><span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvoMzO236a-etLx4KPKmQ1x8GCY-nwlD9SR4LdokYA12zSH1z69DjVGkh-P5TLLqH73W5B4dgUrkZlKgko3GkU5FRcXm-OmitazfFztmPYYmrwlNuz_R-af8FCMU0hCGxe7ejmR4IFFE7L/s1600/opposing+tetrahedrons+and+star.tif" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvoMzO236a-etLx4KPKmQ1x8GCY-nwlD9SR4LdokYA12zSH1z69DjVGkh-P5TLLqH73W5B4dgUrkZlKgko3GkU5FRcXm-OmitazfFztmPYYmrwlNuz_R-af8FCMU0hCGxe7ejmR4IFFE7L/s1600/opposing+tetrahedrons+and+star.tif" width="400" /></a></span></div><span style="font-size: medium;">
<br />
<span><span face=""arial" , "helvetica" , sans-serif"><br />The
gold thread has additional significance as well. As it turns out, gold
has a crystalline structure known as “lattice face-centered cubic.” The
curious thing about this structure is that it is like the outside of a
cube but with an external latticework that is <u>identical</u> to the
combined cubic form of the <i>luchot</i> with a star tetrahedron inside. If
that sounds complicated, don't worry. We'll draw you a picture in a
moment. </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">The
crystalline structure of gold is pictured below/right. The picture to
the left is the star tetrahedron inside the cube [of creation] or
combined cubic form of the luchot. As you can see, the surface structure
is an identical
match to the </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">face-centered cubic lattic<span face=""arial" , "helvetica" , sans-serif">ework of gold</span></span></span>! <br /> </span></span><br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">The Face-Centered Cubic Latticework of Gold</span></div><span style="font-size: small;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">as a function of</span></div><span style="font-size: small;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">The Star Tetrahedron within the cubic form of the <i>Shnei Luchot</i> </span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKAw_C3fBvSkFbMeLuLbnHp1UcRLlj_RR5lLNtdGnRHPKtlNsYDe8G5qB3xk8NX8fY2ae2cD-XurEICVA7Tg4Q5_HPtQsbM95JItgOE-n0i1NnETcbtbRrnplswSFNHFG1mled4aeINkmB/s1600/Cubes+with+Star+Inside+&+Out+w:Extra+Lines.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKAw_C3fBvSkFbMeLuLbnHp1UcRLlj_RR5lLNtdGnRHPKtlNsYDe8G5qB3xk8NX8fY2ae2cD-XurEICVA7Tg4Q5_HPtQsbM95JItgOE-n0i1NnETcbtbRrnplswSFNHFG1mled4aeINkmB/s1600/Cubes+with+Star+Inside+&+Out+w:Extra+Lines.jpg" width="400" /></a></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
<span><span face=""arial" , "helvetica" , sans-serif">The
mathematic characteristics of the sapphire cube, the star and the
Explicit Name converge in the geometry of the “royal seal” found within
“the cube of creation,” and in this case we see an aspect of the same
geometry in the "Signature" embedded in the latticework of gold. In
fact, if you count the number of “corners” in the lattice, you will find
a total of <span style="color: blue;">72</span> angles (corners) that once again reflect the <span style="color: red;">Tri</span>ad Name of <span style="color: blue;">72</span>.
The numbers pertaining to the outer shell, its lines, faces, angles and
so forth, reflect the internal characteristics of the magen david, both
in the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-nature-of-sapphire.html" target="_blank">nature of sapphire</a>, and the gold, where there are 3 times as many corners (<span style="color: red;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span>)
along with an associated number of lines, faces and edges. An
explanation of how these other associated elements connect is beyond the
scope of this post. We'll only add at this point a small passage from
the Song of Songs: "<i>My beloved... is standing behind our wall, He is looking through the windows, He is peering</i> [at us] <i>through the lattice</i>."</span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">The
<i> Signature of the Architect</i> is subtly hidden not only in this parashah,
but throughout every aspect of creation and especially in things that
have to do with whatever is instrumental to divine service, like the use
of gold or requirement for its use. In this case we find it in the
substance, the number, and the ratio between the various threads in the
ephod, but as you can see, it goes</span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"> </span></span>far beyond that! </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">Aside
from the connection to the latticework of gold explained above, gold
has another property that connects it to the letters of God's Explicit
Name. </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">We briefly mentioned this connection in the first paragraph of this post, but here we will expand upon it. Gold</span></span> is commonly thought of as the most precious metal, so its use in
the Temple (and many other things) is logical as they are intended to
honor God, but they do so in a hidden manner as well. It turns out that
gold directly mirrors the characteristics of all <span style="color: red;">216</span> letters in the very nature of its atomic structure! </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">In addition to the nature of the latticework mentioned above where <span style="color: blue;">72</span> (times <span style="color: red;">3</span>) alludes to the letters, metals are often measured according to their "hardness.” The hardness of gold happens to be <span style="color: red;">216</span> on the '<i>Vickers Scale</i>.' <span style="color: red;">216</span>?
Isn't that the exact number of letters in God's Name? The <i>Vicker's Scale</i>
is not an arbitrary scale. Rather, like the 'abbe scale' used to
measure the clarity of transparent substances like sapphire, the </span></span></span><span style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><i>Vicker's Scale</i></span></span></span><span style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"> was logically designed to account for the natural characteristics
of the materials tested, and therefore a natural mathematic extension
of those characteristics.</span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">The underlying mathematic signature is everywhere in nature. This is just
one of many examples. It is found elsewhere in this week's parashah as
well, albeit in yet another form. The text continues: “<i>Make an altar of incense</i>....”
The altar was 1 cubit x 1 cubit x 2 cubits. The dimensions result in an
object that amounts to 2 cubes, one on top of another. Moreover, each
cube was 1 cubit-cubed. If you’ve not yet read our post about <span style="color: blue;">c</span><span style="color: red;">c</span>Space<span><span style="color: red;">216</span></span> on the <a href="http://sapphiremagendavid.blogspot.co.il/p/8-dimensions-of-name.html" target="_blank">Eight dimensions of the Name</a>, and the measure of the <span style="color: blue;">c</span>ubit-<span style="color: red;">c</span>ubed, it should be considered required reading. In this case, the altar was in the measure of 2 connected cubes that were each <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> hand-breadths.</span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">In
mathematics or physics, if you want to visually portray a
four-dimensional
hypercube, also called a <i>tesseract</i>, you would use two 'connected'
cubes. Nowadays, the hypercube is generally animated as a cube inside a
cube. However,
given that the depiction/picture is static, and that the first cube is
solid and non-transparent, the depiction of the second cube would be
lost.
In such cases it may be depicted as simply two separate cubes,
side-by-side, connected by lines as pictured below. The effect has the
purpose of depicting the three dimensions of physical space and the
passage
of time (or fourth dimension).<br /> </span></span><br />
</span><div style="text-align: center;">
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The Hyper-Cube</span></span></div><span style="font-size: medium;">
<br />
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqQTA7MiwSr1o5_BVkAIaVa3kzAGUAx_LKq44IejIYGqXn6aP8GgmYf8rjCtscsAVWLzSNx_uogM0T7EFyAD6IoSSt5HecRwl_7k9XEmvw8bBU2dpzDWoNuHZtKoUylkqS-Z_dpEp1bYF9/s1600/Hypercube.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="201" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqQTA7MiwSr1o5_BVkAIaVa3kzAGUAx_LKq44IejIYGqXn6aP8GgmYf8rjCtscsAVWLzSNx_uogM0T7EFyAD6IoSSt5HecRwl_7k9XEmvw8bBU2dpzDWoNuHZtKoUylkqS-Z_dpEp1bYF9/s1600/Hypercube.jpg" width="320" /></a></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span></div><span style="font-size: medium;">
<span><span face=""arial" , "helvetica" , sans-serif">When
we rise above three-dimensions, we must find a way to express the passage
of time. The connection of two cubes serves that purpose: </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">a given space defined by the cube [of creation] as a function of time</span></span>. In last week's
parashah, we saw how the area beyond the curtain in the <i>Ohel Moed</i> was <span style="color: red;">
216</span> thousand hand-breadths (6 “<i>cubed</i>” times 10 "<i>cubed</i>") alluding to
<i>HaShem</i>'s (the Name's) rule over the <span style="color: red;">three</span> dimensions of space and the <span style="color: blue;">one</span>
of time. The measure of the altar of incense alludes to His rule over
both time and space. It also alludes to something else. In fact, the
measure of these 'two cubes" (like the <i>shnei luchot</i> that were brought
down twice) is equal to the exact <a href="http://sapphiremagendavid.blogspot.co.il/p/the-speed-of-light.html" target="_blank">speed of light</a> through a true vacuum as explained in the post on that subject.</span></span><br />
<span><span face=""arial" , "helvetica" , sans-serif"><br />One
other thing of note. On the <i>ephod</i>, there were stones of Sardonyx, one
for each shoulder. The names of Yaacov’s sons were engraved on these
stones, <span style="color: blue;">6</span> on one stone and <span style="color: blue;">6</span> on the other stone. Hidden deep within the structure of Sardonyx is a <span style="color: red;">tri</span>gonal crystalline structure (because it is actually a crypto-crystal) like the <span style="color: red;">tri</span>gonal
structure of sapphire. It could certainly be a coincidence that the
product of these numbers, 6 x 6 x 3 = 108, and that there are 2 stones
like the <i>luchot</i>. However, considering all of the above, it's likely more
than just a coincidence. We’ll let you decide.</span></span></span><br />
<br />
<br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">_________________</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif" style="font-size: xx-small;">Footnote 1 - </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"> This system of measurement is a modern method referred to as the <i>Vickers Scale</i> proposed and developed by Robert Smith and George Sandland. I</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: xx-small;">t is important to note however, that the measure of hardness was <u>not</u>
based on an arbitrary scale. Rather, like the Abbe scale for clarity in
transparent substances, it was derived from a logical ratio, which is
in this case the ratio between a given force as it relates to a given
surface area </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif">(F/A)</span>.</span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-76697851356242489142024-02-11T06:33:00.003+02:002024-02-11T06:33:51.775+02:00Terumah<p><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">In this
<i>parashah</i> we find the <span face=""arial" , "helvetica" , sans-serif">signature geometry</span> as well as an allusion to the
physical size, ratio and volumetric measure of the combined cubic form of the luchot, hidden in
the measurements of various items in the Tabernacle<span face=""arial" , "helvetica" , sans-serif">: </span>"<i>Make an ark... 2 1/2 cubits long, 1 1/2 cubits wide and 1 1/2 cubits high</i>."</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">We will explain the connection in a moment. <span face=""arial" , "helvetica" , sans-serif">In the meantime</span>, <span face=""arial" , "helvetica" , sans-serif">if you</span></span> are </span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">new to this blog and have not yet read the essential constructs
listed in the column to the right, please do so before proceeding. They
explain some of the basic connections between the letters of God's
Explicit Name and the multi-dimensional mathematic and geometric
characteristics of the shnei luchot<span face=""arial" , "helvetica" , sans-serif"> (two tablets)</span> both in the divided state and combined
cubic form, along with the internal geometry that casts a shadow known
as a magen david. There is a special connection between the Name, the
luchot and the geometry of the magen. The purpose of this blog is to
show how they all connect and to reveal where the <span face=""arial" , "helvetica" , sans-serif">signature geometry</span> is hidden in each week’s parashah. Once you are familiar with
these constructs you can more fully appreciate each post.</span> </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">For those already familiar with the signature geometry, note that a
cubit is 6 hand-breadths. <span face=""arial" , "helvetica" , sans-serif">That makes e</span>ach wall of the ark 9 hand-breadths
high on the outside, and because of the thickness of the base it was 8
hand-breadths high on the inside. The walls of the ark had 3 layers: 1)
an outer layer of gold; 2) a middle layer of wood, and 3) an inner layer
of gold. The measurements associated with the height of the walls,
inside and out, in combination with the <span style="color: red;">tri</span>-laminate method of construction, allude to the number of letters in the <span style="color: red;">Tri</span>ad Havayah of <span style="color: blue;">72</span>, or the Explicit Name: 8 x 9 (<span style="color: blue;">72</span>) x <span style="color: red;">3</span> = <span style="color: red;">216</span>.</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">In
addition to the above measurements, gold is generally considered the
most precious of building materials. Wood is generally considered the
least desirable, with iron or stone being preferable for strength and/or
durability. Gold is therefore the ‘<i>first</i>’ in terms of desirability, if for no other reason than it’s appearance or value, while wood is ‘<i>last</i>’ in terms of desirability. The materials that were used in the construction of the ark’s walls, being “<i>gold-wood-gold</i>” also alludes to the letters of the Explicit Name. The letters in the <span style="color: red;">3</span> verses with <span style="color: blue;">72</span> letters are permuted: <i>first - last - first</i> (as is known).</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">I</span>f you divide the length of the ark (less the
thickness of the walls) to determine the length of the "space" within,
you get 13 hand-breadths (2.5 cubits = 15 hand-breadths minus 2
hand-breadths = 13 hand-breadths). Divide this by the measure of the
luchot that were kept inside (6 hand-breadths) and you get the ratio of
the length inside the ark, to the external measure of the luchot. The
relationship between the <i>internal</i> and the <i>external</i> is <span style="color: red;">2</span>.<span style="color: red;">16</span>
(rounded to the nearest one hundredth). This is a further reflection of the signature geometry, and the hidden nature of
our physical reality. It tends to adhere to a measurement or standard
established by the <span style="color: red;">216</span> letters of the Name. </span></span><span style="font-size: medium;"></span></p><p><span style="font-size: medium;"></span></p><p><span style="font-size: medium;">In addition to the above, the sapphire (foundation) stone was divided into its respective halves to initiate the process of creating a male-female universe with "duality." When the measure of the ark is examined in this context (its half-cubits) it measures 5 halves by 3 halves by 3 halves, having a volumetric measure of 45 cubic half-cubits: This is when the supposed question "<i>What</i> (<i>Mem-Heh</i>) <i>is man that God is mindful of him</i>," <u>becomes a statement</u>: "What (the Havayah of <i>Mem-Heh</i> / <i>HaShem</i> / 45) is Man (<i>Aleph-Dalet-Mem</i> / Adam / 45) that God is mindful of him." <i>Mem-Heh</i> ("what") is one of two Names that God shares with man (the other being <i>Shin-Dalet-Yud</i> / 314 / Metatron). The Holy of Holies in the "Tent of Meeting," which contained the ark (with a volumetric measure of 45 halves or half cubic-cubits) is where </span><span style="font-size: medium;">the Creator (God)</span><span style="font-size: medium;"> would meet His co-creator Man/Israel (the other half).<br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">It then says: “<i>Make a table... 2 cubits long, 1 cubit wide</i>..."<span face=""arial" , "helvetica" , sans-serif"> </span>The
table also had 3 layers: a top layer of gold, a middle layer of wood,
and a bottom layer of gold (the gold was wrapped around the wood to
cover it completely). The table was 2 cubits long </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">(12 hand-breadths)</span></span> and 1 cubit wide (</span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">6 hand-breadths) have an area of </span></span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">72</span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"> square hand-breadths</span></span>. These measurements together with the <span style="color: red;">tri</span>-laminate method of construction not only allude to the triad nature, and number of letters in the Explicit Name: 12 x 6 (<span style="color: blue;">72</span>) x <span style="color: red;">3</span> = <span style="color: red;">216</span>, but the actual area of the table is <span style="color: blue;">72</span> square hand-breadths, which is the number of triplets associated with the Name. </span></span><span style="font-size: medium;"></span></p><p><span style="font-size: medium;">The four rings <u>on the ark of the covenant</u> together with the four locking rings that held the poles in place (as is known) are an allusion to the marriage of the four letters of the Tetragrammaton with the four letters of Adnoot (the letters representing the male and females halves of the universe that take physical form in the four forces of quantum mechanics and their four opposing counter forces).</span></p><p><span style="font-size: medium;">This is of course further alluded to by the rings on the corners of the table: Make <u>four</u> gold rings and place them on the <u>four</u> corners of the <u>four</u> legs. When the four letters of the Tetragrammaton (<i>Yud-Key-Vav-Key</i>) are married to the four letters of <i>Adnoot</i> (<i>Aleph-Dalet-Nun-Yud</i>) they are unified in the Name <i>Ehyeh</i> (<i>Aleph-Heh-Yud-Heh</i>) as is known. Everything in <i>Parashah Terumah</i> comes to teach us about God's Name (attributes) and provide us with a deeper understanding of how God's Name rules over the universe that He created. Contemplate all of this for a moment.</span></p><p><span style="font-size: medium;"></span></p><p><span style="font-size: medium;">And it doesn't stop there!<br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">The Torah continues with directions to “<i>Make the Tabernacle</i>....” <span face=""arial" , "helvetica" , sans-serif"> </span>The
space beyond the partition was known as the Holy of Holies and it
measured 10 cubits by 10 cubits by 10 cubits. In this case,</span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"> both the Signature of the Architect and the geometry of the luchot are hidden in the measure when it is converted to
hand-breadths. A royal cubit was 6 hand-breadths and so a measure of 10 cubits (at 6
hand-breadths per cubit) along three dimensions, defines a "<i>space</i>" equal to <span style="color: blue;">6</span> (tens) of hand-breadths by <span style="color: blue;">6</span>
(tens) of hand-breadths by <span style="color: blue;">6</span> (tens) of hand-breadths, which is simply 10 x 10 x 10 times the "<i>space</i>" defined by the combined cubic form of the luchot </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">which is <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x </span></span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6<span style="color: black;"> hand-breadths. The volumetric measure of the Holy of Holies was thus 10 x 10 x 10 x </span></span></span></span></span></span></span></span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span style="color: black;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span> x <span style="color: blue;">6</span> x </span></span></span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6 <span style="color: black;">or</span></span></span></span></span></span></span></span></span></span></span> </span></span></span></span></span><span style="color: red;">216</span>,000
cubic hand-breadths. So again, we continue to see how the letters of
God's Name are hidden behind the scenes, just like the nature of that </span></span></span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">mysterious enigmatic cube [of creation] that defines all things</span></span>. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">The
measurements of the tabernacle and its method of construction have
additional connections to the <span style="color: red;">216</span> letters that are quite remarkable.
However, these are explained in the post on VaYahkel and we will not elaborate on these particular examples here.</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">This
brings us to the menorah. The lamp or menorah in the tabernacle had a
series of 3 steps in front, so that the Cohen could service as required.
However, for some reason the steps were out-of-proportion. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">The
<span style="color: red;"> 3</span> steps were <span style="color: #8e7cc3;">9</span> hand-breadths wide. It would therefore be logical to
assume that the height would be <span style="color: #c27ba0;">8</span> hand-breadths, since <span style="color: #c27ba0;">8</span> x <span style="color: #8e7cc3;">9</span> (<span style="color: blue;">72</span>) x <span style="color: red;">3</span> = <span style="color: red;">216</span>,
and this would conform to the pattern of numbers and sets of numbers we've seen above
that reflect the Signature of the Architect. However, as stated, the
steps were disproportionate. They were actually 8.5 hand-breadths high.
Why? Steps are something you walk on, and it would be inappropriate for
them to have a direct relationship to the Name: 8 (and 1/2) x 9 x 3 <span style="color: red;">does not equal</span> 216.</span></span><span style="font-size: medium;"><br /></span>
</p><div style="text-align: center;">
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">The Steps to the Menorah</span></span></span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwCX32NCRsqLFPcJJTxOOwPYDMl6-Y3O7ktdPM6WfvrVzKscT-jRXXai3d2rNP18ZOFdmfYWFX-v2JMEGzOb2Uq5JRuB8z6H9WwcMBZ4NK5qUdUG-HDi7dONZDn0_WJSARpl_Ot8_uHxNJ/s1600/Menorah+Steps.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwCX32NCRsqLFPcJJTxOOwPYDMl6-Y3O7ktdPM6WfvrVzKscT-jRXXai3d2rNP18ZOFdmfYWFX-v2JMEGzOb2Uq5JRuB8z6H9WwcMBZ4NK5qUdUG-HDi7dONZDn0_WJSARpl_Ot8_uHxNJ/s1600/Menorah+Steps.jpg" width="320" /></a></span></span></div><span style="font-size: medium;">
<br />
<span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"> </span></span><br /> The Torah then says: “<i>Make a menorah out of pure gold</i>."<span face=""arial" , "helvetica" , sans-serif"> </span>There
are no measurements given for the menorah, except to say that it must
be of pure gold. That is, it would consist of only <u>one</u> layer,
with no
wood at all, and the one layer would be solid gold. We do have a source
outside the written Torah that gives us its height (in <i>mefahot</i>) . That
source tells us that it was 18 hand-breadths in height. No other
measurements are
given. This provides us with an intriguing allusion that we'll examine
in a moment. However, before we do, we need to get back to the
measurements for the menorah </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">(or lack thereof)</span></span>. </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">The
description we have of the menorah raises a question: assuming the Signature
of the Architect were to be found in the measurement of the menorah,
like everything else, then how wide would it have to be? The answer,
assuming it follows the same pattern as everything else in the tabernacle (which is a
mathematic reflection of the letters in God's Name) we would expect the formula to look something like this: <span style="color: #e06666;">1</span> (layer) x <span style="color: blue;">18</span> (hand-breadths in height) x "<span style="color: #6fa8dc;">W</span>" (where W is the width of the menorah) equals <span style="color: red;">216</span> (which is the number of letters in the Name). All things being equal, the width would have to be <span style="color: #6fa8dc;">12</span> hand-breadths: <span style="color: #e06666;">1</span> x <span style="color: blue;">18</span> </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span style="color: black;">x</span> <span style="color: #6fa8dc;">12</span></span> </span></span>= <span style="color: red;">216</span>.</span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">For more information on how the menorah reflects the letters of God’s Name, see the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/8-dimensions-of-name.html" target="_blank">Eight Dimensions</a>.</span></span> </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">As for the </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">intriguing</span></span>
allusion we mentioned above. Throughout the course of this blog we have
shown the connection that the patterns of numbers, sets of numbers and
ratios have with the letters of the primary abbreviations of the
Explicit Name, and the connection they have to the 4 observable
dimensions and the 4 forces in quantum mechanics. In many cases, we have
seen the numbers as a function of one, two, three, and even four
dimensions. In the case of each of the items mentioned above, the
"measure" seems to be associated with the same progression, like the <span style="color: #e69138;">one</span> dimension given for the Menorah (<span style="color: red;">18</span>) the <span style="color: blue;">two</span> dimensions for the table (<span style="color: blue;">6</span> x <span style="color: blue;">12</span>) the <span style="color: red;">three</span> </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">dimensions </span></span>for the 3 walls of the Holy of Holies (<span style="color: #6aa84f;">10</span> x <span style="color: #6aa84f;">10</span> x <span style="color: #6aa84f;">10</span>) but where's the fourth? Perhaps it can be found in the 4 walls of the ark where we have <span style="color: blue;">two</span> dimensions for each of its <span style="color: #a64d79;">4</span>
walls. So in the case of the ark
we may have, not only an allusion to the fourth dimension, but also to
the 2 primary abbreviations in the 4-letters of the Tetragrammaton and
the </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">4-letters in</span></span> Adnoot. </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">Coincidence?
It could be. However, when we consider the degree to which everything
else is interconnected, and that everything invariably ends up
reflecting these same characteristics, it may be a good deal more than
just coincidence. The odds of all this being a coincidence are beyond astronomical.</span></span><br />
</span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: medium;"><br /></span><br /></span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-7307274465434988772024-02-04T08:12:00.002+02:002024-02-04T08:12:27.875+02:00Mishpatim<p><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>In
the
beginning (<i>beresheit</i>) God created the universe. In this week's <i>parashah </i>
we see specific reverberations of that process. The original event
occurred eons ago. In <i>Mishpatim</i> however,
the echo of these events is both seen and heard, and will continue to
be experienced for millennia
to come. What were these reverberations? What form did they take? Theory
aside, what
evidence do we have that the first event even took place?</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>All
of these questions will be answered in a moment. However, </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif">if
you are new to this blog and have not yet read the essential constructs
listed in the column to the right, please do so before proceeding. They
explain some of the basic connections between the letters of God's
Explicit Name and the multidimensional mathematic and geometric
characteristics of the luchot, both in the divided state and combined
cubic form, along with the internal geometry that casts a shadow known
as a magen david. There is a special connection between the Name, the
luchot and the geometry of the magen. The purpose of this blog is to
show how they all connect and to reveal where the Signature of the
Architect is hidden in each week’s <i>parashah</i>. Once you are familiar with
these constructs you can more fully appreciate each post.</span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>For those who have already explored these constructs, the
reverberations we mentioned above are events that actually occur
<u> repeatedly</u> throughout history. For the most part, they remain
invisible, but they can be perceived as a function of geometry. How is
this possible?</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Our
sages tell us that when God decided to create the world, he <i>looked
into</i> the [primordial] Torah. We often call this the <i>cosmic blueprint</i>. However a more accurate description might be what we refer to as the <i>combined cubic form of the luchot</i>. The combined form of the tablets was in the shape of a cube. It is the mathematic properties of this cube that are <u>the</u> <u>foundation</u>
of the universe. Thus the stone is referred to as the foundation stone
(<i>evan shetiyah</i>). It is the primordial form of the luchot. The <span style="color: red;">
216</span> letters of His Name correspond to <span style="color: red;">216</span>
elements that define the measure of the stone (like the volumetric
measure of the luchot). Letters can be permuted in various ways, and
so the the <i>Sages of
Israel</i> say that the entire Torah is in effect God's Name<span style="color: red; font-size: xx-small;"><span>1</span></span>.
In ancient times (before the flood) awareness of this cube [of
creation] was more common and it was a source of great knowledge. Enoch
became metatron, as is known. The name metatron refers to the
measurement (and knowledge of the system) conveyed by the embedded
properties of the stone. This is why it is referred to as "the cube of
[the angel] metatron</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif" style="font-size: xx-small;"><span><span style="color: red;"><span>2</span></span></span></span>". </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Man’s
path eventually became corrupt and this knowledge misused. The world
was
destroyed and man's understanding of these things was lost. Different
accounts
were passed down over the millennia but the explanation became more and
more distorted until the mechanics of the process became the stuff of
myth and legend. What we can glean from the fragments of information
available, is that from the very beginning, the universe was perceived
through the lens of this mathematic system. The remaining fragments of
this knowledge are today perceived only by understanding what is more
commonly known as the shnei luchot (two tablets) that were 'divided' and
"<i>brought down</i>" by Moshe. Each tablet is described in terms of its 'measure' as </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: red;">3</span></span></span> (hand-breadths). When you put the two halves together, it becomes 'the foundation stone' measuring <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> hand-breadths, or <span style="color: red;">216</span> cubic hand-breadths. The need for its division (as it would pertain to creation) will become apparent as we proceed. </span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br />Even
though most antediluvian knowledge was lost, God chose to restore some
of it
to mankind after the flood. It comes down to us in bits and pieces, and
we see these remnants in mathematic systems like those involving the
mysterious origin of sexigesimal units of <i>measure</i>; the Fibonacci
sequence of numbers (the sequence of numbers is of course much older and
found in more ancient sources like <i>sanskrit</i> texts); the 360 degree '<i>measure</i>' of a circle; the 4 compass directions, north, south, east and west; the <i>measure</i> of an hour that is 60 minutes; the <i>measure</i> of a minute that is 60 seconds; the corresponding <i>measure</i> of a circle or sphere in terms of 60 arc-minutes with 60 arc seconds per minute; the <i>measure</i>
of the earth in terms of 24 hours (which is a function not only of time
but a specific pattern embedded in the Fibonacci sequence that is
related to the actual rotation of the earth) and also the <i>measure</i> of an earth with a equatorial circumference of <span style="color: red;">21</span>,<span style="color: red;">6</span>00
nautical miles. All of these bits and pieces are a function of the
cubes properties, and interestingly enough, some of this knowledge is
finding its way to
the internet. So the knowledge is gradually being restored and absorbed
into the collective framework of human consciousness. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>It's important to understand that the origin of this knowledge and its underlying mathematic systems are all found in the '<i>measure</i>' of the primordial Torah, which was the mathematic nature of "the foundation stone" that God <i>looked into</i> before He <i>created</i>
the world. The nature of the mathematics is so sophisticated that it is
no longer understood, and we are only now rediscovering parts of it.
Much is still beyond our ability to comprehend, like 'alien technology'
in a science fiction movie. It's actually the theme of many movies
today, that revolve around the false notion that aliens have visited the
earth in the distant past. The assumption may seem logical. After all,
what else could explain the sophisticated knowledge of geometry or remnants
of advanced building techniques and celestial observatories found in so
many ancient cultures. What we fail to realize is that before the flood
man's knowledge was in many ways, far greater than it is today. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Please
take time to think about the implications. What we are seeing in these
numbers, sets of numbers and ratios is that the universe, and especially
the sun, the moon, and the earth, are all <u>defined</u> by
sophisticated mathematic systems (as opposed to merely being measured in
terms of these systems). All of these 'systems' just happen to
originate in the geometry of a simple cube, and more specifically, a
cube with a volumetric measure of 216 cubic hand-breadths (as we show so
often throughout this blog). The significance of this cannot be
understated. It is <u>not</u> merely theory or conjecture. It is an actual fact as demonstrated in the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-primordial-torah.html" target="_blank">primordial torah</a>. The question is why.</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>What
we know of this "cube," or its division into the
two luchot is what has been preserved in the corpus of texts
passed down by and amongst the Jewish people. From these sources, we
even have details concerning the mathematic nature of the creation
sequence. As you might suspect, it adheres strictly to this geometry,
and we will now begin to examine one specific aspect of this geometry in
detail. For now it is sufficient to understand that it involves the two
halves of a cube. A cube has 5 internal mathematic constructs and 5
polar opposites. While the mathematic constructs themselves might be
somewhat steep, they give rise to the edges, faces and vertices of 5
rather unique convex polyhedrons that are well known in geometry. Each
of the 5 has a polar opposite or '<i>dual</i>' form. These are modeled in our post on <a href="http://sapphiremagendavid.blogspot.co.il/p/string-theory-and-the.html" target="_blank">string theory and the luchot</a>
and so we won't repeat that explanation here in this post. This
parashah deals with the cube mentioned above (in the combined cubic for
of the luchot) and the effect of its division into two tablets, which we
will now attempt to explain.</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The first phase of creation was a complex process that
required the “descent” of 10 sephirot (spheres). The term sephirot does <u>not</u> in any way refer to actual, physical spheres. Rather, it refers to emanations or attributes, a means to <i>interact</i> with what was being created. </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>This phase was a necessary prerequisite</span></span> for mankind to perceive existence. </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>At the same time, it would result in a '<i>physical</i>' three-dimensional space for this interaction to occur. </span></span>In order to initiate the first phase, the sephirot <i>
descended</i> in a <u>single</u> <u>column</u>. They were not yet <i>divided</i> into their <i>opposing halves</i> (male or female) so they were <u>unable</u>
to hold or convey
“the light” of the Ein Sof (the Infinite One without end). In this
form, an awareness of higher dimensions and the larger reality was not
yet possible. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The
first phase was complete only when the "<i>first set</i>" of sephirot “<i>shattered</i>,” to make way for the "<i>second set</i>," and a second phase, with the necessary attributes that would then "<i>build on</i>" the first phase. The "<i>second set"</i> of sephirot were <i>'brought down'</i>
(they were really the first set returning in a different form) to
initiate the second phase, where this time, they would exist in
male~female form, and <u>duality</u> would be created. <i>Sefer Yetzirah</i> refers to this <i>duality</i> and the second set of sephirot as 5 opposite 5 (<i>dual</i> columns). The written Torah actually alludes to these <i>twin</i> columns in several places (as you will see in a moment). In the meantime, the very same '<i>narrative</i>' can also be found in the current model of string theory where 5 mathematic constructs are reconciled by <i>dual</i> resonance (we'll also provide additional details on string theory in the paragraphs ahead).</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Where does the Torah allude to these primordial events? The concept is <i>hidden</i>
beneath the surface of the text and bound up in the letters referring
to two specific historical events. It uses the exact same letters to
describe each of the two events, stating that: “<i>when it came time give birth,</i><i> <u>twins</u> were in her womb<span style="color: red; font-size: xx-small;"><span>3</span></span></i>.”
These two phrases are most unusual because twins do not suddenly appear
in the womb just prior to birth. They are there for the entire period
of gestation. On one level, the verse refers either to Peretz and
Zerach, or to Yaacov and Esav (two sets of twins). On another level
however it refers to the columns of the <i>sephirot</i>, dual columns that were
5 opposite 5, male and female, like mother and father. On this level,
the letters can be understood in the context of the larger reality, and
so </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>“<i>when it came time give birth </i>[to the universe, it would require 'duality' and so in the second phase]<i> <u>twins</u> were</i><i> in her womb<span style="color: red; font-size: xx-small;"><span>3</span></span></i>” </span></span>What was different about these primal twins? Why were they capable of holding
light, when their predecessors were not? This time the <i>sephirot</i> were
“divided” into opposing columns, male and female halves, and in this
form (as 5 opposite 5) the creation of the universe could progress</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>In
so far as this <i>parashah</i> (and those immediately following) are
concerned, we see an echo of the original event when Moshe goes up and
sees the sapphire block under the throne, which will later be divided
(into twin halves). The combined cubic form of this sapphire block
(cosmic blueprint) with its 5 internal mathematic constructs and 5 polar
opposites, provide the '<i>specification</i>' for the <i>sephirot</i> to
follow (in dual form as columns of 5 opposite 5) and so the events in
this <i>parashah</i>, where the sapphire block is divided into its male and
female halves, are a reflection of this primal event (the moment of
creation and the moments immediately following that event). </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>In
the physical universe, we perceive the process as a series of multiple
events (because of our limited consciousness) but above, they are
actually the same event. The series of events we perceive include the <i>first set</i> of luchot (tablets) that were <i>brought down</i>
by Moshe, when the people did not yet possess sufficient awareness of
their importance (and did not merit to receive) so they were <i>shattered</i> (the 10 commandments being a reflection of the 10 <i>sephirot</i> that were <i>shattered</i> before them). Then Moshe <i>brings down</i> a <i>second set</i>
of tablets by which time the people are ready to receive (and possess
an awareness of who they are and what is required of them). The people
are now in a position to hold and convey this light
(knowledge/consciousness of God) to the rest of the world. Just as the
<i>sephirot</i> were a reflection of the blueprint/luchot, so too, the luchot
are a reflection of the letters in the Architect's Name. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>What
this means is that the tablets with 10 commandments (that were 5
opposite 5) were just like their primal counterparts, the 10 <i>sephirot </i>
(that were 5 opposite 5 / <i>sefer yetzirah</i>). The <i>sephirot</i> were in turn
just like their primal counterparts, the 5 internal mathematic
constructs and the 5 polar opposites in the cube [of creation] (luchot).
Those 5 constructs and the cube in which they are found, are in turn a
specific function of the <span style="color: red;">216</span> letters in God's Name that define the <i>measure</i> of the cube (like its volumetric measure of <span style="color: red;">216</span> cubic hand-breadths, <span style="color: red;">2<span style="color: black;">,</span>16</span>0 degrees and various multiples etc). The <u>reason</u>
that all of this is worth contemplating is that knowledge of God's Name
results in an expansion of human consciousness (our sages said that at
some future time, all mankind would become aware of God's Name). In
fact, truth be known, mankind's very survival depends on it (the
generations before the flood failed, or were unable to hold or convey
this light and were destroyed).</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Today,
science is just beginning to catch up to the knowledge of what we sometimes call “<span style="color: blue;">c</span><span style="color: red;">c</span>Space<span style="color: red;"><span>216</span></span>"<span style="font-size: xx-small;"><span style="color: red;">4</span></span>
(a term we've started using to describe the relationship between God’s
Name, the cube of creation and physics). An understanding of physics
requires an understanding of the combined cubic form of the luchot and the <i>three-dimensional space</i> <i>defined</i> by the letters of the Name. Why? Because the 5 dynamic
constructs within the luchot are what <i>define</i> the underlying basis of the universe. That is why there are 5 string '<i>theories</i>'
(type I, IIA, IIB, HE, HO) and why those 5 can be reconciled by what
physicists refer to as
"dual" resonance (see the post on string theory and the luchot where the
5 constructs and their relationship to string theory is modeled and
explained in more detail).</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Those 5 <i>types</i> of strings have a symmetric correlation to the 5 <i>types</i>
of constructs within the cube of creation. We’ll provide some
additional diagrams in a moment (that are in no way mathematically or
geometrically accurate) but nevertheless show the correlation
between the luchot and the various string theories (which are a way to
mathematically describe vibrating
strands of energy). Before we get into that however, we need to go back
in time and examine some of the events that are reflections of the
original primordial event!</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>So
great were these original events, in terms of magnitude, that their
shadows could be seen as ripples in the space-time continuum in the
world below (then and now). Not only are they found in
physics, but long before our understanding of science reached this
point, they could be seen by the Sages of Israel in the permutations and
combinations of letters in Torah (its actual linguistic structure and
the 'numbers' associated with any given part of the narrative) all of
which are to one degree or another reflections of the
primordial energy in the cosmic blueprint. These
reflections took form in such things as specific events throughout
history, over the
course of time. Each event, ultimately conveyed by various permutations
of letters, which are a representation of sound/vibration and the
resulting conversion of energy to matter (creation) are perfect
reflections of the original event. Here are but a few examples:</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The 10 commandments on two tablets that were then shattered.</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> The return of those 10 commandments</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> (5 commandments opposite 5 </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>commandments on two tablets</span></span>)</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The 10 sayings by which the world was <i><u>created</u></i></span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> The 10 months in which the world was <u><i>destroyed</i></u> during the flood</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> (for 5 months the water rose and for 5 months they receded)</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The 10 <i>sayings of</i></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><i> creation</i> and also...</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> The </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>10 counterparts that <i><u>negated</u> these sayings</i> (in the </span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>10 plagues of the exodus)</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> (5 upper and 5 lower plagues: Maharal)</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The 10 tapestries <i>covering</i> the <i>mishkan</i></span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> The 10 commandments <i>covering</i> (protecting) Israel from destruction</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> (the 5 commandments on one tablet and the 5 on the other) </span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> (5 tapestries sewn together at one end hooked to 5 sewn together at the other end) </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The 10 years subtracted from Yoseph's life for not disputing...</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> The 10 things that were said against his father Yaacov</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> (5 times they were <u>stated</u> and 5 times were they <u>repeated</u> by the translator) </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The 5 things in the First House (these 5 were not in the Second House)</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The 5 things that happened on the 9th of Av (the 5 on the 17th of <i>Tamuz</i>) </span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The
above are just a few examples but they serve to show why prophecy and
history are really the same thing. History inevitably repeats itself.
Prophetic insight was (an really still is) connected to an understanding
of
these reflections. With an intimate knowledge of God's Name, and how its
letters define the various <i>measures</i> of the luchot, our sages
could see how these reflections would play themselves out over specific
periods of time (using this knowledge in combination with such things as
the <i>shmitah</i> cycle, the temple cycle, jubilee cycle etc). The primordial
event that started these cycles was the “big bang” which is more aptly
described as the creation of the
three-dimensional space and its underlying physics mentioned above. Just
like any other event, this event also repeats itself (each reflection
is generally hidden in similar form and substance). However, this
particular event was of such magnitude, that each of its reflections is
extremely bright. So much so, that even the blind will eventually see
the connection between the physical nature of the universe, </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>the events, </span></span>the geometry and the measure of the luchot, and the letters of God's Name. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The first reflection </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>(of the moment of creation) </span></span>can also be found in the letters of Torah that refer to this creation, where in <i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/09/beresheit-and-noach.html" target="_blank">Ber<span face=""arial" , "helvetica" , sans-serif">e</span>sheit</a></i> it says: “<i>In the beginning... God created...</i>” These letters are quite literally <i>in the
beginning</i> of the word “<i>beginning</i>.” In Hebrew this word is '<i>beresheit</i>' and it is comprised of <span style="color: blue;">6</span> letters. So the first <span style="color: #6fa8dc;">5</span> letters of this word are in fact the <i>beginning</i> of the word "<i>beginning</i>”. The letters correspond to the three dimensions of space that have <span style="color: blue;">6</span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> directions and so there are <span style="color: blue;">6</span> letters. However, the <span style="color: blue;">6</span> <span face=""arial" , "helvetica" , sans-serif">direct<span face=""arial" , "helvetica" , sans-serif">ions</span></span> are <u>defined</u> by a blueprint with</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> <span style="color: #6fa8dc;">5</span> <i>internal</i> constructs, and so we see these <span style="color: #6fa8dc;">5</span> <i>internal</i> constructs <u>within</u> the <span style="color: blue;">6</span> <i>external</i> dimensions of space that define our reality in three-dimensional space, or what was created "<i>in the beginning</i>" (like the <span style="color: #6fa8dc;">5</span> letters we find <u>within</u> <span style="color: blue;">6</span> letters).</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Those <span style="color: #6fa8dc;">5 </span>constructs
in turn define the <i>sephirot</i> (that were not yet undivided into their
male~female counterparts). At this stage of creation, the <span style="color: blue;">10</span> <i>sephirot</i> appeared as <span style="color: #6fa8dc;">5</span>, because their male and female halves existed in a unified state (prior to division). They had not yet <i>descended</i> in two columns as previously mentioned. When you <i>divide</i> these <span style="color: #6fa8dc;">5</span> androgynous constructs (like the <span style="color: #6fa8dc;">5</span> mathematic constructs in the geometry of the luchot) you get <span style="color: blue;">10</span> male~female halves, and so we see the </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><u><i>descent</i></u> of the </span></span><span style="color: blue;">10</span> <i>sephirot</i> as </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span> opposite </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5<span style="color: black;"> (<i>sefer yetzirah</i>)</span></span></span></span>. At this point you may remember that Yoseph was sold into slavery and the </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span> pieces of silver received from the sale were <i>divided</i> in two and split by <span style="color: blue;">10</span> brothers. This resulted in Yoseph's <i><u>descent</u></i> into Egypt. This event is one more reflection of its more primordial counterpart, which was man's </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>(or Adam's) </span></span> <u><i>descent</i></u> into this world (one of those events that happened "<i>in the beginning</i>"
when non-corporeal became corporeal). All of these events are examples
of a larger reality that is entirely dependent upon specifications
within the cosmic blueprint. Everything is interconnected but the dots
always connect back to the letters of God's Name and the
blueprint/luchot they define. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>A reflection of these events can be found in this <i>parashah</i> where
the permutations and combinations of letters </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>(primal energy of creation</span></span>) describe a time immediately preceding the moment when Moshe would <i>divide</i> and <i>bring down</i> the luchot (more on this in a moment). However, we also see a reflection of these events in </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>the text of <i>Parashah</i> <i><a href="https://sapphiremagendavid.blogspot.com/2023/11/toldot.html" target="_blank">Toldot</a></i></span></span> albeit with different letters. There, the primordial event is described as the moment "<i>when it came time to give birth</i> [and] <i>twins were in her womb.</i>” </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The
surface of the text (or words of the narrative) in this second
reflection, are actually describing the birth of Yaacov and Esav, the
ultimate
archetype of the righteous man and the evil twin (awareness of good and
evil) but beneath the surface of the text, hidden within the unusual
language or stream of letters corresponding to the narrative, is the
allusion to the original primordial event, where the letters describe
the birth of the universe and
the “symmetry” of its opposing halves. This is why it is described in
terms twins that <u>suddenly</u> appear in the womb. This </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>duality (or dual resonance as it is
called in string theory) occurred in the moments immediately preceding the big bang</span></span>. The language (in <i>Toldot</i>) </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>describing the birth of Yacov and Esav is </span></span>unusual because it alludes to so much more. As we mentioned earlier, when human twins are in the womb of their mother,
they are present for what is essentially the entire period of gestation,
<u> not</u> merely when it comes time to give birth. Not so with the
creation
of the universe! When the time arrived for the birth of the universe,
the cosmic blueprint was divided and became the primordial
“twins” which was then followed by </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>the duality in the physics of the universe previously mentioned. All of this resulted from the </span></span>division
in the cube of creation, which was itself preceded by the division of
the letters of God's Name (like the letters of the 4 letters of the
Tetragrammaton and the 4 letters of its polar opposite explained more
fully in the post on 'the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">marriage of the <span face=""arial" , "helvetica" , sans-serif">l</span>etters</a>').
The events in this parashah (which precede the division) and those of
subsequent events, like the birth of "twins" that were suddenly in the
womb in Toldot, are merely a reflection of a larger reality pertaining
to the birth of the universe and the duality that sustains it by virtue
of the letters of God's Name. The division (duality) occurred in an
instant, shortly before the birth of the universe, when the sephirot
were <i>brought down</i> in twin columns (5
opposite 5) but <u>only</u> “<i>when it came time to give birth </i>[when this phase of creation required duality].</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>A third reflection (of this moment of creation) is seen in <i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/12/vayeshev.html" target="_blank">VaYeshev</a></i> where the exact same words appear again: “<i>when it came time to give birth, twins were in her womb</i>.”
This time, the reflection of the primordial event took the form of the
birth of Peretz and Zerach. However, the unusual language found in the
text is the same, and once again a reflection of the same primordial event. Why is
this exact phrase mentioned <u>twice</u> in the Torah? Why are their two sets
of twins? Because the cube of creation would be
divided into twin (halves) and brought down <u>twice</u> (<span style="color: #6fa8dc;">5</span> opposite </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span>). Since the blueprint specifies this
requirement (the </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span> constructs with </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5 </span></span></span>polar opposites) the <i>sephirot</i> follow suit and they are brought down <u>twice</u> (</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span>
opposite </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span>) and because they mirror the blueprint, the letters that
follow (which are a shadow of the primordial energy) have </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span> unique
variants with </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span> different ending forms (</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span> having a <i>dual</i> form). Is it
any wonder that the physics of the universe can be described as </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span> string theories
reconciled by <i>dual</i> resonance, and that they too, mirror the specifications in the
blueprint and the letters of creation? Of course not! That brings us to this parashah, where we see
the fourth reflection of this primordial event (the moment of creation).</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The
fourth reflection is found here in the text of this <i>parashah</i> when the time
<u> actually</u> <u>arrives</u> for Moshe to go up and see the cube (sapphire block under the throne) after which, it would be <i>divided</i> and <i>brought down</i> (as God had <i>divided</i> the <i>sephirot</i> into their male and female halves when they were <i>brought down</i>). <i>When it came time to give birth, twins were in her womb</i>. When it came time for the “twins” (luchot) to be brought into this world, each of the two <span style="color: blue;">halves</span> of the original block had a volumetric measure of <span style="color: blue;">108</span> cubic hand-breadths. The sapphire block was defined by the Signature of its Architect (with <span style="color: red;">216 <span style="color: black;">letters</span></span>) and since the language of <i>lashon hakodesh</i>
(Hebrew) mirrors the geometric nature of the sapphire cube [of
creation] the gematria of various words do as well, like the word "<span style="color: blue;">half</span>" which has a gematria of <span style="color: blue;">108</span>.
Everything, again, is interconnected: the Name; the luchot; the
geometry of the magen david within the luchot; and even the gematria of
the Hebrew language.</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Each of the <span style="color: blue;">4</span> </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>primary </span></span>reflections we've mentioned so far, not only mirror the
original primordial event (the initial moment of creation) but they also, on a more lofty level, mirror the
primary letters (abbreviations) of the Architect’s Name (the
<span style="color: #6fa8dc;">4</span> letters of the Tetragrammaton opposite the <span style="color: #6fa8dc;">4</span> letters in the <i>Havayah of Adnoot</i>). What preceded the division of the blueprint/luchot with its</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span> 5 mathematics constructs and 5 polar opposites</span></span>?
The division of the blueprint was preceded by the division of the
letters in God's Name. In the moments preceding creation, the <span style="color: blue;">4</span> letters of <i>Ehyeh</i> became the <span style="color: #6fa8dc;">4</span> letters of the Tetragrammaton (<i>yud-key-vav-key</i>) opposite the <span style="color: #6fa8dc;">4</span> letters of its polar opposite (<i>aleph-dalet-nun-yud</i>). This is how God created <i>duality</i>. He created <i>heaven</i> and <i>earth</i> (duality) and separated <i>light</i> and <i>darkness</i> (duality) separating the <i>waters <u>above</u></i> from the <i>waters <u>below</u></i> (duality) and so forth. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The letters of His Name not only created <i>duality</i>, but they are what sustain this <i>duality , </i>including but not limited to the <i>duality</i>
of the blueprint/luchot itself (two tablets). This is why the duality
of the constructs within the geometry of the cube (the original combined
cubic form of the luchot) had to be actualized by dividing it into
twins, where each half (gematria 108) was 108 cubic hand-breadths, and
then brought down (to actualize what had previously been potential). It
was a mirror image of the original event involved in the creation of a
universe that would require such duality. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>When the <span style="color: blue;">4</span> letters were divided into <span style="color: #6fa8dc;">4</span> letters opposite <span style="color: #6fa8dc;">4</span> letters, everything had to follow suit. So we see this result in such things as the <span style="color: #6fa8dc;">4</span> forces of quantum mechanics and their <span style="color: #6fa8dc;">4</span> polar opposites (like the plus~minus of electricity). Everything must conform <u>and</u> <u>does</u> <u>conform</u> to the specifications in the cosmic blueprint, which must conform, <u>and</u> <u>does</u> <u>conform</u> to the letters in God's Name. If something does not conform to a specification of the blueprint, then there is a <i>reset</i>
and a new cycle begins (as it did after the flood). This is <i>tikkun </i>
(rectification) an aspect of a process that takes place over time. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The
last reflection in this <i>parashah</i> (that was mentioned above) is the one
in which we see the sapphire block under the throne. This fourth
reflection is a perfect mirror image of the first (the original
primordial event). Why are these two reflections so intricately
interconnected? Because the luchot are <u>both</u> the mirror image of the event <u>and</u> the source of
the event at the same time. We see this same 'pattern' in the <span style="color: blue;">10</span> sayings of creation. Later, </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>after the passage of time,</span></span> the world is destroyed in like-manner during a flood that conforms to the same geometry in the creation-equation. For <span style="color: #6fa8dc;">5</span>
months the waters rose and for </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span> months they receded (<span style="color: blue;">10</span> months). There is a <i>reset</i>. After the flood <span style="color: blue;">10</span> more kings arise, <span style="color: #6fa8dc;">5</span> reigning <u>before</u> the <i>dividing</i> of the continents, and </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #6fa8dc;">5</span></span></span> <u>after</u> the <i>dividing</i> of the continents. What was really being <i>divided</i>?
It was the cosmic blueprint, cube of creation or shnei luchot (you can
use whatever language you like to describe it) that was being <i>divided</i>
into 5 opposite 5. The events were (merely) a reflection of a
specification (in the geometric properties) of the blueprint/luchot.
Does it end there? Of course not! That's why we see the same reflection
in this <i>parashah</i> with the sapphire cube under the throne, which will
soon be divided and brought down by Moshe. Each is a reflection of the
same thing, which is the actual blueprint that God looked into before <i>creating</i>, and the events involving the blueprint that are seen by Moshe in this <i>parashah</i>. The luchot are destroyed, but then there is a <i>reset</i>
and Moshe brings down the second set of luchot. There are 5
commandments on one, and 5 commandments on the other. Are the <i>sephirot </i>
any different? </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>The 10 <i>sephirot</i> (in a single column) are shattered. There is a <i>reset</i> and then the <i>sephirot</i> are brought back (5 opposite 5) and remain intact. </span></span>Each
is a reflection of the original primordial event. Each is a ripple in
time originating in the gematria of the cosmic blueprint. </span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br />Here,
in this <i>parashah</i>, we see the most significant ripple, the
penultimate (last primary) reflection of the original event. Here, in
this <i>parashah</i>, is where the sapphire block is prepared for division
(resulting in 10 commandments on 2 luchot) to be physically “<i>brought down</i>”
into the real world (further defining man's reality) and where the
builders (the Jewish people) will be allowed to bring the light
(knowledge of God) into the three-dimensional space defined by the cube
[of creation]. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Notice
that each of the previous
reflections (of the primordial event) becomes a reflection of a (yet to
occur) future event (where the ripples in time become the source of
prophecy) and where prophecy is simply a prediction of another
reflection of the original event. In the case of this reflection, where
the luchot are actually divided physically in “half” and given to Israel
as 5 commandments on one, opposite 5 on the other, and where each half
equates to <span style="color: blue;">108</span> cubic hand-breadths (half the original form of <span style="color: red;">216</span>
cubic hand-breadths) we see how its measure, along with other inherent
aspects, reveal the mathematic nature of the “Signature of the
Architect” in the cube of creation. The mathematic signature
corresponds to the letters (or primordial energy) associated with His
Explicit Name. And so in this <i>parashah</i>, God said to Moshe “<i>go up to</i> (the Name)[w/<span style="color: red;">216</span> letters] <i>along with Aaron, Nadav and Avihu, and 70 of the elders of Israel</i><span style="color: red; font-size: xx-small;"><span>5</span></span>. <i>When you reach the top, remain at a distance, only Moshe may approach</i>.”</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The Torah continues: “<i>Moshe</i> [after receiving these instructions] <i>went and told the people all of God’s words and the laws</i>.” Until this moment in time, all was verbal, but then Moshe “<i>wrote down all of God’s words</i><span style="color: red; font-size: xx-small;"><span>6</span></span>.”
According to our sources, it took 6 days to accomplish this. Time moves
forward and then the 4 men and the 70 elders (per the above
instructions) “go up” to the top. There they “<i>see a vision of the God of Israel, and under His feet was something like a sapphire brick, like the essence of a clear blue sky</i>.” And under His feet was "something?"</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Something?
There is a mystery surrounding these events and especially the
“something” that is described as a sapphire blue crystalline block. Many
opinions have been offered. Some say that this block was later divided
and brought down as the luchot or tablets (an understatement of
unprecedented proportion in light of what we've explained in this post). The 'twins' were each "<i>said to be</i>"
6 x 6 x 3
(hand-breadths) as mentioned above. Who said this? It was the Sages of
Israel who understood that God looked into the primordial Torah <u>before</u> creating!</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
</p><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwqUoGM0UhD49gz1Q3SloDLXdS2SJHDt9jPMyy6e7471-xhNj2ekJVXfUuEk8ENG3LDbDwSqRMBNFcN96sL4It2GhMDPUWvf2YSON18nVs1RSKNqZXET5ikBWxllch9Fkz-vM0Qk91xNtk/s1600/Luchot+as+Twins.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwqUoGM0UhD49gz1Q3SloDLXdS2SJHDt9jPMyy6e7471-xhNj2ekJVXfUuEk8ENG3LDbDwSqRMBNFcN96sL4It2GhMDPUWvf2YSON18nVs1RSKNqZXET5ikBWxllch9Fkz-vM0Qk91xNtk/s1600/Luchot+as+Twins.tiff" width="400" /></a></span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>For
purpose of review, and a speedy clarification, we offer the following.
Before its division, the brick was a cube having a ratio of 6
hand-breadths by 6 hand-breadths by 6 hand-breadths. The ratio is alluded
to in several places (<i><a href="https://sapphiremagendavid.blogspot.com/2023/10/vayera.html" target="_blank">VaYera</a></i>
being just one example). The number of elements in “the matrix” of the
cube is a direct reflection of the letters (primordial energy)
associated with God’s Explicit Name. In terms of the luchot, the sources
say that each was 6 x 6 x 3 (<span style="color: blue;">108</span>) times the <span style="color: blue;">2</span> luchot, which equals <span style="color: red;">216</span>, or in terms of the original cubic form, it would have been 6 x 6 x 6, but again <span style="color: red;">216</span>.
Both ratios equate to the number of letters in God’s Name and are an
aspect of the mathematic Signature we’ve been discussing, and which
we've seen so many times throughout the various posts of this blog.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>One
cubit, by the way, is exactly 6 hand-breadths. So we could also say that
it was 1 cubit-cubed, an interesting measurement in-and-of itself
because, as it turns out, the word “cubit” is derived from the measure of
“the cube" of creation. Not only is it derived from the measure of a
cube, but it is specifically derived from “<u>the</u> cube” in question, which was, literally, the
combined cubic form of the luchot, or what was known to the ancient
world, both before and after the the flood, as the cube of creation. The <i>geometry</i> of the <span style="color: blue;">cube</span> as it pertains to the <i>measure</i> of the <span style="color: blue;">cub</span><i>it</i> is something that must be contemplated. It
was the source of all known “mathematics” pertaining to the universe. This is
why the celestial dynamics described in the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-primordial-torah.html" target="_blank">Primordial Torah</a> and posts like <i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/05/emor.html" target="_blank">Emor</a></i>, <i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/05/behalothekha.html" target="_blank">BeHa'alotheka</a></i>
and <a href="https://sapphiremagendavid.blogspot.com/2023/04/metzora.html" target="_blank"><i>Parashah Metzora</i></a>, are the mirror image of the geometry in the combined cubic form of the
luchot. Unfortunately, the knowledge was quickly forgotten in the
aftermath of the flood, except in the schools established by Shem and
Ever who preserved this knowledge so that the letters associated with
the Name and the knowledge of God could be passed down to their
descendants. Among those descendants were Avraham, Yitzhak, Yaacov and
ultimately the Jewish people, who preserve such knowledge until this
very day.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In
other words, the knowledge wasn’t really lost. It was merely entrusted
to the righteous men of God who had been chosen for that purpose, lest
man use it for corrupt purposes as he did before the flood. When
it was time to bring knowledge of the original blueprint back into the
physical universe, it was entrusted to Israel (<i>brought down</i> by Moshe) who would eventually
restore this knowledge, preserve it, observe it (like the laws arising from its measurement) and otherwise protect
it from those who would misuse the knowledge, as mankind had done before the
flood. In the days of <i>Mashiach</i>, it will be used to rectify and repair a
damaged world.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>Here in <i>Mishpatim</i>, we see just the beginning of this
process (or a reflection of the beginning) and the first few steps in a
long series of events that would take 6,000 years to compete, as explained in the post on <i>Parashah Metzora</i>. God said to Moshe, “<i>Come up to the mountain and remain there. I will give you the stone tablets</i> (2) <i>the Torah</i> (1) <i>and the mitzva of the</i> (10) <i>commandments</i>, <i>that I have written for instruction</i>.”
There are many things that could be said about these words, however
insofar as this post is concerned, we will only mention that these
numbers are a reflection of the same numbers and the same ratio that we saw in the last
<i>parashah</i> pertaining to Yithro’s suggestion for the system of
jurisprudence. Why? Because like everything else, they mirror the
geometry of the blueprint!</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>You
may remember that in terms of last week's <i>parashah</i>, the numbers
involved in the adjudication of law were described in terms of
thousands, hundreds, fifties and tens of leaders, the fractional
proportions being 1/10, 1/2, and 1/5, and so we showed how this
corresponded to a single element within the royal seal, or star
tetrahedron (which was 1/10) and that this star was the result of
merging two
tetrahedrons (a single tetrahedron being 1/2 of the star) in which any
given element
was also 1/5 the number of elements in a tetrahedron. The fractional
proportions are the same
in both cases: 1/10th, 1/2 and 1/5th. Any given commandment (element)
can also be thought of in the same terms: one commandment is 1/10 the
total number, or in terms of its internal constructs 1/10th of
the original matrix. It is also 1/5th of a single tablet (after its
division) and
either of the luchot are 1/2 the combined cubic form, so we have the
exact
same fractional proportions. Under normal circumstances, something like
this should be considered a coincidence (the data set is to small to
determine significance). However, this case is <u>not</u> a normal circumstance for reasons which should now be obvious. It is a function of a larger reality involving God's plan.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In
each of the cases we've mentioned thus far, the proportions give rise
to the mathematic constructs that
constitute a geometric signature corresponding to the letters in
God’s Name embedded in the underlying properties of the cube [of
creation]. They are found in both the combined cubic form (1) the
divided form, as the luchot (2) and the
internal constructs (10) which are the 'origin' of the commandments
(10); but they are also found in the star tetrahedron (1) the
tetrahedrons that form the star (2) and the elements of their internal
geometry (10) resulting from their marriage (male and female) just like
the
original primordial event, and each of its reflections throughout
history, that possess these same characteristics: 1 cube
divided in 2, with 10 elements that are </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>5 opposite 5</span></span>.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In each case, the numbers not only reflect the original event horizon
(creation itself) and the moments that followed in which division
(symmetry, dual resonance) resulted, but they also reflect the Signature
of the Architect, that defines the “parameters” of the combined cubic
form of the luchot. The picture below is a simple
representation of the fractional proportions associated with each
half of the Name, 108 cubic hand-breadths in each half of the cosmic blueprint, the
descent of the <i>sephirot</i> (in two columns) and as you’ll see in a
moment, even string theory (5 constructs with dual resonance).</span></span><span face=""arial" , "helvetica" , sans-serif"><span> </span></span><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The Two Halves of the Cube</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>(<i><span>as it relates to 10 that are 5 opposite 5) </span></i></span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN9cgpX1mkL36Aa-BxClsGhr1odWQttnwoYS0ct5RmN6vYgBrYlua8LtvzXwqNJBbaCsXFQ9xhIVF73vYHYZlwUkkTP2miYZG5AEhCc0y-ngPFve6keaDJL1hk0L1qbdX_EaGk29_D7eqA/s1600/Luchot+10+Commandments.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN9cgpX1mkL36Aa-BxClsGhr1odWQttnwoYS0ct5RmN6vYgBrYlua8LtvzXwqNJBbaCsXFQ9xhIVF73vYHYZlwUkkTP2miYZG5AEhCc0y-ngPFve6keaDJL1hk0L1qbdX_EaGk29_D7eqA/s1600/Luchot+10+Commandments.tiff" width="400" /></a></span></div><span style="font-size: medium;">
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>1/10th 1/2 1/5th</span></span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>The
combined cubic form of the luchot or cube of metatron, the cube of
creation, the cube’s 5 mathematic constructs and their 5 polar
opposites, the 5 string theories, their dual resonance and symmetry (shown in contrast to one another in the diagram below) are
all reflections of the same thing: the cosmic blueprint or combined
cubic form of the luchot that is <i>measured</i> in terms of the 216 letters
in God’s Explicit Name. The symmetry (<u>not</u> measure) is depicted below to clarify the relationship between one thing and another. </span></span><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>String Theory and the Cube of Creation<br />(<span><i>Dual Resonance / Symmetry</i></span>)</span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE0AfwQ6IZ9UjBLlYSqWrzZGlCRAnFLkK7cePRPHI_Foiol48IgWWPS8DBu-VDIV-92cwVkO0N9dmVPEGrXc9CMRjmHRieW0mMd0CYYP05uygVdxz-yEzPVL2eol2JRIVY7tt1tuLcQ28i/s1600/String+Theory+Fibonacci+&+the+Cube.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE0AfwQ6IZ9UjBLlYSqWrzZGlCRAnFLkK7cePRPHI_Foiol48IgWWPS8DBu-VDIV-92cwVkO0N9dmVPEGrXc9CMRjmHRieW0mMd0CYYP05uygVdxz-yEzPVL2eol2JRIVY7tt1tuLcQ28i/s1600/String+Theory+Fibonacci+&+the+Cube.tiff" width="400" /></a></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><span><br />We modeled this more accurately in terms of the cubes actual internal constructs in the post on '<a href="http://sapphiremagendavid.blogspot.co.il/p/string-theory-and-the.html" target="_blank">String Theory and the Luchot</a>."
The
above picture is just a simple diagram representing the 5
internal mathematic constructs that are, in reality, unique,
regular-convex-polyhedrons known as: the tetrahedron; the cube; the
octahedron, the
dodecahedron and the icosahedron, each of the five against its polar
opposite and each as it relates to a type of string. The tetrahedron is
of course its own polar opposite. The polar
opposite of the cube is the octahedron and the polar opposite of the
octahedron is the cube. The polar opposite of the dodecahedron is the
icosahedron and the polar opposite of the icosahedron is the
dodecahedron. This one-to-one relationship is identical to string
theory, where the counterpart of the tetrahedron is type 1, which is its
own opposite (consisting of both open and closed strings). The
remaining types are all closed. The counterpart of type IIA is IIB (like
the mathematic constructs that define the cube and the octahedron).
They are opposite one another in that one is chiral and the other
non-chiral. The counterpart of HE is HO (like the mathematic construct
that defines the dodecahedron and the icosahedron). Here, it is the
symmetry that separates one type from the other, but each is tied to
certain aspects of euclidean space (measured by 216 x, y, and z
coordinates) and E8. </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>We mentioned the unusual connection between the letters of God's Explicit Name and E8 in our post on <i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/04/shemeni-and-tazria_8.html" target="_blank">Shemeni and Tazria</a></i>, and its further significance in terms of euclidean space and the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_6.html" target="_blank">4 species waved on <i>sukkoth</i></a>, but it is further detailed in the post we just mentioned on string theory and the luchot</span></span>. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span><br />In
the meantime, you can also see the 5 opposite 5 nature of the cosmic
blueprint or "the cube" of metatron pictured below in two-dimensions.</span></span><br />
<br />
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCx0fy3Oip_bva3vBliWwycG38NDEhdGNJK5arpeSVpeXKPjoq89oDSfgGg0-LRZemYIXfCwKhom9mqIjCiPMmmjYbTY0PCcBJodPkxOQj1J6y1xAJKPYgiHqzdibNYv2Y6ldvMoTb1HzI/s1600/Cube+of+Metatron+%28creation%29+showing+the+5+constructs+and+their+polar+opposites.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCx0fy3Oip_bva3vBliWwycG38NDEhdGNJK5arpeSVpeXKPjoq89oDSfgGg0-LRZemYIXfCwKhom9mqIjCiPMmmjYbTY0PCcBJodPkxOQj1J6y1xAJKPYgiHqzdibNYv2Y6ldvMoTb1HzI/s1600/Cube+of+Metatron+(creation)+showing+the+5+constructs+and+their+polar+opposites.tiff" width="320" /></a></span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>If
you look carefully, you will see the cube along each of its 5
mathematic "constructs," as well as the edges, faces, and vertices, in
the geometrics they define.
String theory, the cube, and the letters of God’s Name all have a
remarkable connection. We should add at this point, that it was Leonardo
Pisano (Fibonacci) who first brought this to attention of his peers in
the west, and quantified the 5 mathematic constructs in a
cube (defining the polyhedrons mentioned above) showing that 1 was
its own polar opposite, and the remaining 4 were each-other’s polar
opposite. We can express these geometric relationships as 4 opposite 4
of one type (with different polar opposites) or, we can express them as 5
opposite 5 (when they are taken together). Do these numbers and their
relationship sound familiar? Did we not find these exact same numbers
embedded in the nature of certain historical events recorded in Torah?
Did we not see them in the physics of string theory? Were they not in
quantum mechanics?</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>You can see a two-dimensional orthographic projection of the star tetrahedron (what we call the royal seal) with its <span style="color: red;">216</span> geometric
elements in the form of <span style="color: blue;">72</span> <span style="color: red;">tri</span>angles, in the center. The numbers, sets of numbers and ratios are all defined by the letters of the One Explicit
Name, of which the abbreviations (with 4 opposite 4 letters) are part.
As it is in the Name, so it is in the cosmic blueprint (cube of
creation/metatron/luchot) and as it is in the blueprint, so it is in the
world below (where in physics the 5 constructs in dual form give rise
to the 5 string “theories” and dual resonance).</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>The
“fifth” construct (in the form of the math that defines the
tetrahedron) suggests the existence of an as-yet undefined force (in
quantum mechanics) that is above and beyond all the rest. Interestingly
enough, physicists have recently found evidence of a possible fifth
force! Although, I think they'll find that it is really a <i>reflection</i>
of the four found in the ultimate quantum singularity that we perceive
in the 4 letters of the Tetragrammaton and the 4 letters of its
opposite. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>The
text of <i>Mishpatim</i> of course continues with a further description of
these events and an allusion to the ratio of the cube that Moshe would
divide: “<i>As soon as Moshe reached the mountain top, the cloud covered the mountain</i>."
Moses goes into the cloud which "covered [the mountain] for 6
days." This either began on the 6th of Sivan or ended on the 6th of
Sivan depending on the source. So on top of everything stated above, we
now have (from the beginning of these events) Moshe spending 6 days
going back and forth bringing the words of God to the people (the
permutations of the letters possibly resulting from mathematic combinations and certain positions in the matrix) then
his subsequent ascent; where he stayed in the cloud for 6 days; and finally,
the events begin (or end) on the 6th of Sivan.</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span><br /> </span></span><br />
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIptrSd_m_roElUgjMAkMcSb5o24PwSoiHE3Mbb6jM3qUL5C6JXV6iGSbRZukqJIFeC3dVLBx6q4PzYuMzDEcMSE63EPMPwnKxOFIvke-uTFBOnVKO_khueuuaXwkTWSBNlD3RHCODva5p/s1600/Sapphire+Cube.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIptrSd_m_roElUgjMAkMcSb5o24PwSoiHE3Mbb6jM3qUL5C6JXV6iGSbRZukqJIFeC3dVLBx6q4PzYuMzDEcMSE63EPMPwnKxOFIvke-uTFBOnVKO_khueuuaXwkTWSBNlD3RHCODva5p/s1600/Sapphire+Cube.jpg" width="320" /></a></span></div><p><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span> <br />The
description alludes to the dimensions for the combined cubic form of
the luchot and its volumetric measure to the letters of God’s Name (<span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> = <span style="color: red;">216</span>) that was then divided and given to the people as the shnei luchot (2)
where the dimensions of each half resulted in a volumetric measure of <span style="color: blue;">108</span> opposite <span style="color: blue;">108</span>
elements/hand-breadths/letters (two halves) as is known. You will see
the significance (and many reflections of this 'blueprint') as each week’s <i>parashah </i>
unfolds.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>Next
week, we will see these very same numbers; sets of numbers; and ratios;
in the construction of the <i>Ohel Moed</i> (Tabernacle) the Ark, the Table
and the Menorah. In fact, next week's <i>parashah</i> has so many numbers and
ratios corresponding to this unique Signature, that we will only be able
to cover a fraction of them.<br />____</span></span></span><br />
<br />
<br />
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;"><span><span face=""arial" , "helvetica" , sans-serif">Footnote 1 - The Name does not contain a letter gimmel. However, the combination of two or more letters </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(plus or minus) </span>can
result in an entirely different letter. For example, the sum of 2 yuds
and 1 vav is an aleph. The sum of 1 yud and 1 vav also creates an aleph
with a special nature (sometimes found in Torah) and finally
(insofar as this example is concerned) the same letters can also be
added together to create a gimmel. </span></span></span><span style="font-size: x-small;"><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span><span>Footnote 2 - </span></span></span><span face=""arial" , "helvetica" , sans-serif"><span><span><span face=""arial" , "helvetica" , sans-serif">An esoteric allusion to
the two luchot or two halves (division of) the combined cubic form of the luchot into 5 opposite 5. </span>R. Ishmael refers to it as "the cube" of metatron </span></span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(<i>sefer hekhalot</i>)</span>.
Metatron was Enoch. Enoch never died. He returned to the original form
of man (non-corporeal). The cube of metatron (or cube of creation) had a
volumetric measure of <span style="color: red;">216</span> cubic
hand-breadths. The hand-breadths correspond to the triplets (of letters)
in God's Name. R. Ishmael refers to these triplets as "wings," where the
division of "the cube" results in 36 triplets (<span style="color: blue;">108</span>) to the left and 36 triplets (<span style="color: blue;">108</span>)
to the right (a total of 72 triplets). This is the result of dividing
the combined cubic form of the luchot in half, where each half is 108
cubic hand-breadths in the ratio of 6 x 6 x 3. In other words, "the cube"
of metatron, "the cube" of creation, and the "combined cubic form of
the luchot" were different "names" for the same thing. There is a great
deal more to the story, but this much will suffice for the purpose of
this post.</span><br />
<span><br /></span>
<span face=""arial" , "helvetica" , sans-serif">Footnote 3 - This is
the phrase used in Torah describe the birth of the "twins" in the case
of both Rivka and Tamar However reference to the "womb" (that was
suddenly with "twins") is an esoteric reference to the creative force of
the Shechina or Holy Feminine.</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />Footnote 4 - <span style="color: blue;">c</span><span style="color: red;">c</span>Space<span style="color: red;"><span>216</span></span>
is a term we use to describe "the space" (and physics) defined by the
letters of the Name and the volumetric measure of the “combined cubic
form of the luchot” which creates the template by which the entire
universe is measured. This concept is more fully explained, documented
and diagrammed in an advanced construct on the <a href="http://sapphiremagendavid.blogspot.co.il/p/8-dimensions-of-name.html" target="_blank">8 dimensions</a> that essentially demonstrates where, why, and how, the patterns of
numbers in the Torah originate with, or are a function of the 8
dimensions in ccSpace (the 'euclidean space' in the measure of a cubit-cubed).</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />Footnote
5 - Notice there were 4 men along with 70 elders. These numbers and the
ratio are found in several places within the Torah. Since the
significance was explained in <a href="https://sapphiremagendavid.blogspot.com/2023/12/vayigash.html" target="_blank">VaYigash</a> and HaBerakhah, we will not delve into them here however, their primary significance is best demonstrated in the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_12.html" target="_blank">Incense and the 216 Letters</a>.</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />Footnote
6 - Reference to "all of God's words" alludes to the permutation of the
letters (associated with His Name) that were then delivered (given) to
the people.</span></span></p><p><span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif"> </span></span></p><p><span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif"> </span></span></p><p><span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif"> </span></span></p><p><span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif"> </span></span></p><p><span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif"> </span></span></p><p><span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif"> </span></span></p><p><span style="font-size: x-small;"> </span></p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-1181799153616221872024-01-27T18:15:00.000+02:002024-01-27T18:15:51.034+02:00Yithro<p><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Yithro said to Moshe: “<i>Listen to me</i> [and] <i>I will give you advice</i>.” He then advised Moshe to “<i>seek out God-fearing men... who hate injustice</i>..." and to "<i>appoint them over</i> [the people] <i>as leaders of thousands, leaders of hundreds, leaders of fifties, and leaders of tens.”</i> </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The
numbers and the ratio of one to another is somewhat illogical. Would it
not be more appropriate to use the same identical fractional
proportion throughout, like 10s, 100s, or 1000s, where each is one tenth
of its predecessor? </span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #333333; line-height: 115%;">Before <span face=""arial" , "helvetica" , sans-serif">looking at this ratio more closely</span>, those who are new to this
blog should read</span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span> each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but also such things as quantum mechanics, </span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>the physics of time and
space,</span></span></span></span> celestial dynamics, biology, chemistry (etc)<span face=""arial" , "helvetica" , sans-serif">.</span> Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>.<br /><br />As far as our introductory paragraph is concerned, we do not know why
Yithro chose these particular fractional proportions. Perhaps he was
familiar with a similar system of jurisprudence in Egypt. Or, perhaps
these numbers just popped into his head. </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>There is also the
possibility that these proportions are a function of a larger reality
based on the nature of the cosmic blueprint. </span></span>Whatever the source, Moshe
accepted the advice and implemented a system based on the ratios that
Yithro suggested. So let’s take a closer look at the numbers, the sets
of numbers and the ratio between the sets. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>One hundred is of course
1/10th of a thousand. Fifty however, is only 1/2 of a hundred and ten is
1/5th of fifty. Each fractional proportion is decidedly different from
the other. A leader of a thousand would thus supervise 10 people, who in
turn would each supervise 100 people, who in turn would each supervise 2
people (each with 50) who would in turn supervise 5 people (each with
10).</span></span><span style="font-size: medium;"><br /></span>
</p><div style="text-align: left;"><span style="font-size: medium;"> _________</span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span> <span style="font-size: x-small;">Leader of a <span style="color: red;">1000</span> (supervising 10 leaders of 100)<br /> ⬇<br /> Leader of <span style="color: blue;">100</span> (supervising 2 leaders of 50)<br /> ⬇ ⬇<br /> Leader of <span style="color: #6aa84f;">50</span> Leader of <span style="color: #6aa84f;">50</span><br /> ⬇ ⬇<br /> Supervising <span style="color: blue;">5</span> leaders (of 10 people) Supervising <span style="color: blue;">5</span> leaders (of 10 people)</span></span></span><span style="font-size: x-small;"><br />
<span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> ⬇ ⬇</span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> </span></span><span><span style="color: blue;"> 10</span> People <span style="color: blue;">10</span> People <span style="color: blue;">10</span> People <span style="color: blue;">10</span> People <span style="color: blue;">10</span> People <span style="color: blue;">10</span> People <span style="color: blue;">10</span> People <span style="color: blue;">10</span> People <span style="color: blue;">10</span> People <span style="color: blue;">10</span> People</span></span></span><br />
</span></span><div style="text-align: left;"> <span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;"><span><span><span style="font-size: medium;">_________</span> </span></span></span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>The
ratio is quite interesting in light of the luchot and their internal
geometry (where the dominant mathematic characteristic is 5 opposite 5
and a subject that we discuss so often throughout this blog). <u>One</u> of these constructs (the tetrahedron) is different from the other <u>four</u>, in that it is its own polar opposite (see the post on <a href="http://sapphiremagendavid.blogspot.co.il/p/string-theory-and-the.html" target="_blank">String Theory and the Luchot</a>
for details). In this case, the ratios pertaining to the system of
jurisprudence suggested by Yithro are essentially a mathematic and
geometric mirror image of these characteristics, either in whole or in
part, and/or various multiples of those characteristics.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>As
we mentioned above, it would seem that the logical progression would
have called for leaders of 1000, leaders of 100 and then leaders of 10,
so that each would supervise 10 individuals who would in turn supervise
10 and so forth. The introduction of leaders for 50 people directly
under leaders of 100, dramatically altered the progression in the
sequence, as did the 5 leaders of 10 people. Why? </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span> Throughout
the course of this blog and its many posts pertaining to God’s Name, we
have endeavored to show the relationship between the mathematic and
geometric characteristics of the letters of the Triad Havayah of 72 as
they pertain to the nature of the luchot, and the events and
characteristics of things in the world below. To that end we have shown
how various mathematic constructs define the edges and borders of a star
tetrahedron (which casts a two-dimensional shadow known as a magen
david). The characteristics of things happening in the physical universe
often conform to these patterns.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>Before we examine this week’s parashah
in terms of these patterns, keep in mind once again, that David’s “shield” (magen)
was <u>not</u> really a 6 pointed star. Nor was it a star tetrahedron. Rather, David’s
shield was God Himself</span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>—</span></span>and
God has a Name—an Explicit Name—with specific
letters—and these letters have certain mathematic and geometric
characteristics which are identical to (and actually define the) various
measurements of the luchot, as well as the geometry of a star
tetrahedron or
magen david within the luchot, hence the reference. Take a moment to
consider what has just been said.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>This
week’s parashah further demonstrates this connection, not only in terms
of the five internal constructs and their polar opposites (5 opposite
5: where <u>one</u> is different from the other <u>four</u>, as mentioned above) but also in terms of the most dominant of these constructs and the <u>one</u> that's different (the tetrahedron and its opposite) and their internal geometry which also happens to consist</span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> of 5 unique constructs and 5 polar opposites (again 5 opposite 5: where <u>one</u> is again different from the other <u>four</u>, as shown in the model below)</span></span>. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>To
illustrate the significance of this particular iteration: when a
tetrahedron is merged with another tetrahedron facing the opposite
direction, each is subdivided. This results in additional
mathematic constructs, that define much the same, in what amount to 5
smaller polyhedrons that have 5 polar opposites. Or, to put it another
way, the merging of 2 tetrahedrons
results in a total of 10 polyhedrons or "elements" with 5 in one
tetrahedron opposite 5 in the other (modeled below). Moreover, at the
risk of sounding redundant, <u>one</u> of these constructs (the octahedral core) is again different from the other <u>four</u>.
Either way, any given polyhedron is 1/10 the total number
of polyhedrons (the 10 resulting from the “marriage” of two tetrahedrons
in
what is now 1 star tetrahedron). As in the case of the one cube [of
creation] that was divided in two, which has five internal constructs
and five polar opposites, so too, a single star tetrahedron (the
marriage of two
tetrahedrons) together have </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>five polyhedrons and five polar opposites</span></span>. So the same numbers, sets of numbers and ratios end up defining the geometric characteristics of both the <i>internal</i> aspects of the cube, and the <i>internal</i> aspects of the star tetrahedron that are hidden within the cube. In each case, the outer (<i>revealed</i>) geometry consists of 2 halves constrained by 5 (<i>hidden</i>) mathematic constructs that have 5 polar opposites (duals) for a total of 10. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>These
fractional proportions just happen to be the same as the proportions
suggested by Yithro for the purpose of governance and/or the system of
jurisprudence for the people. Taken by itself, the probability of this
being a coincidence is not extraordinary. The proportions that Yithro
suggested could well be considered a coincidence. However, given the
repeated reflections of an identical nature, in each parashah, over and
over again, we would be incorrect if we stated that it was not
statistically significant in the grand scheme of things.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>The
picture below shows the subdivisions of 2 tetrahedrons after being
merged with one another. For purpose of illustration the 2 tetrahedrons
have been 're-separated' (from their configuration as a star) so that
the individual elements can be more easily seen and counted. </span></span><br />
<br />
<br />
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUm0uTVPLknXg2_JmgzuAygcXJwIBlGTpLk5fVW64-LD2Y7AI_ZYd35u41lODh7Rwzl6V0csZDfTgCnW3l3Jk-ucmjezRL235eIZUvNvseoq482SWNhD0p25TNQS8CRGgOIPusdbnnwnnq/s1600/Tetrahedrons+%282%29+%28Exploded%29+w:10+Elements+Ver+3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUm0uTVPLknXg2_JmgzuAygcXJwIBlGTpLk5fVW64-LD2Y7AI_ZYd35u41lODh7Rwzl6V0csZDfTgCnW3l3Jk-ucmjezRL235eIZUvNvseoq482SWNhD0p25TNQS8CRGgOIPusdbnnwnnq/s1600/Tetrahedrons+(2)+(Exploded)+w:10+Elements+Ver+3.jpg" width="342" /></a></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><span><br /></span></span><span face=""arial" , "helvetica" , sans-serif"><span>The relationship between the two, needs no further clarification insofar as the fractional proportions are concerned.</span></span><br />
<br />
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLsOGRYAsW7_Jb3ozOFhVWoo7BTSNhULht4vH3BYxbfDSvnQBa1NweLa2ImvTmSY4N7YHvVzcokGm_Ls_mVlUkYz99P2RF1G-lbOsQiouEWxiH7D9Tr7MPvvHZLTEuOu4NYr6EDsx6Kopi/s1600/Magen+Shadow+3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLsOGRYAsW7_Jb3ozOFhVWoo7BTSNhULht4vH3BYxbfDSvnQBa1NweLa2ImvTmSY4N7YHvVzcokGm_Ls_mVlUkYz99P2RF1G-lbOsQiouEWxiH7D9Tr7MPvvHZLTEuOu4NYr6EDsx6Kopi/s1600/Magen+Shadow+3.jpg" width="320" /> </a></span></div><span style="font-size: medium;">
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The
royal seal (in the form of a three-dimensional star tetrahedron) has
216 elements that correspond to the letters of God's Explicit Name.
Everything is, once again interconnected, but the dots always connect
back to the letters of God's Name, hidden just beneath the surface.</span></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: left;">
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br /><br /></span></span></div><p><span style="font-size: medium;"> </span></p><p></p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-41115821350093402702024-01-20T17:57:00.002+02:002024-01-20T17:57:44.725+02:00BeShalach<p><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">In <i>Parashah BeShalach</i>, God’s Explicit Name is hidden (literally letter for letter) in the text explaining how: “<i>God’s
Angel that was in front... now moved and went behind... it came
between the Egyptian and the Israelite... Moshe extended His Hand</i> [with the sceptre and] <i>the water</i> [then parted so that it] <i>was on their right and left like</i> [two] <i>walls</i>.” </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #333333; line-height: 115%;">Before offering a<span face=""arial" , "helvetica" , sans-serif"> more detailed</span> explanation, those who are new to this
blog should read</span></span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but also such things as quantum mechanics, </span></span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">the physics of time and
space,</span></span></span></span> celestial dynamics, biology, chemistry (etc)<span face=""arial" , "helvetica" , sans-serif">.</span> Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Here in BeShalach</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">, we find the letters of God's Name, specifically in the lines of text</span></span> above and more specifically in <span style="color: red;">three</span> consecutive verses that have exactly <span style="color: blue;">72</span> letters (<span style="color: red;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span>).
Not only do the numbers and sets of numbers allude to God’s Explicit
Name, but the actual letters themselves are those of the <span style="color: red;">Tri</span>ad Havayah of
<span style="color: blue;"> 72</span>. They are sequenced as a
one-dimensional string within the
narrative, <span face=""arial" , "helvetica" , sans-serif">but</span> permuted according to the proper method, as is
known. The three verses (in terms of both its numbers and letters) are
a ‘witness’ attesting to the Divine Presence at the sea. However, they
also provide us with a witness to much more, including how these <span style="color: red;">216</span>
letters create and <i>define</i> space-time, and 'rule' over that which they create. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">These lines of text describe three dimensions with six <span face=""arial" , "helvetica" , sans-serif">vectors</span>. You may recall from the post on the mitzvah of the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_6.html" target="_blank">Four Species and the Explicit Name</a>
(listed among the essential constructs in the column to the right) that
we wave the four species in six directions, essentially inscribing (and
thus acknowledging) a unique 'space' with three dimensions and six<span face=""arial" , "helvetica" , sans-serif"> directions</span>. Th<span face=""arial" , "helvetica" , sans-serif">is</span> continuum<span face=""arial" , "helvetica" , sans-serif"> is</span> modeled below in terms of <span face=""arial" , "helvetica" , sans-serif">its</span>
specific North/South, East/West and Up/Down coordinates (the observance
of waving the species in these six directions is described in most
<i>siddurim</i> (prayer books). </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> </span></span> <br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjePWh_94GwCQlc_q9VMEdWCORp3G1C0_Qsrzq6i3PVrUXdG20Zmnsg-sAPEwXH9QQcGo_uEVlvtPzI-F1gbYvc7Zh_Oz1GsVdW4HX4GNE6vTtBvu-iwbmHogQ8O3TaYOX_BeckV_TXWToj/s1600/NSEWUP+4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjePWh_94GwCQlc_q9VMEdWCORp3G1C0_Qsrzq6i3PVrUXdG20Zmnsg-sAPEwXH9QQcGo_uEVlvtPzI-F1gbYvc7Zh_Oz1GsVdW4HX4GNE6vTtBvu-iwbmHogQ8O3TaYOX_BeckV_TXWToj/s1600/NSEWUP+4.jpg" width="400" /></a></div>
<br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">This
"model" can be found in the writings of our Sages without much
explanation (we elaborate on its significance more fully in the post
entitled <a href="http://sapphiremagendavid.blogspot.co.il/p/8-dimensions-of-name.html" target="_blank">The Eight Dimensions</a>). </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">In
mathematics these <span face=""arial" , "helvetica" , sans-serif">vectors</span> would simply be referred to as the x, y,
and z axis for the eight dimensions of euclidean space, although in this
case, the space is specifically 'limited' by a value of ±3 (three waves
in six directions). So, in the case of this particular mitzvah, the end
result is to inscribe a three-dimensional space, measured by <span style="color: red;">216</span>
of these x, y, and z coordinates, from our place and position within
space-time, which is the 0, 0, 0, coordinate within the system.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">This places the one observing the mitzvah in the center of what is being inscribed, which is a '<i>virtual geometric model</i>'
for the cube [of creation] (more commonly known as the tablets of the
covenant or shnei luchot) which is a model of the mathematic system </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">underlying </span></span>space-time, defined in terms of the <span style="color: red;">216</span> letters in the Name (<span style="color: red;">216</span> cubic hand-breadths / <span style="color: red;">216</span>~0 degrees in varying multiples etc) and here specifically, in its combined cubic form<span face=""arial" , "helvetica" , sans-serif">, </span>prior to its division when <i>brought down</i> by Moshe<span face=""arial" , "helvetica" , sans-serif"> (the nature of this </span>mathematic syste<span face=""arial" , "helvetica" , sans-serif">m is discussed more fully in the post on <a href="http://sapphiremagendavid.blogspot.co.il/p/string-theory-and-the.html" target="_blank">String Theory and the <i>Luchot</i></a>, and also the <a href="http://sapphiremagendavid.blogspot.com/p/the-e8-lattice-and-explicit-name.html" target="_blank">E8 Lattice</a>). </span></span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">The <span style="color: red;">216</span> letters and their connection to the measure of the luchot are a</span> nice allusion, you might think, but <u>where</u> <u>exactly</u> is this geometry specified in the written Torah? That 'question' brings us to Parashah BeShalach where</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> we now turn our attention back to the passage mentioned in the
first paragraph and the actual <span style="color: red;">216</span> letters of the Name that are hidden in the sequence.</span></span> What does it say again? </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i> </i></span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i>God’s
Angel that was in <span style="color: blue;">front</span>... </i></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i> now moved and went in <span style="color: #6fa8dc;">back</span> of them... </i></span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i> It came
between the <span style="color: #b4a7d6;">Egyptian</span>... </i></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i> and the <span style="color: #674ea7;">Israelite</span>... </i></span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i> Moshe extended His Hand</i> [with the sceptre and] <i> </i></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i> the water</i> [then parted so that it] <i>was on their <span style="color: #f6b26b;">right</span>...</i></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i> and <span style="color: #b45f06;">left</span>... like</i> [two] <i>walls</i>.” </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
narrative describes three very specific dimensions with six very
specific <span face=""arial" , "helvetica" , sans-serif">vectors</span>: Front/Back (like North/South); Right/Left (like
East/West) and <i>Toward God</i> or <i>Away from God</i> which aptly
describes the difference between the Egyptians and the Israelites (like
Up/Down). The events mirror the very nature of reality. How many letters
are there in the sentences above, that '<i>define</i>' three <i>dimensions</i>? This is where we find the <span style="color: red;">3</span> verses with <span style="color: blue;">72</span> letters each, that also just happen to be '<u>the</u>' letters of God's Explicit Name. What is '<i>between</i>' the Egyptians and the Israelites? It is the center point, or the 0, 0, 0, '<i>coordinate</i>' of the geometry seen in the model below</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">.
Permute them once as is known, and the one-dimensional string becomes
two-dimensional (in the form of triplets). Permute them twice and they
become three-dimensional as in the 3 x 72 cubic hand-breadths of the
(three-dimensional) luchot. </span></span><br />
<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp05ibVN6CnI2QSGhhLix9CxkvxzdztgjYyrFbGzQQUgC8tIngVkOJ66t1JO453u1kYNaY2DsdBaQ3MyiNCzegmf7Jg3H3p_4DxQipToEpMSb6Gk5oUVRmLT-u5z16VDfWq5vLfRQMzvWZ/s1600/FRLREI+4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp05ibVN6CnI2QSGhhLix9CxkvxzdztgjYyrFbGzQQUgC8tIngVkOJ66t1JO453u1kYNaY2DsdBaQ3MyiNCzegmf7Jg3H3p_4DxQipToEpMSb6Gk5oUVRmLT-u5z16VDfWq5vLfRQMzvWZ/s1600/FRLREI+4.jpg" width="400" /></a></div>
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">In
each case, be it the mitzvah of the four species, or the events
transpiring at the sea of reeds, the quantum reality is a specifically
defined 'space' with three dimensions and their six <span face=""arial" , "helvetica" , sans-serif">"directions"</span> that in turn consists of, but is carefully limited by the <span style="color: red;">216</span> 'elements' of the matrix, be they <span style="color: red;">216</span> x, y, z coordinates, or <span style="color: red;">216</span> letters, and in the case of <i>Parashah BeShalach</i>, the <u>actual</u> <span style="color: red;">216</span> letters of the Name</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">. Take time to contemplate this very carefully.</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The mathematic and geometric dynamics</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="font-size: xx-small;">1</span></span></span></span></span>
of the combined cubic form of the luchot (defined by the letters of the
Name) give rise to every detail of the physical universe and every
detail of its various dimensions. For the purpose of this post, we'll
stick with the history described by the biblical narrative where </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">we learn, for example, that “[Pharaoh] <i>took 600 chariots... with him</i>”
to defeat what he believed would be 3 million people ready to cross the
sea.
The additional numbers that are related to this event are found in
other Jewish sources, however the numbers, sets of numbers and the ratio
between sets, always conforms to the internal geometry of the luchot,
defined by the letters, and more often than not, the geometry of the
royal seal or
magen david hidden within (its significance having been explained in the
post on
<i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/05/emor.html" target="_blank">Emor</a></i>).</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">
In this case, we will look first at these 3 million through the
mathematic prism of the magen david, and then the ratio of the other
numbers as it pertains to 3 million.</span></span><br />
<div style="text-align: center;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">3 Million Israelites in Egypt </span></span></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCvtnw9zvjdBKvB4Yi7abC5dYbU7HCIJNtEn6muociM59pDZA0qZYUdsU0x848QmR6IgtxB-Z3iiiSGppSdjiDmPXmd0jAyIy9DOdTH7TYzrN9OdaJWF3V7nR3O4b6b6SJzLAZINsg2iTW/s1600/3+Blue.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCvtnw9zvjdBKvB4Yi7abC5dYbU7HCIJNtEn6muociM59pDZA0qZYUdsU0x848QmR6IgtxB-Z3iiiSGppSdjiDmPXmd0jAyIy9DOdTH7TYzrN9OdaJWF3V7nR3O4b6b6SJzLAZINsg2iTW/s320/3+Blue.tiff" width="320" /></a></div>
<div style="text-align: center;">
<br /></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">This
mathematic imperative is a function of the cosmic blueprint. Pharaoh
wanted to ensure victory so he sent 9 million soldiers to defeat what he
thought would be those 3 million men of Israel<span face=""arial" , "helvetica" , sans-serif"> (instead of 600,000)</span>.</span></span><br />
<br />
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> Egypt's 9 Million Opposite Israel's 3 Million (Above)</span></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzRnICpngFThq-MXFfJD_Fr7CAMBqpjqLfj8WnhvMmZyTvPEd_fPzAB1Ti3GP2lCeQCQmKWhwEdTqMA-Jwi2CrDqlvKHWQlDPmojqIzKp2F1o0GL2xW0Hy8NWZQ33lDbCYJmvRzZO5rBYN/s1600/9+RED+3+BLUE.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="351" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzRnICpngFThq-MXFfJD_Fr7CAMBqpjqLfj8WnhvMmZyTvPEd_fPzAB1Ti3GP2lCeQCQmKWhwEdTqMA-Jwi2CrDqlvKHWQlDPmojqIzKp2F1o0GL2xW0Hy8NWZQ33lDbCYJmvRzZO5rBYN/s400/9+RED+3+BLUE.tiff" width="400" /></a></div>
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">This
mathematic imperative is also a function of the cosmic blueprint.
However, Pharaoh erred in the count not realizing that only 6 hundred
thousand men of Israel survived the plague of darkness. The ratio of one to
the other is a static measure in the geometry associated with the <span style="color: red;">216</span> letters of God's Name (in the star tetrahedron) and so we see this in the associated geometry below.</span></span><br />
<br />
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">(there are 6 lines of the middle triangle that are the 6 edges of the</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">three-dimensional stellation from the opposing tetrahedron)</span></span></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> </span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH28nLN01wVQMqvkdpcUPtaW6JVXOsc7RUprHEsAOtS6QJ6GzteAEieNQqs97ZQ3fqXPcVETLFr07m0ln1ZWvkbw7lI9sC35CLiDYv9vVtgkck6BnmEHxlo6VxNZhbEVkkEWgPn7e-PEDP/s1600/9+Red+6+Blue+w:Numbers.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH28nLN01wVQMqvkdpcUPtaW6JVXOsc7RUprHEsAOtS6QJ6GzteAEieNQqs97ZQ3fqXPcVETLFr07m0ln1ZWvkbw7lI9sC35CLiDYv9vVtgkck6BnmEHxlo6VxNZhbEVkkEWgPn7e-PEDP/s400/9+Red+6+Blue+w:Numbers.tiff" width="400" /></a></span></div>
<span style="font-size: small;"><br /><span face=""arial" , "helvetica" , sans-serif">The
6 hundred thousand (men) who made their way to the sea were 1/5th of the<span face=""arial" , "helvetica" , sans-serif"> <span face=""arial" , "helvetica" , sans-serif">original</span></span> <span face=""arial" , "helvetica" , sans-serif">number of men <span face=""arial" , "helvetica" , sans-serif">(</span></span>3 million<span face=""arial" , "helvetica" , sans-serif"> )</span><span face=""arial" , "helvetica" , sans-serif"> </span><span face=""arial" , "helvetica" , sans-serif">before the plague,</span> and so we see this ratio in the geometry as well. In
this case, it is found in the number of polyhedrons created by the
marriage between the two tetrahedrons (1 being different from among the 5).<br /> </span></span><br />
<div style="text-align: center;">
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Click to Enlarge</span></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgLDvwTKgZ58BohXNSVVY3duFMFZAfnBt1jg88OVzTlLehvufPqaLSpnQopZVW9Zlmoo8mO0FPQZLQyu1IMm9fhnvZPxXQ8_A7wuLLuF4duKLqWI7lOkfR4LdRQngvWAw32qYOGNq8u-RW/s1600/Tetrahedron+%28Exploded+Top+View+WITH+NUMBERS%29+for+Besalach+copy.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgLDvwTKgZ58BohXNSVVY3duFMFZAfnBt1jg88OVzTlLehvufPqaLSpnQopZVW9Zlmoo8mO0FPQZLQyu1IMm9fhnvZPxXQ8_A7wuLLuF4duKLqWI7lOkfR4LdRQngvWAw32qYOGNq8u-RW/s400/Tetrahedron+(Exploded+Top+View+WITH+NUMBERS)+for+Besalach+copy.tiff" width="400" /></a></div>
<br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">In
each case, we see the specific numbers and sets of numbers and the
ratio between sets (corresponding to the events) in the geometric
properties of the star tetrahedron (which is 1 of the 5 mathematic
constructs within the blueprint for creation). The ratio is the same.
What is important to understand is that the events are a geometric
reflection of the letters in God's Explicit Name (as found in the royal
seal or magen david). Most notably, "the plan" actually called for 3
million people to cross the sea. The number is a function of one
particular aspect of the blueprint (see 1st figure above as it relates
to
the other numbers seen in the other figures). So 3 million it was! There
is another opinion that is based on different numbers but the ratio is
always the same as the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">geometric
parameters</span></span>. The point is, there is a very real
connection between the letters of the Name, their corresponding geometry
in "the cosmic blueprint," and specifically one of its internal
constructs (the star tetrahedron) and the events that actually happened.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Interestingly
enough, the plan did not end with the above reflections! There were
additional specifications and those also appear in the mathematic
dynamics of the blueprint. Pharaoh wanted to reach the escaping
Israelites and destroy them as quickly as possible, so he had 3 horses
attached to each of the 6 hundred chariots (normally there would only be
2 attached). He also had his soldiers armed with 3 different kinds of
weapons. The soldiers in turn, each had 3 opinions as to what they
should do with the Israelites' when they caught them. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> <span style="color: red;">3</span> Horses HaShem (<span style="color: red;">216</span> Letters) <br /> <span style="color: red;">3</span> Weapons < against > (<span style="color: blue;">72</span> Letters found in the <span style="color: red;"><span style="color: blue;">3</span></span> verses)<br /> <span style="color: red;">3</span> Opinions (at the crossing of the Red Sea)</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqQs-LiKf5TiE050ZckjIlEkefV03oY7fRLQBEu92hdb5wwAHhEzkFM2bs-nCPJW3Dlfd0jRvQPoW26AcugSQvAAjj0QPUq8ZDZd2HcnJqmG54RROetrwqCXBZzHT0tM7LXDaEquhijvY4/s1600/Face+%2528X%2529+of+Star+3D+%2528WITH+HORSES+WEAPONS+%2526+OPINIONS+AGAINST+216+LETTERS%2529%2528BLUE%2529%2528FINAL%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqQs-LiKf5TiE050ZckjIlEkefV03oY7fRLQBEu92hdb5wwAHhEzkFM2bs-nCPJW3Dlfd0jRvQPoW26AcugSQvAAjj0QPUq8ZDZd2HcnJqmG54RROetrwqCXBZzHT0tM7LXDaEquhijvY4/s400/Face+%2528X%2529+of+Star+3D+%2528WITH+HORSES+WEAPONS+%2526+OPINIONS+AGAINST+216+LETTERS%2529%2528BLUE%2529%2528FINAL%2529.jpg" width="400" /></a></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">It was God versus
the Egyptians, and there was simply no contest. The graphic
illustration (above) is presented without further explanation because in
each case the connection between the events and the geometry of the
royal seal (magen david) is rather obvious and needs no further
elaboration. The connection between the numbers and the ratio between
the numbers of these events and the geometry for the various elements of
the magen david in both two dimensions and three dimensions, is crystal
clear.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
only thing we might add is that the three-dimensional geometry
associated with the letters of God's Name (shown above) towers over the
two-dimensional geometry associated with that of "the Egyptians," who
were mired below in the more-limited "lower dimension," the implication
being obvious. It is worth emphasizing once again, that in a
star tetrahedron, there are <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners or <span style="color: red;">216</span> points altogether. See the post on <a href="https://sapphiremagendavid.blogspot.com/2023/12/miketz.html" target="_blank">Miketz</a> for a diagram of this mathematic phenomena).<br /><br />Remember
those 6 hundred thousand Israelites represented by the 6 lines on the
stellation in the 3rd figure above? Its mirror opposite (the stellation
on the opposing tetrahedron) also had 6 lines. Why? Pharaoh sent 6
hundred chariots to oppose those 6 hundred thousand people who were
waiting to cross the sea. The characteristics of these events were
specified in the plan (a mathematic aspect of the luchot) from the very
beginning. It was literally "fixed in stone."<br /><br />If any of the
numbers cited in our sources were different, the ratios and the geometry
would break down completely, the symmetry pictured above would
evaporate and these connections would cease to exist.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> Once
again, our purpose here is not to extol the virtues of geometry, star
tetrahedrons or magen davids. The point of all this, is to show that the
events below are a reflection of a larger reality found in the cosmic
blueprint (Primordial Torah) in the form of the twins (luchot) and one of its
internal constructs (the star tetrahedron) and specifically its
intrinsic mathematic and geometric properties, all of which are
mere shadows of the <span style="color: red;">216</span> letters in God’s Explicit Name. </span></span><br />
<br />
<br />
___________________<br />
<span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span>
<span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif">Footnote
1 - A close examination of the 216 letters in these sentences shows
that the dimension dealing with front to back (north/south) is actually
repeated <u>twice</u> along with the one dimension pertaining to the
Israelites and the Egyptians (which is mentioned only once). The text
pertaining to the</span></span><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"> dimension dealing with right to left (east/west) is technically just <u>outside</u> of the sequence containing the 216 letters. However, since the </span></span>front/back (north/south) dimension is mentioned twice,</span></span><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"> the sequence of 216 letters still references three dimensions and six <span face=""arial" , "helvetica" , sans-serif">directions</span></span></span>.
It's just that two of those 'dimensions' are compressed into one. The
total number of dimensions mentioned, therefore consists of the three
inside the sequence and the one outside the sequence (the one being <span face=""arial" , "helvetica" , sans-serif">decidedly</span> different from the other three). This is like the three
dimensions of <i>space</i>, in which we move freely, and the one dimension of <u>time</u>, in which our movement is limited </span></span><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif">(one is different from the other three)</span></span>.
The same is true in quantum mechanics where one force is different from
the other three. All of these characteristics mirror the
characteristics of the letters in the Name, or marriage of the
Tetragrammaton and Adnoot, where one pair is subtracted and the other
three pairs are added </span></span><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif">(one pair is different from the other three pairs)</span></span>.
The letters are the template for reality. That's why the luchot have a
volumetric measure of 216 cubic handbreadths. They are the mirror image
of their Creator's Name that consists of 216 letters. When the events in
BeShalach occurred (where the 216 letters appear in the text along with
reference to </span></span><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif">three dimensions and six <span face=""arial" , "helvetica" , sans-serif">directions</span></span></span>) the luchot (with </span></span><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif">216 cubic hand-breadths in </span></span>three dimensions with six <span face=""arial" , "helvetica" , sans-serif">directions</span>) had <u>not</u> yet been brought down. In time (50 days to be exact) they would be brought down, and in fact , they would be brought down <u>twice</u>, over '<i>time</i>,' like the first dimension in the sequence of 216 that was mentioned <u>twice</u>.
The first 'set' was shattered and never received, and so a second set
(a duplicate of the first set) is brought down. The set that was
received of course consisted of two identical tablets, just like the
sequence of 216 letters with essentially two identical references to the
same dimension. The events mirror a much larger reality that is</span></span><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"> dictated by the nature of the Primordial Torah with its various dimensions and internal geometry.</span></span><br />
<span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><br /><br /></span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-58456033012870757802024-01-06T17:57:00.001+02:002024-01-06T17:57:12.780+02:00VaEra and Bo<p><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><i>VaEra</i> and <i>Bo</i> will be combined
because they both deal with the plagues in Egypt. Within the sequence
of these plagues, as well as their character and the specific language
used to describe them, we find numbers and groups of numbers, or ratios,
that have a direct correlation with the mathematics and geometry of the
star tetrahedron, which of course casts a shadow known as a magen
david. In this portion of the Torah we see Moshe use the staff that he
pulled from the stone behind Yitro’s house to perform all kinds of
wonders. But before we get into that, we should review some of the
background information.</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">If
you are new to this blog and have not yet read the essential constructs
listed in the column to the right, please do so before proceeding. They
explain some of the basic connections between the letters of God's
Explicit Name and the multidimensional mathematic and geometric
characteristics of the luchot, both in the divided state and combined
cubic form, along with the internal geometry that casts a shadow known
as a magen david. There is a special connection between the Name, the
luchot and the geometry of the magen. The purpose of this blog is to
show how they connect and to reveal where the Signature of the
Architect is hidden in each week’s parashah. Once you are familiar with
these constructs you can more fully appreciate each post. </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /> In
the meantime, for those already familiar with the constructs mentioned
above, we'll continue with a small dissertation on Pharaoh, a man who
could be easily described as "the great pretender." People thought he
was “a god” and he did nothing to dispel that belief. In fact he
exacerbated it. The problem (for Pharaoh) was that "a real god" would
have no need of a bathroom. Only humans need such things! And so to
perpetuate the illusion that he was a god, Pharaoh had a secret toilet
installed in the palace. </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">That way he could relieve himself without anyone being the wiser. </span>The problem with Pharaoh's ingenious solution, was that a rather nasty odor </span><span face=""arial" , "helvetica" , sans-serif">would drift through the palace from time-to-time. T</span>o make matters even worse,</span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> a rat managed to make its way through the pipes</span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> one day and bit him on the lower posterior. </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">All
facts considered, Pharaoh decided to have the toilet removed. However,
this created an even bigger problem, because now he would have to take
morning walks along the Nile in order to relieve himself. There among
the reeds he could do his business in private, without anyone noticing.
Or so he thought! What he didn’t count on was Moshe interrupting this
morning routine. God said to Moshe, “<i>Go to Pharaoh in the morning. He goes out to the water. Stand where you will encounter him on the bank of the Nile</i>.”
How embarrassing! You can imagine Pharaoh’s surprise when Moshe
interrupted his morning routine, caught him with his proverbial pants
down, and exposed him as a mere man. Oh the shame!</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The important thing to note, is that the warning for the first plague (where the water was turned to blood) was given <u>outside</u> Pharaoh's palace near the river.</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /> The
second plague was somewhat different. Moses went straight to Pharaoh's
house in order to deliver the warning. In the case of the frogs, God
said to Moshe “<i>Come to Pharaoh</i> [in his house]." </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /> The
third plague was also different. There was no warning given at all. In
the case of this plague, God said to Moshe “Say to Aaron, ‘<i>stretch forth your staff and strike the dust of the earth</i>.’ <i>It will turn to lice in all the land of Egypt</i>,” so Pharaoh had no warning that this plague was coming!</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />The circumstances for each plague create a pattern. In the case of the first plague, the warning was given <u>outside</u> the palace; for the second plague the warning was given <u>inside</u> the palace; and for the third plague there was <u>no warning</u> given at all. </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /> The
fourth, fifth and sixth plagues repeat this pattern. For the fourth
plague (which consisted of wild beasts) God said to Moshe “<i>Get up early in the morning and place yourself before Pharaoh. He will go out to the water</i>.” So Moshe met him <u>outside</u>
the palace. In the case of the fifth plague (the death of domestic
animals which provided the food supply for the Egyptians) God said to
Moshe “<i>Come to Pharaoh</i> [in his house]” and in the case of the sixth plague (boils) God instructed Moshe to “<i>Take
a handful of ashes from the furnace and throw it up into the air... it
will settle like dust on... Egypt... when it falls on man or beast... it
will cause... boils</i>.” As in the case of the lice, Pharaoh had <u>no warning</u>
that this plague was coming. In other words, these three plagues follow
the same pattern as the first three plagues where the first warning was
given outside the palace; the second warning was given inside the
palace; and for the third plague there was no warning given at all. </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /> As
you might suspect, this pattern continues through the next set of three
plagues. The seventh plague was hail. God said to Moshe, “<i>Get up early in the morning and stand before Pharaoh</i>.”
By this time Pharaoh was starting to see a pattern too, and so he had
no intention of going to his regular place along the river. Instead he
chose a new place. It was a secret place. He told no one of its
location. Still, Moshe was there waiting for him. You can imagine
Pharaoh’s surprise. The point of all this is to show that the pattern
continues to repeat itself. The eighth plague was locusts. God said to
Moshe “<i>Come to Pharaoh</i> [in his house].” The ninth plague was the
same as the third in the previous two sets, in that no warning was given
at all. God said to Moshe “<i>Stretch out your hand on the sky and there was total darkness</i>.” In this third set of three plagues, we see the same as in the previous two sets. First, Pharaoh is approached <u>outside</u> the palace. Second, he is confronted <u>inside</u> the palace, and then finally, for the third plague in the set, <u>no warning</u> is given.</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /> We have 3 sets of 3 plagues that follow a pattern: </span><span style="font-size: medium;"><br /></span>
</p><ol><li><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">a warning <span style="color: blue;"><u>outside</u></span> the palace;</span></li><li><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">a warning <span style="color: #6aa84f;"><u>inside</u></span> the palace; and </span></li><li><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: red;"><u>no warning</u></span> at all. </span></li></ol><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><br /> The Triangular Matrix of the First 9 Plagues </span><br />
<span face=""arial" , "helvetica" , sans-serif"><br /> <span style="color: #a64d79;">1st Plague 2nd plague 3rd plague</span> </span><br />
<span face=""arial" , "helvetica" , sans-serif"> Blood Frogs Lice </span><br />
<span face=""arial" , "helvetica" , sans-serif"> <span style="color: blue;">Warning Outside</span> <span style="color: #6aa84f;">Warning Inside</span> <span style="color: red;">No warning </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><br /> <span style="color: #e69138;"> 4th Plague 5th Plague 6th Plague </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"> Wild Beasts Domestic Animals Boils</span><br />
<span face=""arial" , "helvetica" , sans-serif"> <span style="color: blue;">Warning Outside</span> <span style="color: #6aa84f;">Warning Inside</span> <span style="color: red;">No warning</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"> <span style="color: #76a5af;">7th Plague 8th Plague 9th Plague</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"> Hail Locusts Darkness </span><br />
<span face=""arial" , "helvetica" , sans-serif"> <span style="color: blue;">Warning Outside</span> <span style="color: #6aa84f;">Warning Inside</span> <span style="color: red;">No warning </span><br /> </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Interesting
pattern! It was interesting enough for Rabbi Yehuda Lowe of Prague (the
Maharal) to make note. The Maharal was one of the most mathematically
inclined rabbis in history (although we won’t go into specifics). </span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />You
might think this pattern would end after the ninth plague, but in fact
it continues. We read in the text pertaining to this plague (which is
at the end of these <span style="color: red;">3</span> sets of <span style="color: red;">3</span> plagues) that it would “<i>last for <span style="color: red;">3</span> days</i>,” and that “<i>no one left his place for <span style="color: red;">3</span> days</i>”
(notice these references are specific references to "time and space" (3
are related to time and 3 are related to space). The mention of the
number 3 twice in succession is like the geometry of a two-dimensional
magen david, however the 3 sets of 3 plagues expand this similarity.
There are a total of <span style="color: blue;">four</span> <span style="color: red;">3</span>s found in these particular events, which are characteristic of a star tetrahedron (which has<span style="color: blue;"> four</span> pairs of opposing faces with <span style="color: red;">3</span> corners). The geometry is ultimately characterized by <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners that correspond </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">to the ratio of the triplets, as they relate to </span>the <span style="color: red;">216</span> letters in the Explicit Name (explained in posts like: <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank">Ki Thetze</a>,
and <a href="https://sapphiremagendavid.blogspot.com/2023/07/mattoth.html" target="_blank">Mattoth</a>). However, the plagues did not end with the ninth, and the
worst was yet to come. Interestingly enough, the tenth plague had <span style="color: red;">3</span>
components involving the death of the first born. This plague was
completely unique. Not only was it the most severe (because it resulted
in the death of all the first born in Egypt) but it was also the straw
that broke the camel’s back. It was this tenth plague that caused
Pharaoh to let Israel go! It was by this plague that: "<i>Every first-born in Egypt </i>[would]<i> die</i>..."</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br /> It is worth emphasizing at this point, that the purpose of this blog is <u>not</u>
to extol the aesthetic virtue of geometry, or polyhedrons, or any other
geometric object including the star tetrahedron. Its purpose is to
allow the individual to peer ever so slightly past the superficial
curtain that masks reality, to see the inner workings of the Architect.
It is His Name, behind the scenes, that is the focus of this blog. This
Name has a unique Signature that is easy to see in the mathematic
properties of each set of plagues, and those properties reflect the
geometry of the royal seal (star tetrahedron) where the numbers and sets
of numbers conform to the nature of the letters in God’s Explicit Name.
The magen david or shield of David, was not some image that looks like a
six pointed star. David's shield was God, and God has a Name. The image
of the six pointed star is merely a mathematic representation of this
Name. We find the Signature, not only throughout Torah, but all of
creation as well, including such things as physics; celestial dynamics;
biology; quantum mechanics; and the history of man, both secular and
biblical, to name a few. <br /><br />Fractal geometry is now being used by
scientists to define nature (as mentioned in the last post) and that
geometry finds a natural partner in triad structures like 'the
monsters,' or the Koch curve for those familiar with such things. In the
last post we talked about one face of the star tetrahedron and how,
when it was paired with its opposite, it created a two-dimensional magen
david, that could be seen as an orthographic projection of its
geometry. We also pointed out, that one of the iterations in a fractal
transform was 2.16 (1/100 of the number of letters in the Triad Name).
Now, in this parashah, we see this same pattern appearing in the
characteristics of the plagues.<br /> </span><br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Sets of Numbers that Define Plague “Geometry”<br />Matching the Two-Dimensional Face of a Star Tetrahedron and the<br />Three-Dimensional Opposing Stellation (in the Middle) <br /> </span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Click to Enlarge</span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaNWHTqKaOJhq7aR-AoXxrSixF7iUAL6Wwsielmrvtggys-MTg7-7y8fvgNcuwtovt6UNVFE2TZLXZDdAeDK4i1sF2xQIJfEkYp0i59B247rm4D8ZiAjSUxO8wN5hf-eSIgx_qdOhHYY45/s1600/Face+of+Star+Tetrahedron+with+Arrows+3D.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaNWHTqKaOJhq7aR-AoXxrSixF7iUAL6Wwsielmrvtggys-MTg7-7y8fvgNcuwtovt6UNVFE2TZLXZDdAeDK4i1sF2xQIJfEkYp0i59B247rm4D8ZiAjSUxO8wN5hf-eSIgx_qdOhHYY45/s400/Face+of+Star+Tetrahedron+with+Arrows+3D.jpg" width="400" /></a></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><br />The
sets of numbers corresponding to the plague are a clear reflection of a
two-dimensional face (shown above) and its 3-dimensional counterpart
(shown below) on a tetrahedron that has been merged with an opposing
tetrahedron (and again this is one of 5 constructs having dual form
found within the combined cubic form of the luchot). </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Notice
that each face is divided into thirds, leaving a center portion. The
center is actually the stellation of the opposing tetrahedron. The
picture above is a two-dimensional representation of one face on one
tetrahedron. When two tetrahedrons merge together in opposing
directions, each triangular face ends up with 3 quadrants having 3
corners (small faces) that are themselves triangles. The sides are each
half the length of the original and the triangle in the middle is
pointed in the opposing direction. This upside-down triangle is not a
face. It is the stellation (or point) on the opposing tetrahedron, that
also happens to have 3 faces. However, these 3 faces are in the third
dimension. The 3 triangular faces each have 3 corners and the direction
of any given corner on any given faces corresponds to its counterpart on
the other faces. In other words we see a distinct pattern, one that is
identical to the pattern of numbers and sets of numbers describing the
plagues. The ratio and geometry of each face corresponds to the 3 sets
of 3 plagues with 3 types of warnings. The magen david (in three
dimensions) is like a mathematic map of the events that were destined to
occur at a specific moment in time. But surely all of this must be a
coincidence, and what about the point/stellation in the middle, the
center triangle? <br /><br />We've already mentioned the tenth plague. It
was unique, more severe than all the others. The Torah says of this
plague, that it effected every firstborn in Egypt, but then specifies
who the word “every” pertains to: 1) “<i>the first born of Pharaoh</i>;” 2) "<i>the first born of the slave-girl</i>;" and 3) “<i>the first born of the animals</i>.”
There are 3 specific references as to which of the firstborn were
affected, just as there are 3 corners to the center triangle (which
define the 3 faces on the stellation of the opposing tetrahedron in the
3rd dimension). As the tenth plague was unique, so too is the center
“triangle” or stellation. Not only is it in the center of the other
three, and not only does it point in the opposite direction, but its 3
faces are in the third dimension.<br /> </span><br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Three-Dimensional Projection of Plague Geometry<br />Conforming to the Geometry of a Star Tetrahedron<br />(Demonstrating the Connection to the Signature of the Architect)</span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxiumpfBRVxsh4IPiOA-oWciRoPQV5_7ON8gPsqdX9r_Pum2sqIF6Fz1tR6k9ISJgSlty-y8iJ9EsBDjk-oC2c-dmgIMWK5vWEbLbk1iXdLCtRsC-aQJddR6VmzFbsKMUDW1ZuG-2O14fy/s1600/Star+Tetrahedron+%28With+Plagues%29.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxiumpfBRVxsh4IPiOA-oWciRoPQV5_7ON8gPsqdX9r_Pum2sqIF6Fz1tR6k9ISJgSlty-y8iJ9EsBDjk-oC2c-dmgIMWK5vWEbLbk1iXdLCtRsC-aQJddR6VmzFbsKMUDW1ZuG-2O14fy/s400/Star+Tetrahedron+(With+Plagues).jpg" width="400" /></a></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><br /> The
parallel between the numbers, or really groups of numbers and their
ratio, one to another, on the face of the star tetrahedron as it relates
to the characteristics of the events in Egypt is remarkable. The odds
of this being a coincidence is beyond calculation. We say that since all
things come from God, there is no such thing as a coincidence. Even the
word for coincidence in Hebrew means essentially that it was written
from the beginning.<br /> </span><br />
<span face=""arial" , "helvetica" , sans-serif">This
is just one example. When we peer through the prism of the magen david
(looking at these events in terms of the mathematics of the star
tetrahedron, or reflection of the 216 letters of the Triad Name) we can
see, that much more clearly, the Signature of the Architect who planned
it all from the very beginning. All of this is found in the internal
geometry of the combined cubic form of the luchot, the “cosmic
blueprint” from which the 304,805 letters (of Torah) emerge. <br /><br />If
the nations learn anything from these events concerning the plagues, it
should be that it is impossible to thwart God’s plan. Any attempt to do
so will only exacerbate the pre-existing problems facing any given
nation. The perfect example is found in Pharaoh’s attempt to kill the
first born, by which he ended up raising Moshe (his nemesis) in his own
household. <br /><br />Another prime example (that has yet to occur) is that
God has already defined the future borders of Israel. They are
specified in great detail. These borders are an inheritance. Any nation
or group of nations that tries to deny Israel this inheritance should be
as concerned for their well being as Pharaoh should have been for his
own, and perhaps more so, since the track record of those who oppose
God's plan is so clearly fraught with destruction.<br /><br />There is
another interesting connection to the luchot (and thus to God’s Name in
their volumetric measure) in this portion of the Torah. The measure of
the luchot was <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span>.
This measure is also found in the description of Egypt’s borders, where
the plagues actually had an ancillary benefit. For many years prior to
the plagues, there were border skirmishes between Egypt and its
neighbors. That is, there were arguments as to the exact location of the
borders. The plagues settled the issue once and for all. Whenever there
was a plague, like the blood in the rivers, lice in the ground, or hail
from the sky, that plague would end abruptly at the border. The border
therefore became officially defined in the minds of everyone concerned,
and arguments as to its location were settled once and for all. </span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />In
addition, the Egyptians were consummate mathematicians and surveyors as
evidenced by the amazing math and geometry built into the pyramids. In
their construction we see the measure of a Royal (or Antediluvian)
Cubit; the Meter; Pi; Phi; and any number of other standards.
Interestingly enough, even the speed of light is found in the
measurements of one of these monoliths (an explanation is beyond the
scope of this post). The word for Egypt in Hebrew is <i>Mitzrayim</i>. The root
letters of the first two syllables are the Hebrew letters “<i><span style="color: red;">M</span>em</i>" and “<i><span style="color: red;">R</span>esh</i>" (<span style="color: red;">M</span> and <span style="color: red;">R</span>).
The Egyptians used a triangle known as MR in their measurements and
this is why they were so accurate in their surveys of the land. The name
for Egypt (<i><span style="color: red;">M</span>itz<span style="color: red;">R</span>ayim</i>)
is not only the name of a specific individual who gave rise to the
kingdom, but this individual's knowledge of mathematics and geometry and
the triangle MR was derived from his name.</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br /> The
point of all this is to say that when the Egyptians surveyed the
borders after the plagues, and the land of Egypt was said to be <span style="color: blue;">6</span>00 miles square (<span style="color: blue;">6</span> hundred x <span style="color: blue;">6</span> hundred)<span style="font-size: xx-small;">1</span>.
We cannot be absolutely sure what this means, but even on modern maps
it is roughly square. The southern and western borders are almost
perfectly straight and the corner between the two is essentially a
perfect 90 degree angle.</span><br />
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<br />
<span face=""arial" , "helvetica" , sans-serif">In ancient times, the northern and <span face=""arial" , "helvetica" , sans-serif">Eastern Borders were apparently much the same. </span>The description is interesting, both in terms
of the numbers and the shape. In Isaiah 19:19 reference is made to a
monument that is “<i>on the border of Egypt</i>” but also “<i>in the midst thereof</i>.”
How can something be on the border and yet in the middle at the same
time? Ancient Egypt was actually split into two kingdoms. There was a
northern kingdom and there was a southern kingdom. The monument lay in
the middle between the two, thus it was both on the border (of Egypt) “<i>and in the midst thereof</i>”
at the same time. When you divide a square in half, like a square of 6
hundred miles, you get two rectangular polygons that are each 6 hundred
by 3 hundred (the flattened two-dimensional ratio for each of the two
luchot). The <span style="color: blue;">6</span> x <span style="color: blue;">6</span> (hundred) “measure” for Egypt (with a border in the middle) dividing between the <span style="color: blue;">two</span> kingdoms (halves) is like the first two dimensions of the luchot (<span style="color: blue;">6</span> x <span style="color: blue;">6</span> hand-breadths) where the measure of each half in the third dimension is <span style="color: blue;">3</span> hand-breadths. It’s as if the numbers and sets of numbers are alluding
to the fact that Israel would need to leave Egypt before they could
receive the luchot and return to the Land of Israel where their
knowledge of God, and their connection to God could rise to the next
level (a higher dimension). </span><br />
<span face=""arial" , "helvetica" , sans-serif"><br /> The ratio of <span style="color: blue;">6</span> hundred x <span style="color: blue;">3</span> hundred times <span style="color: blue;">2</span>
kingdoms, is two-dimension-ally identical to the ratio of the shnei
luchot (2 tablets) that Israel would shortly be receiving at Sinai.
Whether there is a connection, or not, it is difficult to say. We only
note the similarity because when the ratio of the two-dimensional
version is extruded into the third dimension, it has the same ratio as
the luchot that were <span style="color: blue;">6</span> hand-breadths x <span style="color: blue;">6</span> hand-breadths x <span style="color: blue;">3</span> hand-breadths, times <span style="color: blue;">2</span>, and where the total volumetric measure corresponds to the number of letters in God’s Explicit Name.</span><br />
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Mathematic Relationship Between the</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Land of Egypt and the Shnei Luchot</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(Two (Twin) Tablets)</span></div><span style="font-size: medium;">
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif">The
Signature of the Architect is indeed everywhere. Inside of Israel it is
much easier to see, just as something that is three-dimensional has
more facets than its two-dimensional counterpart, a mere <span face=""arial" , "helvetica" , sans-serif">shadow</span> of
the original. <br /><br />The names of the 3 portions of Torah leading up to
the point in time when Moshe and company see the undivided form of the
luchot (in <i>Mishpatim</i>) and its subsequent division when Moshe brings the
two tablets down, suggest that the luchot are about to be given, as well
as an understanding (revealing) of God’s Name. Last week's parashah
<i><a href="https://sapphiremagendavid.blogspot.com/2023/12/shemot.html" target="_blank">Shemoth</a></i> (Exodus in English) means “Names” in Hebrew. <i>VaEra</i> means “I
revealed myself” and “Bo” means “come,” as if to say “when you leave
Egypt and come to Mt. Sinai I [will] reveal my Name to you.” In fact,
that's exactly what happens in the next post on Parashah <i><a href="https://sapphiremagendavid.blogspot.com/2023/01/beshalach.html" target="_blank">BeShalach</a></i>. It
is in that parashah that we find the <span style="color: red;">216</span>
letters of His Name as a contiguous stream of letters in the text (not
permuted into triplets) but one-dimension-ally separated into <span style="color: red;">3</span> segments of <span style="color: blue;">72</span>
letters, corresponding to the side-by-side form of the luchot, that is 6
in the first dimension, 12 in the second and 3 in the third (<span style="color: blue;">6</span> x <span style="color: blue;">12</span> = <span style="color: blue;">72</span> times<span style="color: red;"> 3</span> = <span style="color: red;">216</span>).
In other words, even though it is not (yet) permuted as is known (still
one-dimensional in form) its numbers or sets of numbers, and the ratio
between sets, preserves the triad structure in the 3 segments (the triad
nature is more accurately perceived in two or three dimensions) as a
function of the luchot's three dimensions.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Stay tuned for the next post which will be on BeShalach, where we will examine the implications in more detail.</span><br />
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________<br />
<span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif">Footnote 1 - It is interesting to note that the area of a <b><span style="color: blue;">6</span></b> <span style="color: #c27ba0;">hundred</span> mile square (360,000 square miles) is a multiple of <span style="color: blue;">72</span> and in square feet, it is a multiple of <span style="color: red;">216 </span></span><span face=""arial" , "helvetica" , sans-serif">which would suggest this measurement has a connection</span><span face=""arial" , "helvetica" , sans-serif"> not only to the <span style="color: red;">Tri</span>ad Havaya of <span style="color: blue;">72</span> with <span style="color: red;">216</span> letters, but also to the imperial <u>system</u> of measurement</span></span><span style="font-size: x-small;">.<span><span face=""arial" , "helvetica" , sans-serif"> When you divide the 360,000 square miles by 72, the result is <b><span style="color: blue;">5</span></b> <span style="color: #c27ba0;">hundred</span>, which reflects a primary characteristic (in fact <u>the</u> primary characteristic) for the geometry in the combined cubic form of the luchot with its <b><span style="color: blue;">5</span></b> internal mathematic constructs, one of which is the tetrahedron. </span></span></span></span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-33734411057248502062023-12-30T17:58:00.009+02:002023-12-30T17:58:48.833+02:00Shemot<p><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In <i>Parashah Shemot</i>, the
mathematic characteristics of the letters in the Explicit Name are
concealed in the marriage, when Yitro: “...<i>gave his daughter Tzipporah to Moshe</i>."
The circumstances surrounding this particular marriage are among the
most fascinating, however the details are not found in the written
Torah. We find mention of them in other sources, some of which are cited
below. As you might suspect, the connection with God’s Name is in the
details, so with that in mind we will reconstruct some of these details
in their historical context, starting with Yitro, Moshe and Pharaoh.<br /><br />Yitro
and Moshe had much in common. Just as Moshe was close to Pharaoh, so
too was Yitro. Yitro was one of Pharaoh’s closest advisors. Moshe was an
advisor in that he was a member of the family. Just as Moshe was
eventually forced to flee Pharaoh’s wrath to avoid retribution, so too
was Yitro. But we’re getting ahead of the story! </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />Before
Yitro fled from Egypt, he was actually a friend of Pharaoh (or at least
as much of a friend as anyone could be, to the ruler of Egypt). Pharaoh
would often walk with Yitro and they would discuss things of
importance. One day they were walking through the marketplace, and Yitro
saw two young girls who were for sale. The girls were twin sisters and
remarkably beautiful, so beautiful in fact that Yitro suggested they
purchase them. Pharaoh would take one of the girls, and Yitro the other
(<i>Midrash Talpios, Bithia / Zohar</i>). The girls however, were not purchased
as slaves. Rather, they were adopted and made daughters.</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />One
of these girls was named <i>Batya</i> (<i>Bithia</i>) and she became the “daughter”
of Pharaoh. The other girl was Tzipporah who became the "daughter” of
Yitro. You may remember that it was <i>Batya</i> who would latter retrieve the
reed boat from the river (with Moshe) after it was set adrift to save
him from Pharaoh’s decree concerning the death of the first-born males.
Batya would later marry Calev, and Tzipporah would later marry Moshe.
Keep in mind that Moshe was with Batya in Pharaoh’s house. Since Batya
and Tzipporah were twins they looked alike. So naturally, when Moshe
was forced to flee from Egypt and gets to Midian, he is surprised when
he stumbles upon Yitro’s “daughter,” the young woman who is the twin
sister of the “mother” who raised him. This is why the Midrash says that
“Moshe married his mother.” It is not referring to Yocheved (his
biological mother) or even Batya (his foster mother) but to Tzipporah
who was <i>Batya</i>’s twin sister. But again we’re getting ahead of the story!</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /> Since
Tzipporah was not Yitro’s biological daughter, and because of her
beauty, Yitro was evidently not anxious to see her given away in
marriage. He therefore placed a condition upon anyone wishing to marry
her. That condition is a story in-and-of itself, and it is here that we
find a connection to God’s Name. You see, when Yitro fled the wrath of
Pharaoh, Tzipporah was not the only thing that he took. Pharaoh had an
amazing staff (sceptre) that he “inherited” after the death of Yoseph (a
sceptre being one of the symbols of kingship). As the story goes, this <span style="color: blue;">S</span>ce<span style="color: blue;">P</span>te<span style="color: blue;">R</span> (of <span style="color: blue;">S</span>a<span style="color: blue;">P</span>hi<span style="color: blue;">R</span>e) was the very same one that God had given to Adam. <span face=""arial" , "helvetica" , sans-serif">This</span> scepter and a certain mantle were given to Adam in the <span style="color: red;">216</span>th year of the first millennium as explained in the post on <a href="https://sapphiremagendavid.blogspot.com/2023/09/beresheit-and-noach.html" target="_blank"><i>Beresheit</i> and <i>Noach</i></a>, and so we see our first connection to the <span style="color: red;">216</span>
letters of the Explicit Name. The<span face=""arial" , "helvetica" , sans-serif">se items</span> were the symbols
of kingship (of the shepherding kind) that would be passed down to
certain descendants (a facet of the birthright) until it finally reached
Avraham, Yitzhak, Yaacov and eventually Yoseph. </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">T</span>he status of royalty (and scepter) went to Yehuda. </span></span><span face=""arial" , "helvetica" , sans-serif">T</span>he sceptre<span face=""arial" , "helvetica" , sans-serif"> is mentioned in</span> Genesis 49:10, which says that “<i>the sceptre shall not
depart from Yehuda, nor the ruler’s staff from between his legs</i><span face=""arial" , "helvetica" , sans-serif">.</span>”
The b<span face=""arial" , "helvetica" , sans-serif">ir</span>thright however w<span face=""arial" , "helvetica" , sans-serif">ent to Yoseph (I Chronicles 5:1) and <span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">"<i>the garments of Adam were </i>[also]<i> given to Yoseph</i>"</span></span> i.e. the mantle (coat) given to him by his father Yaacov </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(<i>Be</i></span><i>resheit Rabba<span face=""arial" , "helvetica" , sans-serif">h<span face=""arial" , "helvetica" , sans-serif">, Targum Yerushalami</span></span></i></span></span>). </span> </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">As mentioned above, Adam received this mantle and scepter in
the <span style="color: red;">216</span>th year of the first millennium. He passed it to Seth (the gilgul of Hevel) after he had walked the earth as a man for <span style="color: red;">216</span>
years, as his father before him (again see the post on </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><i>Be</i></span><i>resheit</i></span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> and
<i>Noach</i> for details). Its counterpart (the royal mantle) was given to
Yoseph in the <span style="color: red;">216</span>th year of the third
millennium). Each event corresponds to the number of letters of the
Explicit Name, and both demonstrate the significance of its
possession. </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">It
was therefore perfectly natural for Pharaoh to covet this sceptre and
the title that it implied (assuming he understood its significance). So
too did Yitro, but apparently for different reasons (since it was made
of sapphire) which is why he stole it from Pharaoh before fleeing Egypt.
</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">When
Yitro arrives in Midian and settles there, he uses his powers of occult
to plunge the staff into the bedrock behind his house. There it would
remain until one was found worthy to pull it from the stone, someone who
would unite his people and lead them to freedom; and someone worthy of
marrying his daughter Tzipporah. If that sounds familiar, it should. It
is the premise of the Arthurian legend (King Arthur of mythic renown).
Indeed the story of Moshe was taken into the diaspora by Jews who were
fleeing roman persecution. Many of these people ended up in the British
Isles (the origin of the term brit-ish, is itself found in the Hebrew
words for covenant (brit) and man (ish). The story of how Moshe came to
remove the real “<i>sword in the stone</i>” is rather interesting. There were
many men who desired Tzipporah, but none were able to pull the staff
from the ground. One day after Moshe arrived, he was walking through the
garden and saw this unusual staff. There were strange marks on it which
tradition says were the letters of a mystical Name of God. The Maharal
says that it consisted of 10 letters corresponding to the <span style="color: red;">10</span> sayings of creation and that the [polar] opposite of each letter was a letter pertaining to one of the <span style="color: blue;">10</span>
plagues that Moshe would see when he returned to Egypt to free the
people from bondage. But once again we’re getting ahead of the story! </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />When
Moshe grasped the scepter, the power preventing it from being removed
from the ground by anyone but God’s intended, immediately yielded to the
one who was destined to possess it. Tzipporah married Moshe and the
rest is history (except of course the real identity of the mythical King
Arthur in British mythology). The above stories are loaded with
allusions that one could contemplate without end. If you remember
anything from this post, remember that the scepter—which was the symbol
of kingship not only for Israel, but of all mankind—the scepter, with
it's inherent connection to the <span style="color: red;">216</span> letters (as detailed in the post on </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><i>Be</i></span><i>resheit</i></span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> and Noach)
—the scepter, that was passed from king to king before and after the
flood—was miraculously pulled from the stone only by Moshe, who was the
intended leader of Israel. Also remember
that the star tetrahedron is a mathematic or geometric representation of
the merging of male and female, which is a form of marriage like the
marriage of Tzipporah and Moshe.<br /><br />Now, about that sceptre.... It is said that the sceptre (or ruler’s staff) was created on Friday evening (the <span style="color: blue;">6</span>th day) on the twilight of creation, like the measure for any given dimension of the combined cubic form of the luchot (<span style="color: blue;">6</span>
hand-breadths). Adam received the sceptre while he was in a garden (the
Garden of Eden) just as Moshe retrieved it from a garden (at Yitro’s).
When Adam died it was given to Enoch and after Enoch, it was given to
Noah’s son Shem (who brought it aboard the ark). Shem gave it to Avraham
and Avraham to Yitzhak. It was eventually given to Yaacov who brought
it to Egypt during the famine (in the Hebrew year 2238). Yaacov
bequeathed it to Yoseph but when Yoseph died it became the property of
Pharaoh, who acquired all of Yoseph’s belongings (Shemot 3, 2:21 <i>Me’Am
Lo’Ez</i> pg. 67). </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> <br />It
is said the Yitro desired it because it was made of sapphire. Sapphire?
In Hebrew, the word is “sanphirinon” (<i>Shemot Rabbah</i> 8:3) spelled
סנפירינון (<i>samech-nun-peh-yud-resh-yud-nun-vav-nun sophit</i>) which comes
from the greek word σαπφειρινον meaning “sapphire-like.” </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />Sound
familiar? It should. The substance is the same as that of the block
that Moshe saw under the throne of God (in Mishpatim) which was later
divided and brought down as the luchot (<span style="color: blue;">6 </span>hand-breadths x <span style="color: blue;">6</span> hand-breadths x <span style="color: red;">3</span> hand-breadths times <span style="color: blue;">2</span> tablets = <span style="color: red;">216</span> or the same number of elements in the matrix as there are letters in the Triad Name). It is the substance with a clarity of “<span style="color: blue;">72</span>” having a <span style="color: red;">tri</span>gonal (<span style="color: red;">three</span>-sided) crystalline structure that alludes to the Signature of the Architect (see the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-nature-of-sapphire.html" target="_blank">nature of sapphire</a>). </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> <br />There
are people who would like to know where this scepter is today. However,
I very much suspect that it will not be found at all. Rather, it will
seek out the individual to whom it belongs at the proper time, much like
the anointing oil that fled from Ishai’s sons, but flowed toward David
<i>HaMelech</i>. </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />In
the meantime, since this blog is about the mathematic and geometric
Signature of God’s Name, it is at this point worth mentioning something
that is referred to as “the emblem of fractal geometry,” which some
mathematician’s have referred to as “the Thumbprint of God.” It is the
"end result" (assuming it actually ends, which it does not) of an
applied formula pertaining to a form of geometry that seems to exist
somewhere between dimensions. What is unique about this form of geometry
is that its most basic component is a "triplet," best represented by a
broken line and fixed by two identical additional lines. However, it is
also represented in triangular form, for example, in the Sierpinski
fractal mentioned in last week’s post. All of this might sound cryptic,
but what it means is that no matter how infinitely large or small (the
number of iterations) may be, they can be represented by the same
two-dimensional elements. Those elements are the components of a magen
david, which is a shadow of the star tetrahedron (the three-dimensional
construct to which we’ve referred so many times, because of its
connection to the letters of the Triad Name.) One of the best examples
of fractal geometry in action is shown below. This one is referred to as
the Koch Snowflake and the example is animated to the 7th iteration.</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
</p><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8Z3WQRz1fbCD8vYFxWkUG5USJdHyjHwM6gXxTJLe3ZSZZpXFq9F9aqGTfv6s3r_tAKNc4VDC2pfXWIz3ff7bctE2d-pzzEQyH1H2pqyyPyg7LWSLkobVhWsKTNWj2yM8KGSPSqmR_BQfz/s1600/Von_Koch_curve.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8Z3WQRz1fbCD8vYFxWkUG5USJdHyjHwM6gXxTJLe3ZSZZpXFq9F9aqGTfv6s3r_tAKNc4VDC2pfXWIz3ff7bctE2d-pzzEQyH1H2pqyyPyg7LWSLkobVhWsKTNWj2yM8KGSPSqmR_BQfz/s1600/Von_Koch_curve.gif" /></a></span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif">What
this amounts to is the fact that mathematicians all over the world have
been staring at this concept for many years without ever realizing its underlying
significance, or that the geometry has a connection to the letters of
God’s Name. Certain curves in fractal geometry are a prime example. The
20 segment curve where DS = <span style="color: red;">2</span>.<span style="color: red;">16</span>0
(to the 2nd decimal place) and the step in the generator is minimal (k =
2) is shown below. This equates to a 2-dimensional orthographic
projection of 1 side (of 8 sides) on the star tetrahedron, that
subdivides into <span style="color: blue;">72</span> <span style="color: red;">tri</span>angular corners. No one seems to have noticed the connection to the royal seal (magen david) or the <span style="color: red;">216</span> letters of God's Explicit Name.</span><br />
<br />
<br />
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWsalLDjEMeU37YmW_r8f52HwiBMEriMHoceZK3CIBki0v3eMP1uGQAqMviuuSKyl3Af1ZMYR2TSmHZ7rUgkoYO4faQQXpoyyYyyNBncSCjehyujKl6jib0qB5OuXPLdj9KVc4cyCLCJJb/s1600/3-D+Face+of+Star+Tetrahedron.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWsalLDjEMeU37YmW_r8f52HwiBMEriMHoceZK3CIBki0v3eMP1uGQAqMviuuSKyl3Af1ZMYR2TSmHZ7rUgkoYO4faQQXpoyyYyyNBncSCjehyujKl6jib0qB5OuXPLdj9KVc4cyCLCJJb/s320/3-D+Face+of+Star+Tetrahedron.jpg" width="320" /></a></span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"> </span><span face=""arial" , "helvetica" , sans-serif"> k=2</span><br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The large upside-down triangle in the middle</span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">is the two-dimensional shadow of</span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">the stellation of the opposing tetrahedron </span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><br />A
mathematician by the name of Benoit Mandelbrot (Yale University) (who
revealed the M-set) is really the father of fractal geometry. It was he
who coined the term fractal. Mandelbrot was a Jew who grew up in Nazi
occupied France. He spent 4 years eluding capture and deportation to the
camps. When he was young he was fascinated by visual geometry. It was
from this fascination that fractal geometry emerged.<br /><br />Fractal
geometry is actually a whole new kind of mathematics and it makes some
traditional mathematicians a bit nervous. Unlike traditional math that
defines smooth curves and comfortable shapes, fractal geometry can
define everything in the universe from the craggy projections of
mountains below to the movement of the clouds above, in fact literally
everything. If you think the mathematic or scientific community is
unaware of this, think again. It has created a firestorm of controversy!
For more information on fractal geometry and its significance, watch
Nova Season 36, Episode 4, entitled "<a href="http://vimeo.com/77925283" target="_blank">Hunting the Hidden Dimension</a>."<br /><br />Meanwhile,
in consideration of all the above (and in the interest of curiosity)
let’s advance a hypothetical description of the sapphire sceptre. It is
for the most part a story or fable; a parable of sorts (for purpose of
instruction) the kind of tale that one might tell to children (and
mathematicians) about what the sceptre might look like, and those who
were destined to inherit it. Like all stories, this one starts at the
beginning and so we’ll start with the usual: “Once upon a time,” and add
that there was a king who wished to give his son the keys to the
kingdom. Along with that birthright, he would provide his son (and his
son’s descendants) with the symbols of kingship which included a sceptre
and a royal mantle. The king wished to hide his signature within these
things so that if the identity of the rightful heir was ever challenged,
the signature could be revealed and remove all doubt. And so he created
a scepter, a staff by which his descendants would be known, a staff
that a shepherd might use to protect his flock. The king in this
fairytale was much more than just a king. He was also the mathematician
of mathematicians, and so he decided to place his signature upon the
staff in these terms, so they would match the numbers that not only
reflect the letters of his name, but the geometry of the royal seal and
the official documents and records of the kingdom. <br /><br />To that end,
he made a staff with 3 sides, like a triangle (a 2-dimensional shadow
of a tetrahedron) where the length of each side was 3 “fingers” (3/5th’s
of a hand of 5, and fractionally the same as 6/10ths, or ‘.6’ of one
hand, which happens to also be a static measurement of 5.236
centimeters, if one bothers to put his fingers to a calculator). <br /><br />He would make the length of each side equal to 24 hand-breadths. That way, the combined length of the <span style="color: red;">3</span> sides would be <span style="color: blue;">72</span>
hand-breadths (alluding to his name). However, 72 hand-breadths also just
happens to be 2 x π (Pi) in meters which is one of the fundamental
aspects of mathematics. <br /><br />The 24 hand-breadths of each side (that are each <span style="color: red;">3</span> fingers in length) therefore end up being .<span style="color: blue;">666</span>
x π (Pi) in meters (a little more than the height of a man). The <span style="color: red;">3</span>
fingers and the .<span style="color: blue;">666</span>, together would also bring to mind the <span style="color: red;">3</span> “<span style="color: blue;">sixes</span>”
describing the measure and the ratio of the king's blueprint (<span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span>) that would be used to define the kingdom.</span><span face=""arial" , "helvetica" , sans-serif"> </span><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">6 x 6 x 6 Hand-breadths</span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZbqalZihAd_CxkbLsdunTWoZMWHEpl-_f4lrwiXErst4g9J4DufMd1-TjNugrowOPpkZGF0w_NnZeB6I2L1uXVxDCTQIE60QZpJDXBcibHiOxLOWYIQmLT3d3kxkGJVyT67z4Dxa7-Yef/s1600/Sapphire+Cube.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZbqalZihAd_CxkbLsdunTWoZMWHEpl-_f4lrwiXErst4g9J4DufMd1-TjNugrowOPpkZGF0w_NnZeB6I2L1uXVxDCTQIE60QZpJDXBcibHiOxLOWYIQmLT3d3kxkGJVyT67z4Dxa7-Yef/s320/Sapphire+Cube.jpg" width="320" /></a></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif">A hand-breadth is 1/6 of a royal or sacred cubit. It is 1/6th of 1/6th </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">of π (Pi) </span>meters. That's 8.72666
centimeters (there are 6 of these hand-breadths in a cubit). Please note the sequence of integers in the fractional portion: </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">8.<span style="color: blue;">72</span><span style="color: red;">666</span></span>. Thus, the
length of 3 “fingers,” would be 5.236 centimeters which coincidentally
happens to be 10 times the ratio of a cubit to a meter (which is
.5236) as defined within the primordial torah (luchot) as the ratio
between the volume of the sphere within, and the cube without (that
ratio being well known in mathematics). </span><span face=""arial" , "helvetica" , sans-serif">Seriously? Must be a coincidence!</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">You may already understand the
meaning of this fairy tale. The king is God and the kingdom is the physical universe
(creation). The blueprint for the kingdom is the combined cubic form of the luchot (the principle having been adequatel<span face=""arial" , "helvetica" , sans-serif">y demonstrated in the post on the primordial torah)</span>.</span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> </span></span><br />The
combined cubic form of the luchot was coincidentally .5236 meters per
side (6 hand-breadths = .5326 meters). When it was divided and given to
Israel it would have 10 commandments (just as the measurement of any
given side of the sceptre would be a factor of 10 in relation to the
aforementioned ratio). All of the numbers for our hypothetical sceptre
allude to the King’s system of measurement, by which all things are
calculated and compared, both physical and non-physical.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">The
<span style="color: red;">3</span> original or primary sides that are each <span style="color: red;">3</span> fingers in length (and 24
hand-breadths in length) further allude to the King’s Signature (in the
geometry of the star tetrahedron) since it has 24 small <span style="color: red;">tri</span>angular
faces that ultimately define (3 x 24 or) <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners (<span style="color: blue;">72</span> x <span style="color: red;">3</span> = <span style="color: red;">216</span>)
as depicted in one of the figures above dealing with fractal geometry.
The Signature would thus be hidden from the casual observer.</span><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Click to Enlarge</span></span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOP1h3x2l0dI9LeXCpcfyOlbg-Y6gIyhJdZj6TaWb_cRK6WjZSeM3dmnXtCCqqwz2Ep6QXXdc1uerZSHCfr30cl011i1xUBuJh16Ncs1jMzy4B_cxqynf2AnVfFEUgtDJraRP8m3E7RxCS/s1600/3D%252BKoch%252BSnowflake%252BScepter%252B2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOP1h3x2l0dI9LeXCpcfyOlbg-Y6gIyhJdZj6TaWb_cRK6WjZSeM3dmnXtCCqqwz2Ep6QXXdc1uerZSHCfr30cl011i1xUBuJh16Ncs1jMzy4B_cxqynf2AnVfFEUgtDJraRP8m3E7RxCS/s400/3D%252BKoch%252BSnowflake%252BScepter%252B2.jpg" width="303" /></a></span></div>
</div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> </span></span> </span></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> </span><br />You
may remember that in the narrative of our story above, we said that
when “the king” designed the scepter, he started with a triangle of 3
sides. In the picture above, you can see what happens when the fractal
set previously mentioned is applied to just the third iteration. There are
many possibilities. I like this one because it so eloquently reveals
the mathematic and geometric connection between the Name, the royal seal
(magen david) and the luchot. <br /><br />Needless to say, the above story
is just a story, except for the mathematic and geometric correlations
that do in fact connect to God’s Name; and the substance of the sceptre
actually being like-sapphire, which it is; and the fact that the length
of 3 “fingers” is exactly 10 x .5236 <u>cent</u>imeters; or that the
ratio of those 3 fingers to a hand (with its 10 fingers) is 6/10ths (.6)
and also 1/6th of the ratio of a cubit to a meter (.5236); and that the
sapphire cube that is 6 x 6 x 6 hand-breadths really is a cube of 1
cubit, or .5236 meters; or that the 10 commandments that were part of
the divided cube (luchot) were “a measure” by which man is judged; all
of which is factual. </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Nevertheless, the description in our story is just
hypothetical. It is full of coincidences pertaining to actual facts and
thus hypothetical. Whether it is in anyway true, is anyone’s guess. It
is posited here, because it is perfectly acceptable to draw logical
inferences from known facts. And besides, it made for a good story and
served as the vehicle for revealing how certain fundamental numbers and
ratios really do correspond to God’s Name and the many things mentioned
in the Torah!</span><br />
</span><br />
<span face=""arial" , "helvetica" , sans-serif">_______</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif">Author's Note: <span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">T</span></span>he scepter <span face=""arial" , "helvetica" , sans-serif">that</span> is modeled above<span face=""arial" , "helvetica" , sans-serif"> (shown without the head so that the fac<span face=""arial" , "helvetica" , sans-serif">ets of the staff can be examined)</span></span> <span face=""arial" , "helvetica" , sans-serif">is</span> </span>6 hand-breadths in length<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> (</span>like each dimension of the evan shetiyah). <span face=""arial" , "helvetica" , sans-serif">It</span> has 48 external face<span face=""arial" , "helvetica" , sans-serif">ts <span face=""arial" , "helvetica" , sans-serif">with a</span> total length<span face=""arial" , "helvetica" , sans-serif"> to the</span> 288 hand-breadths, like the "288 sparks" (explained by the ARI) <span face=""arial" , "helvetica" , sans-serif">that equate to the</span> shattering of the vessels<span face=""arial" , "helvetica" , sans-serif">. The total <span face=""arial" , "helvetica" , sans-serif">length</span> of these fac<span face=""arial" , "helvetica" , sans-serif">ets</span></span> is equal to the number of square hand-breadths on the <span face=""arial" , "helvetica" , sans-serif">surface of the luchot (288 square hand-breadths). The number 288 is the sum of <span style="color: red;">216</span> (the number of letters in God's Name) and <span style="color: blue;">72</span> (which is the number <span face=""arial" , "helvetica" , sans-serif">of triplets<span face=""arial" , "helvetica" , sans-serif"> pertaining to this Triad Name). <span face=""arial" , "helvetica" , sans-serif">Th</span>e head of the scepter (not shown) is a sapphire star tetrahedron.</span></span></span></span></span></span></span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-928031472114915082023-12-30T17:51:00.000+02:002023-12-30T17:51:38.093+02:00VaYechi<p><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Once upon a
time there was a diamond cutter who was an expert in the cutting of
various gemstones. He was asked to cut a certain unique stone
that was made of sapphire, into two halves. It happened that this
particular stone was a cube and the measure of each side was 6
hand-breadths. Before cutting the stone, he studied it to ensure that the
division was made according to his employer’s request. The cutter made a
mental note of the cube’s 6 faces, its 12 edges and 8 corners, and
realized that its geometry was defined by these 26 elements, a number
that just happened to be the gematria of his employer’s name. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">The cutter was told that when the division was made, each half of this stone should be identical in size and shape (<span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">3</span>
hand-breadths). The time had not yet come to make the division, but
still, he contemplated how to make the cut by envisioning a dotted line
down the middle. The cutter noticed that there were 5 faces on each half
of what he would cut</span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>1</span></span></span>. He then counted the edges and noticed that there
were 8 on each half, of what he would be dividing. And finally, he noted
the 4 corners on each half (before division). When he added them
together together, there were 17 elements defining the characteristics
of each half. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">This
particular stone was like no other the cutter had ever seen and so he
was very careful in dividing it, so as to ensure the proper result. The
twin stones were to be given to the employer’s family. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #333333; line-height: 115%;">An explanation of the story will continue in a moment. In the meantime, if you are new to this
blog then you should read each of the essential constructs listed in
the column to the right before proceeding. These pages explain some of the
basic connections between the letters of God's Explicit Name and the
multidimensional mathematic and geometric characteristics of the luchot (tablets of the covenant)
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen that creates a unique signature. The purpose of this blog is to show how they connect with one
another and to reveal where this <i>Signature of the Architect</i> is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Without
the background provided by these essential constructs, the posts will
make little sense.</span></span></span></span></span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
</p><div style="text-align: center;">
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Combined Cubic Form of the Luchot</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">(<i>its geometry before division</i>) </span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">17 Elements - 17 Elements<br />(5 Faces, 8 Lines, 4 corners) - (5 Faces, 8 Lines, 4 corners)</span></span></div><span style="font-size: medium;">
<span><span face=""arial" , "helvetica" , sans-serif"><br />The
actual story is of course well known. The sapphire block (in Mishpatim)
was divided and brought down by Moshe as the luchot. Moshe spent 6 days
in the cloud, and for 6 days he brought [the letters of] Torah to the
people. It was the 6th of Sivan. The description of the event alludes to
the measure of each side and the ratio of the stone that was to be
divided (6 x 6 x 6 hand-breadths). </span></span><br />
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<span><span face=""arial" , "helvetica" , sans-serif">The
measurements of a cube are all equal. Its edges, points and faces are
defined by the characteristics of it 26 elements. However, <u>after</u> you divide a cube in half, each half <u>still</u> has 26 elements (although not all of the edges or faces remain equal). </span></span><br />
<span><span face=""arial" , "helvetica" , sans-serif"><br />The
26 elements of a cube (as in the combined cubic form of the luchot) are
like the gematria of the Tetragrammaton which is 26. The Tetragrammaton
is <span face=""arial" , "helvetica" , sans-serif">the root of the Triad Havayah of 72.</span> God is One and
Indivisible, and so the division of a cube, and the combined cubic form
of the luchot, specifically, into two halves, does not in any way effect
the number of elements (the <i>essence</i>) that defines it. It merely establishes "duality," as in the dual<span face=""arial" , "helvetica" , sans-serif"> (male <span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">~</span> female) nature </span>of <span face=""arial" , "helvetica" , sans-serif">reality<span face=""arial" , "helvetica" , sans-serif">, that is well known in<span face=""arial" , "helvetica" , sans-serif"> physics.</span></span></span></span></span></span><br />
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<span><span face=""arial" , "helvetica" , sans-serif"> From
this '<i>blueprint</i>' came forth 10 sephirot and 22 Hebrew letters, which were
combined and permuted until all 304,805 letters [of the written Torah]
had been received. </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">In addition to the 26 basic geometric elements that define the outer measure of the luchot (<span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> hand-breadths) the volumetric measure of the combined luchot was <span style="color: red;">216</span> cubic hand-breadths. After division, there were <span style="color: blue;">108</span> cubic hand-breadths (elements) in each half of the matrix, each half being 6 x 6 x 3 hand-breadths (<span style="color: red;"><span style="color: blue;">6 <span style="color: black;">x</span> 6 <span style="color: black;">x</span> 3 <span style="color: black;">times</span> <span style="color: red;"><span face=""arial" , "helvetica" , sans-serif">2</span></span></span> <span style="color: black;">=</span> 216</span>). Keep in mind that the gematria for the word "<span style="color: blue;">half</span>" in Hebrew is <span style="color: blue;">108</span>.</span></span><br />
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<span><span face=""arial" , "helvetica" , sans-serif">These sapphire <span style="color: blue;">twins</span>
were given to Israel, but hidden within their mathematic and geometric
characteristics, is the Signature of the Architect (the "employer" who ordered the cutting of the stone). The combined cubic
form of the sapphire block was/is the cosmic blueprint for the created
universe. It should be noted that at this moment in time (as the historical account in <i>VaYechi</i> takes place) the
luchot <u>had not yet been divided</u> but were “soon” to be given
(along with many secrets) and entrusted to Israel who would be charged
with the duty of preserving its specifications (fulfillment of halacha).</span></span><br />
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<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Thus...</span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">“<i>When it came time to give birth...”</i></span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><i>“...there were twins in her womb</i>.”</span></span></div><span style="font-size: medium;">
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<span><span face=""arial" , "helvetica" , sans-serif">Some
reflections are of course brighter than others. There are those that
are buried so deeply, that they could easily be considered coincidences
were it not for their place and position within the scheme of things.
The date of an event, is a good example. Sometimes they are very bright
and the significance is rather obvious. At other times they are
not. </span></span><br />
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<span><span face=""arial" , "helvetica" , sans-serif">The
blueprint does cast its shadow into the physical universe below, that is
undergoing the process of creation. One of these shadows appears in the
year <span style="color: red;">21</span><span style="color: blue;">99</span>, when “<i>Rachel</i> [gave] <i>birth to Yoseph</i>” (<i><a href="https://sapphiremagendavid.blogspot.com/2023/11/vayetze.html" target="_blank">VaYetze</a></i>). The number <span style="color: red;">21</span>, for example, has special significance throughout the Torah. It is factored by <span style="color: red;">three</span> <span style="color: blue;">7</span>s. The number <span style="color: blue;">99</span> is also significant and can be factored as <span style="color: red;">three</span> <span style="color: blue;">33</span>s.
Ordinarily, something like this would just be a coincidence. However,
we've seen these same numbers many times whenever key events are concerned (the <span style="color: red;">three</span> <span style="color: blue;">7</span>s for example were a prominent mathematic feature in <i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/12/miketz.html" target="_blank">Miketz</a></i>
where </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">three</span> <span style="color: blue;">7</span>s</span></span> were repeated four times, and the number <span style="color: blue;">7</span> itself, a total of 28 times). These </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">three</span> <span style="color: blue;">7</span>s</span></span></span></span> are a function of the <span style="color: blue;">7</span> points of intersection in each of <span style="color: red;">three</span> dimensions, that are hidden between <span face=""arial" , "helvetica" , sans-serif">each</span> measured hand-breadths of the evan shet<span face=""arial" , "helvetica" , sans-serif">iyah (foundation stone). However, it is also found in its internal tetrahedral geometry</span>, or what we call "the royal seal," (the star tetrahedron (three-dimensional magen
david) that is mathematically at the heart of the foundation stone. This tetrahedral geometry has <span style="color: red;">three</span> small faces on any given side, with <span style="color: red;">3</span> <span style="color: red;">tri</span>angular (<span style="color: red;">3</span>-cornered) facets. The <span style="color: red;">three</span> <span style="color: blue;">7</span>s </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">(associated with the 28 elements in the tetrahedral geometry of the luchot) </span></span>define each edge of a <span style="color: red;">tri</span>angular matrix of <span style="color: blue;">7</span> and '<i>create</i>' the face of a tetrahedron defined by <span style="color: blue;">72</span> <span style="color: red;">three</span>-cornered elements (as shown in the post on Miketz) all alluding to the <span face=""arial" , "helvetica" , sans-serif">s</span>ignature geometry <span face=""arial" , "helvetica" , sans-serif">o</span>f the Architect (with <span style="color: red;">3</span> x <span style="color: blue;">72</span> or <span style="color: red;">216</span> letters). The <span style="color: red;">three</span> <span style="color: blue;">7</span>s
also allude to the movement of time (measured in cycles of 7) as it
relates to the three dimensions of space. This can be seen in the cubic
matrix of 7 that is defined by our calendar related halachic observance
(7 days, 7 x 7 days, 7 weeks, 7 years, 7 x 7 years etc). <span face=""arial" , "helvetica" , sans-serif">T</span>he <u><span face=""arial" , "helvetica" , sans-serif">points of inter<span face=""arial" , "helvetica" , sans-serif">section</span></span></u> between the <span face=""arial" , "helvetica" , sans-serif">measured handbreaths (7 x 7 x 7) are a function of the 42 letter Name<span face=""arial" , "helvetica" , sans-serif">, and <span face=""arial" , "helvetica" , sans-serif">each measured</span> hand-breadths</span></span> <span face=""arial" , "helvetica" , sans-serif">is a function of the</span> <span style="color: red;">216</span> letter Name. For more on this geometry and these unusual sets of numbers <span face=""arial" , "helvetica" , sans-serif">see</span></span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"> the post on <a href="https://sapphiremagendavid.blogspot.com/2023/05/behar-and-bechuko-thai.html" target="_blank">BeHar and Bechuko-thai</a>)</span></span>.</span></span><br />
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<span><span face=""arial" , "helvetica" , sans-serif">The
diagram below shows any one of the two-dimensional surfaces on a star tetrahedron.
The grey triangle in the middle is the stellation of the opposing
tetrahedron which is "three-dimensional" with respect to the smaller,
two-dimensional faces <span face=""arial" , "helvetica" , sans-serif">surrounding</span> it. Each of those small faces in turn has <span style="color: red;">3</span>
<span style="color: red;"> tri</span>angular corners, so the end result is <span style="color: red;">3</span> within <span style="color: red;">3</span>, within <span style="color: red;">3</span> or <span style="color: red;">three</span> <span style="color: red;">3</span>s (<span style="color: blue;"><span style="color: red;">3</span><span style="color: black;">,</span><span style="color: red;">3</span><span style="color: black;">,</span><span style="color: red;">3</span></span>). </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">The final 3 is inevitably hidden within the fourth dimension and can only be perceived over time (t</span></span>he
three white triangles in the middle are a fractal representation of the fourth
dimension with respect to its two and three-dimensional counterparts<span>1</span>. </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">This
pattern of 3 things within 3 things with 3 more things is prevalent
throughout Torah and in many mitzvoth. On a practical level, the current model of string
theory posits a hologram with <span style="color: #674ea7;">nine</span> dimensions of space and <span style="color: #e69138;">one</span> dimension of time (<span style="color: red;">three</span> specific <span style="color: red;">3</span>s plus <span style="color: #e69138;">one</span>)
although sefer yetzirah would describe these as 10 vectors in five
dimensional space. In the Torah, we see this aspect of the blueprint or
combined cubic form of the luchot (</span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">three</span> specific <span style="color: red;">3</span>s) </span></span>in such things as the plagues of Egypt, where there were <span style="color: red;">3</span> types of warnings in <span style="color: red;">3</span> places (<span style="color: #674ea7;">nine</span> plagues) along with <span style="color: red;">1</span>
additional plague, corresponding to the 10th plague that was totally
unique (as is known). Each is a reflection of the geometry in the
blueprint, which is in turn a reflection of the letters of the <span style="color: red;">Tri</span>ad
Name of <span style="color: blue;">72</span>, which has a total of <span style="color: blue;">72</span> (<span style="color: #674ea7;">nine</span> x 8) <span style="color: red;">3</span>s.</span></span><br />
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<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: red;">Three</span> (Corners) within <span style="color: red;">Three</span> (Triangles) within <span style="color: red;">Three</span> (More Triangles)</span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span>Plus <span style="color: red;"><span style="color: #e69138;">One</span><span style="color: black;"> Different from the Others</span></span></span> </span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdNtEY3sD4iBxl5fSjtT_s5KUt66ChsIMcYQfG8t9_BVXKllqMTFEiOS_63f0-nBs-ud2aEPsWOBoZT0aEPt2aWnaY6T_c0ivfGf69gtpIv7cMftKcpqJ441k1ujHbDmj7hpOlWJHqUthA/s1600/Triangle+w:three+33s.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdNtEY3sD4iBxl5fSjtT_s5KUt66ChsIMcYQfG8t9_BVXKllqMTFEiOS_63f0-nBs-ud2aEPsWOBoZT0aEPt2aWnaY6T_c0ivfGf69gtpIv7cMftKcpqJ441k1ujHbDmj7hpOlWJHqUthA/s320/Triangle+w:three+33s.tiff" width="320" /></a></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span>The Geometry of any Two-Dimensional Face on the Royal Seal<span>2</span></span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span>(...is One "Face" of a Three-Dimensional Magen David)</span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span>(The Grey Triangle is the Stellation of the Opposing Tetrahedron in the 3rd Dimension)</span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span>(The 'Blueprint' or Luchot Defines 'the 5' Reconciled by 'Dual Resonance' and the 9 Plus 1 of String Theory)</span></span></span></div><span style="font-size: medium;">
<span><span face=""arial" , "helvetica" , sans-serif"><br /></span></span>
<span><span face=""arial" , "helvetica" , sans-serif"> </span></span><br />
<span><span face=""arial" , "helvetica" , sans-serif">In addition to what is mentioned above, the number of polygonal elements in the first 6 layers of a tetrahedral matrix of 7 is <span style="color: #a64d79;">91<span style="color: black;"> (shown/diagrammed in the post on Miketz)</span></span>. Yaacov just happened to be <span style="color: #a64d79;">91</span> years old when “<i>Rachel</i> [gave] <i>birth to Yoseph</i>”
(one of '<i>two children</i>' and a geometric reflection of the
original moment of creation). It also happens to be the sum of the
gematria of the two primary
abbreviated forms of the Explicit Name: the Tetragrammaton
(<i>Yud-Key-Vav-Key</i> <span style="color: red;">26</span>) and the Havaya of Adnoot (<i>Aleph-Dalet-Nun-Yud</i> <span style="color: red;">65</span>) where </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">26</span></span></span> + </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">65</span></span></span> = </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span style="color: #a64d79;">91</span></span></span>.
Are these numbers and patterns a coincidence? Or, are they evidence of a
sophisticated design (seen here in the historical narrative) that conforms to the internal geometry of a cosmic
blueprint of divine origin (the shnei luchot)? We should look for
additional witnesses.</span></span><br />
<span><span face=""arial" , "helvetica" , sans-serif"><br />Yoseph grows to be a man and in the year 2<span style="color: red;">216</span> another shadow appears when... Yoseph “<i>reaches the age of <span style="color: blue;">17</span></i>,” so Yaacov “<i>assigns to Yoseph</i> [the royal] <i>garment</i>” (<i><a href="https://sapphiremagendavid.blogspot.com/2023/11/vayishlach.html" target="_blank">VaYishlach</a></i>). Within days, he is “<i>sold</i>”
and becomes a slave. The years of happiness in which Yaacov was
together with Yoseph (<span style="color: blue;">17</span> years) come to an abrupt end, but another
shadow is cast. A period of 22 years begins, years in which they are <u>separated</u>.
During this time, Yoseph becomes ruler of Egypt and a famine engulfs
the land. Yoseph’s brothers come to Egypt and are eventually reunited
with Yoseph. In the year 2238 they bring their father Yaacov to Egypt
and at long last, Yaacov and Yoseph are once again together. Yaacov says
to Yoseph “<i>I have seen your face and you are still alive</i>,” revealing yet a third shadow, a period of time that will last for <i>another</i> period </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">(an opposing period) </span></span>of <span style="color: blue;">17</span> years (years in which they are <u>together</u> again as opposed to being apart from one another). Yaacov says to Pharaoh, “<i>My journey through life has lasted 130 years</i>” (VaYigash) and then later in this weeks parashah Yaacov.... breath[s] his last having lived to be 147 (147 - 130 = the <span style="color: blue;">17</span> years they were together again). </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">With
Yaacov’s death, the stage is set for the eventual exodus from Egypt and
the events at Mt. Sinai where Moshe goes up, sees the sapphire block,
it is divided in 2 and given to Israel as the luchot. These 2 luchot
contain the plans and specifications for the events herein described (and quite literally everything else).
The <span style="color: blue;">17</span> elements on the 2 halves of the cube
(before division) cast their shadows below in the events that
transpire, and so we see the 2 periods of <span style="color: blue;">17</span> years in which Yaacov and
Yoseph are <u>together</u> (as when the luchot were in combined cubic
form) separated by 22 years (like the 22 letters that ultimately emerge
from the primordial form of the Torah). The 22 years are a reflection of
the 22 letters (22 primordial
forms of energy) that were combined and permuted to create the universe
(a limited subset take form in the 304,805 letters of the written
Torah). These geometric aspects of the <span face=""arial" , "helvetica" , sans-serif">p</span>rimordial <span face=""arial" , "helvetica" , sans-serif">t</span>orah cast their
shadows and so we see them manifested as Yaacov and
Yoseph <u>separated</u> for 22 years, like the letters that came forth when the two halves of the luchot were <u>separated</u> from one another (divided and brought down). The lower 'events' are the mirror image of the upper/higher reality.</span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">Are
these numbers, sets of numbers and patterns merely a coincidence? Taken
individually there is certainly that possibility, but considering that
opposing periods of time (that conform to very specific 'opposing'
aspects of the internal or external </span></span><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif">elements of</span></span> cubic geometry and the measured geometry of one stone in particular) continue to repeat themselves throughout the Torah, the
interconnected nature of the various elements suggest otherwise. The
history of mankind reflects the mathematic characteristics of the
blueprint either way, and the mathematic and geometric characteristics
of the Name hidden beneath the surface, that we see in so many mathematic and
geometric forms, that all bear witness to the Signature of the Architect who so
carefully designed everything from the beginning. </span></span><br />
<br />
<span><span face=""arial" , "helvetica" , sans-serif">There
are additional shadows in this parashah that allude to the Triad Name,
for example: “Yoseph died at the age
of 110” having had 10 years subtracted from his life for the 5 things
said against his father Yaacov and translated (5 times) without rebuttal
(5 opposite 5). This has already been explained in other posts and will
not be repeated here.</span></span><br />
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<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">_____</span></span><br />
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<span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif"><span>Footnote 1 - With 5 faces on each '<i>half</i>,'
there are 10 halves that are '5 opposite 5'. This is an external
reflection of the internal geometry within the combined cubic form of
the luchot (5 mathematic constructs opposite 5 counterparts, or more
specifically the geometry giving rise to the platonic solids, and well
known in mathematics)</span></span></span><span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif"><span>. </span></span></span><span style="font-size: x-small;"><br />
</span><br />
<span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;">Footnote 2 - The concept being integral to the third iteration of what is called the Sierpinski Fractal (or </span></span></span><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;">Sierpinski T</span></span></span>riangle) a two-dimensional representation of higher dimensionality.</span></span></span><p> </p><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-66501225819057545072023-12-16T21:12:00.000+02:002023-12-16T21:12:05.101+02:00VaYigash<p><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">This week’s parashah has a
beautiful geometric reflection of the letters in God’s Explicit Name,
hidden in at least three places, beginning with the text that tells us,
‘...<i>these are the sons of Yaacov's wife Rachel</i>."</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #333333; line-height: 115%;">If you are new to this
blog then you should read each of the essential constructs listed in
the column to the right before proceeding. These pages explain some of the
basic connections between the letters of God's Explicit Name and the
multidimensional mathematic and geometric characteristics of the luchot (tablets of the covenant)
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen that creates a unique signature. The purpose of this blog is to show how they connect with one
another and to reveal where this <i>Signature of the Architect</i> is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Without
the background provided by these essential constructs, the posts will
make little sense.</span></span></span></span></span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Regarding the first instance of the three mentioned above, this Name is hidden within the details of the phrase referring to: “<i>the sons of Yaacov’s wife Rachel</i>,” and its counterpart: “<i>all the souls coming to Egypt</i>... <i>not counting the wives of Yaacov's sons</i>.”
In this segment of the text, Rachel is specifically identified as
Yaacov’s wife. In the case of the other three matriarchs, Bilhah, Zilpah
and Leah, the Torah merely says “<i>these are the sons of...”</i>
without identifying them as Yaacov’s wives. Rashi finds this noteworthy,
saying that Rachel is mentioned singularly as the wife because she was
mistress of the household. However, there is another explanation. The
ratio and the numbers are a faint reflection of the same math and
geometry that appeared in last week's parashah. </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Last
week, Pharaoh’s dream encompassed a 14 year period, one in which Yoseph
was not only a ruler but the most powerful man in the known world. This
14 year period of time was <u>directly</u> mentioned in the text, while the preceding 14 year period (starting when he was sold a slave) <u>was not directly mentioned</u>. The numbers, the ratio and the nature of the elements all correlate with the male-female</span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">
polarity of the royal seal or magen david (with 14 elements in one
half, opposite 14 elements in the other half) and the corresponding
male-female </span>letters of the Name (associated with each tetrahedral point) that sustain a physical universe in like form.</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The time in which Yoseph was a slave had to be calculated by subtracting the year in which the “<i>years of plenty</i>”
started, from the time when Yoseph was sold. These 2 periods of 14
years stood opposite one another, and also in stark contrast to one
another, alluding to the Name of the Architect found in the geometry of
the royal seal (three-dimensional magen david) as the 14 elements of the
male and 14 elements of the female halves of a star tetrahedron. This
in turn is a reflection of the mathematic nature of the Triad Name
(recalling once again a tradition that the luchot were “tetrahedrons”
and knowing that their combination in the form of a star tetrahedron is
one of 5 internal mathematic constructs found with the combined cubic
form of the luchot). The marriage of the abbreviated forms of this Name can also be seen in the narrative where <span style="color: red;">1</span> wife (Rachel) was mentioned by name in the text. She was "different" from the other <span style="color: blue;">3</span> </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">(Bilhah, Zilpah and Leah)</span>
who were not mentioned. This is a reflection of the ratio between the
letters of the 4 "couples" that are married together (in unification) or more specifically the
Tetragrammaton and those in the Havayah of Adnoot, as explained in the
post on Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank">Ki Thetze</a> and also the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">Marriage of the Letters</a>. It is also a characteristic in a primary geometric component of the royal seal, specifically the tetrahedron, which has <span style="color: blue;">3</span>
points in one (lower) dimension (corresponding to Leah, Bilhah and
Zilpah) and 1 point in the dimension above (Rachel) specifically
identified as Yaacov's "wife" in the text. This same geometry is observed throughout
the Torah, one example being the 4 strands of tzitzith that are doubled
over: <span style="color: blue;">3</span> white and <span style="color: red;">1</span>
techelet. Each is a facet that is a characteristic of the blueprint
(luchot) which is in turn a facet of the Name and its abbreviations.</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In
this week's parashah we see the same tetrahedral geometry and the same
reflection of the male and female halves, where Rachel was the matriarch
with 14 male descendants, hence the specific reference to her as
Yaacov's wife. As with the previous reflection, these 14 souls are also
mentioned <u>directly</u> in the text “...<i>these are the sons of Rachel</i>... <i><u>in all 14 souls</u></i>.” The 14 daughters of Yaacov however, are <u>not mentioned directly</u>,
but alluded to where it refers to the wives who were not counted (each
son by tradition having a twin sister at birth). The combination of
male-female “elements” (in the 14 sons mentioned, and the 14 daughters not mentioned) is a very
bright reflection of the tetrahedral geometry in the royal seal. These
were the daughters of Yaacov, 14 in all (the female) counting Dinah and
the triplets of Rachel (2 of which were daughters). In other words 14
male opposite 14 female. So once again we have an allusion to the internal geometry of the luchot
(tetrahedrons) in this particular form. For more information on this
one-dimensional mathematic expression and its three-dimensional
counterpart (which are both reflections of the royal seal and the
letters in the Name) see last week's post on <a href="https://sapphiremagendavid.blogspot.com/2023/12/miketz.html" target="_blank">Miketz</a> and also the post on <a href="https://sapphiremagendavid.blogspot.com/2023/05/emor.html" target="_blank">Emor</a>.</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In the second instance, the Triad Name is seen as a mathematic reflection of the words Israel (Yaacov) spoke to Yoseph “<i>Now I can die, I have already seen your face, for you are still alive</i>.”
An explanation of this reference will have to wait until next week’s
parashah, when this particular geometric reflection culminates in the
events and the correlation is complete (in <a href="https://sapphiremagendavid.blogspot.com/2022/12/vayechi.html" target="_blank">VaYechi</a>). </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The third and final instance that we will mention, is one of the more significant in the entire Torah where: “<i>all the souls coming to Egypt with Yaacov... were 66</i>,” together with “<i>all the souls of Yaacov’s house coming to Egypt were <span style="color: blue;">70</span></i>.”
This would seem to be a contradiction, except for the fact that 4 souls
were already in Egypt (Yoseph, Aseneth, and their two sons Ephraim and
Menashe). The ratio of <span style="color: blue;">4</span> to <span style="color: blue;">70</span>
is found numerous times in the Torah. It is found twice in this
parashah alone. The first example is mentioned (directly) above. The
second example is alluded too indirectly, where “<i>Yoseph gathered up all the money</i> [and] ...<i>brought the money to Pharoah’s treasury</i>.” It is well known that there were <span style="color: blue;">4</span> treasuries of gold. What is not so well known is that each contained “<i><span style="color: blue;">70</span> quintles of the precious metal</i>.” The ratio of <span style="color: blue;">4</span> to <span style="color: blue;">70</span> is also found in Mishpatim where, Moshe, Aaron, Nadav and Avihu (<span style="color: blue;">4</span>) along with the <span style="color: blue;">70</span> elders ascend before the throne (of God) and it is found in “<i>11 kinds of spices were in it, as follows: stacte, onycha, galbanum, frankincense</i> (<span style="color: blue;">4</span> spices) <i>each weighing <span style="color: blue;">70</span> maneh</i>,” to provide the obvious examples. </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">These
numbers or sets of numbers, and this ratio in particular (whether the 4
are included or excluded from the 70) holds a very deep secret that<span face=""arial" , "helvetica" , sans-serif"> is examined at length in the post on <span face=""arial" , "helvetica" , sans-serif">"<a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_12.html" target="_blank">the Incense and the 216 Letters</a></span></span>." </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In-so-far as this post is
concerned, it is sufficient to point out that when a tetrahedron (with
its 14 elements) is subdivided by an opposing tetrahedron, the result is
not only a magen david (in the geometric form of a star tetrahedron)
but the number of elements in each (subdivided) tetrahedron increases
(from the 14 mentioned above that were described in the post on Miketz)
to 70 elements. There are 4 stellations (or points) on each of the
tetrahedrons of the star after the subdivision (see the pictures below). </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
</p><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">View of a Star Tetrahedron from the Top</span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Click to Enlarge</span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihkp0euOzlHsHn3PcxCCiLivWpd4XFxBob1NU6OW0TFwSsjCenHEPwIiSPNEuQfM2NB42LGUHTjXsk5-yLsMFqPapzjF57PPJUKVy5y0aOF11lBcwrSI63rGO3dwkBd5IM-N23-hOv-88r/s1600/Star+Tetrahedron+%2528Template+2%2529.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihkp0euOzlHsHn3PcxCCiLivWpd4XFxBob1NU6OW0TFwSsjCenHEPwIiSPNEuQfM2NB42LGUHTjXsk5-yLsMFqPapzjF57PPJUKVy5y0aOF11lBcwrSI63rGO3dwkBd5IM-N23-hOv-88r/s400/Star+Tetrahedron+%2528Template+2%2529.tiff" width="400" /></a></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif">In
the meantime, the number of elements resulting from the division is
calculated as follows. The subdivision results in 4 tetrahedrons that
are half the size of the original, and 1 octahedron in the middle. A
single tetrahedron is made up of 4 faces, 4 points (8 elements). The 4
tetrahedrons together thus have 16 faces and 16 points (32 elements).
The octahedron in the center has 8 faces and 6 points (14 elements). The
lines that cause the division (from the intersection) are one-dimensional
and should not be counted twice (as separate elements on each of the
resulting geometrics). Therefore the number of lines equals 4 x 6 or 24.
The 24 lines together with the 22 points and 24 faces equals 70
elements. The stellations, or points on the star (4 on each) can be
further subdivided in like manner, the result being a star tetrahedron
with 2 tetrahedrons, each with <span style="color: blue;">4</span> stellations having <span style="color: blue;">70</span> elements, with a total of <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners that geometrically reflect the <span style="color: red;">216</span>
letters of God's Explicit Name in their triad form. It also appears in the tetrahedral geometry of the stone where each of the <span style="color: blue;">4</span>
triangular faces is divided by 7 lines of division (between each
hand-breadth of its measurement) with each of the 7 points of
intersection on the line having 10 vectors (<span style="color: blue;">70</span>) in five-dimensional space (the ten vectors of those five dimensions being enumerated in sefer yetzirah). </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Note also (below)
that a two-dimensional magen david can be seen in the orthographic
projection of just one tetrahedron so divided. </span><span face=""arial" , "helvetica" , sans-serif"> </span><br />
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The 70 Elements of a Tetrahedron </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(<i>after being subdivided by its polar opposite</i>)</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzEz2LVibJ1pN2EUiMPhnkQXkFzU9T47USJdovDRuRjlFufyBt4FmUcJh1MqzzmDoDiaWEuyhXymA7qkMZo41HFUQXGP4D7U82AD5Zecij_MBNVy4IgovlnfoeT-2-SIGLlBL8shhykrz1/s1600/Tetrahedron+w_16+subdivisions+_+clear+_+w_magenDavid+.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzEz2LVibJ1pN2EUiMPhnkQXkFzU9T47USJdovDRuRjlFufyBt4FmUcJh1MqzzmDoDiaWEuyhXymA7qkMZo41HFUQXGP4D7U82AD5Zecij_MBNVy4IgovlnfoeT-2-SIGLlBL8shhykrz1/s320/Tetrahedron+w_16+subdivisions+_+clear+_+w_magenDavid+.jpg" width="320" /></a></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The Orthographic Projection in the Three-Dimensional Magen David Above</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(seen as a “shadow” in each 'half' below)</span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-st_K6FlCxr_b6PVKtg06rM3K1lTvlyNEOxIXUTBhUtGg1LTjXlWcQ4bh1L3ZxSPbzd1l4BVa06aScHqApIXQizDi2jdNSmiL0L4mQVuSGHg2W1KG05IexPmjKfgN9swR48BCFFQmoL5X/s1600/Magen+Shadow+3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-st_K6FlCxr_b6PVKtg06rM3K1lTvlyNEOxIXUTBhUtGg1LTjXlWcQ4bh1L3ZxSPbzd1l4BVa06aScHqApIXQizDi2jdNSmiL0L4mQVuSGHg2W1KG05IexPmjKfgN9swR48BCFFQmoL5X/s320/Magen+Shadow+3.jpg" width="320" /></a></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><br />The
important thing to remember is that God’s Name is imprinted
(mathematically and geometrically) on every aspect of time and within
every dimension of physical space in His creation, as well as the
intrinsic characteristics of things Jewish.</span></span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-84441476655807893112023-12-16T21:08:00.001+02:002023-12-16T21:08:15.301+02:00Miketz<p><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>In Miketz, we
find mathematic allusions to the letters of the Triad Name hidden in so many
forms and so many places that we cannot mention them all in a single
post. Some are found in the volumetric measure for the combined cubic
form of the luchot. Others emerge from its internal geometry in the form of the royal seal or magen
david. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #333333; line-height: 115%;">If you are new to this
blog then you should read each of the essential constructs listed in
the column to the right before proceeding. These pages explain some of the
basic connections between the letters of God's Explicit Name and the
multidimensional mathematic and geometric characteristics of the luchot (tablets of the covenant)
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen that creates a unique signature. The purpose of this blog is to show how they connect with one
another and to reveal where this <i>Signature of the Architect</i> is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Without
the background provided by these essential constructs, the posts will
make little sense.</span></span></span></span></span></span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>For those already familiar with the basic concepts, we’ll start our examination of this parashah with the statement that: “...<i>two years passed to the day</i> [and] <i>Pharaoh had a dream</i>.” </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>Why was it important for this event to occur at this precise moment in time, as it says "<i>two years passed <u>to</u> <u>the</u> <u>day</u></i>." <span face=""arial" , "helvetica" , sans-serif">W</span></span></span>hat
happened exactly two years earlier? Pharaoh’s two courtiers, his wine
steward and his baker, each had a dream (the year was 22<span style="color: red;">28</span>).
We’ll come back to the year in a moment. In the meantime, Yoseph
interpreted their
dreams and then 3 days later these dreams came true. The baker was
executed and the wine steward released as Yoseph had said. Yoseph of
course, was relying on the wine steward to tell Pharaoh of his innocence
and he failed to do so, thus “<i>two years passed <u>to</u> <u>the</u> <u>day</u></i> [before] <i>
Pharaoh had a dream</i>." </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Mathematic
and/or geometric shadows of the Triad Name are often embedded in events
like this. Some play themselves out over periods of time. Others occur
at specific moments in time. Still others are found in a combination of
both. In this case it requires this precise "moment in time" for God’s
Signature to be revealed. The timing is a function of the mathematic
center point between two opposing tetrahedrons (the explanation will be
diagrammed in subsequent paragraphs). It was at this moment that Yoseph
transitioned
from being an imprisoned slave (the lowest state) to being the most
powerful man in the known world (the highest state). This can only
happen in a cosmic plan of unprecedented proportion. When it does, we
can expect to see the Signature of the Architect somewhere
mathematically hidden beneath the surface, and indeed we do. How does
this reference correspond to the Name of the Architect? </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Before
delving into these numbers we need to backtrack to <a href="https://sapphiremagendavid.blogspot.com/2023/11/toldot.html" target="_blank">Toldot</a> when Yaacov
and Esav (the twins) are born. It was the 108th year of the millennium. The twins, or <span style="color: blue;">2</span> being "born" in the <span style="color: blue;">108<span style="color: black;">th year, is a reflection of a larger reality originating with the '<i>letters</i>' of the Name and the luchot that these '<i>letters</i>' define, where <span style="color: blue;">2</span> x <span style="color: blue;">108</span> = </span></span><span style="color: red;">216</span>. Coincidence? Time</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span> moves forward and then </span></span>"<i>coincidentally</i>," another <span style="color: blue;">108</span> years pass, at which time (again "<i>coincidentally</i>") Yaacov reaches the <u>age</u> of <span style="color: blue;">108</span>. He then assigns the royal garment to Yoseph and it just happens </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span> (again "<i>coincidentally</i>") </span></span>to be the <span style="color: red;">216</span>th
year of the millennium. All the numbers are clear reflections of the
mathematic template for creation (the luchot) and its division when it
was brought down (<span style="color: blue;">108</span> cubic hand-breadths + <span style="color: blue;">108</span> cubic hand-breadths = <span style="color: red;">216</span> cubic hand-breadths).</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>In
the case of this parashah, this same allusion is seen as a reflection
of the complex geometry within the luchot, or more specifically the
three-dimensional magen david (star tetrahedron) within its combined
cubic form, which has 36 triangular corners (3 x 36 = <span style="color: blue;">108</span>) on one tetrahedron opposite </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>36 triangular corners (3 x 36 = <span style="color: blue;">108</span>) on the other tetrahedron (as explained in the page on '<a href="http://sapphiremagendavid.blogspot.co.il/p/the-sapphire-magen-david.html" target="_blank">the sapphire magen david</a>'
to the right). The allusion (in this parashah) merely emerges from a
different "set" of numbers, pertaining to the exact same geometry. Where
is this unique set of numbers found? </span></span> </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>After
the events and their respective dates mentioned above transpire, time
again moves forward and Yoseph is sold that very year (2<span style="color: red;">216</span>).
He works as a slave until his release from prison in the year 2230.
Thus, 14 years pass (<u>exactly</u> 14 years) during which Yoseph is a slave. The "moment in time"
arrives (in this parashah) for "Pharaoh [to have] a dream" that will result in a complete reversal. What period
of time does Pharaoh’s dream encompass? It’s about the <u>next</u> 14
year
period of time. The “fulcrum” (or moment in time) between the two
"halves," or two 14
year periods, is when Pharaoh has a dream and Yoseph transitions from
being a slave, to being the viceroy of Egypt, where he would effectively
become the most powerful man in the known world. In other words, the
mathematic center point (the dream mentioned above) is at the exact
moment in time separating these two 14 year periods. These two
periods stand in stark opposition to one another (<span style="color: blue;">14</span> opposite <span style="color: blue;">14</span>)
not only in terms of time, but in terms of stature and any number of
other polar opposites like feast and famine. Mathematically, this week's
parashah brings us to a moment in time (a <i>mo'ed</i>) that separates the two halves of reality that are seen above as </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: blue;">108</span></span></span> opposite </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: blue;">108</span></span></span>.
How do these two opposing 14
year periods of time equate to 108 opposite 108? What does it mean, and
why is it significant? Both sets of numbers originate in the metrics of
the luchot and its internal tetrahedral geometry. </span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br />In Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/05/emor.html" target="_blank">Emor</a> we showed how this geometry took the form of <span style="color: blue;">pairs</span>, and specifically pairs of<span style="color: blue;"> <span style="color: black;">opposing</span> 7</span>s <u>and</u>/<u>or</u> <span style="color: blue;">pairs</span> of opposing <span style="color: blue;">14</span>s. These pairs are one-dimensional expressions that 'describe' the tetrahedral geometry of the “royal
seal” (</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: blue;">7</span>s </span></span> in two dimensions, </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: blue;">14</span>s</span></span>
in three dimensions). More specifically, the pairing correlates with
the metrics for each opposing half. In two dimensions each half
consists of 7 basic elements. In three-dimensions, each half consists of
14 basic elements. If you’ve not yet read the post on Parashah Emor,
now would be a good time to do so. If you are new to this blog, again, you
should read the essential constructs listed in the column to the
right before proceeding, as they explain the basic mathematic and
geometric characteristics of God’s Explicit Name.</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> </span></span><span style="font-size: medium;"><br /></span>
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The Elements of a Two Dimensional Magen David</span></span></div><span style="font-size: medium;">
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>(as <span style="color: blue;">7</span> Opposite <span style="color: blue;">7</span>)</span></span></div><span style="font-size: medium;">
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<span face=""arial" , "helvetica" , sans-serif"><span>An
ordinary magen david is essentially a two-dimensional shadow of a
three-dimensional star tetrahedron which is characterized by <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners. These corners have a direct one-to-one mathematic correspondence to the number of letters in the Triad Name (<span style="color: red;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span>).
The star consists of two tetrahedrons that have been merged or married
together in opposing directions. Each tetrahedron consists of 14
elements (4 faces, 4 points and 6 edges = 14 elements) and so two
tetrahedrons can be described in terms of the <span style="color: blue;">14</span> elements on one, opposite the <span style="color: blue;">14</span> elements on the other (just like Yoseph's <span style="color: blue;">14</span> years as a slave opposite his <span style="color: blue;">14</span> years as a ruler in Pharaoh’s dream). The number of triangular corners is ultimately <span style="color: blue;">108</span> opposite <span style="color: blue;">108</span>, and so these two sets of numbers <u>converge</u>
in the geometry of the royal seal. One set represents the number of
basic elements in each half. The other set represents the number of
corners on each of it triangular faces. It would be one thing if this
phenomena was limited to just the narrative of the Torah. It's another
to find the same phenomena in the physics of the universe. Contemplate
the significance of this before proceeding. If you've read the post on
the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-primordial-torah.html" target="_blank">Primordial Torah</a>,
then you've seen how the mathematic characteristics of the cosmic
blueprint give rise to the nature of the physical universe, as well as
the history of mankind, and there is no doubt as to its statistical
significance or the odds that its various measurements (in terms of
cause and effect) are far more than mere coincidence (using even the
most stringent of statistical analysis).</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span style="color: blue;">14</span> Years as a Slave Opposite <span style="color: blue;">14</span> Years as Ruler </span></span></div><span style="font-size: medium;">
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><br /></span></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><span> When
the 14 elements of the one tetrahedron are merged together with the 14
elements of the other tetrahedron, they subdivide one another and become
the stella-octangula, or star tetrahedron (three-dimensional magen
david) with <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners mentioned above. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>The numbers reflect the geometry of the letters in the Explicit Name <span style="color: blue;"><span style="color: black;">with</span> 72 <span style="color: red;">tri</span></span>plets,
and the male-female pairing alludes to the division of the letters in
male~female form, that was necessary to create a universe in like form.
However, at the same time, it alludes to the (re)unification of the
(letters in the) Name: “<i>For the sake of the unification of the Holy One blessed be He</i>...”
where the letters associated with the opposing halves will be
unified/sanctified in the minds of those who would witness the events
soon to transpire in Egypt.</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif"><span><br /></span></span>
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>The Merging of Two Tetrahedrons</span></span></div><span style="font-size: medium;">
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>(Star Tetrahedron)</span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">The Magen David<br />A Shadow of the Star Tetrahedron<br />A Three-Dimensional Geometric Construct within 'the' Cube of Sapphire</span></span></div><p><span style="font-size: medium;">
<br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In
last week's parashah, you will remember that the “stars” in Yoseph’s
dream had a similar mathematic relationship </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>to the number of letters in the Triad Name, although in that case, the correlation was </span></span>at the two-dimensional
level. Specifically, there
were <span style="color: blue;">12</span> (two-dimensional) stars with <span style="color: blue;">6</span> points having <span style="color: blue;">3</span> corners, for a total of <span style="color: red;">216</span>
points. The numbers, or sets of numbers, and the ratio here, are slightly
different, but the resulting mathematic reflection is the same. The <span style="color: blue;">14</span> opposite <span style="color: blue;">14</span> (or 2 tetrahedrons in the three-dimensional star) when merged together, again have <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners (<span style="color: blue;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span>)
and so both, in their own way, reflect the Signature of the Architect in the associated events.
The unification of the 11 stars (with the 1 already in Egypt) alludes to
how Yoseph’s descent into Egypt would bring about a unification that
would sanctify God's Name. Now, in Miketz, we have the 2 opposing 14
year periods of time alluding to the same thing. These mathematic
and/or geometric reflections are everywhere, like ripples in a pond,
and there are more of these same allusions to the royal
seal or magen david (really the geometry of the Name) in this parashah. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In Pharaoh’s dream, for example, there are <span style="color: blue;">7</span> cows and <span style="color: blue;">7</span>
ears in <u>two</u> dreams (again 14 opposite 14). Remember the luchot were
brought down twice and so internally, this would geometrically 'create'
two stars. So in the narrative we see <u>two</u> opposing 7 in <u>two</u>
dreams. As if to emphasize the underlying significance of the number 14
in the parashah, as it would relate to the Name, the small gematria of
Miketz is also 14.</span></span></span></p><p><span style="font-size: medium;">The word seven occurs 3 times when Pharaoh describes his dream, "seven," "seven" and "seven," like the seven sets of 42 linear hand-breadths in each of the stones three dimensions: 21 sets of 42 <u>horizontal</u> linear hand-breadths in each face/layer of the sapphire stone (right to left, front to back and top to bottom (as described and modeled in the post on the 42 letters in sapphire). Then the description of the dream is repeated, and we see another </span><span style="font-size: medium;">"seven," "seven" and "seven," like the seven sets of 21 sets of 42 <u>vertical</u> linear hand-breadths in each face/layer of the sapphire stone </span><span style="font-size: medium;">(again right to left, front to back and top to bottom (as described and modeled in the same post)</span><span style="font-size: medium;">. Thus 42 sets of 42 linear hand-breadths in all, a reflection of the 42 letter Name. The two descriptions of the dreams are again repeated when Yoseph is called to interpret the dream. Why? The stones were brought down twice, measure for measure, another reflection of a larger reality. Examine the subsequent sentences carefully, and you will see the word "seven" is mentioned twice, as a pair of "sevens" when Yoseph interprets the dream, then another pair of sevens, when he tells Pharaoh what to do. This is then followed by two more "pairs" of "sevens" when the events are actually described, making a total of four pairs of "sevens." This is a reflection of the stone's internal geometry, more specifically one of a cube's five constructs known as a tetrahedron and its polar opposite that create a star tetrahedron. A triangle has seven elements: three lines, three points of intersection between the lines and one face (seven elements as is known in geometry). A three dimensional tetrahedron is made of four two-dimensional triangles (four "sevens"). When paired to its polar opposite (another tetrahedron) the star tetrahedron becomes four "sevens" opposite four "sevens," just like the words used to describe the events. The story of Israel (as stated by Moshe in the Torah) is indeed "<i>in the</i> [measurements of] <i>the sapphire</i>" stone.</span></p><p><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span> In
the cosmic scheme of things, our existence may be little more than a
metaphor for God's Name! Even the motion of the stars and planets
conform to the geometry of its letters. As the stars move through the
heavens, their circular journey takes roughly <span style="color: red;">26</span>,000 years to complete, alluding to the gematria of the Tetragrammaton (yud-key-vav-key) which is <span style="color: red;">26</span>. The time period for each constellation in the precession is <span style="color: red;">2<span style="color: black;">,</span>16</span>0 years, a multiple of the number of letters in the Name. Moreover, the axis of the earth moves 1 degree every <span style="color: blue;">72</span> years in relation to the stars under the rolling vault of heaven, all of which allude to the <span style="color: red;">Tri</span>ad Havayah of <span style="color: blue;">72</span> and the mathematic nature of His Signature within the luchot. In this parashah, a reflection of the royal seal and its <span style="color: blue;">72</span> <span style="color: red;">tri</span>plets is hidden in so many places beneath the surface of the text, that it is difficult to ignore.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In
addition to the pairs of 14s mentioned above (associated with the
three-dimensional form of a tetrahedron) there are also patterns of 7s
that correspond to the same geometry in two dimensions (the magen david
being a two-dimensional shadow of the star tetrahedron). In fact, the
number seven is mentioned a total <span style="color: red;">28</span> times in this portion of the Torah, the number being the sum of opposing </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: blue;">14<span style="color: black;">s</span></span></span></span>. Keep in mind that the process started with the dreams of the baker and the steward in the year 22<span style="color: red;">28<span style="color: black;">;</span></span> that exactly <span style="color: red;">28</span> years elapsed between the sale of Yoseph, until the end of the period of time in Pharaoh’s dream (<span style="color: blue;">14</span> + <span style="color: blue;">14</span> = <span style="color: red;">28</span>) <u>as well as</u> the two opposing periods of time in which Yoseph's status would be either slave or viceroy </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>(<span style="color: blue;">14</span> + <span style="color: blue;">14</span> = <span style="color: red;">28</span>)</span></span>. So the
number of times that the number <span style="color: red;">28</span> is found in the text as a function of <span style="color: blue;">7</span>s and <span style="color: blue;">14</span>s, characterizing various events, is a further reflection of the geometry in the royal seal and the letters of the
Name, but in this case as they apply to the events involving Yoseph. <br /><br />The breakdown of these <span style="color: red;">twenty eight</span> <span style="color: blue;">7</span>s
is quite revealing in and of itself, since they form their own unique
pattern over and above what has already been discussed. However, before
we explain how and why the
breakdown of these 7s is so significant, it is worthwhile reviewing the
geometry of the royal seal, and how it correlates with the <span style="color: red;">216</span> letters, so that we don’t lose sight of the larger reality (which is how God's Name 'rules' time and space).<br /><br />There
are 8 faces on (the) two tetrahedrons that form a three-dimensional
magen david (star tetrahedron) as shown in the picture below. Each face
is <span style="color: red;">tri</span>angular. Each face has a polar opposite, and each face has 7 basic
elements (3 lines, 3 points and 1 face) those opposites being 7 opposite 7. When each triangular face is
married to its polar opposite, the result is a magen david. There are 8
triangular “halves,” and the 4 faces of one “merge” with the 4
faces of the other (in geometric male-female fashion). The marriage of the 4 with there 4 counterparts, creates 4
two-dimensional magen davids. It's important to remember that these pairs (at the two dimensional
level) are actually the 8 faces of the star tetrahedron (at the
three-dimensional level). So even though they are "married together," they
nevertheless remain <i>separate</i> and apart from their counterparts by virtue of their
position in the third dimension. The geometry is identical to the
nature of the abbreviations of the Name: the 4 letters of the
Tetragrammaton (Yud Key Vav Key) opposite the 4 letters of the <i>Havayah</i> of
Adnoot (<i>Aleph Dalet Nun Yud</i>) that are (in unified form) the 4 letters of <i>Ehyeh</i> (<i>Aleph
Heh Yud Heh</i>). The letters must remain separate and apart or else the "<i>duality</i>" (in physics and quantum mechanics) would collapse and universe would return to it's original state prior to creation. <br /><br />The picture below shows two opposing faces (in <span style="color: red;">red</span> and <span style="color: #073763;">blue</span>)
that constitute one magen david (of the 4 that ultimately define the
faces of a star tetrahedron). The faces are skewed because of the angle
in which they are viewed, so that you can see where they are in relation
to one another and to the other three pairs of triangular faces.</span></span><br />
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</span></p><div style="text-align: center;">
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">2 of the 8 Opposing Faces on a </span></span><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Star Tetrahedron</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">(<span>Components of a Two-Dimensional Magen David</span>) </span></span></div><span style="font-size: medium;">
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<br />
<span face=""arial" , "helvetica" , sans-serif"><span>We see <span style="color: blue;">pairs</span> of <span style="color: blue;">7</span>s
(or two halves of a magen david) and always in opposing form, because
of their geometric origin in the Primordial Torah. However, we also see
them as triplets (<span style="color: red;">three</span> <span style="color: blue;">7</span>s) where the number 7 is mentioned three times in succession like <span style="color: blue;">7</span>, <span style="color: blue;">7</span>, & <span style="color: blue;">7</span>; and/or <span style="color: blue;">7</span> x <span style="color: blue;">7</span> x <span style="color: blue;">7</span>). <br /><br /><span style="color: red;">Three</span> <span style="color: blue;">7</span>s mathematically allude to the <span style="color: blue;">3</span>
dimensions of physical space that move through <span style="color: red;">1</span> dimension of time, as seen in the measure of the luchot as 7 x 7 x 7<span face=""arial" , "helvetica" , sans-serif">, which is<span face=""arial" , "helvetica" , sans-serif"> the primordial origin of </span></span>time, found in cycles of 7,
defined for example by calendar related halachic observance (mentioned many times
throughout the blog). </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In addition to what has been explained above, <span style="color: red;">three</span> <span style="color: blue;">7</span>s
is also a one-dimensional expression for “the measure” of each side; of each
face; of each triangular half of a tetrahedron (with 7 elements per
face). You can see this in the picture below, where each of the three
sides on any given face of this tetrahedron are measured in terms of 7
places or positions, and how this results in a total of 28
places/positions in the triangular matrix. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span> </span></span><span face=""arial" , "helvetica" , sans-serif"><span> </span></span><br />
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>How <span style="color: red;">Three</span> <span style="color: blue;">7</span>s or <span style="color: red;">28</span> Elements Define</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>the Edges and Points of any Given Face on a Tetrahedral Matrix of <span style="color: blue;">7</span></span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiiTfg6hr18YNGiYUdJCao4MI3cR4QNUcsLKvZUJZTSTjkEhltY9TWk6tsYaqkzAAuK4HHk3-BK-rQG3rHFgzjOkTXpdIPTJEX6fbGSTp6TgfCvP01nVkY4V2kRc_5r2KEUrsONUVFrUU6/s1600/28+Elements+on+all+4+Sides.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiiTfg6hr18YNGiYUdJCao4MI3cR4QNUcsLKvZUJZTSTjkEhltY9TWk6tsYaqkzAAuK4HHk3-BK-rQG3rHFgzjOkTXpdIPTJEX6fbGSTp6TgfCvP01nVkY4V2kRc_5r2KEUrsONUVFrUU6/s400/28+Elements+on+all+4+Sides.jpg" width="372" /></a></span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>What’s interesting is that <span style="color: red;">three</span> <span style="color: blue;">7</span>s with <span style="color: red;">28</span>
places/position (like the period of time involving Yoseph that we
mentioned above) can define any given face, or they can define the
entire star tetrahedron when it is expressed in terms of its <span style="color: blue;">14</span> elements opposite <span style="color: blue;">14</span> elements (<span style="color: red;">28</span>).
One is its two dimensional reflection, the other is its
three-dimensional reflection. In this parashah we see the
interconnectedness of these numbers, sets of numbers, ratios between the
sets, in both two-dimensional and three-dimensional magen davids, as
well as the numbers characterizing the events that are unfolding.<br /><br />Having
examined 7s and 14s as they relate to the two-dimensional triangular or
three-dimensional tetrahedral geometry, and their relation to the royal
seal (which is a reflection of the number and nature of the letters in
God’s Name) we will proceed to examine the significance of the breakdown
in the <span style="color: red;">28</span> times the number <span style="color: blue;">7</span> is mentioned in the text. <br /><br />The breakdown (that we will list in a moment) consists of two opposing groups of <span style="color: red;">three</span> <span style="color: blue;">7</span>s, followed by another two opposing groups of <span style="color: red;">three</span> <span style="color: blue;">7</span>s. There is a brief separation in the text and then we see <span style="color: blue;"><span style="color: red;">two</span> pairs</span> of <span style="color: blue;">7</span>s followed by another </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: blue;"><span style="color: red;">two</span> pairs</span> of <span style="color: blue;">7</span>s</span></span>. Finally, these patterns transition to <span style="color: red;">one</span> (single) <span style="color: blue;">pair</span> of <span style="color: blue;">7</span>s; followed by a <span style="color: red;">second</span></span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> (single) <span style="color: blue;">pair</span> of <span style="color: blue;">7</span>s</span></span>; followed by a </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: red;">third</span> <span style="color: blue;"><span style="color: black;">(single)</span> pair</span> of <span style="color: blue;">7</span>s</span></span>; followed by a <span style="color: red;">fourth</span> (single) <span style="color: blue;">pair</span> of <span style="color: blue;">7</span>s. Notice also that it progresses from groups of <span style="color: red;">threes</span>, to groups of <span style="color: red;">twos</span>, to groups of <span style="color: red;">ones<span style="color: black;">,</span></span> a progression that nicely correlates with the concept of one, two and three-dimensional space.<br /><br />The pattern starts with the three's: <br /><br />41:2,3 & 4: <span style="color: red;">three</span> <span style="color: blue;">7</span>s<br />41:5,6 & 7: </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: red;">three</span> <span style="color: blue;">7</span>s</span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> </span></span><br />(then there is a separation in the content of the text before the next two groups appear)<br /><br />41:18, 19 & 20: </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: red;">three</span> <span style="color: blue;">7</span>s</span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span>41:22, 23 & 24: </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: red;">three</span> <span style="color: blue;">7</span>s</span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> </span></span><br />(there is another separation in the text and then mention of 7s appear as two pairs)<br /><br />41:26: </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: blue;"><span style="color: red;">two</span> pairs</span> of <span style="color: blue;">7</span>s</span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span>41:27: </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: blue;"><span style="color: red;">two</span> pairs</span> of <span style="color: blue;">7</span>s</span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> </span></span><br />(then the pattern shifts again to single pairs of 7s)<br /><br />41:29 & 30: <span style="color: red;">first</span></span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> <span style="color: blue;">pair</span> of <span style="color: blue;">7</span>s</span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span>41:34 & 36: </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: red;">second</span></span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> <span style="color: blue;">pair</span> of <span style="color: blue;">7</span>s</span></span></span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span>41:47 & 48: </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: red;">third</span> <span style="color: blue;">pair</span> of <span style="color: blue;">7</span>s</span></span></span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span>41:53 & 54: </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: red;">fourth</span> <span style="color: blue;">pair</span> of <span style="color: blue;">7</span></span></span>s<br /><br />In
each case, the pairs (insofar as what they are describing) oppose one
another, in one form or another, like fat cows versus skinny cows; or
healthy ears versus shriveled ears; years of plenty versus years of
famine, etc; like the opposing nature of the letters in the geometry of God’s Name and
the nature of their reflection in the geometry of the royal seal.<br /><br />These numbers; opposing sets of numbers; and ratios, are geometrically unmistakable. <span style="color: red;">Three</span> <span style="color: blue;">7</span>s define any given face of a tetrahedron. <span style="color: red;">Four</span> mentions of <span style="color: red;">three</span> <span style="color: blue;">7</span>s
define all four triangular faces of a tetrahedron (shown below) where
the measure of each face is defined in the text by reference to <span style="color: red;">three</span> times <span style="color: blue;">7</span> places/positions, or the <span style="color: red;">28</span> elements (on each face).</span></span><br />
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<span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Male "<span style="color: blue;">Half</span>" of the Magen David</span></span></div><span style="font-size: medium;">
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</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><span>As
we said above, the four mentions of three 7s define the four triangular
faces of one tetrahedron. One tetrahedron? It takes two tetrahedrons to
make a star tetrahedron or magen david (the royal seal) to properly
reflect the Signature of the Architect with <span style="color: red;">216</span>
letters. If we consider the "half" of the star tetrahedron above as the
"male" half, then where’s the female half? You'll find out in a
moment.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In the meantime, the next set of numbers consists of <span style="color: red;">two</span> <span style="color: blue;">pairs</span> of <span style="color: blue;">7</span>s, which (in terms of basic elements) define four faces on one tetrahedron. This is followed by another </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: red;">two</span> <span style="color: blue;">pairs</span> of <span style="color: blue;">7</span>s</span></span> that define the four faces on the other tetrahedron. The two together, define the 8 faces (<span style="color: red;">4</span> opposite <span style="color: red;">4</span>) of the star tetrahedron with its <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners (<span style="color: red;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span>).</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Magen David Within</span></span></div><span style="font-size: medium;">
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>the Combined Cubic Form of the Luchot</span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje9yrahyphenhyphenUTcxkc-S2Xze71wyhDzHsgUkK7lIRIVMKJ7QZ5f63GXV1IFNw7W_9Tk3CoDwYtSQYWlM0Srtr6oey14EWBJm4VLLhzC1AjDvPi9zArHy6x-rhtcZF91hktdI1p8yi_CrJWwSOb/s1600/Cube+with+Star+Inside+%28Dark+Sapphire%29++3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje9yrahyphenhyphenUTcxkc-S2Xze71wyhDzHsgUkK7lIRIVMKJ7QZ5f63GXV1IFNw7W_9Tk3CoDwYtSQYWlM0Srtr6oey14EWBJm4VLLhzC1AjDvPi9zArHy6x-rhtcZF91hktdI1p8yi_CrJWwSOb/s400/Cube+with+Star+Inside+(Dark+Sapphire)++3.jpg" width="388" /></a></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><span>With
the completion of the above Signature in the three dimensional form of
the royal seal, we seem to have a lop-sided equation. The four mentions
of three 7s in the first section above (involving 4 references to three
7s) essentially "create" <u>one</u> tetrahedron by themselves. The second section defined <u>two</u>
tetrahedrons (a complete star tetrahedron). Where's the other half of
the first tetrahedron? We mentioned this missing half several paragraphs
above, but we're about to find it in the next set of numbers, where 4
more pairs of 7s are mentioned. <br /><br />Specifically, there are 4 more
(single) “pairs” of 7 mentioned, and these define yet another
tetrahedron. So now we have, for lack of any better words to describe
the mathematic aspects of the story, a "female" tetrahedron to go with
the lonely "male" tetrahedron first mentioned above. The end result is
that the sequence starts with the male "half," of a tetrahedron,
followed by another male but this time <u>with</u> a female tetrahedron,
followed by another tetrahedron or "half" of the first tetrahedron.
Altogether, the mathematic components for two complete star tetrahedrons
are found in these numbers.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>Keep
in mind that the geometry of a tetrahedron is hidden internally within a
cube, and that the two luchot were divided and brought down twice. The
two combined cubic forms would have <u>two</u> <u>star</u> <u>tetrahedrons</u>
(consisting of four regular tetrahedrons) mathematically hidden in
their internal geometry. The first set was shattered. The second
remained intact. The luchot were “divided,” like the male half and the
female half above, found in the sequence of numbers mentioned in the
text.</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span><span face=""arial" , "helvetica" , sans-serif">Female "Half" of the Magen David</span></span> </span></span></div><span style="font-size: medium;">
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<span face=""arial" , "helvetica" , sans-serif"><span>It
is worth emphasizing again, that the star tetrahedron (royal seal) is
merely a geometric reflection of the nature of the letters in the
Explicit Name. In the cosmic scheme of things, God separated the letters
of His Name into their respective male-female counterparts in order to
create and maintain a universe in like form. The 4 letters of Ehyeh,
were thus <i>divided</i> and became the 4 letters of the Tetragrammaton
opposite the 4 letters in the Havayah of Adnoot (Aleph-Dalet-Nun and
Yud). We see a reflection of the mechanics of this in the commandment of
tzitzith (4 opposite 4 on 4) as explained in the post on <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank">Ki Thetze</a>.
Just as the 4 letter abbreviation was divided, so too was the 12 letter
(abbreviation) of the Explicit Name, as seen in its reflection in the
12 stones on either side (and in the middle) of the Jordan River, as
explained in the post on <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thavo.html" target="_blank">Ki Thavo</a>.
Here we see the same thing in the geometry of the royal seal, which
casts its shadow below in the form of the events taking place in this
week's parashah involving Yoseph and this is worth contemplating.<br /><br />No
matter how we break down the geometry, its source above (in the letters
of God's Name) in recombinant form, return to either 4, 12 or 108
(letters) which can be represented by just one tetrahedron (one of the
five internal mathematic constructs in the combined cubic form of the
luchot). Without its polar opposite (in male-female combination) it
exists only as one construct. The physical universe cannot exist in this
form. However in the world above, where there is perfect unity, no such
division is needed. The reflection of the Name in this parashah is seen
both in its unified state (above) and in its divided state (below)
where we say“...<i>for the sake of the unification of the Holy One, blessed be He, and His Name</i>... <i>to unify the</i> [letters of the] <i>Name</i>,” lest we mistakenly think He is somehow “divided,” when in fact He is a perfect unity. <br /><br />The
text itself is a witness to this reality. The 7s found in the dream
about cows (41:2-4) that are then repeated to Yoseph (41:18-21) are all
beside <span style="color: #6aa84f;"><b>one</b></span> river (the Nile). The 7s
found in the dream concerning the ears of grain (41:5-7) that are then
repeated to Yoseph (41:22-24) are all on <span style="color: #6aa84f;"><b>one</b></span> stalk. The language used in the description of the dreams where we find these 7s (where each is associated with <span style="color: #6aa84f;"><b>one</b></span> thing: either the river or the stalk) hints to the fact that the numbers are associated with <b><span style="color: #6aa84f;">one</span></b> specific construct, like the numbers that define <b><span style="color: #6aa84f;">one</span></b>
tetrahedron. These stand opposite another specific construct, the
opposing tetrahedron. The two (opposing tetrahedrons) however are also <b><span style="color: #6aa84f;">one</span></b>
unified construct in the form of a star tetrahedron as defined by the
numbers corresponding to its various elements. And so when Yoseph
interprets the dreams in 41:25 he says, “it is all <b><span style="color: #6aa84f;">one</span></b>
dream,” which is tantamount to saying that the previous two are really
one, just as the opposing abbreviations of the Name, are really <b><span style="color: #6aa84f;">one</span></b>. The words of the song: "...<i>life is but a dream</i>," comes to mind, and they may be a more accurate description of reality than anyone thinks.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In
summary, patterns of 7s, in the form of three 7s and/or pairs of 7s are
found throughout the entire Torah and in each case, the numbers conform
to the geometry of the royal seal and the letters of the Name hidden in
its geometry.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>Having
mentioned all of the above, with a special focus on the twenty eight 7s
in the first part of this post; and showing how they divide into, for
example, three 7s; followed by two times two pairs of 7s etc., and their
connection to God’s Name and the magen david, it is worth examining the
mathematic characteristics of the triangular matrix of 7 (half of a
magen david) more closely, and also its <u>three-dimensional counterpart</u>, the <u><span style="color: blue;">tetrahedral</span></u>
matrix of 7 (which we’ve not yet done). When we look at the geometry
associated with this part of the “blueprint,” an interesting pattern
emerges, one that matches the actual words of the Torah describing the
nature of the events and considerably more!<br /><br />The diagram below
uses triangular elements to measure and define the edges, points, and
ultimately the face of a triangular matrix of 7. Keep in mind that these
divisions are the result of the measured geometry of the <span face=""arial" , "helvetica" , sans-serif">evan shetiyah discussed at length in the essential constructs to the right. W</span>e’ve
made the 7 elements themselves triangles (triangles
within a triangle) since this is the actual result of the lines of
measure that would run through the foundation stone. You can see (as you
should have noticed in the
previous models) that the edges are defined by three 7s, and the total
number of “elements” (triangles) is twenty-eight. Using this method
however, which is more consistent with the letters in the Triad Name and
the nature of the magen david, you’ll notice that this creates a
“counterpart” to each element in the form of another triangle, but the
counterpart points down, instead of up, like the two halves of the royal
seal.</span></span><br />
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Click to Enlarge</span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFS6vDXgNwkEr-7KJboLX84QwSQWMMYGU7QGX5oHebDzUPgx5yhS6Na8wvZ85v8AfOf4L6Qcl_Wznv9_rIyvpvKbyobyfubCshP0cXPZWshajPyBT8S1TK5MO-y5egBDGi_24bOKD9hQC5/s1600/Tetrahedral+Geometry+of+Torah+Three+Sevens+Merged.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFS6vDXgNwkEr-7KJboLX84QwSQWMMYGU7QGX5oHebDzUPgx5yhS6Na8wvZ85v8AfOf4L6Qcl_Wznv9_rIyvpvKbyobyfubCshP0cXPZWshajPyBT8S1TK5MO-y5egBDGi_24bOKD9hQC5/s400/Tetrahedral+Geometry+of+Torah+Three+Sevens+Merged.jpg" width="361" /></a></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><span>The <span face=""arial" , "helvetica" , sans-serif">points on each of the above tria<span face=""arial" , "helvetica" , sans-serif">ngles</span></span> represent the 28 elements in the triangular matrix <span face=""arial" , "helvetica" , sans-serif">delineated by</span> 7 lines<span face=""arial" , "helvetica" , sans-serif"> (</span>
the white triangles that are pointed down, <span face=""arial" , "helvetica" , sans-serif">are the female</span>
counterparts to the blue that are pointed up). It is worth noting that a square array of 7 consists of 7 x
7 (or 49) elements. That’s easy to calculate. The number 49 is the
simple product of the two dimensions. The triangular matrix however, is
different, and more restricted. It cannot be calculated by the product
of its two dimensions, as you can see from the above diagram. <br /><br />As
mentioned many times throughout this blog, there are things hidden
beneath the surface of various two-dimensional constructs (underlying
the text of the Torah) that are not revealed until they can be observed
in three-dimensions. So, in our quest to know and understand the
relationship between God’s Explicit Name, the royal seal in the form of
the magen david (which is essentially a mathematic construct within the
combined cubic form of the luchot) and how these in turn relate to the
physical universe and the events that shape the history of Israel, we
will now “extrude” our two-dimensional royal seal (as a triangular
matrix of 7) into three-dimensions. Keep in mind as we do, that this
geometry is a reflection of the characteristics of the <span style="color: red;">216</span> letters in the Explicit Name (the <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular
corners of a star tetrahedron, in essence being a geometric reflection
corresponding to the nature of the letters in the Name). The diagram
below shows a three-dimensional tetrahedral matrix of 7 (7 lines of delineation) in the measure of the cube that surrounds it.</span></span><br />
<br />
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif">Click to Enlarge</span> </span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Tetrahedral Matrix <span face=""arial" , "helvetica" , sans-serif">Delineated by the Seven Lines</span></span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif">of the Cube that Surrounds it</span></span></span></div><span style="font-size: medium;">
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif6WRDu2JN6rommDS2vZqoe6J7rZc7V-mexIo7jkhBPrWL32dMMp4DM9ECR0OZgq7q-bBt7o2dKNhwDDTWdzUkOB8ZFd56aTy62GNWHrvIpABpEhkOhxmLcZlg59yWaar5SQfaEcsoxf7a/s1600/Tetrahedron+%25286+Layers+7Lines+Half+Solid%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif6WRDu2JN6rommDS2vZqoe6J7rZc7V-mexIo7jkhBPrWL32dMMp4DM9ECR0OZgq7q-bBt7o2dKNhwDDTWdzUkOB8ZFd56aTy62GNWHrvIpABpEhkOhxmLcZlg59yWaar5SQfaEcsoxf7a/s320/Tetrahedron+%25286+Layers+7Lines+Half+Solid%2529.jpg" width="320" /></a></span></div><span style="font-size: medium;">
</span><div style="text-align: center;"><span style="font-size: medium;">
7 Points on the 3 Sides of Each Face = 21 Border Points/Lines </span></div><span style="font-size: medium;">
</span><div style="text-align: center;"><span style="font-size: medium;">
Creates 28 Points of Intersection on Each Face</span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>The
left side of the model is the two-dimensional face (pictured
previously) but here it is shown in three dimensions as it relates to
the tetrahedral matrix. The right side (of the model) shows that each of
the blue triangles (that are “elements” in the triangular matrix of 7)
are small tetrahedrons in the third dimension. However, as it turns out,
the white triangles pointing down, are not tetrahedrons at all. Rather,
they are the triangular faces of an octahedron. The octahedron is also
one of the five mathematic constructs within a cube, but its defining
characteristics are its <span style="color: blue;">4</span> faces on one side, opposite <span style="color: blue;">4</span>
faces on the other. These faces have a direct one-to-one relationship
with one another, providing a perfect geometric reflection of the 4
opposite 4, in the nature of the letters for the two primary
abbreviations of the Name, the <span style="color: blue;">4</span> letters of the Tetragrammaton opposite the <span style="color: blue;">4</span> letters in the Havayah of Adnoot. <br /><br />Its
easy to count these two types of elements at the two-dimensional level.
Its not so easy at the three-dimensional level. If you create a
computer model in three-dimensions (which is pictured above) and then
break it down and count the total number of each type of element, you
will get the results shown below. There may be a formula for doing this,
but a one-dimensional mathematic expression somehow detracts from the
beauty that can be seen in this “aspect” of the cosmic blueprint
(luchot) and would lose the very clear connection that God’s “plan” has
to the history of Israel (in the mishmash of what would otherwise be
meaningless numbers).<br /><br />As it turns out, the sum total of the
numbers, sets of numbers and the ratio between sets, is actually quite
astonishing. Each side is defined by “<span style="color: red;">three</span> <span style="color: blue;">7</span>s,” (each border is defined by seven points/lines) and there are of course <span style="color: red;">4</span> sides. This is just like the <span style="color: red;">4</span> instances in the story of Yoseph, where <span style="color: red;">three</span> <span style="color: blue;">7</span>s
are mentioned. These numbers are external to the matrix and “revealed”
(nigleh) in the story. Its internal (mathematic) characteristics however are hidden
beneath the surface and that’s where it gets interesting. <br /><br />The
total number of small tetrahedrons is 84 (the age of Yaacov when he
married 4 young women). Each of the 3 borders is defined by 21 points of
intersection (21) on 4 faces, again 84. The geometry mirrors the
narrative.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>In addition, the total of the external and internal number of “small
tetrahedrons” in the matrix is the same as the pattern of numbers that
define its edges (<span style="color: red;">4</span> sets of <span style="color: red;">three</span> <span style="color: blue;">7</span>s). They are the same as the “numbers” that define the “story”
or the events that actually happened. But surely that must be a
coincidence? Lets see if we can find a second witness. <br /><br />The sum
total of the octahedrons (the counterpart of the small tetrahedrons) in
this tetrahedral matrix, is 56. When this number is factored by <span style="color: red;">4</span>,
the number of letters in the Havayah of Adnoot (which is the counterpart
of the 4 letters of the Tetragrammaton mentioned in the preceding
paragraph) the result is <span style="color: red;">4</span> x <span style="color: blue;">14</span>. The 14 is of course a <span style="color: blue;">pair</span> of <span style="color: blue;">7</span>s, so the <span style="color: red;">4</span> “<span style="color: blue;">pair</span>” of <span style="color: blue;">7</span>s that are seen in the number of octahedrons, are just like the numbers that follow the <span style="color: red;">three</span> <span style="color: blue;">7</span>s in the actual story, which are <span style="color: red;">two</span> times <span style="color: blue;">two</span> pairs of <span style="color: blue;">7</span>s.
In other words, the twenty-eight 7s in the parashah, that amount to a
one-dimensional expression for (or define) a tetrahedral matrix of
seven, externally (in the 4 instances of three 7s) are also found
mathematically hidden, internally, within the same matrix. That
“coincidence” should stagger the imagination, and the questions we
should be asking ourselves are: what does all of this mean and who could
design a blueprint with such detail, and play with the engineering of
history, so as to “define” the events in the letters and the words of
Torah? There is really only one answer. It took a Master Mathematician
and Designer, capable of transcending the normal limitations of time and
space, to bring about the events in question, all in accordance with
the mathematic specifications of the blueprint (or combined cubic form
of the sapphire luchot). Think about this for a moment.<br /><br />In addition to the above, there are 7 "levels" in </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>a tetrahedral matrix of 7, that are </span></span>like 7 thousand years or 7 millennia. The total number of all the elements (</span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>tetrahedrons and octahedrons) in the first <span style="color: red;">6</span> levels, </span></span>as in the <span style="color: red;">6</span> millennia (before the millennial shabbat) is <span style="color: #a64d79;">91</span>. The number <span style="color: #a64d79;">91</span> is the sum of the gematria of the <span style="color: blue;">4</span> letters of the Tetragrammaton (<span style="color: red;">26</span>) and the gematria of the <span style="color: blue;">4</span> letters of Adnoot (<span style="color: red;">65</span>) alluding to the unification (and sanctification) of God’s Name that will occur at the end of the <span style="color: red;">6</span>th
millennium, by which time everyone will know God’s real Name and
understand the significance of its letters (and right now you should be
thinking about the 4 male-female forces in quantum mechanics, and the
male-female “directions” for the 4 dimensions of space-time which are
both very real reflections of the letters of these two abbreviations).</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span><br />If
you sit back and contemplate the implications of everything that has
been said so far, even for a moment, you will realize how important the
nation of Israel and the Jewish people are to God’s plan. The history of
the Jewish people provides the brightest reflection of this process,
because it is the most central part. Nothing has changed. As a friend
once said, God does not make mistakes and there is no need for "Plan B”
in the cosmic scheme of things. The plan is the same as it has always
been (past, present and future) and it is still in full force and
effect. <br /><br />The truth is that God has a plan for everyone, not just
the Jewish people. It's just that the further you get from the source,
the less visible the connection. All the more reason for each and every
person to determine what role they play in that plan, and make
absolutely sure that they are acting in accordance with God’s will (and
not merely doing something absurd because some cleric demands it). Those
who seek to de-legitimize Israel, for example, or God forbid, wipe it
from the face of the earth entirely, as heard in the rhetoric coming
from more than one nation at this particular moment in time, simply do
not understand the dire consequences they face, for attempting to do
so. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>Trying
to abrogate God’s promise(s) to Israel is foolhardy. One way or the
other, such actions will eventually come back to haunt those would would
try, or at the very least embarrass them or destroy them altogether.
Whether their life is effected by one calamity or another, depends only
on the degree to which an individual or a nation is determined to
destroy Israel (measure for measure). The sophisticated nature of the
blueprint (that is itself an extension of the letters in God’s Name as
demonstrated in this case by the events surrounding Yoseph’s sojourn in
Egypt) should serve as a warning to even the most simple-minded person,
that such attempts are futile. The end result always boomerangs on those
who have the audacity to think they can thwart God's plan. Such “logic”
and the inevitable actions that result, are the absolute pinnacle of
arrogance and stupidity. <br />______</span></span><br />
</span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="font-size: medium;"><br /><br /></span></span></span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-30442844557391714002023-12-02T18:03:00.008+02:002023-12-02T18:03:40.417+02:00VaYeshev<p><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">There
are numerous mathematic allusions
to the Triad Havayah of 72 in Parashah VaYeshev. We will examine each in
great detail, but for purpose of introduction they are found in the
character of certain events. One such event is the date on which Yaacov
“<i>assign</i>[s] <i>to Yoseph</i> [the royal garment];” another is when Yoseph says
“...<i>the sun, moon and the 11 stars prostrated themselves to me</i>;” and yet again when Yehudah’s friend the Adullamite is told “<i>She</i> [Tamar] <i>was in</i> [a
place called] <i>Two Wells</i>...” We see the same allusion “...w<i>hen it came time for her to give birth </i></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">[and]</span><i> twins were in her
womb</i>.” We'll examine others as well. However, the circumstances
involving each of these references is a mathematic mirror image for the
measure of the <span face=""arial" , "helvetica" , sans-serif">p</span>rimordial <span face=""arial" , "helvetica" , sans-serif">t</span>orah (luchot/blueprint) and as such, <span face=""arial" , "helvetica" , sans-serif">finds</span> its
origin in the letters of the Explicit Name.</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">The
above statements will make little sense to the reader who is unfamiliar
with the Name and its abbreviated forms, or the properties of the
luchot. If you are new to this blog, it is important to read the
essential constructs listed in the column to the right before
proceeding. </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #333333; line-height: 115%;">These constructs explain some of the
basic connections between the letters of God's Explicit Name and the
multidimensional mathematic and geometric characteristics of the luchot (tablets of the covenant)
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen. The purpose of this blog is to show how they connect with one
another and to reveal where the <i>Signature of the Architect</i> is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few.</span></span></span></span></span> </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The earlier reference to twins in the first paragraph is, by the way, linguistically identical to the reference in <i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/11/toldot.html" target="_blank">Toldot</a></i>,
except there, it was Rivka who was about to give birth and the twins
were Yaacov and Esav. Here, Tamar is about to give birth, and the twins
are Peretz and Zerach. We’ll come back to these twins and the unusual
nature of the text </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">that allude to the luchot i</span>n a moment, but first a refresher on the mathematic allusion to God's Name in the birth of the previous twins. <br /> </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Those <span style="color: blue;">twins</span> were Yaacov and Esav who were born in the <span style="color: blue;">108</span>th year of the <i>third</i> millennium (<span style="color: red;">2</span><span style="color: blue;">108</span>). The <span style="color: red;">2</span> men were born in the <span style="color: blue;">108</span>th year like the volumetric measure of the shnei (two) luchot (<span style="color: red;">2</span> x <span style="color: blue;">108</span>
cubic hand-breadths). The timing involved in the event is a reflection
of a larger reality originating in the letters of God’s Name (<span style="color: red;">216</span>).
Some times the reflections are extremely intense. This parashah is a
prime example, as the events (pertaining to Yoseph) takes place exactly <span style="color: blue;">108</span> years later, when Yaacov reaches the age of <span style="color: blue;">108</span>.
So multiple moments in time converge in this parashah, giving it great
significance. It was <u>also</u> the proper moment in time for the mantle of
kingship to be passed from father to son, as it was before the flood (a
tradition explained in the post on <i><a href="https://sapphiremagendavid.blogspot.com/2023/09/beresheit-and-noach.html" target="_blank">Bereishit and Noach</a></i>)
and so the amount of time involved, and the date on which the events
occurred, all correlate with the measure of the luchot, and the number
of letters in the Explicit Name. The date of birth for Yaacov and Esav
was an “echo” of an earlier reflection that took place with Cain and Hevel: another set of
<span style="color: blue;">twins</span> who were born in the <span style="color: blue;">108</span>th year, but of the <i>first</i> millennium (think of these events as "twins" being brought down twice). In
this case it is the timeline for the history of mankind (an aspect of
the 4th dimension) that reflects the mathematic characteristics of the
luchot (twins brought down twice) that are, again, a reflection of the letters in HaShem
HaMeforash. So when Yaacov reaches the age of <span style="color: blue;">108</span> he must “<i>assign to Yoseph</i> [the royal garment];” This garment (coat) is given to Yoseph in - wait for it - the <span style="color: red;">216</span>th year of that millennium. The numbers, besides their obvious connection to the luchot (<span style="color: blue;">twins</span>)
reflect with total clarity the mathematic characteristics of God’s
Name, but the significance is completely <span face=""arial" , "helvetica" , sans-serif">lost on the </span>casual
observer.</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">It
must be emphasized, at this point, that these dates are not just
someone’s imagination. They are part of recorded history, found within
secular sources as well as religious sources (</span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Torah /</span> Berosus / Chaldean).
The numbers invariably reflect, with perfect clarity, the Signature of
the Architect whose Name is etched upon the events that have transpired
throughout history. The events reflect the mathematic and geometric
nature of the plan<span face=""arial" , "helvetica" , sans-serif">,</span> which in turn reflect the mathematic and
geometric characteristics of the letters in the Name of the Creator.<span face=""arial" , "helvetica" , sans-serif">Its just that</span> <span face=""arial" , "helvetica" , sans-serif">the signature geometry</span> is so well hidden beneath the surface, that man
goes about his daily business without ever realizing Who is
orchestrating the events that shape his reality.</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">The
number of events having their origin in the measure of the <span face=""arial" , "helvetica" , sans-serif">p</span>rimordial <span face=""arial" , "helvetica" , sans-serif">t</span>orah (both the combined cubic form and its divided state as the
luchot) is overwhelming, but all go unnoticed by the average student who
is unfamiliar with the primal nature of the blueprint, or the letters
of the Explicit Name that define it. </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Those who wish to overcome the severe limitations placed on human consciousness, should </span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">carefully contemplate each of these </span></span></span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">events</span></span></span></span> in terms of their connection to the Name and the measured geometry luchot.</span></span> </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The
parashah continues, and sandwiched between the selling of Yoseph and
his descent into Egypt is the story of Yehuda and Tamar. This involves a <span style="color: blue;">second</span> set of <span style="color: blue;">twins</span>
(those first mentioned above). This set of twins is connected to the
first set by virtue of the unusual, but completely identical language
used to describe them: “<i>When it came time for her to give birth... twins were in her womb</i>.” This is the exact same language mentioned in Toldot
when Rivka was about to give birth. This time however, it was Tamar,
and the twins were Peretz (who would be the forefather of David
<i>HaMelekh</i>) and Zerach. Just as it was with Rivka, these twins were in the
womb throughout the entire period of gestation, <u>not</u> merely “<i>when
it came time for her to give birth</i>,” and so the words once again allude to the Shechina
(Holy Feminine) and to the giving of the <span style="color: blue;">twins</span> (luchot) that would
eventually be received by Israel. More specifically, the luchot were in their original combined cubic form (<u>not</u>
yet “<span style="color: blue;">twins</span>”) <u>until</u> the moment in time when they were divided and
brought down by Moshe. Hence, "<i>when it came time for Her to give birth</i>" the "<span style="color: blue;">twins</span>" were brought into the world. The circumstances of Peretz and Zerach's birth
are described with the same words and phrases used to describe the
previous twins (Yaacov and Esav) where the dates of birth and timing correlate </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">directly with</span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> the mathematic nature of the luchot (<span style="color: red;">2</span><span style="color: blue;">108</span>, <span style="color: blue;">2</span> x <span style="color: blue;">108</span>, <span style="color: red;">216</span>) which in turn corresponds to the <span face=""arial" , "helvetica" , sans-serif">signature geometry</span> of the One Who planned these events from the beginning. </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Since
Peretz and Zerach are a reflection of the “second set” of twins (the
luchot that were received intact) the Torah says that “<i>She</i> [Tamar] <i>was
in</i> [a place called] <i><span style="color: blue;">Two Wells</span></i>...” Water symbolizes Torah, and “Two Wells” is a remarkably accurate metaphor for the luchot (or <span style="color: blue;">twins</span>) from which this “<span style="color: blue;">water</span>” flows<span>1</span>.
How many sets of <span style="color: blue;">twins</span> (<u>luchot</u>) were brought down? Two sets! How many sets of twins (<u>children</u>) does the Torah describe (in these unusual words) as becoming "twins" <u>when it came time for them to be born</u>? </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Two sets!</span> Each event has its source in the <span face=""arial" , "helvetica" , sans-serif">geometry</span> which in turn has its source
in the <span style="color: red;">216</span> letters of God’s Explicit Name. How many sets of twins were born in the <span style="color: blue;">108</span>th year of their respective millennium? Two sets! The first "set" of <span style="color: blue;">twins</span> was Cain and Abel, and the second set of <span style="color: blue;">twins</span> was Yaacov and Esav. Why <u>two</u> sets of <span style="color: blue;">twins</span> in the </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">108</span>th year of their respective millennium? Because </span>the
events are a reflection of a larger reality that is rooted in the form
and substance of the cosmic blueprint (luchot) which is defined by the
letters of God's Name. That is why we continue to see these
reflections at so many levels. In <a href="https://sapphiremagendavid.blogspot.com/2023/11/vayetze.html" target="_blank">VaYetze</a>,
for example, Yaacov saw a group of angels and named the place “<span style="color: blue;">Twin</span> Camps.” Why? Same reason. It's
the same reflection of the same source. In this parashah, we see the
same reflection in a slightly different form. The name of the place where Yehuda and Tamar meet: “Two
Wells.”</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">As God’s plan continues to unfold, the narrative returns to the story of Yoseph and it says (35:9) “...<i>the sun, moon and the 11 stars prostrated themselves to me</i>.”
The dream was interpreted to mean that Yoseph’s mother and father, as
well as his 11 brothers would bow down to Yoseph </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">(Yoseph being the 12th son/brother)</span>. But the dream suggests
something else. The metaphors that are part of this dream language bear
a remarkable similarity to the geometry involved in the merging of two
tetrahedrons and the resulting star tetrahedron (or three-dimensional
magen david). The 2 "parents" are male and female opposites of one
another. Just as the moon reflects the light of the sun, the female
tetrahedron is a mirror image of the male. When they are merged
(married) together they give birth to 24 faces (in the form of
equilateral triangles) with <span style="color: blue;">12</span> facing in one direction and <span style="color: red;">12</span> in the other. When the 12 triangular faces are merged together with their 12 counterparts, they create <span style="color: #6aa84f;">12</span>
“stars,” each being a magen david (the <span style="color: #6aa84f;">12</span> sons of Yaacov). This is like the 12 Letter
(abbreviation of the) Explicit Name (or Tri-Tetra-Grammaton) and its
counterpart and combination. For more information on the 12 opposite 12
nature of the Name, see the post on <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thavo.html" target="_blank"><i>Ki Thavo</i></a> and also last week’s post on <a href="https://sapphiremagendavid.blogspot.com/2023/11/vayishlach.html" target="_blank"><i>VaYishlach</i></a>.</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
</p><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Count the Number of Triangular Faces on each Tetrahedron</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(<span style="color: blue;">12</span> on One Opposite <span style="color: red;">12</span> on the Other) </span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: blue;"><span style="color: black;">The Marriage of</span> 12</span> triangles to their <span style="color: red;">12</span> Opposites</span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: red;"><span style="color: black;"><span style="color: #6aa84f;"><span style="color: black;">Results in</span> 12</span> Stars (12 <span face=""arial" , "helvetica" , sans-serif">Two-<span face=""arial" , "helvetica" , sans-serif">D</span>imensional <span face=""arial" , "helvetica" , sans-serif">Magen Davids)</span></span></span></span></span></div><span style="font-size: medium;">
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<br />
<br />
<span face=""arial" , "helvetica" , sans-serif">In
this week’s parashah, Yoseph has a dream, and his brothers are likened
to stars. How many? Together with the parents, the 11 stars bow down (to
the 12th star) Yoseph. How do we know that Yoseph is a “star” like his
brothers? In the first dream (which was the counterpart of the second
dream) his brother's are “sheaves” that prostrate themselves to Yoseph
who is also likened to a “sheaf,” and thus there were 12 sheaves. The metaphor is
the same. On one level God was speaking to Yoseph’s family who would<span face=""arial" , "helvetica" , sans-serif"> supposedly</span> prostrate themselves to Yoseph when he became viceroy of E<span face=""arial" , "helvetica" , sans-serif">gy</span>pt. However, the symbolic
language of the geometry suggests that through his
descent into Egypt and subsequent rise to power, Yoseph would sanctify
God’s Name, just as the unification of the geometry involving the
two-dimensional faces on the three-dimensional male and female halves of
the tetrahedrons result in 12 two-dimensional stars (magen davids).</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">There
is a "mathematic" witness to that affect, in that the triplets (3
letter groups in the Triad Name) have a direct relationship to each of
the 6 points with 3 corners on the 12 stars (<span style="color: blue;">6</span> x <span style="color: blue;">3</span> x <span style="color: blue;">12</span> = <span style="color: red;">216</span> corners) further alluding to "the unification of the Holy One Blessed be He," whose Explicit Name consists of <span style="color: red;">216</span>
letters, the unification/sanctification of which, were to be a
part of the process in the events that were about to transpire in
Egypt. </span><span face=""arial" , "helvetica" , sans-serif"> </span><br />
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">12 Stars (12 Sons of Yaacov)</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> </span></div><span style="font-size: medium;">
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</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: blue;"><span style="color: black;">12 Stars Have </span>72</span> <span style="color: red;">Tri</span>angular Points</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">72</span> <span style="color: red;">Tri</span>angular Points = <span style="color: red;">216<span style="color: black;"> Points</span></span></span><span style="color: red;"> </span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: red;">216</span> Points in the Geometry are a Reflection of the <span style="color: red;">216</span> Letters in the Name</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(<i><span>the 216 letters of the Name that defines reality in the world below</span></i>) </span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif">As
a side note, it is difficult to ignore the similarities between the
account of Yoseph and his masters wife, and that of Yehuda and Tamar.
Yehuda is trapped by his garments who are held by Tamar until she can
use them to identify him. The same is true of Potiphar’s wife who held
onto Yoseph’s garment, so that she could use it to later identify him.
One is a time-differentiated reflection of the other. In a sense, we are
all identified by our garments, which are our actions. We either use
our talents to sanctify God’s Name, as in "<i>for the sake of the
unification of the Holy One, Blessed be He</i>,” or God forbid, we waste
them on useless endeavors. In the end of days Israel's "garments" will
be used to identify God's people and the nations will recognize who they
have persecuted and oppressed down through the ages. The “star” (or
magen david) representing Israel, is much like Yoseph and the royal
garment. The garment is covered in blood and Yoseph is deemed a slave,
but later he is raised up. The same is true for the nation of Israel.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Of
course, the letters of God’s Explicit Name can be found mathematically
and geometrically in other places of this week’s parashah as well. For
example, there are <span style="color: red;">3</span> types of items that are in the caravan that brings Yoseph down to Egypt. The </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> things are: </span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />1) Spices, <br />2) Oils (Balsam) and <br />3) Flowers (Lotus). </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Yehudah (the instigator who brought this about) had </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> </span>children from his wife Aylith, daughter of Shua:</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />1) Er, <br />2) Onan, and <br />3) Shelah. </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Tamar receives from Yehudah </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> things as collateral: </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">1) Signet ring, <br />2) Cloak, and <br />3) Staff.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">In the dreams of Pharaoh’s chamberlains there are </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span><span face=""arial" , "helvetica" , sans-serif"> grapevine tendrils and </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> wicker baskets filled with delicacies. The interpretation of both is that in </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span><span face=""arial" , "helvetica" , sans-serif"> days “<i>Pharaoh will remember you</i>,” and indeed he does.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">When all is said and done, there are <span style="color: blue;">6</span> specific “instances” of <span style="color: red;">3</span>
“things” and these numbers and sets of numbers (which should sound very
familiar) are all a reflection of the size, shape and ratio of the
luchot which was in the measure of <span style="color: blue;">6</span> hand-breadths in each of its <span style="color: red;">3</span> dimensions). The volumetric measure was thus 216 cubic hand-breadths that once again equate to the <span style="color: red;">216</span>
letters of God’s Explicit Name. These numbers not only reflect the letters of the Name and the
dimensions/measure of the combined cubic form of the luchot, but
they also define the characteristics of the star tetrahedron
(three-dimensional magen david) that has <span style="color: red;">3</span> <span style="color: red;">tri</span>angular (</span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span>) corners on </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span><span face=""arial" , "helvetica" , sans-serif"> small faces, opposite </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> <span style="color: red;">tri</span>angular (</span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span><span face=""arial" , "helvetica" , sans-serif">) corners on </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> small faces within any given two-dimensional component.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">In
addition to these reflections, a cube (of three dimensions) can be
divided in half, like the combined cubic form of the luchot that were
divided and brought down by Moshe. That division however, occurred in
only one of its three dimensions. When each of the remaining dimensions
is divided in half, the resulting geometry consists of 8 smaller cubes,
any <span style="color: red;">4</span> of which stand opposite the other <span style="color: blue;">4</span>, like the <span style="color: red;">4</span> letters of the Tetragrammaton that stand opposite the <span style="color: blue;">4</span> letters <span face=""arial" , "helvetica" , sans-serif">of</span> Adnoot. The measure of each of the 4 opposite 4 “<span style="color: blue;">halves</span>” (of any given dimension) is <span style="color: red;">3</span> x </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> x </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span></span> for each dimension, as pictured below. The <span style="color: blue;">six</span> <span style="color: red;">3</span>s,
combine to form the total dimensions of the luchot. The bottom line is
that, just as the combined cubic form of the luchot can be expressed as <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> (<span style="color: red;">three <span style="color: blue;">6</span></span>s) which equals <span style="color: red;">216</span> cubic hand-breadths, </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> x </span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> x </span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> x </span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span></span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> x </span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> x </span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span></span></span></span></span> (<span style="color: red;"><span style="color: blue;">six</span> 3</span>s) equates to the same thing (<span style="color: red;">216</span>) and the various “<span style="color: blue;">halves</span>”
of each dimension correlate to the <span style="color: blue;">4</span> letters, opposite <span style="color: red;">4</span> letters of the
abbreviations. The odds of all this being a coincidence are in excess
of a billion to one.</span><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Click to Enlarge</span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span> </span> </span></div><span style="font-size: medium;">
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<span face=""arial" , "helvetica" , sans-serif"><br /></span>
<br />
<span face=""arial" , "helvetica" , sans-serif">The <i>center point</i> in the diagram to the left is exactly like the point at which one stands when waving the <span face=""arial" , "helvetica" , sans-serif">four</span> species, an act that establishes <span style="color: red;">216</span> specific X, Y, and Z coordinates within a three-dimensional space, as elaborated upon in the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_6.html" target="_blank">Four Species and the 216 Letters of the Name</a>
where this particular <i>mitzvah</i> not only serves the purpose of
acknowledging the Explicit Name, but serves to place the person
observing the <i>mitzvah</i> in the middle of that "space." </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">There are other numbers and sets of numbers in this week’s parashah that represent the mathematic characteristics of the <span style="color: blue;">two</span> luchot and the fact that they were brought down <span style="color: blue;">twice</span>. <br /> </span><br />
<span face=""arial" , "helvetica" , sans-serif">Yoseph has <span style="color: blue;">two</span>
dreams, one of wheat and the other of stars. The implications upset his
brothers so much, they decide to sell him. The total received from that
sale was <span style="color: blue;">5</span> silver shekels, but this had to be divided among the 10 brothers involved (so each brother received <span style="color: blue;">half</span> a silver shekel) or what amounts to <span style="color: blue;">5 pairs</span> (or <span style="color: blue;">10 halves<span style="color: black;"> of the 5</span></span>).
This is a primal pattern established by the cosmic blueprint as seen in:</span><br />
<br />
</span><ol><li><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The 10 commandments on the 2 tablets they would receive (<span style="color: blue;">5</span> opposite <span style="color: red;">5</span>).</span></li><li>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The sephirot that
descend in a single column. They are unable to hold the light of the Ein
Sof (at that moment in time) and so they shatter. As the process of
creation moves forward in time, the sephirot are divided into their
respective counterparts and descend again (Sefer Yetzirah: <span style="color: blue;">5</span> opposite <span style="color: red;">5</span>).
This time they are capable of holding/containing the light. Just so,
when the brothers are united in their desire to harm Yoseph their souls
must be refined through the trials and tribulations in Egypt, before
they are ready to transmit the light of Torah to the nations.</span></li><li><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">At the time of the flood. the waters rose for 5 months then diminished for 5 months </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">(<span style="color: blue;">5</span> opposite <span style="color: red;">5</span>)</span>. </span></li><li>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The <i>covering</i> over the tabernacle had 5 tapestries sewn together at one end that were <i>hooked</i> to (married with) 5 tapestries at the other end </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(<span style="color: blue;">5</span> opposite <span style="color: red;">5</span>).</span></li><li><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">There were 5 events on the 9th of Av, and 5 more on the 17th of Tammuz </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">(<span style="color: blue;">5</span> opposite <span style="color: red;">5</span>).</span></span></li><li><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Yoseph
had 10 years subtracted from his life because of the 5 things spoken
against his father that he did not rebute. Where were the other 5? They
were spoken by the translator and thus the statements were </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">5</span> opposite <span style="color: red;">5</span>.</span> </span></span></li></ol><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">All
of these patterns (events) are a reflection of a larger reality, the
template for which is found in the combined cubic form of the luchot
which has 5 internal mathematic constructs with 5 polar opposites </span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(<span style="color: blue;">5</span> opposite <span style="color: red;">5</span>) also referred to as 5 "duals</span>." </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">The
entire physical universe must "comply" with the specifications in the
luchot, so we see 5 string theories that are reconciled mathematically
by what is called dual resonance. </span> </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Here, at this point in the parashah, we see this same reflection in the <span style="color: blue;">5</span> silver shekels that were divided in <span style="color: blue;">half</span>,
where each of the 10 “brothers” shared in the responsibility for what
happened to Yoseph. As always, the reflection is a result of the
“specifications” that are built into the blueprint at the primal level.
It is the nature of the luchot (as a reflection of the letters in God’s
Name) that specifies the <i>measure</i> for rectification in terms of the <span style="color: blue;">5</span> opposite <span style="color: red;">5</span> that mathematically characterize its internal geometry in combined cubic form, where we find the <span style="color: blue;">5</span> mathematic constructs and their <span style="color: red;">5</span> polar opposites. These hidden aspects are physically mirrored by (and externally found in) the <span style="color: blue;">5</span> commandments on one, opposite the <span style="color: red;">5</span>
commandments on the other, and in the events below, experienced by
those undergoing tikkun. The same reflection appears repeatedly.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">It
can be seen again, in even greater detail, when the brothers each buy a “pair” of shoes with the
money they acquired from the sale of Yoseph, an item that has a distinct
set of polar opposites (left-right shoes / male-female). In this case, there
are 10 “pair,” like the <span style="color: blue;">10</span> blessings they received (as descendants of Avraham, Yitzak and Yaacov) that would be dependent on the <span style="color: red;">10</span>
commandments they would eventually receive, when the luchot are brought
down by Moshe. Why 10? The luchot were brought down twice. This is why the 5 silver shekels in halves (10 half
silver shekels) was in the form 20 “pieces” of silver (2 for each
brother) or 10 “pair.” The luchot were brought down twice and so the composite form finds the </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(<span style="color: blue;">5</span> opposite <span style="color: red;">5</span>)</span> or the (<span style="color: blue;">10</span>) of one, <u>opposite</u> the </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(<span style="color: blue;">5</span> opposite <span style="color: red;">5</span>)</span> or (<span style="color: red;">10</span>) of the other. The events are a reflection of the mathematic and
geometric nature of the blueprint/luchot to which the brothers were
bound. </span><br />
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Click to Enlarge </span></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"> </span><br />
</span><div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Everything
in the universe conforms to the specifications in the cosmic blueprint
(luchot). Thus the physical form of man is the same. He has 10 fingers
(with which to
engage in mitzvoth - or not) that are </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">5</span> opposite <span style="color: red;">5</span> ( <span style="color: blue;">5</span> fingers on one hand and <span style="color: red;">5</span> on the other)</span> but he also has 10 toes (with which to run and do good -
or not) that are also </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">5</span> opposite <span style="color: red;">5</span> ( <span style="color: blue;">5</span> toes on one foot and <span style="color: red;">5</span> on the other)</span></span>. The 10 “pair” of shoes that covered the 10 toes (of those who
wore them) conceal the inclination of the soul that is hidden within the
physical body, whose <span style="color: blue;">10</span> blessings are judged on the basis of <span style="color: red;">10</span> commandments. Each is a reflection of a larger reality, where the specifications of proper conduct originate.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">And so Tamar (and Rivka) <span style="color: blue;">both</span> had <span style="color: blue;">twins</span> in their respective time, like the luchot (blueprint) that were brought down as opposing <span style="color: blue;">twins</span>, <span style="color: blue;">twice</span>.
Each “twin” (tablet) was <span style="color: blue;">5</span> opposite <span style="color: red;">5</span>, internally, in terms of the
mathematic constructs associated with their combined cubic form </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">5</span> opposite <span style="color: red;">5</span></span></span></span> (<span style="color: blue;">10</span>) and
externally, in terms of the 10 commandments also </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">5</span> <span style="color: black;">opposite</span> <span style="color: red;">5</span></span></span></span></span> (<span style="color: red;">10</span>) on the 2 tablets. Since there were two sets, there were <span style="color: blue;">10</span> in the first set opposite <span style="color: red;">10</span>
in the second. The first were withheld, the second were given
(hidden/revealed). The events below again reflect the nature of a larger
reality.</span><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Click to Enlarge</span></span></div><span style="font-size: medium;">
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<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Several Patterns Repeatedly Emerge from the Cosmic Blueprint</span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><i><span face=""arial" , "helvetica" , sans-serif">Volumetric M<span face=""arial" , "helvetica" , sans-serif">e</span>asure:</span></i></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: blue;">108</span> <span style="color: red;">108</span> <span style="color: blue;">108</span> <span style="color: red;">108</span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: blue;"> 216</span> <span style="color: red;">216</span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="color: #6aa84f; font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">432</span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><i><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Nature of Internal Constructs</span>:</span></i><span face=""arial" , "helvetica" , sans-serif"> </span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: blue;">5</span> <span style="color: red;">5</span> <span style="color: blue;">5</span> <span style="color: red;">5</span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: blue;">10</span> <span style="color: red;">10</span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> <span style="color: #6aa84f;">20 </span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(see the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-primordial-torah.html" target="_blank">Primordial Torah</a>) </span></div><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif">These
patterns are also repeatedly found in the linguistic structure of the
text in the written Torah. Another reflection of the “<span style="color: blue;">twins</span>,” that were brought down “<span style="color: blue;">twice</span>,”
is in the events involving Potiphar. Yoseph starts in a very low
position, but rises to a position of prominence in the house of
Potiphar. His “master” (Potiphar) does nothing (<span style="color: blue;">half</span> of the primal equation) because Yoseph takes care of everything (the other <span style="color: blue;">half</span>
of the primal equation). Then after the incident involving Potiphar’s
wife Zelichah, Yoseph is thrown in prison and the same thing happens all
over again. He starts in a very low position (among the prisoners) but
soon rises to a position of prominence. His “master” (this time the
warden) does nothing (<span style="color: blue;">half</span> of the primal equation) because Yoseph takes care of everything (the other <span style="color: blue;">half</span> of the primal equation). Each half (in the <span style="color: blue;">twin</span> nature of the events) happens <span style="color: blue;">twice</span>.
The two are a mirror image of one another, which are in turn are a
mirror image of their counterpart, the geometry of the luchot or blueprint from which
the plan emanates, and the larger reality to which we refer.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Then <span style="color: blue;">two</span> of Pharaoh’s chamberlains are sent to prison and they each have a dream (<span style="color: blue;">two</span>
dreams). Each dream is an opposing reflection of the other half
(male-female). That is, one is ultimately about life, the other about
death (polar opposite concepts). Yoseph then interprets the <span style="color: blue;">two</span> dreams of the <span style="color: blue;">two</span> stewards, and so we again see a reflection of “the <span style="color: blue;">twins</span>” that make an appearance <span style="color: blue;">twice</span>. In other words, the <span style="color: blue;">two</span> dreams are recounted by the <span style="color: blue;">two</span> stewards, and then the <span style="color: blue;">two</span> dreams of the <span style="color: blue;">two</span>
stewards are interpreted. This is also like the 4 letters of the
Tetragrammaton (in male-female form representing “half” of the
abbreviation) and the 4 letters of Adnoot (in male-female
form, for the other “half” of the abbreviation). We say: “<i>for the
sake of the unification of the Holy One blessed be He, and His presence,
in fear and love and love and fear, to unify the Name Yud-Key</i> [2 letters] <i>with Vav Key</i> [2 letters] <i>in the Name of Kol Yisrael</i>,”
in reference to this half of the combined form which is 4 opposite 4.
If you really want to know God's Name, then contemplate this for a
moment before proceeding.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">A
multitude of events in this parashah reflect <span face=""arial" , "helvetica" , sans-serif">the duality of crea<span face=""arial" , "helvetica" , sans-serif">tion</span></span>
that is seen in the geometry of the luchot. What about the triad form of
the
Name as seen in the tetrahedral geometry, hidden internally within the
cubic form? We've already discussed some of this above. There were <span style="color: red;">3</span> grapevine “tendrils” and </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> wicker baskets of delicacies in both dreams of Pharaoh’s chamberlains. This is like the </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> small <span style="color: red;">tri</span>angular (</span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span></span>
cornered) faces on any given two-dimensional face of a tetrahedron
after it is married to its polar opposite that creates a magen david.
There are <span style="color: blue;">72</span> of these <span style="color: red;">tri</span>angular
corners (in the three-dimensional version of the magen david) that
correspond to the triad nature of the Explicit Name with <span style="color: red;">216</span> letters. </span><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>Click to Enlarge</span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
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<br />
<span face=""arial" , "helvetica" , sans-serif">The events continue and Yoseph interprets the dreams as follows: To the butler he said: “...in </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span>
days time, Pharaoh will reinstate you to royal service,” and so Yoseph
asked him to mention his plight to Pharaoh in the hope of being released
from prison. However, to the baker Yoseph said: “...in </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span><span face=""arial" , "helvetica" , sans-serif"> days time Pharaoh will have you hanged.” Indeed, it was so. After </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> days, the butler was reinstated but the baker was hanged. The first </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span> correspond to life and the second </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span><span face=""arial" , "helvetica" , sans-serif"> to death, the two ultimate polar opposites found in the opposing halves of the internal geometry of the blueprint.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Since
the baker was hanged, the top “triangle” in the blueprint no longer
exists (or remains to be fulfilled in some other fashion). The magen (or
geometric reflection of the letters in the Name) is incomplete without
the other half, and so the butler <span style="color: red;">forgot</span> to mention Yoseph’s plight to Pharaoh. Yoseph thus remains in prison for another <span style="color: blue;">two</span> years, until Pharaoh himself has <span style="color: blue;">two</span>
dreams and the reflection of the Name repeats itself with a different
ending (with both halves now present). Are these geometric reflections
starting to sound familiar? The pattern of the events correlates with
the pattern in the blueprint (luchot) which in turn correlates with the
letters of the <span style="color: red;">Tri</span>ad Havayah of <span style="color: blue;">72</span>.
Each subsequent reflection is one step removed from the previous
reflection, all of which emanate from the letters of the Name.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">There is yet another ‘<span style="color: blue;">two</span>’ in this parashah that hints to the luchot. The <span style="color: blue;">two</span> chamberlains with <span style="color: blue;">two</span> dreams that we spoke about earlier, are like the <span style="color: blue;">two</span> luchot brought down <span style="color: blue;">twice</span>,
in that one (the baker) was destroyed, while the other (the steward)
was put to work by the “king.” This is a mirror image of the luchot. The
first set was destroyed while the second set remained intact.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Since
the “shadow” of the above magen was “broken” in the death of the baker
(only half was present) there was no magen (shield) and thus Yoseph was
forgotten until Pharaoh has his dream (in a subsequent parashah as the
story unfolds). The broken shadow also hints to a time in the future,
when the (first set) of luchot would be broken, but the second would
survive to eventually “save” Yoseph, who would, until then, have to
remain in prison for another <span style="color: blue;">2</span> years, at
which point he would stand before Pharaoh and be appointed viceroy. This
is like the destruction of Israel and the Temple (at the hands of the
Romans). It would be <span style="color: blue;">2</span> days (<span style="color: blue;">2</span>
thousand years) before Israel would be raised up (and again become a nation) to become the viceroy of
the King (God). The events are all bound to the mathematic nature of the
blueprint (<span style="color: blue;">2</span> luchot) which in combination measure <span style="color: red;">216</span>, corresponding to the number of letters in the Explicit Name.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">One
other thing of note: We mentioned above that Yoseph was sold for 20
pieces of silver, but this was only what his brothers received for
selling him. The full story is a bit more complicated, but nevertheless
adheres to the primal properties of the luchot. Originally, the
brothers wanted to kill Yoseph but threw him into a pit instead (because
Reuven insisted they not murder him). The brothers distanced themselves
from Yoseph’s cries and sat down for a meal, but then noticed an
Ishmaelite caravan in the distance and this gave them the idea to sell
him (Divine Providence). Meanwhile, Midianites happened upon the pit and
helped Yoseph to get out. It was these Midianites who bought Yoseph
from the brothers for 20 pieces of silver (the transaction mentioned
above). After the transaction was complete, they realized Yoseph was too
good looking to be a slave, and they also figured out who his brothers
were, but it was too late. So they decided to divest themselves of a
potential liability. When they reach the Ishmaelite caravan headed for
Egypt, they strike a deal to sell Yoseph (again) for what they
themselves received, which was 20 pieces of silver. However, after
certain incidents happen along the way, the Ishmaelites decide that it
is also in their best interest to rid themselves of this “<i>slave</i>,” and so
when they happen upon 4 Medanim traders <u>coming from</u> Egypt, they
sell Yoseph (yet again) for 20 pieces of silver. The Medanim knew that
Potiphar was looking for good slaves and so they <u>turn around</u> and
head back to Egypt to make a quick sale. Once Potiphar confirms they
bought Yoseph from the Ishmaelites (rather than kidnapping him from some
nobleman) Potiphar agrees to buy him for, you guessed it, 20 pieces of
silver. Thus Yoseph was sold 4 times and for a total of 80 pieces of
silver (20 pieces, then 20 </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">pieces, </span>then 20</span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> pieces,</span> then 20 </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">pieces</span>).</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">This is a mathematic multiple of the letters and specifically the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">marriage between the letters</a> that are 2 letters, then </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">2 letters</span> then </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">2 letters</span> then </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">2 letters, each pair married together</span> as explained in the post by that name </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(<i>yud</i> with <i>aleph</i>; <i>heh</i> with <i>dalet</i>; <i>vav</i> with <i>nun</i>; and <i>heh</i> with <i>yud</i>)</span>. The events mirror the larger reality. </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">These
4 “sales” are like the 4 exiles that Israel would have to endure. In
each case, 20 pieces of silver are involved, and the amount equates to
what would eventually be 5 silver shekels. The “price” of redemption
(for a Jewish soul) was thus set by heavenly accord at 5 silver shekels (established by the brothers at the
time of sale) which was repeated 4 times, as set forth in (found in the
mathematic nature of) the blueprint. This is like the 5 commandments on
each of the 4 tablets.</span><br />
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkhUP2pQLOPzgWb_Y-252RN3BVS190ln93zDARFGqE5lUuQOn3VKj75M7ZxFN7fBISZwe__47uZPgwaBgVo8m737eTg4A77aG1ySnyayk89b1BSOSNH9MLat0ONWSD6AE9dPZob1-3xiWi/s1600/Luchot+Twice+%25285%252C5%252C5%252C5%2529+w%253AText.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkhUP2pQLOPzgWb_Y-252RN3BVS190ln93zDARFGqE5lUuQOn3VKj75M7ZxFN7fBISZwe__47uZPgwaBgVo8m737eTg4A77aG1ySnyayk89b1BSOSNH9MLat0ONWSD6AE9dPZob1-3xiWi/s400/Luchot+Twice+%25285%252C5%252C5%252C5%2529+w%253AText.tiff" width="400" /></a></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"><br />We
see once again, that all of the events have their origin in the
mathematic and geometric properties of the luchot, which is the
blueprint for God’s plan, and that all of these properties are
ultimately a reflection of the letters in the Explicit Name (or its
abbreviations as they relate to one another). The interconnected nature
of reality allows for the plan (events/history) to flow from the source
above, as time moves forward.</span><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(<span style="color: blue;"><span><i>Special thanks go to Yisrael for pointing out the connection to the shoes and toes</i></span></span>)</span></div>
<br />
<span face=""arial" , "helvetica" , sans-serif">____________<br /><span style="font-size: x-small;">Footnote
1 – On a deeper level, the 2 wells are the Written Torah and Oral Law, 2
halves of a whole (like the luchot) that cannot be separated.</span></span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-55193038735620369622023-11-27T15:14:00.000+02:002023-11-27T15:14:07.389+02:00VaYishlach<p><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In this week’s parashah, the Explicit Name is mathematically hidden in the circumstances of
several different events, beginning with a continuation of those that
occurred at the very end of last week’s parashah. </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #333333; line-height: 115%;"><span face=""arial" , "helvetica" , sans-serif">We will <span face=""arial" , "helvetica" , sans-serif">look at these allusions</span> in a moment</span></span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>. However, if you are new to this
blog, please read each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Once you
are familiar with these constructs you can more fully appreciate each
post</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>. </span></span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span>As for the allusions <span face=""arial" , "helvetica" , sans-serif">in this parashah, they can be found</span></span> in the numbers; sets of numbers; the ratio between the sets;
and the associated gematria<span face=""arial" , "helvetica" , sans-serif"> that is</span> deeply embedded in the <span face=""arial" , "helvetica" , sans-serif">linguistic struct<span face=""arial" , "helvetica" , sans-serif">ure</span></span> of the text, as well as the characteristics of the narrative<span face=""arial" , "helvetica" , sans-serif">. All</span> have a direct correlation with the letters in
the Explicit Name<span face=""arial" , "helvetica" , sans-serif">, and e</span>ach is far too precise to be coincidental<span face=""arial" , "helvetica" , sans-serif">. C</span>ollectively, they are overwhelming in their implications<span face=""arial" , "helvetica" , sans-serif">.</span></span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />Since they are a continuation of last week's parashah, a quick review <span face=""arial" , "helvetica" , sans-serif">might help to set the stage</span>: Yaacov and Lavan made a treaty.
Then Yaacov continued on his way. However Lavan, upon returning home,
dispatched men to Esav to inform him of Yaacov’s whereabouts for the
purpose of having him murdered. The name of the place (where the treaty
was enacted) was Gilead and the letters of that name have a gematria of
107, which falls “<span style="color: red;">1</span> short” of “<span style="color: blue;">half</span>” (with a gematria of <span style="color: blue;">108</span>) or <span style="color: blue;">half</span> the number of letters in God’s Explicit Name (<span style="color: red;">216</span>). The indication being that <span style="color: red;">1</span> party would fail to keep his <span style="color: blue;">half</span> of the bargain. There were <span style="color: #6aa84f;">2</span> parties to the treaty in Gilead (</span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6aa84f;">2</span> times the gematria of Gilead = <span style="color: #6aa84f;">214</span>) </span>and the one who failed to keep his <span style="color: blue;">half</span> of the bargain died within <span style="color: #6aa84f;">2</span> years: <span style="color: #6aa84f;">2</span> x 107 (the gematria of Gilead) </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">= <span style="color: #6aa84f;">214</span></span></span>, plus the <span style="color: #6aa84f;">2</span> years until the death of the guilty party </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #6aa84f;"><span style="color: black;">(</span>214</span></span> </span>plus <span style="color: #6aa84f;">2</span></span>= <span style="color: red;">216<span style="color: black;">)</span></span> which is the number of letters in the Guarantor’s Name (for details you can re-read the post on <a href="https://sapphiremagendavid.blogspot.com/2022/11/vayetze.html" target="_blank">VaYetze</a>). <br /><br />In
the meantime, as Yaacov continues on his way we find the Explicit Name
again hidden, this time in the details of two specific passages. The
first is: "<i>Yaacov sent forth messengers to his brother Esav</i>,” and the second is “<i>some distance from Ephrath... Rachel began to give birth</i>.” <br /><br />Twins can have special significance in the Torah. These particular statements must be understood in terms of the
simple explanation of the "twins" presented in the “essential constructs” (to the
right) as well as posts like VaYetze and <a href="https://sapphiremagendavid.blogspot.com/2023/11/toldot.html" target="_blank">Toldot</a>,
where "twins" not only play a prominent role in Yaacov’s life, but allude to the </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">nature of the luchot and the signature geometry in the letters in God's Name that
mathematically define the luchot,</span> two
identical twins (in shape, form, measure and substance) that were
originally in combined cubic form. Such allusions reflect the nature of a
much larger reality. In this parashah, both of these (two)
passages <span face=""arial" , "helvetica" , sans-serif">are a subtle allusion</span> to the twin-geometry of the luchot and the letters in
that form. We also see this particular reflection in the "twin camps."</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />At
the very end of last week's parashah Yaacov saw [angels] and named the
place "twin camps." Genesis/Beresheit 32:3 "<i>When Yaacov saw them he said, 'this is God's camp.' He named the place Twin Camps (machanaim)</i>
(R. Kaplan's translation of Me'am Lo'ez on VaYetze pg. 108). Why would
two groups of angels be designated as twin camps? The parashah ends
there, and neither the number
of angels or their nature is made known. However, we see the
significance of these twins, as well as their connection to God's Name,
in a group of angels known as the <span style="color: red;">216</span> <span face=""arial" , "helvetica" , sans-serif">l</span>ions. These "<span face=""arial" , "helvetica" , sans-serif">l</span>ions"
correspond to the letters in the <span style="color: red;">Tri</span>ad Havayah of <span style="color: blue;">72</span> which are <span face=""arial" , "helvetica" , sans-serif">hidden in both the geometry and the </span>measure of the luchot. These 'groups' became <i>twins</i> in both form and substance when they were divided and brought down by Moshe, with a volumetric measure of <span style="color: blue;">108</span> cubic hand-breadths in one, opposite another <span style="color: blue;">108</span> cubic hand-breadths in the other. <span face=""arial" , "helvetica" , sans-serif">S</span>efer Hekalot refers to the twins <span face=""arial" , "helvetica" , sans-serif">a</span>s 36 triplets or wings <span face=""arial" , "helvetica" , sans-serif"> to the left<span face=""arial" , "helvetica" , sans-serif"> </span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(108<span face=""arial" , "helvetica" , sans-serif">)</span></span></span> and </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">36 triplets or wings<span face=""arial" , "helvetica" , sans-serif"> to the <span face=""arial" , "helvetica" , sans-serif">right </span></span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(108<span face=""arial" , "helvetica" , sans-serif">)</span></span></span></span>.</span></span></span> </span>Each cubic hand-breadth <span face=""arial" , "helvetica" , sans-serif">represents</span> a letter <span face=""arial" , "helvetica" , sans-serif">or</span>
associated 'angel.' The <u>first two dimensions</u> of <i>the twins</i> are <span style="color: blue;">72</span> </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">and the <u>third dimension</u></span> is <span style="color: red;">3</span>
cubic hand-breadths respectively (each <span style="color: blue;">half</span> /<span style="color: blue;"> twin</span> being <span style="color: blue;">108</span>). </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In the divided form of the luchot
(shnei luchot) the “<span face=""arial" , "helvetica" , sans-serif">l</span>ions” that correspond to each half are likewise
divided, and they become “<span style="color: blue;">twin</span> camps”
reflecting the associated specifications within the blueprint. A polarization of these
angels into “twin camps” </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">(and the letters of the Name they represent)</span> was necessary
to sustain a physical universe having male-female attributes (the duality that inevitably results is such things as the
plus or minus of an electrical charge). The Signature of the Architect that is
found within the blueprint and the angels <span face=""arial" , "helvetica" , sans-serif">associated with</span> those
specifications, do indeed sustain the universe and direct the events that
occur over time. Thus, the significance of Yaacov’s “<i>twin camps</i>” as they
pertain to the letters in the Name should not go unnoticed.<br /> </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The soul of these 216 letters are the 4 letters of the Tetragrammaton (<i>Shaarey Orah</i>)<span face=""arial" , "helvetica" , sans-serif">. We have a t</span>radition that four angels were sent to help Yaacov but it is important to
understand th<span face=""arial" , "helvetica" , sans-serif">e</span> <span face=""arial" , "helvetica" , sans-serif">connection that the 4 have to the </span><span style="color: red;">216</span><span face=""arial" , "helvetica" , sans-serif">.</span> We’ve explained
the significance of these four throughout this blog, and the post on
<i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank">Ki Thetze</a></i> <span face=""arial" , "helvetica" , sans-serif">provides more detail</span>.</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />Insofar
as the “twin form” of the <span style="color: red;">216</span> letters is concerned, their shadow can be
seen in the events that play themselves out in this week’s parashah,
where "<i>Jacob sent forth messengers to his brother Esav</i>" (remember the twins we mentioned earlier). Who did he
send? Our Sages say that <span style="color: blue;">half</span> of these “messengers” were from God but the other <span style="color: blue;">half</span> were angels created by the <i>mitzvoth</i> of Yaacov; so <span style="color: blue;">half</span> came from above and <span style="color: blue;">half</span>
from below. This is the very nature of duality,<span face=""arial" , "helvetica" , sans-serif"> </span>the male-female polarity that
sustains a universe in like form. The gematria of the word “<span style="color: blue;">half</span>” (<span style="color: blue;">108</span>)
should provide us with a hint as to the numbers of messengers involved,
and the reference to “<i>twin camps</i>” should set aside any doubt as to its
implications. The details however, are hidden from the casual observer. </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />We'll
find additional witnesses to the exact numbers as we proceed. In the
meantime, the half from “above” were sent to defeat the angel of Esav
and
the half from “below” were sent with Yaacov’s human messengers to deal
with Esav himself, so the twin camps of angels engaged in mutually
exclusive tasks. Either way, we can see from the events that God was
with Yaacov, as
evidenced by the King’s Signature hidden beneath the surface.<br /> </span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Another witness alluding to these <span style="color: red;">216</span> letters/angels associated with the Explicit Name, in the same
parashah, can be seen when: “<i>some distance from Ephrath... Rachel began to give
birth.”</i> Our Sages say that messengers were dispatched by Rivka to inform
Yaacov of Esav’s plans. How many? Rivka sent “<span style="color: blue;">72</span>
<i> of her strongest servants</i>” to Yaacov with advice. Yaacov reaches an
agreement with Esav. After its all over, Rachael goes into labor and
gives birth to <span style="color: red;">triplets</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;"><span>4</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">. You will recall that "<i>when it came time for</i> [her predecessor Rivka] <i>to give birth, there were <u>twins in her womb</u></i>." In this parashah, Rachel has <u>triplets in her womb</u>.
Both references allude to God's Explicit Name and specifically their
connection to the <span face=""arial" , "helvetica" , sans-serif">measure and the geometry <span face=""arial" , "helvetica" , sans-serif">o</span></span>f the luchot in the divided state: <span style="color: blue;">2 <span style="color: black;">x</span> 108</span> = <span style="color: red;">216</span> (the <span style="color: blue;">twins</span>) and <span style="color: red;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span> (the <span style="color: red;">triplets</span>).
When we view these events through the prism of the magen david (the
luchot in the geometric configuration of tetrahedrons) we can see the
Signature of the Architect inscribed on the events in question.
Otherwise, it remains hidden.</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />Having
examined Yaacov’s “<span style="color: blue;">half</span>” of the story (<span style="color: blue;">108</span>) we will now examine Esav’s
half. Keep in mind, as we do, that: 1) the gematria of the word “<span style="color: blue;">half</span>” is <span style="color: blue;">108</span> and; 2) that Yaacov and Esav were “<span style="color: blue;">twins</span>;” and 3) that each of the <span style="color: blue;">twins</span> (luchot) measured <span style="color: blue;">108</span> cubic handbreadths, and that 4) the <span style="color: blue;">twins</span> (Yaacov and Esav) were born in <span style="color: red;">2</span><span style="color: blue;">108</span>, and that each “<span style="color: blue;">half</span>” of any combination above is <span style="color: blue;">108</span>, and that the 2 halves equate to <span style="color: red;">216</span>
years/hand-breadths (the hidden reflection takes many forms) but in each
case it is invariably a function of the letters of the One Name that
defines reality. Even though these things are hidden from
the casual observer, they are nevertheless incredibly bright to those
with minimal insight, and so now the events continue as Esav’s “<span style="color: blue;">half</span>” opposes
Yaacov’s “<span style="color: blue;">half</span>” (with </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Esav’s</span> half being defective (107) as just explained).<br /><br />Esav
knew that Yaacov was returning home and was
reminded of how he’d foolishly relinquished his birthright, by selling
it to his brother. So Esav decides to take revenge on Yaacov for taking
the birthright and blessings. He gathers together
his entire household along with the nation of Seir (where he lived and
inherited). He has an army of 400 men. He divides this army into 7
groups. The first group consisted of his family. There were 60 men in
this group. He puts his oldest son Eliphaz in charge of these 60 men.
The remaining 340 men were from Seir. </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Each of Seir’s 6 sons was put in
charge of a contingent made up of their families and camps. Although
Seir had 7 sons (not 6) one of those sons, Tzivon, was heavily
intermarried with Esav. Tzivon had 2 sons, Aya and Ana. Ana had a
daughter Oholibamah. Oholibamah was Esav’s fourth wife and mother to
three
of Esav’s sons. Esav also gave this Ana<span>1</span>, his daughter Martziss<span>2</span>
as a wife. Thus most of Ana’s descendants would be the family of Esav,
and as there was only one other son of Tzivon (Aya) his descendants were
included in the first camp of Esav headed by Eliphaz. </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Thus the 400 men in
Esav’s army were divided into 7 regiments headed by their respective
family heads (with one son of Seir’s family absorbed in Esav’s camp) and
6 of Seir's sons were put in charge. Esav wanted to come forcefully
against Yaacov. </span><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Th<span face=""arial" , "helvetica" , sans-serif">e unusual metrics of this contingent are also a function of the signature geometry, <span face=""arial" , "helvetica" , sans-serif">and specifically</span> one of <span face=""arial" , "helvetica" , sans-serif">its</span> defining characteristics that result <span face=""arial" , "helvetica" , sans-serif">in</span> the 216 elements. The <span face=""arial" , "helvetica" , sans-serif">connection between the '7 regiments' and the <span face=""arial" , "helvetica" , sans-serif">'6 sons'<span face=""arial" , "helvetica" , sans-serif"> <span face=""arial" , "helvetica" , sans-serif">is a function of</span> <span face=""arial" , "helvetica" , sans-serif">a six-to-one ratio that is defined by the properties of the combined cubic form of the luchot</span> <span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">with a measure of six (hand-breadths) delineated by <span face=""arial" , "helvetica" , sans-serif">seven </span>lines </span>(</span></span></span></span>modeled bel<span face=""arial" , "helvetica" , sans-serif">ow). <span face=""arial" , "helvetica" , sans-serif">Yaacov<span face=""arial" , "helvetica" , sans-serif">'s <span face=""arial" , "helvetica" , sans-serif">defense against th<span face=""arial" , "helvetica" , sans-serif">ose seeking to do him harm, were <span face=""arial" , "helvetica" , sans-serif">the</span></span></span> </span><span face=""arial" , "helvetica" , sans-serif">six</span> days <span face=""arial" , "helvetica" , sans-serif">of the week followed by</span> <span face=""arial" , "helvetica" , sans-serif">his observance of the seventh <span face=""arial" , "helvetica" , sans-serif">which was </span></span>Shabbat. The story is in the [geometry of the] sapphire<span face=""arial" , "helvetica" , sans-serif">.</span></span></span></span></span><span style="font-size: medium;"><br /></span>
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<span face=""arial" , "helvetica" , sans-serif">The <span face=""arial" , "helvetica" , sans-serif">geometry of 6 as it pertains to 7 in the </span>above model, is the same in all <span style="color: blue;">three</span><span face=""arial" , "helvetica" , sans-serif"> of its dimensions. <span face=""arial" , "helvetica" , sans-serif">Our sages of course make a point of <span face=""arial" , "helvetica" , sans-serif">telling us how</span> </span></span>Yaacov did <span style="color: blue;">three</span> things to counter Esav’s preparations. <br /><br /><span style="color: blue;">One</span>: Yaacov <span style="color: blue;">prepared</span> by <u>praying</u> to God to save him. God answered Yaacov’s prayer and tradition has it, that He dispatched the <u>four</u>
angels (mentioned above) to deal with Esav. These angels appeared as a
“vast army” measuring in “hundreds” of “thousands” and that these
“numbers” were divided into </span><span face=""arial" , "helvetica" , sans-serif"><u><span face=""arial" , "helvetica" , sans-serif">four</span></u> specific
regiments. Each of the four angels appeared at the head of their respective
regiment and each approached Esav successively, one after the other,
letting him know that it was by Yaacov’s grace, that these vast armies
of angels didn’t attack them (Esav and his men). Of course, after these </span><span face=""arial" , "helvetica" , sans-serif"><u><span face=""arial" , "helvetica" , sans-serif">four</span></u>
encounters, Esav and his army became quite frightened of Yaacov. If he
had such legions at his command, what chance did they have against him?
That is why they folded so quickly when they finally met Yaacov and why
they accepted appeasement. In last week’s parashah (VaYetze)
God told Yaacov to return to the Land and that He would be with him.
You may remember from that post that the Name of God used in that
sentence was the abbreviation of the Name known as
E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh. The four letters of this abbreviation are manifested in the four
angels that surround the Throne of Glory that came down to help Yaacov,
so that he is able to deal with Esav and live in the Land. God’s promise
to help Yaacov was thus fulfilled. The <span style="color: blue;">4</span> angels, the <span style="color: red;">4</span> regiments that resulted in <span style="color: #6aa84f;">4</span> encounters are another reflection of the marriage between the <span style="color: blue;">4</span> letters of the Tetragrammaton, the <span style="color: red;">4</span> letters of Adnoot and the <span style="color: #6aa84f;">4</span> letters of the unified form of E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh that <span face=""arial" , "helvetica" , sans-serif">are all part of</span> the <span style="color: red;">216</span>
letters of the Explicit Name. The reason why they are expressed in
hundreds and thousands, or hundred of thousands is because the
reflection of these letters often appear as "a multitude" (mathematic multiples). That is, the number
of letters in God’s Explicit Name often appear in multiples of, for
example, <span style="color: red;">2</span>,<span style="color: red;">16</span>0
years in the passing of each constellation in the precession of the
equinox) or <span style="color: red;">21</span>,<span style="color: red;">6</span>00
arc-minutes in the earths circumference, or it may appear as
10-squared, or 10-cubed or 10 to the 10th power, as demonstrated so
often throughout this blog. A good example of
10-cubed would be the Holy of Holies which was 10 cubits-cubed. In
handbreadths that’s the same as <span style="color: blue;">6</span> (<span style="color: blue;">tens</span>) x <span style="color: blue;">6</span> (<span style="color: blue;">tens</span>) x <span style="color: blue;">6</span> (<span style="color: blue;">tens</span>) or <span style="color: red;">216</span>,000 (as in<span face=""arial" , "helvetica" , sans-serif"> <span style="color: red;">216</span></span> <u>thousand</u>).
We see this aspect of the larger reality that originates with the
letters, in the multiples that are specific properties of the luchot in
combined cubic form, where for example, it volumetric measure of <span style="color: red;">216</span> cubic handbreadths, converges with its static parameters in the <span style="color: red;">2</span>,<span style="color: red;">16</span>0 (<span style="color: red;">216</span> x 10 total number of) degrees in its twenty-four 90 degree angles (24 x 90 = </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">2</span>,<span style="color: red;">16</span>0</span>) etc. <br /><br /><span style="color: blue;">Two</span>: Yaacov <span style="color: blue;">prepared</span> by sending <u>tribute</u>
in order to appease (create balance in any perceived imbalance). That
is, he sent gifts to Esav to provide “additional payment” for the
birthright that Esav now realized was worth far more than a bowl of
lentils. The form of the additional payment would serve to compensate
Esav’s descendants as well, who were all living in Seir. Yaacov sent 580
animals. Seir has a gematria 580. The men of Seir were thus compensated
by the 580 animals that Yaacov sent as tribute, and served to counter
any claim they “might” have against Yaacov in the heavenly court (by
accepting the 'payment' of the animals, any claim the men of Seir may have had against Yaacov in
the cosmic scheme of things, was nullified).<br /><br />Interestingly, the
580 animals were of 5 types. These 5 types were sent in 10 separate
droves under the command of 10 servants. One might at first assume these
numbers to be a coincidence. However, the <span style="color: blue;">10</span> droves in the care of <span style="color: red;">10</span> servants are like the <span style="color: blue;">10</span> blessings that are dependent upon the keeping of <span style="color: red;">10</span>
commandments. The template for reality again originates in the
mathematic character of the blueprint/luchot. To give the reader a
glimpse of this primal archetype, consider that the commandments were
inscribed <span style="color: blue;">5</span> opposite <span style="color: red;">5</span> on the luchot (mentioned in the post on Toldot). This is an external reflection of its <span style="color: blue;">5 </span>internal mathematic constructs and their <span style="color: red;">5</span> polar opposites (</span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">5</span> opposite </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">5</span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span style="color: black;">). In mathematics, these constructs define the unique geometry of the platonic solids. In this case, it is manifested in </span></span></span>the 5 types of animals (mentioned above) that Yaccov sent, which are
expressed as so many "male or female" </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(</span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">5</span> opposite </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">5</span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span style="color: black;">) </span></span></span></span>sheep, goats, cattle, donkeys,
with nursing camels and their colts. The luchot were of course carved
from the sapphire block (the original combined cubic form of the luchot)
characterized by those <span style="color: blue;">5</span> internal mathematic constructs and <span style="color: red;">5</span>
polar opposites, and so the 5 types of animals, male and female, are simply a precise reflection of this larger reality in the
specifications within the luchot. In
this case however, the mathematic structure of the luchot (or
specifications within the cosmic blueprint) <u>are even more specific</u>. <br /><br />Notice
that one group of animals, the Camels, were described as being female
(nursing camels) with their young, rather than being expressed as “so
many female camels” and “so many male camels.” The reason for this
variation is that 1 of the 5 internal constructs in the blueprint/luchot
is different from the other 4 which have different polar
opposites. The 5th is the tetrahedron, whose polar opposite is simply
another tetrahedron facing the opposite direction. Because the blueprint
possesses these characteristics (1 being different from the other 4)
the corresponding aspect of reality also has these same characteristics.
The events accurately mirror the
specifications within the blueprint, so 4 types of animals are
specifically identified as male and female, while the 5th type (in the
number of camels) is described as a “female” nursing a “young colt." In
the geometry of this event, we see not only the "<span style="color: blue;">4</span> opposite <span style="color: red;">4</span>" in the letters in the Name that underlies the process, but we also see the "<span style="color: blue;">5</span> opposite <span style="color: blue;">5</span>," of the male~female luchot/world/universe that these letters create.<br /><br />The
male and female tetrahedrons in the star tetrahedron (or magen david)
in this one particular construct also represent or reflect the nature of
the male and female halves of the universe that are, in this
case, manifested as <span style="color: red;">God</span> (in the form of the Holy Feminine) who raises (or nurtures) the consciousness of mankind; opposite <span style="color: blue;">Man</span> himself, whose consciousness is <u>being</u> nurtured (rectified) with the help of God as time progresses, just </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">like the mother camel nurses its colt</span>. <br /><br />The remaining 4 “types” of constructs in the blueprint (that are <u>distinctly</u>
male or female) are what determines everything else, like the 4
male-female forces in quantum mechanics that “rule” the universe: 1) the
strong nuclear force; 2) the weak nuclear force; 3) electromagnetism;
and 4) gravity. One type has to do with spiritual development of God’s
children (like the evolution of human consciousness) and the other 4 types have to do with the nature of the
universe in which these <i>children</i> reside. For more on how the 4 letter
abbreviations of the Explicit Name “rule” the dynamics of time and space
see such posts as Ki Thetze, <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thavo.html" target="_blank">Ki Thavo</a>, <a href="https://sapphiremagendavid.blogspot.com/2023/04/shemeni-and-tazria_8.html" target="_blank">Shemeni & Tazria</a>, <a href="https://sapphiremagendavid.blogspot.com/2023/04/metzora.html" target="_blank">Metzora</a> and the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">Marriage of the Letters</a>. <br /><br /><span style="color: blue;">Three</span>: Yaacov’s third and final <span style="color: blue;">preparation</span> is to <u>divide</u>
his own camp into two, placing Damascus and Elinos, sons of Eliezer
(servant of Avraham) in charge of each. This was so that if Esav
attacked one, at least the other would escape. This division is very
much like the division of the sapphire block that was divided in <span style="color: blue;">two</span> when it was brought down as the <span style="color: blue;">two luchot</span>; but it is also like the “<i><span style="color: blue;">twin</span> camps</i>” of angels. Both have a connection to the letters of the Explicit Name in <i><span style="color: blue;">twin</span> form</i>. Also hinted, is the fact that the luchot would be brought down <span style="color: blue;">twice</span>.
How so? Yaacov reasoned that if the first group was destroyed, the
second group would survive. In the case of the luchot, the first set was
destroyed while the second set survived and remained intact. The
characteristics of the events are <u>invariably</u> a reflection of what was/is specified in the mathematic and geometric nature of the cosmic blueprint (luchot). </span><br />
<span face=""arial" , "helvetica" , sans-serif"> </span><br />
<span face=""arial" , "helvetica" , sans-serif">
At any rate, we see from the above, that Yaacov did three things to prepare for an
impending event. What was that event and how did it conform to the
Signature of the Architect? It was the merging (meeting) of the two
opposing halves.</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />When
Yaacov and Esav finally meet, Yaacov bows 7 times, countering each of
Esav’s 7 regiments, and once again we see a one-dimensional metric
reflection of the magen david (that one unique construct within the
cubic luchot) having to do with the evolution of human consciousness.
Here it is in the form of <span style="color: blue;">7</span> opposite <span style="color: blue;">7 <span style="color: black;">(the number of elements in a two-dimensional magen david)</span></span>. This is the "royal seal" expressed in terms of its one-dimensional metrics as explained more fully in the post on Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/05/emor.html" target="_blank">Emor</a>.
Together with the gifts mentioned above, this famous exchange between
Yaacov and Esav averted war. Details of this encounter are also examined
in the post on “<a href="http://sapphiremagendavid.blogspot.co.il/p/the-hebrew-word-chein-means-grace.html" target="_blank">Every Second Counts</a>,”
listed in the column to the right, where the specific significance of
the number 400 (like the number of Esav's men) as it relates to the letters of God’s Name can be seen.
These numbers are hardly coincidental. <br /><br />A brief but condensed review follows and it is worth emphasizing: After Yaacov split his camp into <span style="color: blue;">two halves</span> (like the sapphire block that would be split into <span style="color: blue;">two halves</span>) he sent the tribute in <span style="color: blue;">ten</span> droves, like the <span style="color: blue;">ten</span> commandments that would be inscribed on those <span style="color: blue;">two luchot</span>. The droves included 5 types of animals (<span style="color: blue;">male</span> and <span style="color: red;">female</span>) like the commandments that would be <span style="color: blue;">5</span> opposite <span style="color: red;">5</span>
on the luchot, and like the <span style="color: blue;">5 </span>internal mathematic constructs within the
sapphire cube opposite their <span style="color: red;">5</span> counterparts that are male and female with respect to one another. The
nature of the events always mirror the nature of the blueprint which called for the
events in the first place. In this case the numbers are rather basic,
but we find the same numbers, sets of numbers and the ratio between the
sets throughout the entire Torah. These
numbers are all specific to the nature of the luchot with 10 commandments that are <span style="color: blue;">5</span> on 2 (<span style="color: blue;">5</span> opposite <span style="color: red;">5</span>) which are an aspect of its <i>internal</i> mathematic nature of <span style="color: blue;">5</span> opposite <span style="color: red;">5</span> (10) and where its <i>external</i> nature is in the form of its commandments that are </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">5</span> opposite <span style="color: red;">5</span> (10). I</span>n combined cubic form, its internal and external nature is seen in its measure of <span style="color: blue;">6 <span style="color: black;">x</span> 6 <span style="color: black;">x</span> 6</span> hand-breadths (<span style="color: red;">216</span> cubic hand-breadths) reflecting the Signature of the Architect with <span style="color: red;">216</span> letters. Add to those numbers mentioned above, the <span style="color: blue;">7</span> opposite <span style="color: blue;">7</span> which is a one-dimensional representation of the tetrahedral construct within a cube having <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(<span style="color: red;">216</span>)</span> and the Signature of the Architect becomes even more clear. <br /><br />It’s
important to notice that there are multiple numbers, sets of numbers
and ratios that comprise the Signature of the Architect. We've seen them
here as 10, 5, and 2; or 6 x 6 x 6; or 72 x 3; or 7 opposite 7)
but each case, each set of numbers, in its own way, is a function of the
geometry of the luchot, either in their divided state, or combined
cubic form, and all of these forms ultimately hide the matrix of <span style="color: red;">216<span style="color: black;"> (the nature of the cosmic blueprint/luchot)</span></span> and the letters it represents. <br /><br />This is particularly evident in the geometric nature of the <span style="color: red;">Tri</span>ad <i>Havayah</i> of <span style="color: blue;">72</span>, which is why Rivka sends Yaacov <span style="color: blue;">72</span> of her strongest helpers, to assist him against Esav, and then Yaacov does <span style="color: red;">3</span>
things to prepare for war (as we saw above). The <span style="color: blue;">72</span> helpers and the <span style="color: red;">3</span>
things Yaacov did to prepare, once again, reflect the nature of the One
who was helping Yaacov overcome Esav. The same reflection is seen in the
<span style="color: blue;">72</span> servants and Rachel’s <span style="color: red;">tri</span>plets.
The royal seal (three-dimensional magen david) wherein the letters of the King’s Name are hidden, may
be more difficult to perceive, but they are nevertheless indelibly stamped
on the events in question, along with the specific mathematic and
geometric characteristics of the luchot that Yaacov’s descendants would
receive. <br /><br />Another place we see the royal seal (and related
letters) in this week’s parashah is when Binyamin is born. With his
birth, the 12 sons of Yaacov (Yisrael) are now complete. They would
become the fathers of the 12 tribes, as it says in 35:22 “<i>The sons of Jacob were 12</i>.”
What does 12 have to do with the royal seal? When it is opposed by
another “12,” it correlates with the geometry of 2 tetrahedrons
(three-dimensional magen david) which
after marriage, has <span style="color: blue;">12</span> small faces on one, opposite <span style="color: red;">12</span> small faces on the other. Together the geometry of this marriage results in <span style="color: blue;">72</span> <span style="color: red;">tri</span>angular corners (<span style="color: red;">216</span>). When we see <span style="color: blue;">12</span> opposite <span style="color: red;">12</span>, we are seeing an aspect of this geometry. The <span style="color: blue;">12</span> tribes of Israel opposed by <span style="color: red;">12</span>
opponents (on which we'll specifically elaborate in a moment) are a
manifestation of this geometry in the world below. They are a function
of the specifications within the Primordial Torah. Although once again,
we need
to emphasize that this is really a “reflection” of the letters in the
Explicit Name that are found in the 12-letter abbreviation of the Name
and its 12-letter counterpart, as explained more fully in the post on Ki Thavo. All of this requires serious contemplation.<br /><br />Built
into the cosmic blueprint (luchot) are the requirements for the
rectification of human consciousness. That’s why we see the <span style="color: blue;">12</span> tribes of Israel “opposed” (for example) by the <span style="color: red;">12</span>
tribes or “chief-doms,” and kings of Edom mentioned at the end of the
parashah (we'll provide <u>additional</u> examples as we proceed). Through such “conflict” between <span style="color: blue;">good</span> and <span style="color: red;">evil</span>, the collective
soul (Klal) Yisrael is rectified, as it says in Psalms 66:10, “<i>For you have tried us oh God, and refined us as silver is refined</i>,” and Psalms 12:6, “<i>The words</i> (of Torah/blueprint/specifications/requirements) <i>are pure... as silver refined in a furnace on earth</i> (in the events that happen) <i>refined <span style="color: blue;">7</span> times</i>. The <span style="color: blue;">7</span>
here alludes to the cycles of time discussed so many times elsewhere in
this blog, that also originate in, or specified by the geometry of the
Primordial Torah, more specifically those that correspond to the
elements of a magen david (the internal geometry of the luchot) where
the magen establishes the <span style="color: blue;">12</span> opposite <span style="color: red;">12</span> in the blueprint (above) </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">and where they take the same form in the <span style="color: blue;">12</span> Tribes of Israel opposite their <span style="color: red;">12</span></span> oppressors in the furnace (conflict) below, and where the soul is "tried" and then refined.<br /><br />For
purpose of clarification/emphasis/review, one of the five internal
mathematic constructs found within the combined cubic form of the
luchot, is the tetrahedron, and when it is “married” to its polar
opposite, it creates the star tetrahedron with <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners that mathematically reflect the geometry pertaining to the <span style="color: red;">216</span> letters of the <span style="color: red;">Tri</span>ad <i>Havayah</i> of <span style="color: blue;">72</span>. When two tetrahedrons are merged together in opposing directions as just mentioned, the lines of division define <span style="color: blue;">12</span> small faces on one, opposite <span style="color: red;">12</span> small faces on the other (see graphic below). So we see within the mathematic specifications for these events (<span style="color: blue;">12</span> “tribes” opposite <span style="color: red;">12</span>
antagonistic “chief-doms”) in the geometry of the cosmic blueprint (again the combined
cubic form of the luchot) is what "specifies" these events. You will notice
that whenever the events are characterized by <span style="color: blue;">12</span> opposite <span style="color: red;">12</span> (which is
the expanded form of the four letter abbreviations of the Name) that the subject matter
invariably has to do with the characteristics of certain events and these
events affect the consciousness of mankind (being nurtured by God) as
opposed (generally) to the other aspects of the
universe.</span><span face=""arial" , "helvetica" , sans-serif"> </span><br />
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<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: blue;">12</span> Faces Opposite <span style="color: red;">12</span> Faces</span><span style="font-size: medium;"><br /></span>
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">and their Two-Dimensional Shadow</span><span style="font-size: medium;"><br /></span>
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<br />
<span face=""arial" , "helvetica" , sans-serif">It
can also be observed in the two-dimensional shadow of the above
construct as well. The shadow is the magen david that can be seen on the
modern-day Israeli flag and it happens to have 12 sides, one side for
each of the 12 tribes. The other 12 (that pertain to the opposing half)
cannot be seen because the more complete picture is <u>hidden</u> within the
inherent limitations of two-dimensional space. We show the relationship
between the mathematic construct in the blueprint/luchot and the
pertinent half of the equation corresponding to the <span style="color: blue;">12</span> sons of Yaacov
below. It would be this “<span style="color: blue;">half</span>” who would move God’s plan for creation
forward, toward its ultimate conclusion. This should be carefully contemplated.</span><br />
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<span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHjuPtAF_aSImEAfLIW190lhhyTQIMsYwtTbNMp1EM09tyCmvRaG5ZIOxfA3_d69WY_EfQ90Ihl4DDKqa701CVPbpv5xgW4URgNG2sz4OEsJcC6CDTYFdijk7V1Lt-iV7jpqOxTp_sUakK/s1600/Magen+David+12+Tribes.tif" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHjuPtAF_aSImEAfLIW190lhhyTQIMsYwtTbNMp1EM09tyCmvRaG5ZIOxfA3_d69WY_EfQ90Ihl4DDKqa701CVPbpv5xgW4URgNG2sz4OEsJcC6CDTYFdijk7V1Lt-iV7jpqOxTp_sUakK/s400/Magen+David+12+Tribes.tif" width="400" /></a></span></div>
<span style="font-size: medium;"><br /></span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif">As
previously mentioned, the deeper reason for “12” has to do with the
expanded form of the 4 letter abbreviations, generally known as “the
12-Letter-Explicit-Name” (just keep in mind that it is referred to as
“explicit” because, like the 4 letter abbreviations, it too is an
abbreviated form of the <span style="color: red;">216</span> letters). <br /><br />We see the Signature of the Architect in the 12-letter expanded form, found in events like the “<span style="color: blue;">12</span> stones” on one side of the Jordan River opposite the “<span style="color: red;">12</span> stones” on the other side (as explained in the post on <i>Parsahah Ki Thavo</i>)
but we see it hidden in other places throughout Torah as well. Again,
in order to more fully understand the nature of the 12 letters and their
opposite numbers you will need to read (or re-read) that particular
post; and if you want to see how the 4 letters relate to those 12
letters, you also need to read the post on Ki Thetze. The specifics will not be reiterated here.<br /><br />In
this parashah however, we see another reflection of these same letters
in the 12 tribes “contending” (or are otherwise balanced against) their
opposite numbers for purpose of rectification. Despite the seeming
coincidence in the numbers, it’s important to understand that the
creative chemistry begins with the opposing nature of the letters in
the abbreviations mentioned. In order to understand the cause and effect
of the events, you have to understand the “<i>letter-chemistry</i>” of the
Name that is an intrinsic part of the process. <br /><br />Earlier we said we'd provide additional examples of the <span style="color: blue;">12</span> opposite <span style="color: red;">12</span> (in those who oppose Israel). </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Where else do we find this particular reflection and its opposing half? </span>In Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/10/vayera.html" target="_blank">VaYera</a> there were the <span style="color: red;">12</span> sons of Nahor, and in Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/11/chai-sarah.html" target="_blank">Chai Sarah</a> there were <span style="color: red;">12</span> princes of Yishmael, each of which opposed the <span style="color: blue;">12</span> tribes of Israel. Are these </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span style="color: black;">"</span>12</span> opposite <span style="color: red;">12<span style="color: black;">(s)" </span></span></span>a
coincidence? A statistical aberration? Hardly! They are a fundamental
aspect of reality established by the nature of cosmic blueprint where
the three-dimensional magen david "specifies" the requirement for
rectification. </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Still not convinced? </span>There are also lesser known “<span style="color: red;">12</span>s” standing opposite the <span style="color: blue;">12</span> of Israel. <br /><br />Terach
(the father of Avraham) for example, had a son by his new wife Pelilah when he was
180 years old. The name of that son was Tzova and he was Avraham’s
“half” brother. Thirty years later, Tzova had a son named Aram. Aram in
turn had <span style="color: red;">12</span> sons (like Yaacov) and together with his family and two
brothers, they create the city that came to be known as Aram Tzova (also
known as Aleppo). </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">If we total the number of <span style="color: red;">12</span>s opposing the <span style="color: blue;">12</span> of Israel, we find there are <span style="color: #6aa84f;">4</span> groups: </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">1) the
sons of Nahor; </span><br />
<span face=""arial" , "helvetica" , sans-serif">2) those of Tzova; </span><br />
<span face=""arial" , "helvetica" , sans-serif">3) Yishmael; and </span><br />
<span face=""arial" , "helvetica" , sans-serif">4) Esav. <br /><br />These
<span style="color: #6aa84f;">4</span> nations have “opposed” (and continue to oppose) Israel throughout history. A good example of this can be seen in the time of
King David. During his reign, he fought wars with, and subdued all <span style="color: #6aa84f;">4</span> of
these “<span style="color: red;">12</span>s” that became nations. Under King David, the <span style="color: blue;">12</span> tribes of
Israel were unified in the process. So it's no coincidence that the royal seal
is called the magen david (shield of David). <br /><br />The geometry of <span style="color: blue;">12</span> opposing “the <span style="color: red;">12</span>” is not only found in the mathematics of the star tetrahedron with <span style="color: blue;">12</span> small faces on one, opposite <span style="color: red;">12</span>
on the other, essentially “the specifications” in the blueprint (or
this aspect within the combined cubic form of the luchot) but these
specifications become even more detailed, when we see that each of the <span style="color: #6aa84f;">4</span> stellations on the opposing tetrahedron is subdivided into a total of <span style="color: red;">12</span> quadrants (<span style="color: red;"><span style="color: #6aa84f;">4</span> <span style="color: black;">x</span> 12</span>) . That’s why there were ultimately <span style="color: #6aa84f;">4</span> groups of <span style="color: red;">12</span>
opposing the <span style="color: blue;">12</span>
of Israel. The mathematic structure of the luchot evidently specified
the requirement for purpose of tikkun. The question is, how much
brighter does the light have to be, before an individual can see the
letters of God's Name behind the scenes of these events?<br /><br />You may remember that Yaacov placed <span style="color: blue;">12</span> stones under his head that <u>united</u> and <u>became one</u>. These stones not only allude to his <span style="color: blue;">12</span>
sons, but the nature of the blueprint/luchot they would receive and the
unification (becoming one) that would be brought about as a result of
their opposite numbers (<span style="color: red;">12</span>). The
regular physical form of the shnei (twin) luchot, by the way, has 12 external sides
(that are revealed by their division). The internal form (tetrahedral) has 12 faces (sides)
opposite 12 faces (sides) where the full picture is hidden. Just as the stones represent letters, so too do
the faces. Just as <span style="color: red;">4</span> opposite <span style="color: blue;">4</span> are unified in another <span style="color: #6aa84f;">4</span>, the <span style="color: blue;">12</span> become unified as a result of their opposing half.
The geometry explains why Baal HaTurim says that the luchot were cut from the “stone”
under Yaacov’s head. The stone (or 12 stones) are a manifestation of
the letters (of God’s Name) as they relate to the luchot having 216
cubic hand-breadths (that are in reality a unity as the luchot were when in the form of one-cubit-cubed). </span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />If
we calculate the odds of all these events (characterized as 12 opposite
12) being a “coincidence,” the result is off the scale, especially when
we consider that this “opposition” (in the form of the nations
represented by the original “4 x 12”) is still going on amongst their
descendants to this very day. What we are seeing is the
rectification of the 12 (Israel) by the nature of the opposing “numbers”
that correspond to the opposing letters of God’s Name in the blueprint.
Although, we would hastily add that any nation on earth that exceeds
its mandate will be destroyed for having gone too far (as is known). In
the process of unification, when the 4 opposite 4 that become 4, and the
12 opposite 12 that become 12, one of the visible "halves" invariably
disappears. This is what happens to those who oppose Israel (the
archetype of righteousness established by the Creator as a model/witness
to the nations). Those who oppose the model/witness (righteousness)
are eventually subsumed and disappear. This should stand as a warning to
the nations
opposing Israel today. </span><br />
<br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Addendum</span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(<span><i>not recommended unless the reader is fully familiar...)</i></span></span></div><span style="font-size: medium;">
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">(<i><span>...with the internal geometry of the luchot</span></i>) </span></div><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"> </span><span face=""arial" , "helvetica" , sans-serif"><br />What
you are about to read is rather arcane and beyond the ability to
calculate or ascertain mathematic validity (as to whether it is by
design as opposed to coincidence). Nevertheless, what is said here, does
adhere to the patterns that have a connection to the Name and its
geometry. As such, it is offered for the sake of contemplation.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">The
balance of this post will deal with
the gematria of the third name given to Luz by Yaacov. The fact
that it ultimately had 3 names and that Yaacov changed that name twice,
should tell us that the names and their respective changes are
likely significant within the larger framework, and it remains for us to
determine what that significance may be. Once we become aware that
there is a mathematic (and
geometric) substrata beneath the letters of Torah, characterized by very
clear patterns in the numbers, sets of numbers and ratio’s that have a
direct correlation with God’s Name, then it becomes plausible to assume
that there are other mathematic relationships between names and events
that also have a story to tell. With that in mind we will examine those 3
names as they (might) pertain to God’s Name. However before doing so,
we should mention that while the symmetry of the letters, the
blueprint/luchot and of the universe as it applies to the letters of
God's Name can sometimes be rather obvious (especially when presented as
we've done in the first part of this post) this is not always the case.
The symmetry and its connection to the luchot are often much more
subtle, and the minutae lost, or buried so deeply as to be
mathematically unverifiable. As such, the remaining assertions that you
are about to read, while clearly factual, easily observable, and
interesting, cannot be proven one way or the other, to be connected to
either the luchot or the Name. The are offered to the reader as an
example of how to develop insight into deeper mysteries that might
otherwise remain hidden.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Consider,
for example, when Yaacov builds an altar to God in Beth El, he renames
the place “El Beth El” (35:7) (See last week's post on Parashah VaYetze
for how Yaacov changes the name the first time) and that El Beth El was the <u>third</u>
name for this place. You may remember that its first name was Luz (which is one-word-one-name
having a gematria of <span style="color: red;">4<span style="color: blue;">3</span></span>). Yaacov changes the name to Beth El (two words/names having a gematria of <span style="color: red;">44<span style="color: blue;">3</span></span>).
In so doing, he added another “4” to the sequence of numbers in the
gematria of the original name. This is somewhat reminiscent of the <span style="color: blue;">3</span> Names where the third (</span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Ehyeh) </span>is the combination of the other two, which both have <span style="color: red;">4</span>
letters. The gematria for the names of these places seems to have a
connection to the increasing wisdom, knowledge and understanding of the
one who named them (Yaacov). The <span style="color: red;">4</span> faces of one tetrahedron, opposite the <span style="color: red;">4</span> faces of the other tetrahedron, also have <span style="color: blue;">3</span>
(triangular) corners, so the blueprint/luchot (seem to) have additional
connections to the letters of the abbreviated forms of the Name.<br /> </span><br />
<span face=""arial" , "helvetica" , sans-serif">The
new name is
El Beth El and it is (now) the third name for the place. The first name
(Luz) consists of 1 name; the second name (Beth-El) consists of 2 names
and the third name (El-Beth-El) consists of 3 names. Throughout the
course of this blog, we've described the form, substance, place and
position for the <span style="color: red;">216</span>
letters of the Explicit Name in terms of one, two and even three
dimensions. The change in the gematria for the names of these places
seems to evolve in much the same manner. Although keep in mind that this
assertion is based on just a few numbers that equate to the
one-dimensional metric expression for each, and the smaller the data
set, the more impossible it becomes to establish or otherwise estimate
validity. <br /><br />The gematria of the first name was <span style="color: red;">4</span><span style="color: blue;">3</span>; <br /> ...the second name was <span style="color: red;">44</span><span style="color: blue;">3</span>; <br /> ...and the gematria for the new (third) name<br /> ...has a combined gematria of <span style="color: red;">4</span><span style="color: #d5a6bd;">7</span><span style="color: red;">4</span>. <br /><br />We might certainly consider these “numbers” a coincidence, and perhaps they are, but
throughout the course of this blog we have repeatedly shown the many
patterns having to do with <span style="color: blue;"><span style="color: black;">the letters of the Name and the geometry of the blueprint/luchot in the form of </span>3</span>s (3 Names, 3 x 72 letters etc); <span style="color: red;">4</span>s (4 opposite 4) and <span style="color: #d5a6bd;">7</span>s
(7 opposite 7)
specifically as they pertain to the letters of the Name,
and events that occur over time (as measured for example by cycles of 7
in the observance of
calendar related halacha). Each number is associated with a set of
numbers, but in the form of twins, triplets, etc., married together one
way or the other. If the symmetry of the Primordial Torah originates
with the letters of the Name (which should be rather obvious by now)
then it is also plausible to assume that every detail of every event
must also have a connection to this larger reality, no matter how subtle
the connection, and that while it may be well hidden, it is
nevertheless there, for anyone who cares to peel back the layers of this
complex reality centered around the matrix of letters.<br /><br />In this
case, the gematria of all three names consists of
numbers sequenced in a manner that bears a subtle resemblance to the
larger reality behind the creative process, and while that could well be
a coincidence (as in any small data set) there are just too many of
these coincidences to set them aside as mere coincidence. Still it may
be a coincidence, but knowing
how Yaacov studied for 14 years in the school of Shem and Ever (7
opposite 7) at a time when the letters of the Torah had not yet been
brought down, but still knowing the Name, and
knowing how powerful names can be, it is difficult to imagine that
Yaacov did not understand the potential of the “new” names that he
gave to this place.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">It
is a foregone conclusion that he studied the (sacred) geometry
surrounding the letters of God's Name as it applied to the universe as a
whole. Moreover, we know this would have been passed down by Noah to
his descendants, like Shem and Ever, who established schools where
Avraham, Yitzak and Yaacov would learn, and that they all had specific
knowledge of God's Name as demonstrated by their actions in the post on <a href="https://sapphiremagendavid.blogspot.com/2023/09/beresheit-and-noach.html" target="_blank">Beresheit and Noah</a>.
So it should not come as a surprise that we find Yaacov manipulating
letter combinations for purpose of hiding various mysteries. An example
of this manipulation of creative energy (letters) and is significance is
seen in the <span style="color: red;">third</span> name having <span style="color: blue;">three</span> letters with a gematria of <span style="color: #6aa84f;">three</span> numbers, as it is consistent with the geometry of the magen david (<span style="color: red;">three</span> <span style="color: blue;">tri</span>angular corners on <span style="color: #6aa84f;">three</span> external faces of each stellation) as well as the cubic geometry of the luchot where each of its eight dimensions consists of <span style="color: red;">3</span> cubic hand-breadths, by <span style="color: blue;">3</span> cubic hand-breadths, by <span style="color: #6aa84f;">3</span> cubic hand-breadths. All of these attributes reflect the <span style="color: red;">tri</span>ad nature of the Name. However, even though the gematria of the third name (of Luz) is completely different, we still have <span style="color: red;">4</span> opposite <span style="color: red;">4</span> in the sequence of those numbers. Only this time, the odd number goes from “<span style="color: blue;">3</span>” to “<span style="color: #d5a6bd;">7</span>” and the <span style="color: red;">4</span>s are now separated by the <span style="color: #d5a6bd;">7</span>.
This is like the 3 “names” themselves, that begin with “El” (a letter
designation for the Name of God) and then ends with “El,” where we see
the letter-chemistry of the name (<span style="color: red;">El</span>-<span style="color: blue;">Beth</span>-<span style="color: red;">El</span>) mirror the mathematic-chemistry of the sequence of numbers. This is also like the permutation of the <span style="color: blue;">three</span> sets of <span style="color: red;">72</span> letters (<span style="color: red;">first</span> - <span style="color: blue;">last</span> - <span style="color: red;">first</span> as is known). Is the gematria of <span style="color: red;">4</span>-<span style="color: #d5a6bd;">7</span>-<span style="color: red;">4</span> a further reflection of this Name?
If we weren’t seeing this in the text of the Torah, we might expect to
see it in the configuration of protons, neutrons and electrons on the
Periodic Table of Elements. The “chemistry” of the Name and its
evolution (or increased knowledge of the Name) over time, may have its significance in the nature of human
consciousness that evolves over time (and inevitable tikkun). We’ll see how that might work
in a moment.</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />In
the evolution of the first name to the second, the 4 letters of Ehyeh
(represented by the 4 in the first gematria) are ultimately divided
(polarized) into male and female counterparts (the 4 letters of the
Tetragrammaton opposite the 4 letters of Adnoot) that are represented by
the additional 4 in the second name “Beth El.” <br /><br />In the evolution
of the second name the letters are adjacent to one another and the power
of “good” to rectify its opposite is minimized because of this
attachment. The Temple and its purpose (for example) can be visualized
but it does not materialize until those that are righteous can separate
themselves from those that are not (as the <span style="color: #d5a6bd;">7 </span>separates the fours in the gematria) . This particular name is changed
again and Yaacov calls the place El-Beth-El, where the <span style="color: red;">4</span> that represent <span style="color: blue;">half</span> the equation distance themselves from the <span style="color: red;">4</span> that represent the other <span style="color: blue;">half</span>
of the equation (where that distance is defined by the <span style="color: #d5a6bd;">7</span> representing halachic observance and calendar-related observance in particular, like Shabbat on the <span style="color: #d5a6bd;">7</span>th
day). This is like the 4-letters abbreviations that stand opposite one
another, and the 12 opposite 12 that we see in
the process of rectification for <i>Klal Yisrael</i> discussed above. What
brings about the separation? Ultimately, it is Torah observance. This is
why those who are non-observant tend to assimilate. They do not
separate themselves (<span style="color: blue;">4</span> opposite <span style="color: red;">4</span>) from those who do not observe Shabbat (<span style="color: #d5a6bd;">7</span>). <br /><br />The evolution of the name (of the place) thus goes from <span style="color: red;">4</span><span style="color: blue;">3</span> (a single <span style="color: red;">4</span> letter abbreviation of the <span style="color: blue;">Tri</span>ad Name: the Havayah of Ehyeh) to <span style="color: red;">44</span><span style="color: blue;">3</span> where the “previous” letters of Ehyeh are separated into the <span style="color: red;">4</span> letters of the Tetragrammaton and the <span style="color: red;">4</span> of Adnoot, but where the 4s, representing both abbreviations are “<u>adjacent</u>” to one another (not yet separated). <br /><br />However the evolution continues with the third name, where the gematria becomes <span style="color: red;">4</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span></span><span style="color: red;">4</span>. At this stage in the evolution of human consciousness, the opposites (<span style="color: blue;">4</span> opposite <span style="color: red;">4</span>)
have now distanced themselves from one another. The righteous separate
themselves from the unrighteous by virtue of their nature (Torah observance) signified
by the cycles of </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span><span face=""arial" , "helvetica" , sans-serif"> (the Shabbat: </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span> days; the Omer: </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span> days x </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span> days; the Shmitah: </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span> </span>years; and the Jubilee </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span> years x </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span><span face=""arial" , "helvetica" , sans-serif"> years, where </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span> just happens to be the number separating the <span style="color: red;">4</span>s. <br /><br />Interestingly enough, the gematria of </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Ehyeh</span> is <span style="color: blue;">3</span> x </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span>
or 21. These are the numbers that we see in the evolution of the name.
Conversely, if you divide 21 by the number of words in the name of the
place (<span style="color: blue;">3</span>) you get the average gematria (</span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span>)
which also happens to be the middle number. The symmetry of this
mathematic artwork is rather striking, even if we were to consider it a
coincidence. However, if you add the <span style="color: blue;">3</span> (as in the <span style="color: blue;">3</span> names of the place) to the <span style="color: red;">4</span> (as in the letters of the Name Ehyeh) you get </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span>,
which is again the new middle number. The number </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span> is also a
representation of the first dimension in calendar related halachah
(measured in cycles of </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span>) which Yaacov (Yisrael) could now focus on,
having separated himself from Esav (the other half working to destroy or
otherwise prevent righteousness/light entering the world)<span>3</span>. </span><span face=""arial" , "helvetica" , sans-serif">The following graphics are provided to help readers contemplate the symmetry in the sequence of numbers in the new name.</span><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">Click to Enlarge</span></span></div><span style="font-size: medium;">
<br />
</span><div style="text-align: center;">
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<span face=""arial" , "helvetica" , sans-serif">The gematria of <span style="color: red;">4</span><span style="color: #8e7cc3;">7</span><span style="color: red;">4</span>, is also a sequence that one-dimension-ally describes 2 opposing tetrahedrons that have <span style="color: red;">4</span> points on one, opposite <span style="color: red;">4</span>
points on the other, or 4 faces opposite 4 faces. The combination of
the two create a star tetrahedron (magen david) that can be one-dimension-ally represented by the </span><span face=""arial" , "helvetica" , sans-serif"><span style="color: #8e7cc3;">7</span></span><span face=""arial" , "helvetica" , sans-serif"> elements in each half of the two-dimensional version. The three dimensional version of course geometrically reflects all <span style="color: red;">216</span> letters in the Explicit Name. <br /><br />We'll
let you decide whether the changes in the name of this place correlate
with God’s Name as suggested by the numbers; and whether Yaacov
understood the significance of these new names; or whether they were
just a sublime reflection of a larger reality; or whether its just a
coincidence. </span><br />
</span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: medium;"><br />____________<br /></span><br /><span style="font-size: x-small;">Footnote 1 – This Ana was the first to breed mules.<br /><br />Footnote
2 - Martziss was Esav's oldest child, and was a daughter of Yehudis,
Esav's first wife. Yehudis was the daughter of Be'eri, son of Epher, the
Hittite. <br /><br />Footnote 3 – Another thing to point out is that soon
after Yaacov’s encounter with Esav is the incident with Dinah and
Shechem. This results in Shimon and Levi wiping out all males of the
city. When the surrounding cities heard about this, terror gripped their
hearts. They were stunned; how could 2 men wipe out an entire city?!
And even though a confederacy amassed to avenge the city of Shechem,
they were too terrified to attack and aborted their mission. Thus Yaacov
was free to focus on halachah. </span></span><span style="font-size: x-small;"><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span>Footnote 4 - When they were around four miles from Ephrath, Rachel began to give birth (<i>Rashi</i>). In <i>VaYetze</i>, each of Jacob's sons was born with a twin sister, with the exception of Yoseph, who was born alone (<i>Rashi p. 78</i>).
Rachel was now giving birth to triplets, one son and two daughters
(geometrically one male and two female, like the geometry of a triangle
where any <u>two</u> points are in the same dimension, and another <u>one</u> in the dimension above). The midwife therefore said, "<i>This one will also be a son for you</i>."
It was customary for the midwives of that era not to tell a mother
whether she had a son or a daughter until she had recovered from her
delivery. Some women would be disappointed to go through the pain of
childbirth for a girl, and their depression could have adverse affects
on their recovery, even to the point of endangering their lives. Rachel
first gave birth to the two girls. The midwife however, lied to her and
told her that the second delivery was a boy. The midwife did not want
her to feel bad that she had delivered two girls, one after the other,
but this was to no avail, since it had been decreed that Rachel was to
die along the way (<i>Yafeh Toar</i> pg. 458; Rashi) / (Me'am Loez <i>VaYishlach </i>
35: 16-18, Pg 189) </span></span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-84435543037687985722023-11-18T17:39:00.002+02:002023-11-18T17:39:30.205+02:00VaYetze<p><span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In <i>Parashah</i> <i>VaYetze</i>, there are mathematic allusions to God's
Explicit Name in numerous places. Consider the phrase: “...<i>complete the week with one and we will give you the other</i>." </span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />To understand how this correlates with God's Name, flashback to last week's parashah (<a href="https://sapphiremagendavid.blogspot.com/2023/11/toldot.html" target="_blank">Toldot</a>) where the <span face=""arial" , "helvetica" , sans-serif">signature geometry</span> was embedded in the <span face=""arial" , "helvetica" , sans-serif">language</span> of the phrase: "...<i>when it came time for her to give birth, twins were in her womb</i>."
The subject of that parashah dealt with the pregnancy of Rivka and the
twins, Yaacov and Esav. However, these "twins" were in her womb
throughout the entire gestation period, <u>not</u> <u>merely</u> "<i>when
it came time for her to give birth</i>,” alluding to the <i>Shechina</i> (Holy
Feminine) and the luchot, or more specifically the <i>twins</i> that
intrinsically reflect the unique Signature of the Architect.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />This
week, in VaYetze, we see the instant replay with the same Signature,
only this time the <i>twins</i> are Leah and Rachael. Yaacov is told: “<i>complete
the week with one and we will give you the other</i>.” God says to Yaacov
(Israel) complete the week (observe the Shabbat ) and we will give you
the other (luchot) that are each 6 x 6 x 3 (108) times 2. J</span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">ust as Israel would later <span face=""arial" , "helvetica" , sans-serif">receive</span> '<span style="color: blue;">twins</span>' (the shnei luchot) </span>Yaacov<span face=""arial" , "helvetica" , sans-serif"> here receives </span><span style="color: blue;">twins</span>. Each event <span face=""arial" , "helvetica" , sans-serif">is</span> a reflection of a larger reality where the signature geometry repeats itself as time moves forward in the physical universe.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #333333; line-height: 115%;"><span face=""arial" , "helvetica" , sans-serif">We will provide additional details in a moment, however </span>those who are new to this
blog should read</span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span> each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but also such things as quantum mechanics, </span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>the physics of time and
space,</span></span></span></span> celestial dynamics, biology, chemistry (etc)<span face=""arial" , "helvetica" , sans-serif">.</span> Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>.</span></span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In
Parashah VaYetze, there are additional allusions to the Explicit Name
as well. Yehuda, for example, is born to Yaacov and his birth has
special significance. Not only was he the father of the tribe of Judah,
but his descendants would bear the royal line of kingship ("<i>the sceptre
shall not depart from Yehuda</i>") that was passed down from the pre-flood
kings as explained in the post on <i><a href="https://sapphiremagendavid.blogspot.com/2023/09/beresheit-and-noach.html" target="_blank">Bereishit and Noach</a>.</i>
Yehuda is the father of the lasting jews and it would be from his
descendants that Messiah would come. The term ‘Jew’ means “comes from
the tribe of Judah.” Of all the tribes, this is the one that lasted
throughout the ages and has returned to fulfill its role in the cosmic
scheme of things as we approach 6,000 years of human history. This is
not the place to go into why this has happened. It is sufficient to
point out that Yehuda has been and will always be the father of the
Jews.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">It
should therefore come as no surprise that his name and the
circumstances surrounding his birth have great significance with regard
to God’s Name(s). He was the 4th child of Yaacov, and father of the 4th
tribe. Events or circumstances in the Torah that are characterized by
the number 4 are almost invariably associated with more than one
instance of the number 4, because each is a reflection of the Explicit
Name and the nature of its abbreviated forms in the <span style="color: blue;">4</span> letters of the Tetragrammaton; the <span style="color: red;">4</span> letters of its polar opposite in Adnoot, and their combination (marriage) that result in the <span style="color: #6aa84f;">4</span> letters of E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh. </span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br />This
is the same “reflection” that was seen in the post on Parashah <i><a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank">Ki Thetze</a></i>, where the 4 strands of tzitzith were doubled over and become <span style="color: blue;">4</span> opposite <span style="color: red;">4</span>, on <span style="color: #6aa84f;">4</span> corners of the garment. </span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">This reflection was seen again last week, in Parashah Toldot: <span style="color: blue;">4</span> wells were dug by Avraham; the <span style="color: red;">4</span> wells were then filled in by the Philistines; but then the <span style="color: #6aa84f;">4</span> wells return to their <span face=""arial" , "helvetica" , sans-serif">earlier state</span> when they are re-dug by Yitzchak. </span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The
significance of these reflections is very lofty and requires
contemplation. If you want to know God’s Name then take time (make the
time) to comprehend this. If you want more information pertaining to
this aspect of God’s Explicit Name and its abbreviated forms, then
re-read the posts on <i><a href="https://sapphiremagendavid.blogspot.com/2023/07/massey-and-devarim.html" target="_blank">Maasey & Devarim</a></i> and Ki Thetze and specifically the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">Marriage of the Letters</a>.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Here
in this parashah, we see this same reflection again. Only this time, it
is found in the name and the circumstances surrounding Yehuda who is
the <span style="color: blue;">four</span>th son and father of the <span style="color: red;">four</span>th tribe. Yehudah's name is
also comprised of the <span style="color: #6aa84f;">four</span> letters that spell the Tetragrammaton</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In addition to the letters of the Tetragrammaton, it also
has another letter, specifically a <i>Daled</i> (ד) which has a gematria of <span style="color: blue;">four</span>. It's the <span style="color: red;">four</span>th letter of Yehudah’s name as Yehuda is the <span style="color: #6aa84f;">four</span>th
son. Coincidence? Not hardly—same reflection—a mathematic reflection
arising from a basic mathematic imperative of the <span face=""arial" , "helvetica" , sans-serif">p</span>rimordial <span face=""arial" , "helvetica" , sans-serif">t</span>orah (luchot) <span face=""arial" , "helvetica" , sans-serif">and its signature geometry</span>!</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In
the cosmic scheme of things, the division of the letters in God’s Name
(into their respective male and female counterparts) create and sustain a
physical universe in male/female form. We see this “division” or
polarization of (male-female) letters in both: 1) the Explicit Name with
<span style="color: red;">216</span> letters, where the division is seen when the luchot are brought down and where each half has a volumetric measure of <span style="color: blue;">108</span> cubic hand-breadths, and where the word “half” (<i>chetzei</i>) has a gematria of <span style="color: blue;">108</span>; and 2) in the <span style="color: #6aa84f;">4</span> letters of E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh that <i>'divide'</i> (male opposite female) into the <span style="color: blue;">4</span> letters of the Tetragrammaton </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">opposite <span style="color: red;"><span style="color: black;">the</span> 4</span>
letters of</span> Adnoot that are similarly
divided/polarized into their respective male and female counterparts
(recombined within human consciousness during the four bows).
The blueprint mathematically reflects this imperative because it is
necessary for maintaining space-time in a physical universe having
male-female attributes (duality) and this is also why we see its
reflection in the
world below as the history of mankind unfolds.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">With the division of the <span style="color: red;">216</span> letters of the Explicit Name into <span style="color: blue;">108</span> opposite <span style="color: red;">108</span> (as seen in the luchot) and the division of the <span style="color: #6aa84f;">4</span> (letters in E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh) into the <span style="color: blue;">4</span> opposite <span style="color: red;">4</span>
of the Tetragrammaton and Adnoot, the underlying basis
for a physical universe in male-female form is put in place, and so
creation progresses accordingly, in male-female form. This can be seen
in the male-female aspects of the luchot, where the combined cubic form
consists of <span style="color: blue;">5</span> internal mathematic constructs and <span style="color: red;">5</span>
polar opposites (the <i>duality</i> of the 5). This is not only found in the ”<i>physical nature</i>” of the
cosmic blueprint, but also the <i>physical nature</i> of the
created universe, as found in the <span style="color: blue;">5</span> string theories reconciled by <span style="color: blue;">dual</span> resonance). </span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Where do we see this reflection in this week’s <i>parashah</i>? When
the Daled is added to the Tetragrammaton to “create” the name of
Yehuda, it moves the last letter of the Tetragrammaton, the letter Hey
(ה) to the fifth position, where it becomes the <span style="color: blue;">5</span>th letter of his name. </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">The letter Hey
(ה) </span> has a gematria of <span style="color: red;">5</span>.
The nature of the blueprint (in the combined cubic form of the luchot)
with its <span style="color: blue;">5</span> internal mathematic constructs and their <span style="color: red;">5</span> opposites is
essentially the mathematic by-product of the separation of the letters
into their <span style="color: blue;">4</span> male and <span style="color: red;">4</span> female counterparts. So we see in this parashah,
not one, but two reflected forms of the Explicit Name and the luchot it defines in terms of <span style="color: blue;">4</span> opposite <span style="color: red;">4</span> and
<span style="color: blue;">5</span> opposite <span style="color: red;">5</span>.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">What
this means of course, is that Yehudah’s name (substance/essence) is very
special. His name is literally the Tetragrammaton (one of the
abbreviations) with the addition of the <i><span face=""arial" , "helvetica" , sans-serif">d</span>aled</i>. So the shadow of the
Creator’s Name of <span style="color: red;">216</span> letters is seen in the <span style="color: blue;">4</span>
letters of the abbreviation manifested in the physical person of Yehuda
whose name consists of those letters, along with the 5th letter that
alludes to the mathematic nature of the blueprint; the halacha that his
descendants would observe; and the nature of the physical universe in
which this observance would take place. Each is simply a time-dependent
reflection of the creation equation.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The letter <i><span face=""arial" , "helvetica" , sans-serif">d</span>ale<span face=""arial" , "helvetica" , sans-serif">d</span></i> (with a gematria of <span style="color: blue;">4</span>) is equally revealing in that it is in the <span style="color: red;">4</span>th position of this name, manifested in the <span style="color: #6aa84f;">4</span>th son. This is a direct reflection again, of: 1) the <span style="color: blue;">4</span> letters in the Tetragrammaton; 2) the <span style="color: red;">4</span> letters of Adnoot and; 3) their “recombinant form” in the <span style="color: #6aa84f;">4</span>
letters of E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh. This is why the
last of these Names (the unified form: E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh) is seen in verse 31:3
where God tells <span style="color: blue;">Yaacov to</span> “<span style="color: blue;">...return</span> to the <span style="color: red;">Land</span>
of your fathers, … and I (<span style="color: #6aa84f;">E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh</span>) will be with you” (the return being in essence a unification of the Name). The reason the
Jewish people are “married” to the land (and must return) is that <span face=""arial" , "helvetica" , sans-serif">our</span>
very existence is wrapped up in the unification of the letters in God’s Name (last week’s post explains
why this Name is used in reference to the land). That’s why returning to
the land is necessary to sanctify the Name. The <span style="color: red;">4</span> letters of the abbreviation(s) as they pertain to the land are then manifested in verse </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">28:14 where the </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">4</span> cardinal directions: north-south-east-west </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> are then mentioned, </span></span>their physical existence being “measured” by, and dependent upon this Name.</span> </span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The <span style="color: red;">three</span> (<span style="color: #bf9000;">four</span>-letter abbreviations) of the Name are a reflection of the<span style="color: red;"> tri</span>ad nature of the One Unique fully expanded Explicit Name that consists of <span style="color: blue;">72</span>
<span style="color: red;"> tri</span>plets. There are many reflections of these “triplets” in this week’s
parashah. Each is a reflection of the Name. There are, for example:<span style="color: blue;"> </span></span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: red;">3</span> flocks of sheep waiting to be watered when Yaacov comes to the well in Charan. <br /><br /><span style="color: red;">3</span> days pass before Lavan is told Yaacov has fled. <br /> (After having separated the sheep that would be Yaacov’s wages: 30:36</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> 3 days distance is put between Lavan and Yaacov and thus 3 days pass</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> before Lavan is told that Yaacov has fled). <br /><br /><span style="color: red;">3</span> types of fresh rods are used by Yaacov (poplar, hazel, chestnut) <br /> (he then peels them to create the “hypnotic sheep mating sticks”)<br /><br /><span style="color: red;">3</span> types of sheep result from using three types of rods: ringed, speckled, and checkered. <br /><br />Notice that there are <span style="color: #bf9000;">four</span> instances of <span style="color: red;">3</span>.
The events that give rise to these numbers are dictated by the internal
geometry of the luchot, as mentioned in the essential construct on the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-primordial-torah.html" target="_blank">primordial torah</a>. In this case it is an aspect of t<span><span face=""arial" , "helvetica" , sans-serif">he tetrahedron
within the cube (which is one of its five internal mathematic constructs) that has <span style="color: #bf9000;">four</span> <span style="color: red;">tri</span>angular <span face=""arial" , "helvetica" , sans-serif">faces</span> with a total of <span style="color: blue;">72</span>0 degrees. </span></span>Each alludes to the nature of the Name with <span style="color: red;">3 </span>x <span style="color: blue;">72</span> or <span style="color: red;">216</span> letters abbreviated as <span style="color: #bf9000;">four</span> (opposite <span style="color: #bf9000;">four</span>).</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The 4 letters in Yehudah’s name that are those of the Tetragrammaton, plus the 5th letter (the <i><span face=""arial" , "helvetica" , sans-serif">d</span>aled</i>) have a gematria of <span style="color: red;">3</span>0 (or <span style="color: red;">3</span> “tens”). The <span style="color: #bf9000;">4</span> instances above are another reflection of the abbreviations and the “<span style="color: red;">3</span>” alludes to the <span style="color: red;">tri</span>ad
nature of the Name. The reason for the multiple of 10, is that Yehudah’s
descendants (until today) have always kept (collectively) the 10 Commandments
inscribed on the luchot, whose volumetric measure corresponds to the
total number of letters in the <span style="color: red;">Tri</span>ad Havayah of <span style="color: blue;">72</span> (<span style="color: red;">216</span>).
Other tribes of Israel did not keep the commandments and were ultimately
lost, and so as we mentioned above, the surviving Jews are (mostly) from
the tribe of Judah/Yehuda.<br /><br />Additional reflections of this geometry are found in the circumstances involving Ya'acov’s journey
to Charan when he stops in Luz. He has a dream in which God appears, so
when he awakes, he calls the place Beth El. Luz (the original name) has a
gematria of <span style="color: #bf9000;">4</span><span style="color: red;">3</span>.
The integer sequence in the gematria (that should now sound vaguely
familiar) consists of the numbers that happen to characterize the above
events/circumstances. Beth El (the new name) however, has a gematria of <span style="color: #bf9000;">4</span><span style="color: blue;"><span style="color: black;"><span style="color: #bf9000;">4</span><span style="color: red;">3<span style="color: black;"> (a star tetrahedron which is the geometry of unification has <span style="color: #bf9000;">four</span> faces on one half, and <span style="color: #bf9000;">four</span> faces on the other half</span></span></span>, <span style="color: black;">each with <span style="color: red;">3</span> corners</span>. <span style="color: black;">The
cosmic blueprint (<span face=""arial" , "helvetica" , sans-serif">p</span>rimordial <span face=""arial" , "helvetica" , sans-serif">t</span>orah) ultimately specifies reality in the
world below. In this case, the names reflect the larger reality. The
change in the name of this place, as seen in the </span></span>sequence of numbers in their gematria, is the same with the exception of the additional <span style="color: #bf9000;">4</span> following the first <span style="color: #bf9000;">4</span>. Yaacov says in 28:17 “Surely <u>God</u> <u>is</u> <u>present</u> <u>in</u> <u>this</u> <u>place</u>!” He then changes the name from Luz (<span style="color: #bf9000;">4</span><span style="color: red;">3</span>) to Beth El (<span style="color: red;"><span style="color: #bf9000;">4</span><span style="color: blue;"><span style="color: #bf9000;">4<span style="color: red;">3</span></span></span></span>) alluding both to the two primary abbreviations in the <span style="color: #bf9000;">4</span> letters of the Tetragrammaton and the <span style="color: #bf9000;">4</span> letters of Adnoot, and the nature of their position in the <span style="color: red;">Tri</span>ad
Name that define His presence in this place (a total of <span style="color: blue;">72</span> small faces with <span style="color: red;">3</span> corners on the <span style="color: #bf9000;">4</span> faces of one opposite the <span style="color: #bf9000;">4</span>
faces of the other). In other words, the Name and its abbreviations
define the geometry of the blueprint (luchot) which in turn defines the
world <i>below</i>, or the nature of creation as it progresses over
time, toward unification, and its ultimate perfection. Names are
important. They
reflect the essence of what is named; what has happened; or what will
happen in the future. That’s why our tzadikkim recommend changing the
name of someone who is sick, to restore their health. It's not the new
name that is important, so much as how accurately the new name
reflects the letters of the Creator's Name. <br /><br />In order to explain
it a little differently, the letters have
their counterpart in the numbers and sets of numbers in the mathematic
structure of the star tetrahedron (three-dimensional magen david) which
is a geometric reflection of the letters in God’s Explicit Name. This
reflection (which is again 1 of 5 internal constructs within the
combined
cubic form of the luchot) defines the geometry of a star tetrahedron
that happens to consist of a tetrahedron with <span style="color: #bf9000;">4</span> faces/points opposite another tetrahedron with <span style="color: #bf9000;">4</span> </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">faces/points</span>, each face having <span style="color: red;">3</span>
corners. The internal geometry of the luchot (blueprint) defines reality in the
world below, although we seem to decide (by our actions) how it is to be
manifested. In this case, Yaacov sanctified God’s Name (proclaiming
God’s Presence) in this place (Luz) by changing its name to Beth El. Of
course, as you might suspect, the Presence of God’s Name is found in
many additional places. We’ve examined the 3s and the 4s. The 7s are also somewhat revealing. <br /><br />The 7s (as we’ve explained many times throughout
the blog) generally correlate to our observance of calendar related
halachah. However, they are an inherent aspect of the blueprint (luchot)
as well. Sometimes they are seen as <span style="color: blue;">7</span> opposite <span style="color: blue;">7</span>, in which case they are a one-dimensional reflection of the magen david in the form of its <span style="color: blue;">7</span> elements opposite <span style="color: blue;">7</span> elements (as explained in the post on <a href="https://sapphiremagendavid.blogspot.com/2022/04/emor.html" target="_blank">Emor</a> which is a prerequisite to understanding this particular reflection of God’s Name). In other cases they appear as <span style="color: red;">three</span> <span style="color: blue;">7</span>s,
in which case they are a one-dimensional metric expression that corresponds to
(the cubic nature) in the cycles of 7 that mark the passage of <i>time</i>, a
construct that hides <span style="color: red;">three</span> <span style="color: #6aa84f;">6</span>s corresponding to the combined cubic form
of the luchot and the letters of the Explicit Name </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">as detailed in posts like <i><a href="https://sapphiremagendavid.blogspot.com/2023/05/behar-and-bechuko-thai.html" target="_blank">BeHar and Bechuko-thai</a></i></span><i>. </i><br /><br />In this parashah, we see this aspect of the blueprint/luchot manifested in: 1) the <span style="color: blue;">7</span> years that Yaacov worked for Rachel but then by deception marries Leah instead; 2) the <span style="color: blue;">7</span> days of wedding celebrations after the wedding and then; 3) Yaacov agrees to work another <span style="color: blue;">7</span> years for Rachel. These <span style="color: blue;"><span style="color: red;">three</span> 7</span>s define the cycles of “<i>time</i>” in a physical universe with </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;"><span style="color: red;">three</span></span></span> observable spacial
dimensions, invariably expressed in terms of sevens like </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> days (week) </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> x </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> days
(omer) </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> years (shmitah) </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> x </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> years (jubilee). All are reflections of cycles
pertaining to halachah, </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"> defined by the geometry of the luchot</span>. This observance (that
reflects the nature of time) as previously mentioned, “hides” the <span style="color: red;">216</span>
elements, which are the spaces/intersections within the matrix that
corresponds to the combined cubic form of the luchot and the <span style="color: red;">216</span> letters of the Explicit Name (again, explained more fully in the post on </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><i><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">BeHar and Bechuko-thai</span></span></i>). <br /><br />In this case, there were not only <span style="color: blue;">7</span> (years) for Leah and <span style="color: blue;">7</span>
(years) for Rachel: </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> opposite </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> (years) but also </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> (days) of wedding
celebrations, that then led to the </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> (days) it took for Lavan to catch
up with Yaacov on Mt. Gilead. So we see the </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span>s as both <span style="color: blue;">7</span> opposite <span style="color: blue;">7</span> (as in the royal seal of the magen david) but also <span style="color: blue;"><span style="color: red;">three</span> 7</span>s
as in the matrix of time that hides the Signature of the Architect, a
signature that is now complete after the culmination of these events. A <span style="color: red;">tri</span>angle coincidentally consists of <span style="color: red;">three</span> points (from among a total of <span style="color: blue;">7</span> elements) where <u>one</u> point is different from the other <u>two</u>
points (any two of its points exist in one dimension while the third
point is in the second dimension with respect to the first two). The
events (below) mirror the geometry imposed by the primordial blueprint,
and so the sevens take the form of</span><span style="font-size: medium;"> <span face=""arial" , "helvetica" , sans-serif">7 (<span style="color: #6aa84f;">years</span>) for Leah; 7
(<span style="color: #6aa84f;">years</span>) for Rachel and</span><span face=""arial" , "helvetica" , sans-serif"> </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">7</span></span> (<span style="color: #c27ba0;">days</span>) of celebration, where <u>one</u> period (or measure) of time, is different from the other <u>two</u>. </span><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">This series of events continues
when Lavan eventually catches up to Yaacov. They make a treaty and then
pile stones on top of one another to mark the spot. The terms of the
treaty required each to refrain from crossing the border to harm the
other, and the stones marked the border set by the treaty. Then they
name the place Gilead which is actually two words (“Gal” and “Aid”) that
mean “witness mound,” in reference to the stones. Each person was of
course required to keep his half of the bargain. The gematria of “<span style="color: blue;">half</span>” is <span style="color: blue;">108</span> (<u>as is the gematria for</u> "<span style="color: blue;">the</span> <span style="color: blue;">stones</span>"
which is what they had piled up as a "<u>witness</u>"). The new name for the
place was Gilead, but it has a gematria of 107, which falls "1
short" of the mark (108 being half). The implication was that 1 party (Lavan) would not
keep his half of the bargain. Yaacov may have suspected as much. In next
week’s parashah, we’ll see how this is rectified.<br /><br />At any rate,
the treaty required each party to refrain from crossing the border to
cause harm to the other, but soon after, Yaacov encounters Esav coming
against him with 400 men (next week’s parashah). How did Esav know that
Yaacov was coming? It turns out that when Lavan got home, he sent his
son Beor to incite Esav, to kill Yaacov, in violation of the treaty he
had just made (hence the defective gematria). <br /><br />Beor along with
AviCheref, the son of Utz (who
was the son of Nahor) and 10 men (quite an entourage) run to Seir to do
the will of Lavan. When they reach Esav, they spin a twisted tale
accusing Yaacov of deception. Beor tells Esav that Yaacov "left
suddenly" without telling Lavan, as though Yaacov had committed a crime
(the alleged reason for leaving suddenly).
The truth was that Yaacov knew Lavan would try to prevent his departure
and he had no alternative. However, the truth didn't matter to Beor as
long as the desired result was achieved. And indeed it was, as the
allegation reminded Esav that Yaacov deceived him too, by "stealing" the
blessings and
birthright (which was never true in the first place since the birthright
had been purchased). Then after further distorting the truth, and
getting Esav
worked up, they inform him of Ya'acov’s whereabouts. So Esav gathers an
army and marches against Yaacov. The bottom line is that Lavan, lacking
any respect for God or what God requires of men (alluded to by each
luchot with 108 cubic hand-breadths and the commandment against "bearing
false witness" or "murder") failed to keep his "<span style="color: blue;">half</span>" of the bargain
alluded to by the gematria of Gilead (107). Gilead, made up of the 2 words
(even in the Aramaic of 31:47) signified the treaty made by 2 parties,
or 2 halves. To rectify the breach in the treaty, God had Lavan die
within 2 years of his violation of the treaty, so we see 107 (Gilead) +
107 (Lavan's unkept half of the treaty) 'create' the requirement limiting his life to 2 more years: 107 + 107 + 2 = <span style="color: red;">216</span>.
The events once again are specified in the geometry of the luchot and
the letters of creation, that are once again, themselves derived from
the letters of the Name</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In
summary, we’ve seen numerous instances in this parashah where a
knowledge of God’s Explicit Name is a prerequisite for both protection
and blessing. <span face=""arial" , "helvetica" , sans-serif">The signat<span face=""arial" , "helvetica" , sans-serif">ure geometry here</span></span> takes one of 3 primary mathematic and/or
geometric forms: 4 opposite 4 (that are 4); 5 opposite 5, and 3 x 72.
These reflections of the Name go hand-in-hand with understanding the
nature of the luchot and what God requires of man. When Israel honors
God’s Name and observes halacha, "he" is blessed and protected. When "he"
does not, the blessings and protections take a different form, a form
involving painful realizations that inevitably lead Israel back to its
original path, ultimately destined to "return" (4 times) to the Land; a
path involving tikkun (rectification) of human consciousness; and a path
that invariably reflects every aspect of the letters in God's Name.
</span></span></p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-73709356087779178352023-11-12T05:43:00.000+02:002023-11-12T05:43:06.412+02:00Toldot<p><span style="font-family: inherit;"><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">In Parashah Toldot, we find
the unique mathematic and geometric Signature of the Explicit Name
hidden in the concept that is embedded in the phrase: "<i>When it came time to give birth<span face=""arial" , "helvetica" , sans-serif"> </span>...<span style="color: blue;">twins</span> were in her womb</i>."<span style="color: #333333;"><span><span face=""arial" , "helvetica" , sans-serif"> </span></span></span><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #333333; line-height: 115%;">This is an allusion to the primor<span face=""arial" , "helvetica" , sans-serif">dial <i>twins, </i>in essence <span face=""arial" , "helvetica" , sans-serif">the dual nature of a</span> mathematic system on whi<span face=""arial" , "helvetica" , sans-serif">ch t<span face=""arial" , "helvetica" , sans-serif">he universe is based<span face=""arial" , "helvetica" , sans-serif">, a cosmic</span><span face=""arial" , "helvetica" , sans-serif"> 'blueprint' </span></span></span><span face=""arial" , "helvetica" , sans-serif">defined by the letters of</span> the Creator's Name. </span></span></span></span></span><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span><span style="color: #333333; line-height: 115%;">Before offering a<span face=""arial" , "helvetica" , sans-serif"> more detailed</span> explanation, those who are new to this
blog should read</span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span> each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but also such things as quantum mechanics, </span></span></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>the physics of time and
space,</span></span></span></span> celestial dynamics, biology, chemistry (etc)<span face=""arial" , "helvetica" , sans-serif">.</span> Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>.</span> </span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">The
subject of Toldot deals with, among other things,<span face=""arial" , "helvetica" , sans-serif"> </span>the pregnancy of
Rivka and the twins in her womb (Ya'acov and Esav). <span face=""arial" , "helvetica" , sans-serif">T</span>hese
"twins" were of course<span face=""arial" , "helvetica" , sans-serif"> </span>in her womb throughout the entire gestation period, <u>not</u> <u>
merely</u> "<i>when it came time for her to give birth</i>." <span face=""arial" , "helvetica" , sans-serif">T</span>he
unusual wording of the text alludes to a much larger reality, one whi<span face=""arial" , "helvetica" , sans-serif">ch is </span>very
significant. In this case it alludes to the Shechina and the division of the primordial torah<span face=""arial" , "helvetica" , sans-serif"> <span face=""arial" , "helvetica" , sans-serif">or </span></span>combined
cubic form of the luchot. Thus,
"<i>when it came time to give birth</i>" (<span face=""arial" , "helvetica" , sans-serif">to</span> the creation of the universe) du<span face=""arial" , "helvetica" , sans-serif">ality was established. This primal event is later mirrored in the literal "bringing down" (by Moshe) of the "foundation stone </span>(luchot) as "twins" when the sapphire block under the throne was divided. The luchot were not twins until that moment in
time. Hence, <u>only</u> "<i>when it came time </i><span face=""arial" , "helvetica" , sans-serif"><i>to give birth</i>," were there "<i>twins<span face=""arial" , "helvetica" , sans-serif">... </span>in</i> <span face=""arial" , "helvetica" , sans-serif">'</span><i>her</i><span face=""arial" , "helvetica" , sans-serif">' <i>womb</i>." </span></span></span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">There are three prominent witnesses to that effect. </span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><b><span style="color: blue;">1</span></b>)
The measure of the luchot that were divided (<span face=""arial" , "helvetica" , sans-serif">geometric</span> twins) at the time of
birth (when it was given) were 6 x 6 x 3 hand-breadths <span face=""arial" , "helvetica" , sans-serif">and so t</span>he volumetric measure of each "twin" was <span style="color: blue;">108</span>. The
two were thus: <span style="color: blue;">108</span> + <span style="color: blue;">108</span> (or <span style="color: red;">216</span> cubic hand-breadths)<span face=""arial" , "helvetica" , sans-serif">. T</span>here are <span style="color: red;">216</span> letters in God's Explicit Name.<br /><br />The specifications within the cosmic blueprint<span face=""arial" , "helvetica" , sans-serif"> (</span>luchot) that are "defined" by the letters of God's Name, cast their shadow in the world below and...<br /><br /><b><span style="color: red;">2</span></b>)
Th<span face=""arial" , "helvetica" , sans-serif">ose</span> specifications manifest themselves as <span style="color: blue;">twins</span> <span face=""arial" , "helvetica" , sans-serif">born to Rivka. </span>Yaacov and Esav<span face=""arial" , "helvetica" , sans-serif"> </span>were both born in the <span style="color: blue;">108</span>th year of the 3rd
millennium<span face=""arial" , "helvetica" , sans-serif">:</span> <span style="color: red;">2</span> sons, <span style="color: blue;">108</span> years = <span style="color: red;">216</span><span face=""arial" , "helvetica" , sans-serif">,</span> and...</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><b><span style="color: #38761d;">3</span></b>) </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">The
millennium (and the year within the millennium) also reflect this
geometry in that they are also the same as the <span style="color: blue;">twins</span>. The year was <span style="color: red;">2</span><span style="color: blue;">108</span>.</span></span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"> </span><br />The mathematic and geometric specifications in the cosmic blueprint/luchot (as they apply to</span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"> the foundations of the world) </span>are
very precise and so the <span face=""arial" , "helvetica" , sans-serif">signature geometry</span> is deeply embedded
in the event. The closer the source, the brighter the reflection.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">Of
course, these are not the only allusions to God's Explicit Name found
in this week's parashah. In fact it is hidden in 3 additional forms: 4
opposite 4; 5 opposite 5; and 3 x 72 (216). These forms are all
interconnected. <br /><br />The triad form, or <span style="color: red;">3</span> x <span style="color: blue;">72</span> will be examined first. In this parashah, we see one of the rare instances where three-word
verses occur in Torah, specifically in 26:7. While it may seem
coincidental, this is actually a reflection of the triad nature of the
Name. That reflection takes form in the geometry of </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span>s within </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span>s as found in the magen david. So when Yitzhak moves from Gerar, he digs<span style="color: blue;"> </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span style="color: blue;"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3</span></span></span>
wells (we'll go into more detail in the <span face=""arial" , "helvetica" , sans-serif">paragraphs</span> ahead). This is simply another part of the same reflection. These
instances of the number three conform to the geometry of a star
tetrahedron or three-dimensional magen david, that ultimately has <span style="color: blue;">72</span> <span style="color: red;">tri</span>angular corners (or <span style="color: red;">216</span>
geometric components) that in turn correspond to the volumetric measure
of the luchot and the number of letters in God’s Explicit Name.<br /><br />The
second form we will examine is the nature of the opposing 4s
corresponding to the letters of the Tetragrammaton and the Havayah of
Adnoot (<span style="color: blue;">4</span> opposite <span style="color: blue;">4</span>). You will recall from various posts that a star tetrahedron consists of two opposing tetrahedrons, each having <span style="color: blue;">4</span> points (opposite the <span style="color: blue;">4</span> points on the other) and <span style="color: blue;">4</span> faces (opposite the <span style="color: blue;">4</span>
faces on the other). These opposing sets of four are geometric reflections
corresponding to the nature of the two primary abbreviations of God’s
Name. In this parashah, the reflection in the world below is found in
the <span style="color: blue;">4</span> blessings that Esav receives from
Yitzhak, after Yaacov takes what is rightfully his (essentially all the
blessings) after purchasing the birthright. This is opposite the <span style="color: blue;">4</span> that God promises Yitzhak because He will bless him with the blessing of Avraham. These are found in the <span style="color: blue;">4</span>
categories of ordinances that Avraham kept, that are alluded to in the
text as: 1) God’s Safeguards; 2) Commandments; 3) Decrees; and 4)
Laws. So we see the nature of the letters in the abbreviations of <span style="color: blue;">4</span> opposite <span style="color: blue;">4</span> in the characteristics of the events that have their counterpart in the geometry of the magen david (tetrahedrons) with <span style="color: blue;">72</span> <span style="color: red;">tri</span>angular components reflecting, again, the nature of God’s Explicit Name of <span style="color: red;">216</span> letters. <br /><br />Also,
in this week’s parashah, 2 people get married at the age of 40:
Yitzhak and Esav. Yitzchak and Esav were the epitome of opposites: “the
righteous man<span>1</span> and the evil twin.” In this case we see the Signature of the Architect in their ages at <span style="color: blue;">4</span>0 opposite <span style="color: blue;">4</span>0, or <span style="color: blue;">4</span> (tens) opposite <span style="color: blue;">4</span> (tens). These opposites are again geometric reflections of their origin in the primordial torah, <span face=""arial" , "helvetica" , sans-serif">that is</span> the <span style="color: blue;">4</span> opposite <span style="color: blue;">4</span> in the magen david (of three-dimensions) where the marriage of two tetrahedrons create <span style="color: #6aa84f;">10</span> smaller polyhedrons. The <span style="color: blue;">4</span> opposite <span style="color: blue;">4</span> that become these <span style="color: #6aa84f;">10</span>,
are built into the geometry that is associated with the Explicit Name
and its Abbreviations and so we see it in the events as well. <br /><br />This
is in fact why we see so many opposing 4s and opposing 5s in Torah and
why pairs of 4s are often connected to 10. The 10 are like the 10
Commandments that were inscribed on the luchot. In this case, the 4 and
the 10 are really reflections of the same thing, the luchot and the
Name. The external dimensions of the combined cubic form of the luchot
dimension were <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> = <span style="color: red;">216</span> hand-breadths, again the number of letters in God’s Explicit Name. The internal “dimensions” were the <span style="color: blue;">5</span> mathematic constructs (with <span style="color: blue;">5</span>
polar opposites) that were revealed (manifested externally) when they were brought down as
the 10 commandments on 2 tablets. The allusions to the nature of God’s
Name and its abbreviations are always hidden beneath the surface. For
example, in this week’s parashah we again see incidents involving wells.
<br /><br />You may remember that in <a href="https://sapphiremagendavid.blogspot.com/2023/10/vayera.html" target="_blank">Parashah VaYera</a>,
Avraham dug wells, like the famous large well whose ownership was
disputed by the Philistines that resulted in the treaty made with
Avimelech, and where the place became Be’er Sheva. <br /><br />The
Philistines never forgot Avraham’s new-found fortune and so when Avraham
died in the year 2123, the Philistines (besides mourning the loss of a
great person) went to the wells he had dug and filled them with dirt:
“Hah!” thought the Philistines, “...now we’ve cut off your wealth.” It
was a foolish move on their part however, because within a year of
Avraham’s death, God sent a famine to the Land of Canaan. The effect was
to show that the land itself was mourning the loss of this great man,
but it actually had a double effect, because now when the Philistines
desperately needed water, they had none. They’d filled in the wells! <br /><br />Meanwhile,
Yitzhak moves to Gerar and with the land, vineyards, and livestock
that he was given, he becomes successful. In the year of famine, he
reaps a hundredfold! This was too much for the Philistines to bear, so
they kick him out of their city. That's why Yitzhak moves to the
suburbs (the Valley of Gerar) and there he re-digs the wells that the
Philistines had filled in. The Philistines naturally quarrel with him over
the wells. Yitzhak names the wells accordingly. Then he moves back to
Be’er Sheva. <br /><br />This is where we examine the Explicit Name, or what is commonly called the <span style="color: red;"><span style="color: blue;">Tri</span></span>ad Havayah of <span style="color: blue;">72</span>. Yitzhak dug a total of <span style="color: red;"><span style="color: blue;">3</span></span> wells in the Valley of Gerar and named them after the incidents that had occurred. The gematria of the names of these <span style="color: blue;">3</span> wells is <span style="color: blue;">144</span><span style="color: #6aa84f;">0</span>. The number <span style="color: blue;">144</span> reflects only a portion of the letters in the Triad Name, specifically <span style="color: red;">2</span> x <span style="color: blue;">72</span> or <span style="color: blue;">144</span> (<span style="color: #6aa84f;">tens</span>). The remaining <span style="color: blue;">72</span> are missing (from the <span style="color: red;">216</span>) but we'll <span face=""arial" , "helvetica" , sans-serif">provide more on this in a moment</span>. Notice also, that this number is <span style="color: #6aa84f;">10</span> times the core number of <span style="color: blue;">72</span>, as we saw above in the <span style="color: blue;">4</span>0 years opposite <span style="color: blue;">4</span>0 years (<span style="color: #6aa84f;"><span style="color: black;">also</span> 10</span> times the core number). The significance of this multiple of <span style="color: #6aa84f;">10</span> will be discussed in a moment. In order for these wells to reflect the nature of the <span style="color: red;">Tri</span>ad Name, we need to find the <span style="color: blue;">72</span> (<span style="color: #6aa84f;">tens</span>) that are missing. Remember this missing component because we’ll come back to it shortly.<br /><br />In
the meantime, Yitzhak still had one more well to dig. Remember that at
this point he’d just moved back to Be’er Sheva where his men would
re-dig the large well that Avraham previously excavated (in Parashah VaYera). This would be the <span style="color: blue;">4</span>th well.<br /><br />When
Yitzhak gets back to Be’er Sheva, king Avimelech decides to make
amends. He comes to visit Yitzhak, along with General Pichol and a
group of friends. There they renew the treaty that their fathers made in
Parashah VaYera. Then Avimelech returns home, but the very same day
they make the treaty, Yitzhak’s men inform him they’ve struck fresh
water! Where? It was the well that Avraham excavated 51 years before.
Yitzhak resurrects the previous name (Be’er Sheva) for the same reason.
The day that Yitzhak made an oath with the Philistines was the day his
men found water. So he called the well “Shiva,” meaning “Oath,” and it
is called Be’er Sheva to this day. This completed the re-digging of the 4
wells that Avraham dug many years earlier. And so now, with the <span style="color: blue;">4</span> wells that Avraham dug, and the <span style="color: blue;">4</span>
wells that Yitzhak re-dug, we have a complete reflection of the 4
pairs of letters in the abbreviations, and their “marriage” (see the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">marriage of the letters</a> for details) in the
events of the 2 patriarchs that occurred over time, as seen in the post
on <a href="https://sapphiremagendavid.blogspot.com/2023/07/massey-and-devarim.html" target="_blank">Maasey & Devarim</a>. <br /><br />We see a hint of the marriage between these letters in the famine when it first started. God appeared to Yitzhak and said “<i>don’t go down to Egypt, rather stay in this Land, and I will be with you</i>.”
The Name used here is the Havayah of E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh (the Name that results from the
marriage of the Tetragrammaton and the Havayah of Adnoot, as shown in
detail in the post on <span face=""arial" , "helvetica" , sans-serif">the m</span>arriage of the <span face=""arial" , "helvetica" , sans-serif">l</span>etters).
God appeared to Yitzhak in this “form” because by staying in the Land
of Canaan, Yitzhak would end up re-digging the 4 wells that his father
had dug, and thus the combination of the 4 opposite 4 in the events,
would become like the 4 of E<span face=""arial" , "helvetica" , sans-serif">h</span>yeh. This would complete the marriage of
the four-letter abbreviations for the <span style="color: red;">216</span> letters. Until it was complete (until the
well at Be’er Sheva was re-opened) the events are incomplete, and thus
the first 3 wells have a gematria of only 1440 (<span style="color: red;">2</span> x <span style="color: blue;">72</span> “tens”) where the <span style="color: red;">3</span>rd <span style="color: blue;">72</span> is missing. These events started because of a famine, a word that happens to have a gematria of <span style="color: red;">2</span><span style="color: blue;">72</span> which is identical to the factors in <span style="color: red;">2</span> x <span style="color: blue;">72</span> for the gematria of the names of the 3 wells mentioned above (<span>see the "additional notes" on </span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span><span face=""arial" , "helvetica" , sans-serif"><span>the significance of numeric sequences at</span></span> the conclusion of this post</span>). </span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">In
this case, each is a reflection of the other, still missing <span style="color: blue;">72</span>. Keep in
mind however, that the 4th well has not yet been re-dug.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
</p><div style="text-align: center;">
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"> (Click to Enlarge)</span></span></div><span style="font-family: inherit;"><span style="font-size: medium;">
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<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZF_2iqzRKcA91lBnYOujXkTtyxTQSm5txjUHXk96FZiSUk6W_V1IYup45o8_ICuGigoXEa5HsM3QWiz4nrt7LH-Jm0HTkR6Bq1WiiAYV0rFJX2Joz1y3T79ihzCoyWtEo8kq27s9KuOB5/s1600/Luchot+%282+x+72+and+1+x+72%29.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZF_2iqzRKcA91lBnYOujXkTtyxTQSm5txjUHXk96FZiSUk6W_V1IYup45o8_ICuGigoXEa5HsM3QWiz4nrt7LH-Jm0HTkR6Bq1WiiAYV0rFJX2Joz1y3T79ihzCoyWtEo8kq27s9KuOB5/s400/Luchot+(2+x+72+and+1+x+72).tiff" width="400" /></a></span></span></div><span style="font-family: inherit;"><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"> </span><br />
<span face=""arial" , "helvetica" , sans-serif">This is slightly different from the <span style="color: red;">3</span><span style="color: blue;">72</span> in VaYera where it was found (complete) in the gematria of the name “Be’er Sheva.” Here in Toldot, we have only <span style="color: red;">2</span><span style="color: blue;">72</span>
in the gematria for the first 3 wells. Just as 3 letters would be
incomplete (missing the 4th letter) the 3 wells are incomplete (missing
the 4th well). A “letter” of the Name is missing from the events until
the re-digging of the 4th well came along to reconcile the difference
(Be’er Sheva having a gematria of <span style="color: red;">3</span><span style="color: blue;">72</span>) at which point the gematria found in the events, would properly reflect all three components of the <span style="color: red;"><span style="color: red;"><span style="color: blue;">Tri</span></span></span>ad form of the Name in the sequence of numbers of the gematria. Moreover, <u>until</u> <u>that</u> <u>time</u> (while it was <u>only</u> <span style="color: red;">2</span><span style="color: blue;">72</span> and <u>lacking</u> the third component) there was a famine (lack) in the Land. </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">To clarify: The digging of the 4 wells stand opposite the "filling in" of those 4 wells, like the 4 letters of the T<span face=""arial" , "helvetica" , sans-serif">et</span>ragrammaton stand opposite the 4 letters of Adnoot. The 4 wells are then re-opened<span face=""arial" , "helvetica" , sans-serif">. Similarly,</span> the letters of the Names combine<span face=""arial" , "helvetica" , sans-serif">,</span> the result being the 4 letters of Ehyeh (as known). The gematria of the fourth well, </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Be’er Sheva, <span face=""arial" , "helvetica" , sans-serif">being</span> <span style="color: red;">3</span><span style="color: blue;">72</span> testifies to the signature geometry that "<i>defines</i>" the l<span face=""arial" , "helvetica" , sans-serif">uchot, <span face=""arial" , "helvetica" , sans-serif">and</span> every aspect of reality! Contemplate this.</span> </span> <br /><br />As for the <span style="color: #6aa84f;">10</span> in the <span style="color: blue;">144</span> (tens) mentioned previously<span face=""arial" , "helvetica" , sans-serif"> (</span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">2 <span style="color: black;">x</span> </span><span style="color: blue;">72<span style="color: black;">)</span></span></span></span> the factor of <span style="color: #6aa84f;">10</span> is an allusion to the <span style="color: blue;">10</span> Commandments which (would be) inscribed on the shnei luchot, whose combined cubic volume was <span style="color: red;">3</span> x <span style="color: blue;">72</span> or <span style="color: red;">216</span> hand-breadths. At this point you should begin to see how these patterns connect with one another. </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">In 27:28-29 Yitzhak gives <span style="color: red;">10</span> blessings to Yaacov<span>2</span> however those blessings are just like the <span style="color: blue;">10</span> commandments on which they would depend. That is, just as the commandments were <span style="color: blue;">5</span> on one (tablet) opposite <span style="color: red;"><span style="color: blue;">5</span></span> on the other, the <span style="color: red;">10</span> blessings are also found in the form of 5 pairs (<span style="color: blue;">5</span> opposite <span style="color: red;"><span style="color: blue;">5</span></span>). <br /><br />The 10 Blessings were: May God grant you the... <br /><br />1) <span style="color: blue;">Dew of the heavens</span>; and the<br />2) <span style="color: red;">Fatness of the Earth</span>;<br /><br />3) <span style="color: blue;">Abundant Grain</span>; and<br />4) <span style="color: red;">Abundant Wine</span>;<br /><br />5) <span style="color: blue;">Nations will serve you</span>; and<br />6) <span style="color: red;">Regimes will bow to you</span>;<br /><br />7) <span style="color: blue;">Be a lord to your kinsmen</span>; and<br />8) <span style="color: red;">Your mother’s sons will bow to you</span>;<br /><br />9) <span style="color: blue;">Cursed be those who curse you</span>; and<br />10) <span style="color: red;">Blessed be those who bless you</span>.<br /><br />Coincidence?
Of course not. <span face=""arial" , "helvetica" , sans-serif">This is</span> another reflection of the signature geometry in the cosmic blueprint; and its just beneath the
surface of the narrative where it becomes invisible to the casual
observer. <br /><br />The <span style="color: red;">10</span> Blessings <span face=""arial" , "helvetica" , sans-serif">also</span> correspond to each of the <span style="color: blue;">10</span> Commandments:<br /><br />1) <span style="color: red;"><span style="color: black;">May God give you </span>the dew of the heavens</span>; <span style="color: blue;">I am HaShem, your God</span>, who dwells in the <u>heavens</u>.<br /><br />2) <span style="color: red;"><span style="color: black;">You will get the </span>fatness of the earth</span>; <span style="color: blue;">honor your mother and your father<span style="color: black;">, <i>so that your days will be <u>lengthened upon the land</u></i></span></span><i>.</i><br /><br />3) <span style="color: red;"><span style="color: black;">You will have </span>abundant grain</span>; therefore <span style="color: blue;"><span style="color: black;">you have no need to </span>covet your neighbor’s anything</span>, for you will be wealthy and can purchase whatever you need.<br /><br />4) <span style="color: red;"><span style="color: black;">You will have</span> abundant wine</span>; therefore <span style="color: blue;"><span style="color: black;">you must be responsible not to get drunk and</span> commit adultery.</span><br /><br />5) <span style="color: red;">Nations will serve you</span>; therefore you must <span style="color: blue;"><span style="color: black;">ensure that </span>murder is not tolerated</span>.<br /><br />6) <span style="color: red;">Regimes will bow to you</span>; therefore you have no need of their gods, and as such <span style="color: blue;">you shall not recognize the gods of others.</span></span><br />
</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-family: inherit;"><span style="color: blue; font-size: medium;"> </span><span style="font-size: medium;"><br />7) <span style="color: red;">Be a lord to your kinsman</span>; and prevent them from devolving into <span style="color: blue;">kidnapping</span>.<br /><br />8) <span style="color: red;">Your mother’s sons will bow to you</span>; and as such, you should <span style="color: blue;">not bear false witness</span> against them.<br /><br />9) <span style="color: red;">Cursed be those who curse you</span>; therefore <span style="color: blue;">do not swear falsely</span>, for by doing so, you tarnish your being and lose the right to have those who curse you be cursed.<br /><br />10) <span style="color: red;">Blessed be those who bless you</span>; <span style="color: blue;">keep the Sabbath</span>, <i>for God <u>blessed</u> the Sabbath day and sanctified it</i>.<br /><br />The
sophisticated nature of the text and the complex geometry of the blueprint/luchot to which it
corresponds is <span face=""arial" , "helvetica" , sans-serif">essentially</span> hidden. The Name that is associated with the 5
mathematic constructs of the combined cubic form of the luchot (216
cubic handbreadths) is all but invisible, even to those who have eyes
capable of seeing the relationship between the blessings and the
commandments hidden in the text.<br /><br /><span face=""arial" , "helvetica" , sans-serif">E</span>ach of the “blessings”
that Yitzhak gave Yaacov correspond to the one of the 10 Commandments
that would be inscribed in the luchot that his descendants would
receive. But the volumetric measure of the luchot would be <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> or <span style="color: red;">216</span> cubic hand-breadths, hiding the Signature of the Architect with <span style="color: red;">216</span> letters in His Name. Everything is interconnected. The <span style="color: red;">10</span> blessings are dependent upon keeping the <span style="color: blue;">10</span> commandments required by God, on whose Name (<span style="color: red;">216</span>) the existence of the physical universe depends. <br /><br />One
other thing of note: In the beginning of this week’s parashah, Esav
sells the birthright to Yaacov. Esav’s reason for this was that he
believed he would die quite soon and the birthright would be useless.
Esav felt this way because he had killed Nimrod, and Esav was sure that
his men would seek him out and execute him. But that wasn’t the case.
Nimrod’s men brought the dead Nimrod back to Babylon and buried him
there. His vast Empire was split into the diverse kingdoms of the land
and the ‘house’ of Nimrod fell. Esav was never pursued. Nimrod died when
he was <b>215</b> years old. Readers of this blog will note that the number is one less than <span style="color: red;">216</span>.
He fell short of God’s expectations, however this was not always the case. Once upon a time, Nimrod
sacrificed game to God, and God was with him. However, once he became a
leader among men, his power went to his head and he not only turned away
from God, but he turned others away and violated every law of human
decency in the process. With his tremendous influence, he had the
opportunity to direct people toward God, but instead he used his
influence to turn people away from God. Thus he died at the age of 215. A
man may have merit in his early years, but if he turns from God in
later years, that merit is lost. This should stand as a warning to
anyone with power. Nimrod had great power and influence in the history
of mankind, but he misused that power. As a result, the prophecy (in his
dream) came true: a descendant of Avraham killed him and his empire
crumbled.<br /><br />In this parashah, we’ve seen several primal patterns
that are characteristic of the letters in God’s Name and also its
abbreviations. The <span face=""arial" , "helvetica" , sans-serif">signature geometry was</span> found in events that were 4 opposite 4;
5 opposite 5; and 3 x 72 (216). We’ve also seen how the mathematic and
geometric patterns in the events develop (or perfect themselves) over a
period of time, until they are complete and ultimately mirror the
geometry associated with the luchot and/or letters. The process (or
history of mankind) is a very real reflection of the plan (luchot) which
is in turn a reflection of the Name. However, it takes time to refine,
rectify and perfect. Israel is central to this process. Those who bless
Israel will be blessed. However, those who curse Israel will be cursed,
like those who filled in the wells “to curse,” but then needed water
themselves. The sooner the nations perceive the relationship between
God’s plan and the nation of Israel, the sooner peace and prosperity
will prevail. <br /></span></span><br />____________<br /><br /><span style="font-size: x-small;">Footnote 1 –
Yitzhak can be contrasted with Yishmael. Both were sons of Avraham,
yet Yitzhak was the one that received the Blessings of Avraham. Yaacov
and Esav were sons of Yitzhak, but Yaacov got the blessings. That is 2
generations of 2 brothers, where one gets the blessings and one does
not. <br /><br />Footnote 2 – Notice the sequence of numbers in the chapter
and verses. It shows expansion, or “blessing”, like we saw in last
week’s Parashah.</span></span><span style="font-size: x-small;"><br />
<br />
</span><div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;"><span>Additional Notes </span></span></div><span style="font-size: x-small;">
<span face=""arial" , "helvetica" , sans-serif"><span><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span>The question
might be asked: why would we see 272 as 2 x 72, or why would we see 372
as 3 x 72. A sequence of numbers can be as important as the mathematic
relationship between the numbers in the sequence. The Fibonacci sequence
is a good example: 1,2,3,5,8,13,21 etc. In the case of the Fibonacci
sequence, most people fail to see the relationship between the
numbers, but there is a relationship. If you look closely, you can see
that each number is the sum of the previous 2 numbers so the sequence
does have significance. We might ask ourselves: why would we add
numbers in the sequence or think that the result was significant? It is
after all, just a sequence. The answer is that the "pattern" repeats
itself over and over again, and that's why we can say that it is more
than a coincidence. Of course the Fibonacci sequence was designed that
way. That's essentially what we see happening in the Torah, although
it's generally more subtle. It too was designed that way, by a master
designer (the Master Designer). Flashback to the post on Parashah <a href="https://sapphiremagendavid.blogspot.com/2022/02/vayakhel.html" target="_blank">VaYakhel</a>,
where 2 "opposing" walls (of the golden section or Holy of Holies) were
144 hand-breadths (2 x 72). In other words one component (one 72) was
missing, but then the 3rd (non-opposing) wall came along to reconcile
the difference and 3 x 72 = 216. In this case we see the exact same
numbers, sets of numbers etc. and even the missing number (where again
the ratio corresponds to the triad nature of the Name). The patterns are
identical.The odds that all these numbers and/or sequences of numbers
in the gematria, as well as the events themselves, would factor as they
do using the 72 of the Triad Name, is quite high. I would say
astronomical. Here we see it in both the sequence of numbers <u>and</u>
the gematria when factored according to the mathematic dynamics of the
Name. It is simply one more example of how the Signature of the
Architect is hidden just beneath the surface. </span></span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-60230474180300241772023-11-04T18:01:00.007+02:002023-11-04T18:01:53.096+02:00Chai Sarah<p><span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">There are <span face=""arial" , "helvetica" , sans-serif">a number of</span> places in
<i>Parashah Chai Sarah</i> where we find allusions to God’s Explicit Name and
its primary abbreviations. <span>We will examine these in a moment. However, if you are new to this</span></span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span> blog <span style="color: #333333;">please read each of the</span><span style="color: #333333; line-height: 115%;"><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span> essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span>mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""arial" , "helvetica" , sans-serif"><span><span face=""arial" , "helvetica" , sans-serif"><span><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>. </span></span></span></span></span><br /><br /> In our last post on Chai Sarah, we spoke of the moment that “<i>Eliezar gave
to Rivka a gift</i>,” and how this gift alluded to the luchot. The gift
consisted of two bracelets that were ten selaim (silver shekels) in weight.
The Sages of Israel explain that these two bracelets allude to the ten
commandments on the tablets that Rivka’s children would eventually
observe. The two “bracelets” to be worn by Israel in the
future would be the yoke of Torah manifested in the shnei luchot (two tablets). Since the
number and the weight of each bracelet alludes to the luchot, it also
alludes to the Explicit Name since the volumetric measure of the luchot were <span style="color: red;">216</span> cubic hand-breadths and the number of letters in that Name.<br /><br /> There are additional allusions as well, because the combined cubic form of
the luchot is characterized by five internal mathematic constructs, each
with a polar opposite (5 opposite 5). The two bracelets have this same
geometric form, a form we find in both the combined cubic
form of the luchot (with its 5 opposing constructs) and the divided form
of the luchot (with 5 opposing commandments). Thus its mathematic
reflection in the narrative, is hidden in one bracelet (of 5 silver
shekels) that has an opposing twin (also </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">of 5 silver shekels)</span>. For more information on the five </span><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">internal mathematic constructs and their opposites in the combined cubic form of the luchot, see the post on '<a href="http://sapphiremagendavid.blogspot.co.il/p/string-theory-and-the.html" target="_blank">string theory</a>' as it pertains to the foundation stone.</span> <br /><br /> What we didn’t mention in the last post on Chai Sarah was the connection
that certain events have to the tetrahedral geometry with its <span style="color: blue;">72 <span style="color: black;">tri</span></span>angular corner points (the royal seal corresponding to the <span style="color: red;">216</span> letters). The two-dimensional shadow cast by this three-dimensional geometry is of course the magen david.</span><span style="font-size: medium;"><br /></span></span>
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span>
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<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span></div><span style="font-family: inherit;"><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif"> Where do we find this tetrahedral allusion to the Explicit Name in Chai
Sarah? It is found in the characteristics of the text that mirror the
marriage of the 4 male-female letters of the two primary abbreviations
of the Name (described in greater detail in posts like "<a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank"><i>the marriage of the letters</i></a>" and <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank"><i>Ki Thetze</i></a>).
The marriage consists of the 4 letters of the
Tetragrammaton and the 4 letters of the Havayah of Adnoot and this
geometry is hidden in the characteristics of the events at the well
involving
Eliezar and Rivka. It is also hidden in the events surrounding the
purchase of the
cave at <i>Machpelah</i>, both being main subjects of this parashah. <br /><br /> In the case of <i>Machpelah</i>, the 4 couples are buried (concealed) in the
cave. In the case of the events at the well, the 4 couples appear in the
mathematic structure of the narrative. A well with water is also a
euphemism for the well-springs of Torah, the implication being that such
wisdom comes from God, whose Name is hidden in the mathematic nature of
the events described by the text.<br /><br />We'll examine these events
at the well first. Keep in mind as you read these 4 references, that the
Torah says only what needs to be said, and so it is unusual when
something is repeated once, let alone 4 times. When something is
repeated 4 times, it means there is something special to be learned: </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Eliezer prays to God... </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">23:14 “if I say to a girl... tip your jug... and <span style="color: blue;">give me a drink</span> and...” </span><br />
<span face=""arial" , "helvetica" , sans-serif">23:14 “if she replies ‘<span style="color: red;">Drink and I will also water your camels</span>’ </span><span face=""arial" , "helvetica" , sans-serif">she will be the one you designate” <br /><br />Rivka then arrives at the well and... </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">23:17 Eliezer says to her “<span style="color: blue;">let me sip water</span> from your jug.” She replies... </span><br />
<span face=""arial" , "helvetica" , sans-serif">23:18 “<span style="color: red;">Drink sir</span> [and] <span style="color: red;">let me draw water for your camels</span>” (23:19) <br /><br />At
this point Eliezer gives her the gifts mentioned above (mathematically
alluding to the luchot) and they proceed to Betuel's house. Eliezer then
tells his story about the prayer and its fulfillment, explaining
exactly what he prayed: </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">23:43 “If I will say to her <span style="color: blue;">let me drink</span>” and she says...” </span><br />
<span face=""arial" , "helvetica" , sans-serif">23:44 “<span style="color: red;">drink and I will also draw water for your camels</span>” </span><span face=""arial" , "helvetica" , sans-serif">then... “I will know that she is the one whom God has designated.” <br /><br />Then Eliezer proceeds to describe what actually happened to show that she is the designated woman... </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">23:45 “I said to her ‘please <span style="color: blue;">give me a drink</span>,’ and then she said...”</span><br />
<span face=""arial" , "helvetica" , sans-serif"> 23:46 “<span style="color: red;">Drink, I will also water your camels</span>.” <br /><br />The
sequence of events described above, consists of 4 pairs of phrases
alluding to the 4 pairs of letters (more fully described/explained in the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">Marriage of the Letters</a>). The subject of each phrase is
identical, but the words used to convey what happened are slightly
different. This is like the letters. Each is a letter of the Name, but
each is slightly different. Each pair of phrases corresponds to 2 of the
letters. The 4 pairs together correspond to the marriage between the 4
letters of one and the 4 letters of the other. <br /><br />This is also like
the 4 couples in the cave at Machpelah. Just as the 4 pairs of phrases
allude to the 4 letters of the Tetragrammaton opposite the 4 letters of
Adnoot, so too, the 4 couples destined for concealment at Machpelah
allude to this marriage relationship in the unification of these
letters. Each is a reflection of a larger reality.<br /><br />The premise
being that from the very beginning, Israel (the descendants of those
involved) would sanctify God’s Name (characterized in this case by the 4
opposite 4). This pattern of 4 opposite 4 is found hidden in the
various narratives throughout the Torah as well (actual historic events)
that play themselves out over time. It is not a fabrication; It is not a
coincidence; nor is it an accident. Rather, it is a reflection of the
Creator’s Signature that is hidden just beneath the surface.<br /><br /> These same mathematic characteristics are also found in the royal seal (see the post on Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/05/emor.html" target="_blank">Emor</a>)
where the nature of the letters is concealed in the geometry of the
magen david. In three-dimensions, the star tetrahedron has 4 points on
one tetrahedron, opposite 4 points on the other tetrahedron (4 opposite 4). The
mathematic construct that gives rise to this three-dimensional “royal
seal" (<span style="color: blue;">72</span> <span style="color: red;">tri</span>angular corners: <span style="color: blue;">72</span> x <span style="color: red;">3</span> = <span style="color: red;">216</span>) is simply another geometric reflection of the <span style="color: red;">216</span> letters. The letters are <u>also</u>
found in the two-dimensional version of the royal seal (the magen
david) that has only 6 points (3 opposite 3). However, the additional
aspects (pertaining to the 4 opposite 4) are hidden within the
limitations of two-dimensional space. In order to see them in
two-dimensions, they must be seen as a function of the 12 stars which are the 12 tribes of Israel as signified in Yoseph's dream
(see also the posts on <a href="https://sapphiremagendavid.blogspot.com/2021/11/vayeshev.html" target="_blank">VaYeshev</a>, <a href="https://sapphiremagendavid.blogspot.com/2023/09/vayelehk-and-haazinu.html" target="_blank">VaYelech and HaAzinu</a> where the 6 triangular points on each of 12 stars corresponding to the sons of Yaacov/Israel equal 216 (<span style="color: blue;">6</span> x <span style="color: blue;">3</span> x <span style="color: blue;">12</span> = <span style="color: red;">216</span>). Take time to contemplate the significance of these mathematic models as they pertain to God’s Name.<br /><br /> In addition to the things we’ve mentioned above, there are many more
allusions to the nature of the Explicit Name in the events of Chai
Sarah, specifically in the number of times, and in what way, certain
words are used to describe the events. We will provide some microscopic
details on these in a moment.<br /><br /> In the meantime, we need to
explain the reason these allusions exist. They are each (in their own
way) a reflection of the Architect’s Signature. The nature of the
letters in His Name defines the mathematic and geometric characteristics
of the cosmic blueprint or luchot (as seen in the example of their
volumetric measure: <span style="color: red;">216</span> cubic hand-breadths). The ratio of the divided luchot reflects its triad nature as well: 6 x 12 (<span style="color: blue;">72</span>) x <span style="color: red;">3</span> (or <span style="color: red;">216</span>
cubic hand-breadths). It is important to understand the significance of
its triad nature and how the triplets relate to the three dimensions of
the luchot:</span><br />
<br />
</span></span><div style="text-align: center;">
<span style="font-family: inherit;"><span face=""arial" , "helvetica" , sans-serif" style="font-size: medium;">6 x 12 (<span style="color: blue;">72</span>) x <span style="color: blue;">3</span> (or <span style="color: red;">216</span> cubic hand-breadths)</span></span></div><span style="font-family: inherit;"><span style="font-size: medium;">
</span></span><div style="text-align: center;">
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<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span></div><p><span style="font-family: inherit;"><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif">As mentioned above, the same ratio is hidden in the geometry of the three-dimensional magen david with its <span style="color: blue;">72</span>
<span style="color: red;">tri</span>angular corner points. Here, the marriage of the letters is
represented by the merging of the tetrahedron with its polar opposite,
each (again) with 4 points. The geometry is a function of the mathematic
characteristics within the combined cubic form of the luchot. However,
the marriage of "letters" (unification/sanctification) takes place only
by virtue of the <i>mitzvoth</i> performed by Israel and the events that
transpire over time. We will see in future posts on portions of the
Torah, how the events reflect these mathematic characteristics, to show
how they all connect to God’s Name. <br /><br />As for the microscopic
details we spoke of, please be advised that these details are only
recommended for those who follow this blog on a regular weekly basis and
are fully familiar with the concepts described in the essential
constructs to the right and the patterns that repeat themselves
throughout Torah. Those who are unfamiliar with these aspects of God’s
Explicit Name should stop here and go no further. The numbers, sets of
numbers and ratios will have no significance whatsoever. <br /><br />For
those who are reasonably familiar with these aspects, the following may
be of interest. The Torah says (in 23:2) that “Sarah died in the City of
<span style="color: blue;">Arba</span>.” Avraham acquired a burial plot for
her in Hebron, or more specifically, Avraham buys the Cave of Machpelah
from Ephron the Hittite. He purchased the cave (and field) for <span style="color: blue;">4</span>00 silver shekels. A deed was then written and signed in the presence of <span style="color: blue;">4</span> witnesses. <br /><br />The
“City of Arba” was purportedly called Arba after the name of a giant
that ruled the city. Three of Arba’s sons (also giants) lived in that
city, and thus the city could be called “The City of <span style="color: blue;">Four</span>,”
referring to Arba and his three sons (“arba” also means “four” in
Hebrew and so the name has other meanings and connotations). <br /><br />Some say the name “<span style="color: blue;">Arba</span>” comes from the <span style="color: blue;">4</span>
righteous men (Avraham, Eshkol, Mamre and Avner) for whom the city was
known. The fact is that both of these traditions are true and whether it
was one, or the other, would depend on the predisposition of those
living at the time. This facet of the name "Arba" has its origin in the
nature of the letters that are 4 opposite 4 (or 4 couples) mentioned
above. In this case there are 4 righteous men opposite 4 unrighteous,
another reflection of the abbreviated forms of the Name that are each an
aspect of the male-female nature of the universe. <br /><br />This male-female characteristic takes many forms like: <span style="color: blue;">husband</span>-<span style="color: red;">wife</span>;
up-down; east-west; mercy-judgment; and the big one: good-evil. So it
is not surprising that "the opposites” of the 4 giants (Arba and sons)
are the 4 righteous men (Avraham, Eshkol, Mamre and Avner) for whom the
city was known. They stand opposite one another (4 opposite 4) just as
the 4 "couples" buried in the cave are 4 opposite 4, and just like the 4
phrases above that are 4 opposite 4. They are all reflections of the same
thing. It's just that the couples in the cave are reflections of the
letters after having been "married" together, as would be the case with
sanctification/unification. </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">This is like the 4 letters of the
Tetragrammaton opposite the 4 letters of Adnoot that are married
together during the 4 bows. When they come together as "one," they
“return” to the unified state (represented by the letters
of Ehyeh). Each event is merely a reflection of the letters in the
Signature of the Architect, in various states, at various times, and
because the events of this parashah figure so prominently in the cosmic
scheme of things, these particular reflections are brighter and more
frequent than the average reflection that corresponds to the nature of
those letters. As for the 4 couples in the cave of Machpelah: there
were <span style="color: blue;">4</span> men buried there with their <span style="color: red;">4</span> wives. Machpelah (thus) means “<span style="color: blue;">dou</span><span style="color: red;">ble</span>,”and
one of the reasons it is called “double” could be that it is the
“doubled” version of the previous reflection involving the <span style="color: blue;">4</span> unrighteous men opposite the <span style="color: red;">4</span>
righteous men (keep in mind that it was even double when Avraham
purchased the Cave from Ephron, "double" because Adam and Eve were
already buried there). <br /><br />The 4 couples who would eventually be buried in Machpelah were: </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">1) <span style="color: blue;">Adam</span> and <span style="color: red;">Eve</span> (who were already there) </span><br />
<span face=""arial" , "helvetica" , sans-serif">2) <span style="color: blue;">Avraham</span> and <span style="color: red;">Sarah </span></span><br />
<span face=""arial" , "helvetica" , sans-serif">3) <span style="color: blue;">Yitzchak</span> and <span style="color: red;">Rivkah </span></span><br />
<span face=""arial" , "helvetica" , sans-serif">4) <span style="color: blue;">Yaacov</span> and <span style="color: red;">Leah </span><br /><br />These 8 people (<span style="color: blue;">husband</span> and <span style="color: red;">wife</span>, <span style="color: blue;">male</span>-<span style="color: red;">female</span>)
were buried (concealed) in the cave like the marriage of the letters is
concealed from the uninitiated, the marriage being the 4 letters of the
Tetragrammaton and the 4 letters of the Havayah of Adnoot (there are
other combinations of the 4 letter Names as well). Just as the
unification of these letters takes place over time in certain events
(and during the 4 bows) the rectification of the soul takes place over
time during the life of any given individual. <br /><br />The process is
like the geometry of a star-tetrahedron: 2 tetrahedrons (each with 4
points) are merged (married) together facing opposite directions
(male-female). This “royal seal” wherein the Signature of the Architect
is found, is a mirror image of what was, and is still happening during
the 6,000 years of creation (see the post on <i><a href="https://sapphiremagendavid.blogspot.com/2023/04/metzora.html" target="_blank">Metzorah</a></i>). <br /><br />There
are 4 points on one tetrahedron, opposite 4 points on the other. In
other words, the geometry of the star tetrahedron with its <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corner points, reflects not only the characteristics of God's Explicit Name in the <span style="color: red;">216</span>
letters, but also the characteristics of the marriage between the
abbreviated forms, in the 4 letters opposite 4 letters. The 4 men (and
their wives) in Machpelah, the 4 pairs of phrases and the 4 pairs of
righteous/unrighteous men are the mathematic specifications within the
luchot being manifested in the created world below. They are the end
result of "the plan" within the blueprint. Or, to put it another way,
the events (whose mathematic characteristics are seen in the geometry of
the blueprint) are a shadow of the letters in the Explicit Name and its
abbreviated forms (this is by the way similar to the marriage seen in
<i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/10/lehk-lehka.html" target="_blank">Lekh Lekha</a></i>). The "story" (<i><span style="color: blue;">S</span>ip<span style="color: blue;">P</span>u<span style="color: blue;">R</span></i>) is literally in the geometry of the "<span style="color: blue;">S</span>ap<span style="color: blue;">P</span>hi<span style="color: #2b00fe;"><span>R</span></span>e" (<i>luchot</i>).<br /><br />In
the meantime (at that time) until all 8 couples were buried (concealed)
in the cave (that is until all 8 letters are unified) there are issues
to iron out. That's the way it is with the rectification of the
individual soul and also the collective soul of <i>klal</i> Yisrael. It does
not take place instantaneously. That's why there were only 2 buried
there at first, Adam and Eve; then Avraham and Sarah; followed by Yitzak
and Rivka; and then finally Ya'acov and Leah. Each is a stage in a
process that takes place over time (measured by cycles of 7 as we’ve
demonstrated many times, where those cycles originate in the geometry of the luchot, and thus a mirror image of the
letters in the form of, for example, the royal seal or magen david). If you take the
time to contemplate this, you will more fully appreciate the complexity
and sophistication of the system that is a very real reflection of the
letters in God's Name.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Here
(above) and in the paragraphs that follow, we will see these
reflections in almost identical form! Remember that 7 opposite 7 is a
simple one-dimensional (metric expression) describing the two-dimensional
characteristics (or number of elements in) a magen david, and that 14
opposite 14 is a simple one-dimensional expression describing the
characteristics (or number of elements in) a three-dimensional magen
david (if you have difficulty understanding this, you may want to review
the post on Emor where this is modeled).<br /><br />Having
said that, let's recall the circumstances involving 3 of the above
patriarchs and matriarchs. Rivka was buried in the year 2207 and Leah
was buried there in 2214. Notice that 7 years elapsed between their
deaths. Yitzchak died in the year 2228. That was 14 years later (or 2 x 7
years later) a total of three 7s. The underlying pattern consists of
the number 7, and then 2 more "periods" of 7 years. This is the same
pattern that was found in last week's parashah where 7 ewes were
mentioned 3 times. It's the same as the pattern in the conquering of 7
nations in 7 years and then dividing that land in 7 years. These three
7s originate in the external geometry of the combined cubic form of the luchot (explained and modeled in the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/8-dimensions-of-name.html" target="_blank">eight dimensions</a>) and correspond to the halachic observance of calendar related halacha that
creates a mathematic or geometric matrix with a “dimension” of 7 x 7 x 7
“cycles” seen in 7 days (week) 7 x 7 days (omer) 7 years (shmitah) or 7
x 7 years (jubilee) to name a few. In the case of the above
patriarchs/matriarchs, one dimension is merely being compressed or
folded-back over the previous dimension in the 2 x 7 (14 years prior to
Yitzak's death). <br /><br />This is like the royal seal that we explained in the post on Parashah Emor
(7 opposite 7 in two dimensions or 14 opposite 14 in three dimensions).
The matrix of 7 (a construct that is in essence created or formed by
our observance of calendar related halacha) consists of cycles that
define the dimensions of a cubic matrix measuring 7 x 7 x 7 (cycles of days,
weeks years etc). Although it would be more accurate to say that this
cube is determined by the combined cubic form of the luchot (<span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span>)
that is found in the spaces between the elements of the matrix
involving cycles of 7. The hidden matrix, as we’ve explained many times,
contains 216 elements (spaces/intersections) that are a reflection of
the <span style="color: red;">216</span> letters in the Explicit Name. <br /><br />That’s
why this pattern repeats itself over and over again throughout Torah.
It is a function of the geometry of the primordial torah (luchot) and so
it is manifested in various events that occur over time in the written <span face=""arial" , "helvetica" , sans-serif">T</span>orah, where time is
measured in cycles of 7. In the case of the above patriarchs/matriarchs,
these 7 year time periods between the 3 burials hint to the fact that
throughout their entire lives (a period of time measured in cycles of 7)
these tzaddikim kept halachah. However, it is sufficient at this point
to recognize that: 1) there is a "hidden" matrix within the one
created by our observance; that it is 2) mathematically equivalent to
the cubic measure of the luchot (as depicted so many times throughout
this blog); and 3) that this equivalence reflects the nature of the
Explicit Name with <span style="color: red;">216</span> letters, by which all things are measured. <br /><br />The
next section will focus on the connection between the 400 silver
shekels that was paid for the cave, the letters and all that has been
mentioned thus far. The number is significant for several reasons. Its
natural factors are 4 and 8, the number of letters in the primary
abbreviated forms of the Explicit Name. When so factored, the result is
either 1 (hundred) where "1" is <u>the</u> ultimate prime number of
prime numbers, and central to the concept of quantum singularity, or 5
(tens) or 50. The number 50 is half of 1 (hundred). Its time to remember
the bracelets that were valued at 10 (for the) 2 bracelets, that were
each 5, like the luchot that consisted of 10 (commandments on the) 2
tablets, but remember also that the word for “<span style="color: blue;">half</span>" (chatzei) has a gematria of <span style="color: blue;">108</span> and that half the luchot are <span style="color: blue;">108</span>
cubic hand-breadths. The numbers together (400/100/50) have the same
ratio as the 4 couples and the 8 letters (8 x 50 and 4 x 100 both equal
400) and so they mirror the 4 opposite 4 nature (ratio) of the
abbreviations of the <span style="color: red;">216</span> letters (half of which are <span style="color: blue;">108</span>).
Hopefully, we've made the correlation easy for you to see. If not, you
might contemplate the numbers as they apply to God's Name. All of this
is in addition to the 5 opposite 5 nature of the physical universe (that
we will examine in a moment) itself a result of the mathematic and
geometric nature of the blueprint (2 luchot / 10 commandments / 5
opposite 5, etc.). This is manifested in the mathematic aspects of the
physical universe as seen in, for example, the <span style="color: blue;">5 string theories</span> reconciled by <span style="color: blue;">dual resonance</span>. Ultimately, the patterns are all a reflection of the letters in God's Name. </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">The
400 silver shekels have many more connections to God's Name as they
relate to the "<i>Tav</i>" (<i>Tichyeh</i> - "you will live") explained in the
"essential construct" entitled "<a href="http://sapphiremagendavid.blogspot.co.il/p/the-hebrew-word-chein-means-grace.html" target="_blank">Every Second Counts</a>," (to the right)
where "time" (in cycles of 7) is once again shown quite clearly to be a
measure of <span style="color: blue;">4</span>00 as it relates to the <span style="color: red;">216</span> letters (in this case the number of seconds in a 24 hour period). <br /><br /> In the meantime, the above allusions are also glued more firmly together
by the gematria of the word "<i>kesef</i>," meaning silver (160). This can also
be factored by the numbers associated with the Name and the luchot: (4 x
4) x (2 x 5). This is another clear mathematic reflection of the 4
opposite 4 nature of the letters and, here also, a reflection of the
bracelets and of course the shnei luchot (2 x 5) both in terms of the
commandments and in terms of its 5 internal mathematic constructs and 5
polar opposites. The relationship between one thing and another is
hidden even in the gematria, but present nonetheless. <br /><br />The
gematria of <i>kesef</i> can also be calculated as 880 which can also be
factored by the number of letters in the Name and the ratio of the
luchot: (2 x 44) x (2 x 5) which is simply another version of the same
numbers and the same mathematic reflection. However, the connection also
goes a bit further.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><i>Kesef</i>
(silver) also happens to be mentioned 7 times in this week’s parashah,
like the cycles of 7 and the timing related to the burial (concealment)
of the patriarchs/matriarchs that were included in the 4 couples
mentioned above. The correlation between the numbers, sets of numbers
and ratios that are related to the letters in the Name and in this case 7
like:</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"> <span style="font-size: x-small;">1) the gematria of 7; </span></span><span style="font-size: x-small;"><br />
<span face=""arial" , "helvetica" , sans-serif"> 2) specific instances of 7; and </span><br />
<span face=""arial" , "helvetica" , sans-serif"> 3) cycles of 7; in this parashah...</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"> ...are difficult to ignore, especially when considering</span><br />
</span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: x-small;"> ...that these patterns are replicated so frequently.</span><br /><br /> The
text of the deed by the way, reads something like this: "The cave and
the field that Avraham bought from Ephron the Hittite, his offspring,
the citizens of his city, and their offspring, forever, are hereby to be
a purchase to Avraham and his offspring and those that issue from his
loins, for a possession of a burial place, for all time. <br /><br />The
deed was then signed by Avraham and Ephron (2 people) and witnessed by 4
people. The 2 and the 4 are once again an ongoing reflection of the
letters of the 2 abbreviations. Under normal circumstance there would be
no reason think that 4 people witnessing the signature of 2 had any
great significance. But in this case, we've been examining the 4
"couples" (2) and their counterpart in the 2 luchot that were brought
down twice </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(a total of 4 tablets). God</span>
is the only true witness and so these numbers indicate that the
Signature of the Architect is in essence incorporated into the deed. The
4 witnesses are thus more significant than they first appear: </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">1) Amigol, son of Avishua, the Hittite. One representative was from the nation that Avraham was buying the plot from.<br /><br /> 2) Elichoren, son of Ashonash, the Hivite. The Hivites were neighbors of the Hittites<br /><br /> 3)
Avdon, son of Achira, the Gomerite. Gomer was the oldest son of Yefes,
and he was also the 1st king of Italy, though his progeny spread
throughout Europe and into parts of Asia. Using someone from Gomer, the
oldest of the oldest (Yefes), gave regality to this man.<br /><br /> 4)
Akdill, son of Avudish, the Sidonite. Sidon was the oldest son of Canaan
and brother of Heth (Hittite) and Hivi (Hivite). Sidon was the great
maritime and business capitol of the ancient world. The Phoenicians came
from there and thus, we can say that the 4th witness to the purchase of
the Cave of Machpelah was tantamount to having a trader on the NY Stock
Exchange or a lawyer from Wall Street as a witness to this business
deal. The business world surely knew about this purchase as a Phoenician
was present.<br /><br />The 4 witnesses to 2 signatures are like the 4
tablets in the 2 cubes that were divided and brought down by Moshe. They
are also like the 4 couples (of letters) in the Name. Coincidence?
Maybe, but considering the sheer number of even more precise reflections
previously examined above, this one is likely a more faint allusion to
the same thing. It is as if to say that the deed to the Land (ultimately
the Land of Israel) was witnessed by God Himself, whose Signature is on
the transaction.<br /><br />In addition to the one worthy witness who would
ultimately guarantee the deed of sale (God Himself) there were 6
specific men of fame (besides the nobles of the Land) that attended
Sarah’s funeral (which led to the transaction). Keep in mind that each
dimension of the blueprint (in the combined cubic form of the luchot) is
in the measure of 6 hand-breadths. In combination with the 4 couples,
this is like the <span style="color: red;">6</span> faces and the <span style="color: blue;">4</span> points opposite <span style="color: blue;">4</span> points of the combined cubic form of the luchot, and the <span style="color: red;">6</span> lines and the <span style="color: blue;">4</span> points of one tetrahedron opposite the <span style="color: blue;">4</span> points on the other tetrahedron (in the royal seal). It should therefore come as no surprise that there were <span style="color: red;">6</span> "men of fame" present, along with the <span style="color: blue;">4</span> witnesses: </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">1) <span style="color: red;">Shem </span></span><br />
<span face=""arial" , "helvetica" , sans-serif">2) <span style="color: red;">Ever </span></span><br />
<span face=""arial" , "helvetica" , sans-serif">3) <span style="color: red;">Avimelech </span></span><br />
<span face=""arial" , "helvetica" , sans-serif">4) <span style="color: blue;">Avner </span></span><br />
<span face=""arial" , "helvetica" , sans-serif">5) <span style="color: blue;">Eshcol </span></span><br />
<span face=""arial" , "helvetica" , sans-serif">6) <span style="color: blue;">Mamre </span><br /><br />As
just mentioned, the number "6" is a measure (in hand-breadths) for each
dimension of the combined cubic form of the luchot, but the luchot were
of course divided when they were brought down by Moshe. After their
division, the "measure" along one side (one dimension) changed to 3
hand-breadths (as pictured in the diagram below) and so we see the above 6
men “divided” in like fashion: <span style="color: blue;">Avner</span>, <span style="color: blue;">Eshkol</span>, and <span style="color: blue;">Mamre</span>
were Avraham’s allies that helped him contend with the 4 kings (that
captured his nephew Lot). The “division” of these 6 men into <span style="color: red;">3</span> of one category and <span style="color: blue;">3</span> of another, is like the division of the luchot (in hand-breadths) each being 6 x 6 x 3 in male-female form. </span><br />
<br />
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<span style="font-family: inherit;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGu_t7mTv7fetWRcAODLhPsXq0cowlAHVjx8r_xQP7UK9zImahPlJpJjeb0kKe3vzCzHfZqLnaUoE2vy-etkZVOup1X_HYiijxi8uD8_WTSj_zGfFeXfy_IbMiaiB7-O7pPi9R7qOylZJd/s1600/Luchot+Template+%28Ends+Only%29.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGu_t7mTv7fetWRcAODLhPsXq0cowlAHVjx8r_xQP7UK9zImahPlJpJjeb0kKe3vzCzHfZqLnaUoE2vy-etkZVOup1X_HYiijxi8uD8_WTSj_zGfFeXfy_IbMiaiB7-O7pPi9R7qOylZJd/s320/Luchot+Template+(Ends+Only).tiff" width="320" /></a></span></span></div><span style="font-family: inherit;"><span style="font-size: medium;">
</span></span><div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span></div><span style="font-family: inherit;"><span style="font-size: medium;">
<br />
<span face=""arial" , "helvetica" , sans-serif">There
is another pattern in this particular group of 6. The first 2 of the
first three (Shem and Ever) were Avraham’s great, great, great, great,
great, great, great <u>grandfather</u> </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(6 greats) </span>and great, great, great, great, grandfather (4 greats) respectively (note the number of "great's" or generations was either <span style="color: red;">4</span> or <span style="color: blue;">6</span>, just like the numbers above that we've been examining. <br /><br />The
first 2 of the second three (Avner and </span></span></span><span style="font-family: inherit;"><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif"><span>Eshkol</span></span></span></span><span style="font-family: inherit;"><span style="font-size: medium;"><span face=""arial" , "helvetica" , sans-serif">) were Avraham’s great,
great, great, great, great, great uncles (again 6). And both "first 2s"
of each group of 3, were Avraham’s blood relatives. The 3rd in each
group, Avimelech and Mamre, were not. They were both descended from
cHam. Avimelech was a Philistine, who came from <i>Mitzraim</i> son of cHam,
and Mamre was an Amorite, who came from Canaan, another son of cHam.
Avraham lived in both of their lands. He lived in the Plains of Mamre,
but then he moved from there to <i>Philistia</i>, where he lived in Gerar (the
city of king Avimelech). <br /><br />Each half of the above "equation" is in
the ratio of 2 (of one type) to 1 (of another). This ratio is like the
characteristics of a 2 dimensional magen david ( a shadow of the 3
dimensional magen, the star-tetrahedron). Each triangle has 3 points.
However, any two points of the triangle are in one dimension, and the
remaining point is different since it's in the next higher dimension (2
of one and 1 of another). When the 2 triangles are merged (like the
unification of the letters in the Name that it represents) they create
the 2 dimensional magen david. In addition, the 6 men had one thing in
common: it was Avraham’s death and burial that brought the 2 groups of 3
together. In other words, Avraham performed this unification by virtue
of his death. This is like the unification of its shadow in the form of
two tetrahedrons (the star tetrahedron) that has <span style="color: blue;">72</span> <span style="color: blue;">tri</span>angular corners corresponding to the number of letters in God’s Explicit Name (<span style="color: red;">216</span>).
The characteristics of the events and their allusion to the royal seal
is an indication that the Divine Presence was there to witness the
burial as well.</span><span face=""arial" , "helvetica" , sans-serif"> </span><br />
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</span></span><div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-size: medium;"><br /></span></span></div><span style="font-family: inherit;"><span style="font-size: medium;">
<span face=""arial" , "helvetica" , sans-serif"> </span><span face=""arial" , "helvetica" , sans-serif"><br />Avraham’s
burial was of course not the only event involving the patriarchs to
sanctify God’s Name. The last person to be buried in the cave of
Machpelah (that would complete the allusion to the process in the
marriage of the letters in God's Name) was Yaacov, and so the
circumstances surrounding his burial were no small matter!<br /><br /> Yaacov
died in the year 2255. If indeed the luchot are the blueprint for
creation and all that would happen over time, then this sequence of
numbers (<span style="color: blue;">2</span>-<span style="color: red;">2</span> <span style="color: blue;">5</span>-<span style="color: red;">5</span>) may be more than a coincidence. It's like the <span style="color: blue;">2</span> luchot that were brought down <span style="color: red;">2</span> times, with <span style="color: blue;">5</span> commandments on one, and <span style="color: red;">5</span> on the other. Ya'acov kept all that was written on them, even before they were brought down. <br /><br />When
Ya'acov died, Yoseph came to the funeral along with his brothers; and
practically all of Egypt came to Canaan to pay their respects and bury
Yaacov. Esav was in Seir when he heard the news, but then he and his
associates converged on the cave of Machpelah, and the last thing on
their collective minds was to pay their respects. Esav had an ulterior
motive: he wanted the Land for himself, despite the legal deed of sale.
However, since God was the guarantor of the deed (as seen by the
Signature of the Architect in the numbers above) Esav died trying to
abrogate the transaction (this is a warning to any nation who would
attempt to do the same thing today). When Yaacov was laid to rest, the
"4 couples" in the cave of Machpelah were complete (the unification of the letters was complete for this stage of creation). </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">With
the 2 documents (in the deed of sale to Avraham and the deed of
purchase to Yaacov) the cave bought by the Israelites and all the Land
in question, became an everlasting inheritance that cannot be abrogated
by anyone (despite the current intentions of the international
community). The 4 couples buried there (a reflection of the 4 letters in
the Guarantor's Name) are a witness to that effect. These 4 couples
(buried there over a period of time) are a four-dimensional
(time-related) witness that will stand the test of time, and so the
phrase in the Torah “for all time,” is exceedingly appropriate. With the
Name of "the witness" complete in </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">4 sets of 2s</span>,
the terms of sale became binding on all parties (the presence of the
royal seal and the Signature of the Architect testifying to its
validity). The Signature is mathematically/geometrically embedded in the
events and the documents that represent the sale. Every aspect of the
royal seal and the Name it represents are present. <br /><br /> The
transaction was thus blessed by God. The word “bless” is therefore
mentioned 7 times in this parashah, for example, in verse 24:1 where
“God blessed Avraham with everything.” </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">The
gematria of “בָּרֵךְ - blessing” is 222, a number that is related to
abundance and expansion (the very essence of blessing). To provide you
with a little background: "plurality" enters the world with "2" (an
expression of two in a three-dimensional sense is 2-2-2). Man’s act of
procreation requires “2” (two people as in husband and wife). The word
for "bless" is mentioned 7 times in this week’s parashah because 7 times
a blessing is complete and irrevocable, but the specific things that
are mentioned, are always in the form of pairs (2s). In verse 24:35,
when Eliezer describes how God blessed Avraham, it takes the form of
couples. Specifically we see 4 things “doubled.” Sound familiar? It's
another reflection of the 4 "pairs" of letters in the primary abbreviated
forms of the Explicit Name. The 4 pairs of 8 things are: <br /><br />1) <span style="color: blue;">Flocks</span> and <span style="color: red;">Cattle </span></span><br />
<span face=""arial" , "helvetica" , sans-serif">2) <span style="color: blue;">Gold</span> and <span style="color: red;">Silver</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"> 3) <span style="color: blue;">Male</span> and <span style="color: red;">Female</span> Servants </span><br />
<span face=""arial" , "helvetica" , sans-serif">4) <span style="color: blue;">Camels</span> and <span style="color: red;">Donkeys</span><br /><br /> These things are also hinted to in the gematria of “blessing” (which is 222) where <span style="color: blue;">2</span> x <span style="color: blue;">2</span> (= 4) x <span style="color: blue;">2</span> (= <span style="color: red;">8</span>).
This is the same as the total number of things mentioned in the
blessing (all in pairs). It’s also the same as the number of letters in
the marriage (all in pairs). <br /><br />We see this blessing also
manifested, quite literally, and mathematically, in the life Avraham’s
son Yitzchak, who was a major part of that blessing. The same
“Signature” (of God’s Name) and His blessing are present on Yitzchak who
lived until the year <span style="color: blue;">222</span><span style="color: red;">8</span>. The sequence of numbers should look familiar. It contains the gematria of the word “blessings” (<span style="color: blue;">222</span>) and also <span style="color: red;">8</span>,
which is the number of letters in the marriage of the Names and the
number of categories mentioned. Coincidence? Of course not. The 8 types
of things (in 4 pairs) by which Avraham (and Yitzchak) were blessed is
another reflection of the source of the blessings (God) whose Name is
found in the 4 couples/pairs found repeatedly throughout this parashah. The 8
letters (married together) are once again hidden just beneath the
surface, and remain unseen by the casual observer who does not know
God’’s Name. </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">In verse 24:35 Eliezer says that
God blessed his master Avraham with “מְאֹד – much,” or, what amounts to
even more than would be indicated by the 7 times the word “blessing” is
used in this Parashah; i.e. even more that the 8 categories of things
that Avraham was blessed with. The 7 times the word “blessing” is used,
and the 8 categories of those blessings, allude to the measure of the matrix of 7, where
the 8th is found to be in the next higher dimension. To see the
significance of 8 being above the normal order of 7, see the post on <i><a href="https://sapphiremagendavid.blogspot.com/2023/05/behar-and-bechuko-thai.html" target="_blank">Behar & Bechuko-thai</a></i> where this is graphically illustrated. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> </span><br />Of course the number of reflections continue. The word “kindness” is mentioned 3 times by Eliezer in this week’s <i>Parashah</i>:<br /><br /> 24:12 “God, … that You do <span style="color: blue;">kindness</span> with my master Avraham.” </span><br />
<span face=""arial" , "helvetica" , sans-serif">24:27 “Blessed is God, … Who has not withheld His <span style="color: blue;">kindness</span>” </span><br />
<span face=""arial" , "helvetica" , sans-serif">24:49 “if you intend to do <span style="color: blue;">kindness</span> and truth with my master” <br /><br />The word “חֶסֶד – kindness” has a gematria <span style="color: blue;">72</span>. And the <span style="color: red;">3</span>
times that it is mentioned in this week’s Parashah, alludes to the
number and the nature of the letters in God's Explicit Name (<span style="color: red;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span>) otherwise known as the <span style="color: red;">Tri</span>ad Havayah of <span style="color: blue;">72</span>. </span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />In
addition to all of the above, there are a number of letters missing in
this week’s parashah, from what would be the normal spelling of words or
names. They all happen to be one of the 4 letters of the Tetragrammaton
(<i>Yuds, Heys </i>and<i> Vavs</i>). Again, the Signature of the Architect is hidden
just beneath the surface of the written text, and so the casual observer
is unable to see the connection. If you look carefully, you
will discover there are a total of 12 missing Vavs. The letter Vav (ו)
has a gematria 6 and so the 12 missing <i>Vav's</i> are <span style="color: blue;">12</span> x <span style="color: blue;">6</span> (<span style="color: blue;">72</span>)
which again is the number of triplets in the Triad Havayah of 72, that we
just noted above, hidden in the 3 times the word "kindness" (with a
gematria of 72) was used. <br /><br /> There are 5 missing <i>Heys</i> (ה) and all
are from the word <i>Na’arah</i> – maiden. It is an unusual spelling for
“maiden” since without vowels, it spells <i>Na’ar</i> (meaning “lad”).
However, it should not be surprising since 5 opposite 5 is a reflection
of the male-female aspects of the universe, as seen not only in the
internal mathematic constructs of the combined cubic form of the luchot,
but in the real world, governed by the mathematics of the 5 string
theories reconciled by dual resonance. The letter "Hey" has a gematria
of 5 and so 5 "<i>Hey's</i>" with a gematria of 5 is like the altar (for
sacrifices) that was 5 cubits x 5 cubits. The altar on which the
sacrifices were performed, was (is) in essence a mathematic reflection
of the nature of the physical universe that is <u>sustained</u> <u>by</u> <u>the</u> <u>halacha</u> <u>pertaining</u> <u>to</u> <u>the</u> <u>sacrifices</u>. Everything can be seen to be interconnected on a complex and sophisticated level. </span><br />
<br />
</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-family: inherit;"><span style="font-size: medium;">There
are also 6 missing <i>Yuds</i> ('). We find 1 missing in the spelling of the
bracelets that were mentioned earlier (the 1 time it mentions the word
it is missing a yud). The rest are all very rare instances of a missing
yud, where again, without vowels, the word would not mean what it is was
supposed to mean. The gematria of a <i>Yud</i> is 10 and 6 x 10 = 60 or 6
(tens). This is like the dimensions of the Holy of Holies (the place of
the Divine Presence) that was 10 cubits by 10 cubits by 10 cubits. Of
course each cubit is 6 hand-breadths and so the dimensions (where the
Divine Presence rested) was <span style="color: blue;">6</span> (tens) x <span style="color: blue;">6</span> (tens) by <span style="color: blue;">6</span>
(tens). The threes 6s correspond to the dimensions of the combined
cubic form of the luchot and the number of letters of God's Explicit
Name (<span style="color: red;">216</span>) but here they are hidden within
the internal measurement of the "golden portion" of the Tabernacle. The
Holy of Holies (golden portion) was in a section of the tabernacle that
was constructed of 8 beams that were each 9 hand-breadths (8 x 9 = 72).
It consisted of 3 walls. Each of the <span style="color: blue;">3</span> walls was thus <span style="color: blue;">72</span> hand-breadths in length on the outside (8 x 9 (<span style="color: blue;">72</span>) x <span style="color: blue;">3</span> = <span style="color: red;">216</span>. In other words, both the <span style="color: blue;">inner</span> (6 x 6 x 6 = 216) and the <span style="color: red;">outer</span>
(of all 3) dimensions (72 + 72 + 72 = 216) of the Holy of Holies,
correspond to the number of letters in God’s Name. The “Yud” (whose
gematria is 10) missing in 6 instances: 6 (tens) is thus a reflection of
these measurements, which are in turn a reflection of the letters in
the Explicit Name.<br /><br />Once again, the reason we see these
reflections is that they are mathematic specifications in the blueprint
(for creation) in the combined cubic form of the luchot, wherein we find
the Signature of the Architect. </span></span><br /><br /> __________________ </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;"><span>Footnote
1 – There is a tradition that Avraham did not give anything “physical”
to these fathers of the far-east, rather he gave them something
spiritual.<br /><br /> Footnote 2 – For example in the Ushpizen. </span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-16604584701166664192023-10-28T19:00:00.002+03:002023-10-28T19:00:58.939+03:00VaYera<p><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">This week is
the anniversary of this blog, which started with a post on
Parashah VaYera. When the blog first went online,
it was my intent to reveal some of the connections between the
volumetric measure of the luchot and the letters of God’s Explicit Name,
as well as where these numbers, sets of numbers and ratios could be
found, not only VaYera but the entire Torah, and
even the nature of the physical universe. Since then it has come to
encompass so much more.<br /><br />I remember thinking at the time, how
doubtful it was that people would be interested in this sort of thing.
Nevertheless, it was a work of faith and it was my hope that people
would gain greater knowledge and appreciation for God’s Name and
understand why it is so significant (knowing full well that to "<i>think outside the box</i>" would require knowledge of the mathematic and geometric constructs that are "<i>inside a cube</i>").
The blog has now received connections from 153 countries, and we've
added topics on such matters as how the letters of the Explicit Name
correlate with the speed of light, the fine structure constant in
physics, and
numerous other aspects of physics; also how it relates to the volumetric
measure of the luchot, various systems
of measurement and their origin in the cubit-cubed (luchot) and these
are to name just a few. <br /><br />Those who are new to the blog should <span style="color: #333333; line-height: 115%;">read<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>.</span></span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #333333; line-height: 115%;"> </span><br />In the original post on VaYera, we pointed
out that when the Divine Presence visited Avraham, Sarah was told to
“take 3 measures of flour” (each being 6 ounces as is known). The
combined cubic form of the luchot is of course defined by <span style="color: blue;">3</span> “measures” of <span style="color: blue;">6</span> and the volume of a cube that is <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> hand-breadths is <span style="color: red;">216</span>
cubic hand-breadths which happens to be the number of letters in the
Name. That’s were we ended our original explanation of where God’s
Explicit Name was hidden in VaYera. However, there are actually a few
more allusions that are worth mentioning. In fact, quite a few more, most of which were researched by a friend in New York.</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">We’ll
reveal some of the brighter reflections first, starting with the sheep
that Avraham gave to Avimelech in consideration of the well in Be’er
Sheva. As the story goes, Avraham moves from Gerar and makes a treaty
with Avimelech, king of the Philistines. The terms of the treaty involve
a well they use to water their flocks. Avraham gives Avimelech
livestock but then does something else. Avraham separates 7 sheep to
seal the agreement. Be’er Sheva is thus established<span style="font-size: xx-small;">7</span>.
The name Be’er Sheva means “Well of the Oath” because the name refers
to the treaty between Avraham and Avimelech, but Sheva is Hebrew for the
number 7. In this case it refers to the number of sheep that Avraham
gave to Avimelech to seal the agreement. Oddly enough, the text of
VaYera mentions these <span style="color: blue;">7</span> sheep <span style="color: blue;">3</span> times in succession:<br /><br />21:28 “Avraham set <span style="color: blue;">seven ewes</span>”<br />21:29 “What are these <span style="color: blue;">seven ewes</span>”<br />21:30 “take these <span style="color: blue;">seven ewes</span>”<br /><br />We’ve
seen this pattern over and over again in the torah and examined the phenomena in previous
posts. Is it merely a coincidence? If not, what is so unique about this
pattern, that we see it in so many passages? Why are we seeing it and what significance does it hold? One
example that comes to mind is when the people were camped at Gilgal. It
took 7 years to conquer the Land, during which 7 nations were conquered,
and then another 7 years to divide the territory among the tribes. The
narrative is again characterized by <span style="color: red;">3</span> “measures” of <span style="color: blue;">7</span>.
This is not unlike the 3 measures of 6 (above) except for the number.
There is a curious similarity in the metrics but what does it mean?
</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Is there a connection?</span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> </span></span><br /><span face=""arial" , "helvetica" , sans-serif">T</span>he combination of the two sets of numbers<span face=""arial" , "helvetica" , sans-serif">, <span face=""arial" , "helvetica" , sans-serif">six-</span>cubed and <span face=""arial" , "helvetica" , sans-serif">seven-</span>cubed, </span>is a <i>point of convergence</i> in the geometry of the primordial torah
(you'll see this modeled in a moment). However, if you'<span face=""arial" , "helvetica" , sans-serif">ve read the essential constructs, then you already know that the six<span face=""arial" , "helvetica" , sans-serif">-</span>cubed is a <span face=""arial" , "helvetica" , sans-serif">geometric aspect of the <span face=""arial" , "helvetica" , sans-serif">Triad Havayah </span>of 72 with 216 letters (<span face=""arial" , "helvetica" , sans-serif">six</span> cubed <span face=""arial" , "helvetica" , sans-serif">=</span> 216) and <span face=""arial" , "helvetica" , sans-serif">if you've read the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/42-letters-in-sapphire.html" target="_blank">42 Letters in Sapphire</a>, then you know that</span> <span face=""arial" , "helvetica" , sans-serif">seven-</span>cubed is a geometric aspect of the 42 letter Name. Both six-cube<span face=""arial" , "helvetica" , sans-serif">d</span> and seven-cubed are the underlying numbers <span face=""arial" , "helvetica" , sans-serif"><u>specifically</u> defining</span> the me<span face=""arial" , "helvetica" , sans-serif">asured geometry</span> of the evan shetiyah (foundation stone / luchot / cube of the <i>mem-tet</i> angel)<span face=""arial" , "helvetica" , sans-serif">. In a broader context, t</span>he si<span face=""arial" , "helvetica" , sans-serif">x<span face=""arial" , "helvetica" , sans-serif"> that is </span></span>cubed, is <span face=""arial" , "helvetica" , sans-serif">actually</span> a <span face=""arial" , "helvetica" , sans-serif">measure of three dimensional space<span face=""arial" , "helvetica" , sans-serif"> as it pertains to the physical universe<span face=""arial" , "helvetica" , sans-serif"> (see the post on <a href="http://sapphiremagendavid.blogspot.co.il/p/the-primordial-torah.html" target="_blank">the primo</a><span face=""arial" , "helvetica" , sans-serif"><a href="http://sapphiremagendavid.blogspot.co.il/p/the-primordial-torah.html" target="_blank">rdial torah</a> and the post on <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_6.html" target="_blank">the four species and the Name</a>)</span></span></span> and the seven<span face=""arial" , "helvetica" , sans-serif"> that is </span>cubed is a measure of time </span></span></span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">(as explained in the post on <a href="https://sapphiremagendavid.blogspot.com/2022/05/behar-and-bechuko-thai.html" target="_blank"> Behar and Bechuko-thai</a>)</span></span>.</span></span></span></span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Our
observance of calendar related halacha, for example, involves <u>cycles</u> of
7s .
Halachic requirements and various events form repeating cycles of 7
that we often take for granted without contemplating the implications.
However, when we examine these cycles more thoroughly, they create what
amounts to a multidimensional map of our movement through time. This
“map” is expressed in cycles of 7, like 7 days, 7 weeks, 7 months, 7
years, 7 millennia, 7 x 7 days, 7 x 7 weeks, 7 x 7 years etc. In
essence. We can represent these cycles
with a cubic matrix consisting of 6 x 6 x 6<span face=""arial" , "helvetica" , sans-serif"> hand-breadths</span> delineated and measured externally, as it were, by three 7s<span face=""arial" , "helvetica" , sans-serif">: </span>7 x 7 x 7 zero-dimensional points <span face=""arial" , "helvetica" , sans-serif">of intersection between each one-dimensional linear hand-breadth (the total being</span> 343 elements<span style="font-size: xx-small;">11<span style="font-size: small;">)</span></span>. <span face=""arial" , "helvetica" , sans-serif">Why do</span> we see these patterns of three 6s and three 7s in the narrative of the Torah? <br /><br />We
see them because they are, in effect, the Signature of the Architect (His Name in the geometry of the stone<span face=""arial" , "helvetica" , sans-serif">s)</span>.
That Signature takes several forms, but each form is connected, be they
numbers corresponding to the geometric character of the magen david with
<span style="color: blue;">72 <span style="color: red;">tri</span></span>angular (or <span style="color: red;">216</span>) corners; the internal metrics of a cube of 6 hand-breadths with a volume of <span style="color: red;">216</span> cubic hand-breadths; or the <span style="color: red;">2</span>,<span style="color: red;">16</span>0
degrees in its 24 corner angles, and now in the matrix of 7, defined by
its external geometry, that parallels our observance of calendar
related halacha. The <span style="color: red;">216</span> 'spaces' that give rise to this point of convergence are at the heart of the geometry. <br /><br />The
diagram below maps the cycles of 9 (time) in two of three<span face=""arial" , "helvetica" , sans-serif"> </span>dimensions. We’ve shown this
diagram in several other posts. However, it is particularly applicable
to VaYera because the narrative contains both allusions, and then some!
The “measure” of the matrix of time is 7 x 7 x 7. When you “travel”
beyond 7 days<span face=""arial" , "helvetica" , sans-serif"> (it's maximum delineated geometry)</span> for example, you simply move up to the next highe<span face=""arial" , "helvetica" , sans-serif">r</span> dimension (the 8th
day is on the next row etc). </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">When you “travel” beyond 49 days, you do
the same thing. That is, you move up to the next highe<span face=""arial" , "helvetica" , sans-serif">r</span> dimension (the
50th day is on the next layer in the third dimension) and so forth. Look at the diagram below
and take a moment to count the lines/elements on each row (red/blue) then each layer,
and you’ll understand. This is essentially how we measure time in cycles of seven, whether its 7 days
(week) 7 x 7 days (or 7 <span face=""arial" , "helvetica" , sans-serif">"</span>weeks"<span face=""arial" , "helvetica" , sans-serif"> as in the counting of the </span>omer<span face=""arial" , "helvetica" , sans-serif">)</span> or 7 years (<i>shmitah</i>) or 7 x 7 <i>shmitah</i><span face=""arial" , "helvetica" , sans-serif"><i>'s</i> (7 x 7 </span>years) <span face=""arial" , "helvetica" , sans-serif">or a</span> jubilee. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
pattern is the same. Its like a “map” for the measure of time in the physical universe where
the 3 dimensions of space (expressed as 6 x 6 x 6) “move through time”
(expressed as 7 x 7 x 7). The matrix of 6, or the volume of the combined
cubic form of the luchot (in hand-breadths) corresponds to the number of
letters in God’s Explicit Name (216). However, it is hidden (beneath
the surface) in between the “spaces” of the 343 elements in the external matrix
of 7 associated with the 42 <span face=""arial" , "helvetica" , sans-serif">Letter Name</span>. How many spaces (cubic hand-breadths) are there? Count the cubic hand-breadths in the diagram
below. There are 216 (6 x 6 x 6) just like the letters of the Name. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<br />
</p><div class="separator" style="clear: both; text-align: center;">
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br />We've been discussing the measured geometry. However, in
VaYera<span face=""arial" , "helvetica" , sans-serif"> (among others)</span> we see both of these measurements hidden in the narrative. The first is found in the 3
“measures” of flour that were each 6 ounces; and the second is in the
measure, or number of ewes (7) mentioned 3 times. Is there perhaps another (mathematic) witness to testify to the significance?<br /><br />Here’s where
it gets really interesting. In addition to the 3 times that the "7 ewes"
are mentioned in the text, the word “ewes” is spelled <u>without</u> a Vav <u>all</u> <u>3</u> <u>times</u>. The gematria of the letter Vav is 6. In other words, there are <span style="color: blue;">3</span> missing Vav’s (each having a measure/gematria of <span style="color: blue;">6</span>). This again alludes to the underlying physical measurements of the luchot (<span style="color: blue;">6 </span>x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> = <span style="color: red;">216</span>)
that correspond to the Signature of the Architect, except that here
the Signature is hidden in the text by virtue of the 3 missing Vav’s (6, 6 and 6).
This particular allusion is a duplicate or mathematic/geometric mirror
image of the allusion we previously mentioned in the 3 measures of flour
that were each 6 ounces. In other words, we have two different
allusions of the same thing. This is mathematically like <span style="color: blue;">2</span> x <span style="color: red;">216</span>. Interestingly, the luchot that were each <span style="color: red;">216</span> cubic hand-breadths, were ultimately brought down <span style="color: blue;">twice</span>.
Coincidence? I think not! Could the letters, the narrative, and the
math and the geometry get anymore interconnected? Well, actually, yes,
they can! <br /><br />We see a tertiary reflection of these same mathematic
and geometric constructs in the gematria of the word “ewes,” when it is
spelled without the Vav as mentioned above. The gematria without the Vav is 722. This
number is fascinating in-and-of itself because <span style="color: blue;">72.2</span> is the current, modern measure for the clarity of <span style="color: blue;">sapphire</span>, and it was said that the luchot were “like sapphire.” The fact that it is hidden in the <span style="color: blue;">3</span> times the word “ewes,” is written without a vav (<span style="color: blue;"><span style="color: black;">three</span> 6</span>s) is like a circular hidden reference to the “measure” of the cosmic blueprint (<span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span>) <u>and</u> <u>also</u> the very nature of its substance (<span style="color: blue;">72.2</span>) not to mention the signature geometry (<span style="color: red;">3</span> x <span style="color: blue;">72</span>).
Still not convinced? We find a third virtually identical
mathematic reflection in the combined gematria of the 3 ewes (when
spelled without the Vav) where <span style="color: red;">3</span> x <span style="color: blue;">72</span>2 = 2166. This numbers might at first appear to be coincidental, but look closely. The number <span style="color: red;">216</span><span style="color: blue;">6</span> is an integ<span face=""arial" , "helvetica" , sans-serif">e</span>r string that reflects not only the <span style="color: red;">216</span> cubic hand-breadths of the luchot (and thus the letters of God’s Name) but the number <span style="color: blue;">6</span>
which is the cube root of that number as well as the measure of each
dimension. The number of hidden allusions in this parashah is
overwhelming.<br /><br />In summary of what we have examined thus far, the
events that we see in this parashah, and specifically the numbers that
are revealed (as in the <span style="color: red;">7</span> ewes mentioned <span style="color: blue;">3</span> times, and the <span style="color: blue;">3</span> measures of <span style="color: red;">6</span>) as well as their hidden counterparts (as in the gematria of the ewes spelled <span style="color: blue;">3</span> times without a vav (<span style="color: blue;">6</span>) or <span style="color: red;">216</span>, and the combined gematria being <span style="color: red;">216</span><span style="color: blue;">6</span> connecting back to the Signature (of <span style="color: red;">216</span> letters) that is actually <span style="color: blue;">6</span>
cubed) are simply beyond the ability of any man or group of men to
invent or otherwise embed in some historical narrative, even if their
understanding of math and geometry had reached the pinnacle of
sophistication. Rather, what we are seeing are the highly integrated
components of a cosmic blueprint manifested in various events down on
earth, as mankind plays out the drama of creation.<br /><br /> Want to see even more reflections? Sunglasses might be appropriate. The word “<i>sheva</i>” meaning <span style="color: blue;">7</span>, or “oath,” is part of the name of the “Be’er <span style="color: blue;">Sheva</span>”
(well seven) which has a gematria of 372. Look closely at that number. The
string is similar to the <span style="color: red;">216</span><span style="color: blue;">6</span> above, except that the integer sequence "<span style="color: red;">3</span><span style="color: blue;">72</span>" reflects the triad geometry of the Name: <span style="color: red;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span> (<span style="color: red;">Tri</span>ad <i>Havayah</i> of <span style="color: blue;">72</span>)
and the ratio of the luchot when they are side-by-side as opposed to
their ratio in combined cubic form. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">As interesting as all of this
may
seem, we have really just scratched the surface. For example, the luchot
were divided and brought down by Moshe. We’ve referred to them as twins
throughout this blog for reasons that will be obvious to regular
readers and if you take the time to go through each post you will see
why. However at the same time, the twins are triplets and again, if you
study the various posts you’ll understand why “the twins” and “the
triplets” are really a different way of looking at the same measured geometry, the same sets of
numbers, that are, in essence, descriptive of the external geometry and
measure of the luchot, depending
on your perspective (two-dimensional or three-dimensional). A few
examples follow. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">You might think of what follows as an addendum since
these examples are more complex and not always obvious. They require a
certain amount of contemplation to appreciate, but the implications are
fascinating . For those who want to plumb the depths of this matrix (the
mathematic nature of the Primordial Torah as it pertains to God’s Name)
even
further, we offer the following:<br /> </span></span><br />
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><b>Mathematic Patterns in Parashah VaYera</b><br /> </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">(Twins/Triplets: One Dimension - Two Dimensions - Three Dimensions - Four Dimensions)<br />(<i>Their Shadows Below Being the Events Described in Torah</i>)</span></span></div>
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There are many linguistic patterns of two (pairs/twins) throughout Parashah VaYera. Or to be
put another way, there is an expression (a series of words) and then
that expression is repeated. This is like the 2 times the luchot were
brought down from Mount Sinai, or the two halves of the luchot (<span style="color: blue;">2</span> x <span style="color: blue;">108</span> = <span style="color: red;">216</span>) that together correspond to the letters of God’s Explicit Name. <br /><br />The
2 times the luchot were brought down, and the fact that they were
separated into 2 halves is best brought out in the words in 22:11(1) “...<i>and an Angel of God called to him from Heaven and said ‘Avraham! Avraham!’”</i><br /><br />There
is a P’sik, which looks like this: | separating the 2 identical words
“Avraham”. A P’sik tells the reader to pause in between the 2 words so
that the 2 words are each separated and clearly heard as 2 words. This
is usually used when the 2 words being separated could sound like one
word, so the P’sik separates the two into 2 distinct words<span style="font-size: xx-small;">2</span>.
The word/name “Avraham” could obviously not be read into or confused
with the next instance of “Avraham,” and therefore the P’sik is hinting
to us at a different separation, i.e. the separation of the luchot when
they were divided and brought down by one of Avraham's descendants
(Moshe). Here, each word (Avraham)
is identical, just like the 2 halves of the sapphire cube that were
mathematically and geometrically identical. It is appropriate
that Avraham’s name is here used to describe the luchot, as it alludes
to the fact that he kept all the commandments before they were even
"brought down." <br /><br />The
dimensions of the luchot are hidden numerous times in this week’s
parashah. VaYera is the 4th parashah in the yearly cycle, and
consequently all 4 primary dimensions of space-time are mirrored in the
patterns of numbers found in this parashah (we'll get into this in a
moment). This can be explained by the fact that the luchot are in
reality the divine blueprint of creation, and so these 4 dimensions
should be an integral mathematic part of the luchot. Each is found in
this week’s parashah as follows. <br /><br /><b>First Dimension</b><br /><br />There are <span style="color: blue;">6</span> “pairs” in this parashah:<br /><br />1) The 2 angels that go to Sodom;<br />2) Lot’s 2 daughters that are saved;<br />3) Moab and Ben Ammi are born;<br />4) Avraham and Sarah;<br />5) King Avimelech and General Phikhol;<br />6) Hagar and Yishmael.<br /><br />These
6 pairs allude to each dimension of the luchot/twins. The measure of
each dimension is 6 hand-breadths and so any given dimension can be represented
by the number <span style="color: blue;">6</span>. <br /><br /><b>Second Dimension</b><br /><br />There are <span style="color: red;">two</span> <span style="color: blue;">3</span>s in the linguistic structure of this part of the Torah. The first 3 are found here:<br /><br />1) 18:9 “And they said, ‘...<span style="color: blue;">where</span> is Sarah?’”<br />2) 19:5 “And they said, ‘...<span style="color: blue;">where</span> are the men?’”<br />3) 22:7 “but <span style="color: blue;">where</span> is the lamb for the offering?” <br /><br />The second 3 are found here:<br /><br />1) 21:33 “and there he <span style="color: blue;">proclaimed</span> the Name of <i>HaShem</i>, God of the Universe<span style="color: red;">*</span>.” <br />2) 12:8 “and Avram <span style="color: blue;">invoked</span> God by Name”<br />3) 13:4 “and there Avram <span style="color: blue;">invoked</span> God by Name”</span></span><br />
<br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">What is three opposite three? Look at the luchot along the divided side and each half is three handbreadths in length.<br /><br />(<span style="color: red;">*</span>Note: This is the third time Avraham invoked God’s Name. The first 2 times are in last week’s parashah: <i>Lekh Lekha</i>)</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The <span style="color: red;">two</span> <span style="color: blue;"><span style="color: black;">sets of <span style="color: blue;">three</span> above</span></span>
are like the side of the cube (or second dimension of the cube) that
was "divided" when it was brought down. The cubic form was 6 x 6 x <span style="color: red;">6</span>, but each half was 6 x 6 x <span style="color: blue;">3</span> (times <span style="color: red;">2</span>). Take time to contemplate the set of numbers as they apply to the geometry of the primordial torah. <br /><br />The <span style="color: blue;">3</span> times these verses ask “<span style="color: blue;">where</span>” and the <span style="color: blue;">3</span> times Avraham <span style="color: blue;">invokes</span> God’s name are <span style="color: red;">two</span> distinct sets of </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;"><span style="color: black;"><span style="color: blue;">three</span></span></span></span></span>.
The mathematic equivalent amounts to 2 x 3 = 6 and 2 x 3 = another 6,
which is exactly like the second dimension of the luchot: <span style="color: red;">2</span> x <span style="color: blue;">3</span> = <span style="color: blue;">6</span> because one dimension of 6 is divided (prior to it being brought down by Moshe).</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /><b>Third Dimension</b><br /><br />This
has already been mentioned above. God came to Avraham in the heat of
the day. Avraham greets the Divine Presence, then excuses himself and
tells Sarah to “...<i>take 3 measures of flour</i> (6 ounces)<i> and make bread.”</i>
In this case, the 3 "measures" of 6 ounces allude to the 3 “measures” of
6 hand-breadths in the combined cubic form of the luchot and the
Signature of the Architect that consists of 216 letters (<span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> = <span style="color: red;">216</span> cubic hand-breadths). </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br />Of course this reflection is not limited to this parashah. The same ratio was found in Mishpatim where...</span></span><br />
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...Moshe remains in the cloud for <span style="color: blue;">6</span> days;<br /> ...goes back and forth for <span style="color: blue;">6</span> days taking the Torah to the people;<br /> ...and where these events either...<br /> ...begin or end on the <span style="color: blue;">6</span>th of Sivan depending on the source.</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br />Here again, we see <span style="color: blue;">3</span> "measures" of <span style="color: blue;">6</span> allude to the signature geometry in the original combined cubic form of the luchot and its <span style="color: red;">216</span>
cubic hand-breadths that in turn allude to the number of letters in
God's Name. Their "presence" in the physical structure of the luchot is
one more example of the Architect’s Signature.</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Since there were 2 sets of luchot (ultimately brought down) each with the dimension of 6 x 6 x 6, there is another mention of <span style="color: red;">3</span> “<span style="color: blue;">sixes</span>” in <i>VaYerah</i>.<br /><br />When running away before the Destruction of Sodom (19:16), there are <span style="color: red;">3</span> <span style="color: blue;">two</span>s: <br /><br /><span style="color: red;">1</span>) The <span style="color: blue;">2</span> angels; <br /><span style="color: red;">2</span>) <span style="color: blue;">Lot</span> and <span style="color: blue;">Edith</span> (husband and wife); <br /><span style="color: red;">3</span>) and Lot’s <span style="color: blue;">2</span> daughters.<br /> </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">This
can be expressed as 3 x 2, 3 x 2, and 3 x 2, or 6, 6, and 6 (as seen in
the posts on Shoftim and Re’eh) . This again equates to the dimensions
of the luchot in the third dimension or 6 x 6 x 6.</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Dimensions of the Luchot in 1D, 2D, & 3D</span></span></div>
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><b>Fourth Dimension</b><br /><br />There
are many twos in this week’s parashah that are a repetition of an event
in history. Something happens, and then (even a very short while later)
that ‘act’ is repeated. The aspect of these pairs is in the 4th
dimension: Time. In this week’s parashah, time is used as a means to
convey aspects of the luchot (like we see in the post on <a href="https://sapphiremagendavid.blogspot.com/2022/06/shlach.html" target="_blank">Sh’lach</a>). <br /><br />The many times that things are repeated in this parashah are hinted to in 22:15: “The angel of God called to Avraham a <span style="color: blue;">second time</span> from heaven.” This is like the <span style="color: blue;">second time</span>
that Moshe came down with the luchot. There are many things that are
linguistically repeated exactly 2 times in this week’s parashah, and each is like a
reflection of the 2 (<span style="color: blue;">twin</span>) luchot that were brought down <span style="color: blue;">twice</span>:<br /><br />18:4 “let some water be brought <span style="color: blue;">and wash your feet</span>”<br />19:2 “spend the night <span style="color: blue;">and wash your feet</span>”<br /><br />18:4 “and recline beneath the <span style="color: blue;">tree</span>”<br />21:33 “and he planted a Tamarisk <span style="color: blue;">tree</span> in Be’er Sheva”<br /><br />18:12 “And Sarah <span style="color: blue;">laughed</span>”<br />19:14 “But he seemed like a <span style="color: blue;">jester</span> in the eyes of his sons-in-law.”<span style="font-size: xx-small;">3, 4</span><br /><br />18:2 “And he <span style="color: blue;">saw … and bowed toward the ground</span>”<br />19:1 “now Lot <span style="color: blue;">saw … and he bowed, face to the ground</span>”<br /><br />18:23 “<span style="color: blue;">Will You also stamp out</span> the righteous along with the wicked?”<br />20:4 “<span style="color: blue;">Will You slay</span> a nation even though it is righteous?”<br /><br />19:3 “he <span style="color: blue;">made a feast</span> for them”<br />21:8 “Avraham <span style="color: blue;">made a</span> great <span style="color: blue;">feast</span>”<br /><br />21:16 “some <span style="color: blue;">bow shots</span> away”<br />21:20 “and he became an <span style="color: blue;">accomplished archer</span>”3<br /><br />18:2 “He <span style="color: blue;">lifted his eyes and saw</span>”<br />22:13 “And Avraham <span style="color: blue;">lifted his eyes and saw</span>”<br /> </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Why is everything paired? Other words that are repeated in the same verse are 22:14: <i>And Avraham called the name of that site “God <span style="color: red;">will see</span></i>”, as it is said to this day, on the mountain God <i>will be seen</i>. The word(s) “יִרְאֶה – <span style="color: red;">will see</span>” have a gematria <span style="color: red;">216</span>,
so when Avraham named the place “God will see” it had a double meaning
(one that can only be appreciated with a knowledge of God's Explicit
Name and also the holy language). This is the first part of the word
Jerusalem. Shem had called the place <i>Shalem</i>, and Avraham called the
place Yeru Hashem, so in deference to both great people, <span style="color: blue;">God combined the 2 names</span>
and called the place Yerushalayim. This is seen in the books of the
Prophets and the Writings, as Yerushalayim is almost always spelled
without a Yud. This depicts the combination of the 2 words: <i>Yeru</i> and
<i>shalem</i>. It is pronounced “<i>Yerushalayim</i>” but spelled “<i>Yerushalem</i>.” The
reader can contemplate the significance of the added Yud (with a gematria of
10) when it is enunciated (10 being an aspect of the 2 luchot in the 5 internal constructs and its 5 polar opposites).</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">In addition to the "</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">will see</span>” mentioned above having a gematria <span style="color: red;">216<span style="color: black;">, we mentioned in last week's post that the Torah (in referring to Yaacov sleeping on the Temple Mount) it says: "<span style="color: red;">and he awoke</span>" which also has the gematria of</span></span></span></span></span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;"><span style="color: black;"> <span style="color: red;">216<span style="color: black;">. Both references, whether "seeing" or "waking up" have a direct connection to acquiring an awareness of God's Name. </span></span></span></span></span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;"> </span></span></span><br /> Again, it is mentioned 2 times. Mathematically, this is <span style="color: blue;">2</span> x <span style="color: red;">216</span> which equals <span style="color: #6aa84f;">432</span>, or the number of cubic hand-breadths in both sets of luchot (see the post on VaYikra and Tzav
for a full explanation). It is also the number of drahms in a hin (a
drahm being the fractional proportion equivalent to 1/3 egg) such that
certain halachic observances reflect the nature of the letters in His
Name.<br /><br />At any rate, when Avraham did this, it was a ‘prophecy’ of
sorts, for the very spot on which he performed the sacrifice, would one
day be the spot for the Holy of Holy's, where the Ark of the Covenant
would rest. The Ark would contain both sets of luchot, each mathematically
equivalent to the Name. The gematria of “<i>the mountain God will be seen</i>”
is 447. The full quote is “<i>as it is said to this day, on the mountain
God will be seen</i>.” We do not say it today<span style="font-size: xx-small;">5</span>, but it
was by Moshe, referring to his time and generation. There were 447
years between the time Moshe died (2488) and when the Ark came to rest on
the Temple Mount (2935). Therefore, Moshe was saying, “<i>on</i> [or in] <i>447
years</i>,” the Ark would come to rest here, “<i>and</i> [so] <i>on the mountain God
will be seen</i>.” At the culmination of the inauguration of the First
Temple, God’s Heavenly Fire came down onto the Altar, and indeed, God’s
presence was seen on the mountain that very day. From that time until
its destruction, open miracles were a daily occurrence in the Temple.<br /><br />Besides
the repetitions and the many pairs corresponding to the 2 luchot (as
seen in the above sets of 2s and 3s) the fact that there were 2 sets of
luchot is also hinted to in this week’s parashah in another place. It
seems there are twos (twins) everywhere you look. When Avraham is
commanded to sacrifice Yitzhak, Avraham prepares for the journey and
gathers 4 things (we will elaborate more fully in a moment). Altogether, the people
that made the journey to the “place that God would reveal,” were 4 in
number. There were Avraham and Yitzhak, who complete the journey to
perform the sacrifice, and then there were Yishmael and Eliezer, who
only came part of the way and remain behind with the donkey. Avraham and
Yitzhak come to the place that they were shown and perform the
sacrifice (eventually using the Ram that God prepared at twilight on the
6th day of Creation<span style="font-size: xx-small;">6</span>). Yishmael and Eliezer do not make it all the way to the Mountain. This alludes to the Luchot. Of the 4 luchot, <span style="color: blue;">2</span> did not “make it” to the Jewish People (the first set) but another <span style="color: blue;">2</span>
(the second set) did make it. It was Avraham and Yitzhak, the fathers
of the Jewish People, that would transmit the tradition down to their
descendants who ultimately received the 2 luchot that Moshe brought
down. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /> The 4 items that Avraham used in the sacrifice are also pairs, like so much of this parashah. They are:<br /><br />1) the wood and the fire;</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">2) the knife and the ram (used instead of Yitzhak)<br /><br />The
knife slaughtered the animal; the wood fueled the fire which burned the
offering. This is 2 opposite 2, which is like the first luchot (<span style="color: blue;">pair</span>) opposite the second luchot (<span style="color: blue;">pair</span>). These pairs are just halves of a whole (both luchot) each with <span style="color: red;">216</span> cubic hand-breadths that correspond to the <span style="color: red;">216</span> letters of God’s Explicit Name.<br /><br />If
anyone was to think that this was all just coincidence, there are other
witnesses that can testify to this assertion. For those who are serious
gluttons for mathematic punishment, we have a few more numbers:<br /><br /> Yitzhak is mentioned 11 times in this week’s parashah. His name comes from the word “laugh” like the word tzachak, “to laugh<span style="font-size: xx-small;">9</span>,”
or its derivatives. This word (not counting the 11 times it mentions
Yitzhak) is found 8 times. However these 8 times are in the form of 4
opposite 4 like the 4 letters of the Tetragrammaton opposite the 4
letters of the <i>Havayah</i> of <i>Adnoot</i>. See the post on <a href="https://sapphiremagendavid.blogspot.com/2022/09/ki-thetze.html" target="_blank">Ki Thetze</a> where we explain how 1 of the 4 '<i>couples</i>' is different from the other 3. Here it is again in VaYera. One pair is different from the other three:<br /><br />1) 18:12 “And <span style="color: blue;">Sarah laughed</span>”<br />2) 18:13 “And God said to Avraham, “Why is it that <span style="color: blue;">Sarah laughed</span>” ”<br /><br />3) 18:15 “Sarah denied it saying “<span style="color: blue;">I did not laugh</span>,…” ”<br />4) 18:15 “…but he said “No, <span style="color: blue;">you laughed</span> indeed.” ”<br /><br />5) 19:14 “But he seemed like a <span style="color: red;">jester</span> in the eyes of his sons-in-law.”3<br /><br />6) 21:6 “And Sarah said “God has made <span style="color: blue;">laughter for me</span>…” ”<br />7) 21:6 “…whoever hears will <span style="color: blue;">laugh for me</span>.”<br /><br />8) 21:9 “Sarah saw the son of Hagar … <span style="color: red;">mocking</span><span style="font-size: xx-small;">10</span>.”<br /><br />All
mentions of “laugh” are grouped as “couples,” except for the ones in
19:14 and in 21:9. This 1 couple is different from the other 3 (the nature of which is discussed at length in "<a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">The Marriage of the Letters</a>").
Sarah is
directly involved in the 3 instances in chapter 21. This then separates
the latter 4 instances of the word “laugh” into 3 that Sarah was
involved in (chapter 21) and 1 that she wasn’t. Again, 1 “couple” is
different from the other 3 couples. </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">This is also like the geometry of a
tetrahedron (an internal mathematic construct within the combined cubic
form of the luchot) where 1 point is in a different dimension than the
other 3 points.
All are interrelated. There are 2 tetrahedrons in a star tetrahedron
(three-dimensional magen
david) and so there are 4 points opposite 4 points (but again, of the 4
couples, 1 is different from the other 3). This pattern is well worth
contemplating because it is a mathematic mirror image of the marriage
between the letters in
God’s Name. For example, a star-tetrahedron has <span style="color: blue;">72 <span style="color: red;">tri</span></span>angular corners (<span style="color: blue;">72</span> x <span style="color: red;">3</span> = <span style="color: red;">216</span>).
The star has an opposing tetrahedron and there are actually 108 on one
tetrahedron and 108 on the other, just like the luchot. The mathematic
characteristics of the magen david can be found in the 3 pairs of
“laughs” that are directly related (1 & 2, 3 & 4, 6 & 7) and
the pair that does not have anything to do with the others (5 & 8).
This is just like the star tetrahedron that is a geometric reflection
of God’s Name. There are 3 + 1 opposite 3 + 1, like the points of a star
tetrahedron (the necessity of breaking the pairs into slightly
different forms hints to the nature of the letters in God’s Name as
found in the geometry of the star tetrahedron like the differences in
the groups of 7 that were seen in the post on <a href="https://sapphiremagendavid.blogspot.com/2022/08/reeh.html" target="_blank">Re’eh</a>). The mathematic
substrata in the Torah is very precise in this regard and cannot be
attributed to accident, coincidence, or engineering, except for that
intended by the Architect Himself, whose Signature is so deeply hidden
beneath the surface.</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Opposing Tetrahedrons</span></span></div>
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixIjuFkCymC03tKcW9Dter0bKrLONNbM6xb_RUS-99Iqmeno8oxg38x9UZtbEVapM0dN6FjbmyButrOmtz2KAfevzfpPxQegyBeiVgzMhcXs5fPD5E3p7dxcTG2iathvM4upMuoaqQiLQ4/s1600/Opposing+tetrahedrons+laughs.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixIjuFkCymC03tKcW9Dter0bKrLONNbM6xb_RUS-99Iqmeno8oxg38x9UZtbEVapM0dN6FjbmyButrOmtz2KAfevzfpPxQegyBeiVgzMhcXs5fPD5E3p7dxcTG2iathvM4upMuoaqQiLQ4/s320/Opposing+tetrahedrons+laughs.jpg" width="279" /></a></span></span></div>
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Combined Tetrahedrons into Star-Tetrahedron</span></span></div>
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV80tPI12Gut9T7-xdgSzmsw0GoCoLI-1wmvFzf8yG9rxyHKEix5rkeUdArJKH6qLavhLhUgFqO2uFzsgOs7r2suezsCKqhYrVKPW2zJ8y1PEQkZEi5yMIc4r3swq14DmWwT5lyfksTU1l/s1600/Star+tetrahedron+laughs+combined.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV80tPI12Gut9T7-xdgSzmsw0GoCoLI-1wmvFzf8yG9rxyHKEix5rkeUdArJKH6qLavhLhUgFqO2uFzsgOs7r2suezsCKqhYrVKPW2zJ8y1PEQkZEi5yMIc4r3swq14DmWwT5lyfksTU1l/s320/Star+tetrahedron+laughs+combined.jpg" width="320" /></a></span></span></div>
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The first group of 4 (in the above verses) is 2
opposite 2 like both sets of the luchot. And since one of the
“tetrahedrons” (the top one) is created using those same verses, this
hints to the fact that a star tetrahedron is one of the 5 mathematic
constructs in the sapphire cube, from which the luchot were “carved”
(divided when they were brought down by Moshe).</span></span><br />
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQFKWCLTwIRxdShYoBSzkdt4degP7OPeUGurtthq2_ctJVToA625zh7ik4Pxu8mQnOGG1mgAV9wH7ycul4VFfWS4_S1d-RtLozVNJFp0GG9YlMSXz2oTwQ0Vbl0TzWHfEyKE2YDpX4Ij8U/s1600/Cube+with+Star+Inside.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQFKWCLTwIRxdShYoBSzkdt4degP7OPeUGurtthq2_ctJVToA625zh7ik4Pxu8mQnOGG1mgAV9wH7ycul4VFfWS4_S1d-RtLozVNJFp0GG9YlMSXz2oTwQ0Vbl0TzWHfEyKE2YDpX4Ij8U/s320/Cube+with+Star+Inside.jpg" width="320" /></a></span></span></div>
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">To summarize the number of times the 2 sets (of luchot) are alluded to in this week’s parashah:<br /><br />1) 2 mentions of the <span style="color: blue;">6</span> x <span style="color: blue;">6</span> x <span style="color: blue;">6</span> (dimensions of the luchot) in the 3 measures</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> and the mention of <span style="color: red;">3</span> <span style="color: blue;">twos </span><br />2) 2 mentions of “God <span style="color: red;">will see</span>”<br />3) 4 people that were on the journey to the <i>Akeidah</i><br />4) 4 items used in the <i>Akeidah</i><br />5) 2 groups (of 2) of laughter when Sarah heard she was to have a son<br />6) Using the 4th dimension to embed dimensions of the luchot<br />7) This is the 4th parashah in the yearly cycle<br />8) The 8 pairs of repetitions (like 8 directions of 4 dimensions) or 8 x 2 (16)<br /><br />To
see the significance of the 8 times the 2 sets of luchot are mentioned
in this week’s parashah, see the post on <i>BeHar & BeChukothai </i>
previously mentioned. <br /><br />One
more allusion to God’s Explicit Name is hidden in this parashah near
the very end where Avraham is informed that his brother Nahor has 12
sons. These 12 sons also became tribes or nations. This is the first
mention of the 4 groups of 12 tribes. The 4 groups are:<br /><br />1) 12 tribes of Nahor (mentioned here in Parashah VaYera);<br />2) 12 tribes of Yishmael (mentioned in next week’s Parashah <a href="https://sapphiremagendavid.blogspot.com/2021/10/chai-sarah.html" target="_blank">Chai Sarah</a>);<br />3) 12 tribes of Esav (mentioned in Parashah <a href="https://sapphiremagendavid.blogspot.com/2022/12/vayishlach.html" target="_blank">VaYishlach</a>);<br />4) 12 tribes of Israel (Parashah <a href="https://sapphiremagendavid.blogspot.com/2022/12/vayechi.html" target="_blank">VaYechi</a>)<br /><br />There
are 4 “twelves” like the number of oxen, rams, sheep, and goats that
were burnt offerings in Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/05/naso.html" target="_blank">Naso</a>. The 12 x 12 x 12 x 12 = 20,736
which is the 96th multiple of the number of letters in the Name, <span style="color: blue;">72</span> x <span style="color: blue;">3</span> (<span style="color: red;">216</span>)
x 96 = 20,736. The star tetrahedron also has 12 small faces on one
tetrahedron, opposite 12 on the other, and considering the two sets of
luchot that were brought down, the total number of small faces takes the
form of 12, 12, 12 and 12 (four 12s). In other words, the patterns
within the narrative appear to originate in the mathematic and geometric
nature of the cosmic blueprint or primordial torah (the cubit-cubed).<br /><br />Parashah
VaYera thus has numerous witnesses to the Signature of the Architect:
The dimensions of the luchot in all 4 dimensions of our universe;
Avraham’s name for Jerusalem; everything involved in the Akeidah of
Yitzhak; the outer matrix (three 7s) that conforms to the cycles of 7 x 7
x 7 in calendar related halacha and the inner/hidden matrix of 6 x 6 x 6
that is in fact the actual "measure" of the shnei luchot (both found
embedded in this parashah as we've also seen in many others); the ‘8’
“laughs” that are 4 opposite 4 where 1 couple is different from the
other 3; and last but not least, the first of the 4 twelves. All point
to the highly integrated components of a cosmic blueprint manifested in
various events down on earth, as mankind plays out the drama of
creation. <br /><br />Once again, the Jewish people are central to this
plan. The people of Israel are the builders and those that seek to
delegitimize Israel or, God forbid, destroy it altogether, are actually
fighting God Himself who devised the plan in the first place and is
orchestrating its fulfillment.</span><br /><br />______________________<br /><br /><span style="font-size: xx-small;">Footnote
1 – The chapter and verse is 22:11, or 2 & 2 and 1 & 1 or 2.
This would signify that 2 times, 2 and 2 (luchot) were brought down, and
that each time, they were really 1 and 1, or 2 halves. There are lots
of twos in this Parashah.<br /><br />Footnote 2 – Like in 18:15, “כִּי |
יָרֵאָה - Ki YaRe’ah – for she was frightened”. If there was no P’sik,
then when reading it fast it would morph into Kire’ah, which would mean
“like she saw”, which would make no sense in the narrative. </span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;">Footnote 3 – Although these are not the same words in English, in Hebrew, they are the same root word.</span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;">Footnote
4 – Although there are many other instances of the word “laugh” in the
Parashah, they are all in regard to Yitzhak, except for Lot’s
sons-in-law laughing. Therefore, I chose to pair the 1st laugh of Sarah
(which has to do with Yitzhak) with the laughs of Lot’s sons-in-law. We
will mention the other laughs later on in this post.</span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;">Footnote
5 – Although we do say it nowadays every morning during Shacharit, and
have in mind that when Mashiach comes, once again “God will be seen on
the mountain”, the verse does not say “Ad HaYom HaZeh”, which would
mean, “even until today” (our times). It says “Asher YayAmer HaYom”, “as
it is said this day”, meaning in Moshe’s days. When the Anshei Kenesses
HaGedolah formulated the prayers, and aptly decided to include the
Akeidah in the Shacharit prayer, this is after the fact. </span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;">Footnote 6 – See the post on BeHa’alothekha for the meaning of this source 6.</span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;">Footnote 7 – Yitzhak would live in Be’er Sheva most of his life.</span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;">Footnote 8 – He built the first wall of Jerusalem in the year 2473 from Creation.</span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;">Footnote
9 – Tzachak, “to laugh” is gematria 198. 216 – 198 = 18. 18 is gematria
“Chai – life”. It is a known fact that those who laugh more live
longer. By combining life (18) with laughter (198) you get the 216
letters of God’s Explicit Name, showing that God has a hand in your
laughter (and should extend your life).</span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;">Footnote 10 – These words, also, are the same Hebrew words. </span><span style="font-size: xx-small;"><br /></span><span style="font-size: xx-small;"> </span></span><br />
<span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif">Footnote
11 - The phrase “...and God said,” which are the words used to describe
how God created the physical universe, has a gematria of 343. It is
significant not only for what is nigleh (or revealed to us) in the
creation of the physical universe and in our halachic observance, but
also for what is nistar or hidden just beneath the surface. </span></span><br />
<span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif">Footnote 12 - T</span></span>he
Divine Presence was in Avraham’s tent (alluded to in the 3 measures of
6). It is worth noting that the bread Sarah was told to prepare was
never served. The reason generally given is that Sarah either became
niddah while preparing the bread, or that it was Pesach and Sarah
inadvertently left it to sit for too long, and so it became leaven. In
either case, it could not be eaten. However, the 3 measures of 6 ounces
that allude to God’s Name indicate that the Divine Presence was in
Avraham’s tent. When Avraham excused himself from the Divine Presence
and told Sarah to make bread, it was for the Divine Presence, not
Avraham’s other visitors. This bread is not eaten in the Divine Presence
(witness the Showbread in the Beit HaMikdash). Thus it was not served.</span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-56762802105606823192023-10-28T19:00:00.001+03:002023-10-28T19:00:46.481+03:00Lehk Lehka<p><span face=""arial" , "helvetica" , sans-serif">In this post we will show how
the events in Lehk Lehka combine with those of Beresheit and Noach to
cast perfectly symmetric shadows that correspond to the letters in God’s
Name. Its a bit complicated and so this post is not recommended for
everyone. You may wish to skip over it and read some of the other posts.
Those who want to delve more deeply into certain types of patterns and
peel back the layers of reality that hide the process, will have to
contemplate what is presented here, to fully appreciate the connection
these things have to the Name. I can only say that it is well worth the effort and that diagrams will be presented
to help visualize the connections.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">Before getting into this, <span style="font-size: small;">we should mention for those who are</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> new to this
blog, that each of the essential constructs listed in
the column to the right should be read first, before proceeding with any given post. These pages reveal some of the
basic </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where the<i> signature geometry </i>is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">This
particular post is not recommended at all unless you have a working
knowledge of kabbalah. It's not necessary to fully understand it.
However, you should at least be familiar with its terminology. We would
also
emphasize, at this point, that this post is offered solely to help the
reader see the beauty in the mathematic symmetry of the creative process
as it pertains to God's Name. It is otherwise quite complex.</span> </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">We’ll start by looking at
each element of the creation process using terminology that is generally
reserved for the design and construction of a building. These elements
include:</span><br />
<br />
</p><ul><li><span face=""arial" , "helvetica" , sans-serif">The Architect (God)</span></li><li><span face=""arial" , "helvetica" , sans-serif">The Blueprint (Luchot/Torah)</span></li><li><span face=""arial" , "helvetica" , sans-serif">The Rungs of the Ladder (Sephirot))</span></li><li><span face=""arial" , "helvetica" , sans-serif">Building Blocks (Letters of Creation)</span></li><li><span face=""arial" , "helvetica" , sans-serif">The Building Itself (The End Result)</span></li></ul>
<span face=""arial" , "helvetica" , sans-serif"><br /><span style="color: red;">The first element</span>
in the process is the <i>Architect</i> Himself and He does not change.
However, our knowledge of God may change, as well as our understanding
of His Name. Human consciousness<span style="font-size: xx-small;">1</span> is a function of this knowledge and understanding.<br /><br /><span style="color: red;">The second element</span>
in the process is the Architect’s <i>blueprint</i>. It does not really change
either, but different parts of it are being implemented in different
places at different times. Our perception of it is dependent on “when”
and “where,” so even though it does not change, our knowledge of it can
change, and so can our understanding of its content. Human consciousness<span style="font-size: xx-small;">1</span> is once again a function of this knowledge and understanding.<br /><br /><span style="color: red;">The third element</span>
in the process are the <i>rungs of the ladder</i> employed by the builders (sephirot). These things are quite mysterious
and we won’t get into their mechanics, except to say that we can
perceive them in different ways and so they can appear to be in
different places and positions with respect to one another (which is why
they are often depicted differently) and so they too appear to change,
although their function does not. The sephirot are perhaps best
described as the way that God interacts with His creation. Human
consciousness<span style="font-size: xx-small;">1</span> is a gift that is dependent on the way we interact with our Creator.<br /><br /><span style="color: red;">The fourth element</span>
in the process are the <i>building blocks</i> of creation (letters). The letters do not change either,
although they can have different forms (so they can be written and
pronounced differently). The letters are constantly being combined and
permuted. Creation is an ongoing process that will be completed within 6 days (6,000 years). Human consciousness<span style="font-size: xx-small;">1</span> is highly
dependent on these letters (not to mention the words and sentences they create which effect how we think)
and they are specifically a function of understanding what is written in the Torah.<br /><br /><span style="color: red;">The fifth and last element</span>
in the process are the end result of the building process (what is
being built) and events below that are the result of the four </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">previous</span> elements. All bear witness to His Name.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">To briefly summarize these elements: <span style="color: red;">1)</span> The Architect and His Signature; <span style="color: red;">2)</span> His blueprint or luchot; <span style="color: red;">3)</span> the "tools" or sephirot by which He interacts with the creation process; <span style="color: red;">4)</span> the letters of creation that together define reality and dictate causality; and <span style="color: red;">5)</span> the events and characteristics of the things that unfold over time (essentially the history of mankind).<br /><br />There
are in addition to these elements, multiple dimensions or phases
through which they are perceived. So each of these components (or our
perception of them) evolves over time. It is important to emphasize
however, that time does not exist above (for the Architect) who sees the
end from the beginning. Therefore, it only appears to evolve, to those
of us down below who are subject to space-time. We will examine that
evolution as it appears to us within our reference frame, because that
is where the mathematic symmetry can be found connected to its source
above. Let's take a closer look at each of these elements. Then we'll take a look at their mathematic symmetry.<br /><br /><span style="color: red;">The first element</span>:
We’ll start with the first element of the creation process, which is the
Creator. The architect is of course unchanging. It is only our
understanding of Him, His Name, His plan and that expectations that He has
for man (our understanding of these things) that evolves over time. Those who wish to know God, should first
know His Name<span style="font-size: xx-small;">2</span>. That understanding has many dimensions. We will review four.</span><br />
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">The first dimension</span>:
In the Torah we see God’s Name as a one-dimensional string of letters.
Specifically, a one-dimensional string of 216 contiguous letters
(linguistically divided into 3 sentences of 72 letters). Most people
read over these letters and do not even see
the Name because it is hidden within the narrative (or story) in the
verses. It’s there, but it remains hidden within the limitations of
one-dimensional space. Man however, has the option of wanting to know
God, and so He provides the means, but to know God you have to know His
Name, and just as God is without beginning or end, so too is His Name.
Moreover, just as God Himself transcends the limits of any given
dimension, so too does His Name. It is certainly <u>not</u> limited to one-dimensional
space. Enter the second dimension... </span></li></ul>
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">The second dimension</span>:
To perceive God’s Name in two dimensions, we permute the letters (as is
known) into triplets. This written form of the Name was revealed by R. Aryeh Kaplan as 9 triplets on 8 lines (9 triplets on 8
lines = <span style="color: red;">216<span style="color: black;"> letters</span></span>). This is like the walls of the Ark of the
Covenant that were each 9 hand-breadths high on the outside, 3 layers
thick (gold-wood-gold) and 8 hand-breadths high on the inside (as
explained in the post on <a href="https://sapphiremagendavid.blogspot.com/2023/02/terumah.html" target="_blank">Terumah</a>).
It's also like the mathematic structure of the Menorah (as depicted by
the Rambam). The menorah's structural geometry is essentially a
two-dimensional representation of the letters (you will not see this
connection in most depictions of the menorah). The </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">9 triplets on 8 lines is also the two-dimensional</span>
metric geometry for the ten vectors of five-dimensional space (that can be perceived more
accurately in three dimensions as the shape and form of a star
tetrahedron with 9 triangular corners on 8 faces). Take time to
contemplate the implications. Each higher level of perception is hidden
from the level below. For example, when we look at the 216 letters in
two dimensions (as 9 triplets on 8 lines) they are no longer
hidden (as they were in the one-dimensional string of letters in the
Torah) and take on a unique form that can be more easily perceived. We
call this
form the "<i>Triad Havayah of 72</i>” because it consists of 72 letter
groups consisting of triplets. In this "higher dimension" (the second
dimension) we can go beyond merely reading over the hidden
letters of God’s Name and actually see them, even though (in two
dimensions) our <i>sight</i> is still somewhat limited. However, it is at
this level we can begin to perceive its mathematic and geometric
characteristics, and with this perception, we can now begin to
understand its significance, and how its letters 'rule' the universe. We can, for example, begin to see how it
connects with space-time (as described in <a href="https://sapphiremagendavid.blogspot.com/2023/04/metzora.html" target="_blank">Metzora</a>) quantum mechanics (as described in <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank">Ki Thetze</a>) particle physics or <a href="http://sapphiremagendavid.blogspot.co.il/p/string-theory-and-the.html" target="_blank">string theory</a> (as mentioned in <a href="https://sapphiremagendavid.blogspot.com/2023/06/shlach.html" target="_blank">Sh'lach</a>) celestial dynamics (as described in <a href="https://sapphiremagendavid.blogspot.com/2023/05/behalothekha.html" target="_blank">BeHa’alothekha</a>) and so forth; but it doesn’t end there either. Enter the third dimension....</span> </li></ul>
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">The third dimension</span>:
When the luchot were divided and brought down by Moshe, we were not
only given the opportunity of perceiving God’s Name on a more lofty
level, but how these letters define various key aspects of biology,
chemistry and celestial mechanics. In this form we also know what He
expects of mankind (as in halacha). Through
the 304,805 letters of Torah we gain additional awareness of God’s Name;
His plan; and His expectations. Three dimensions? How? In one
dimension, any given dimension (of the luchot) is merely <span style="color: blue;">6</span>
hand-breadths, like the number of days in creation (to unfold over <span style="color: blue;">6</span> thousand
years). In two dimensions (when they are side-by-side) they are </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">6</span> x (<span style="color: blue;">6</span> + <span style="color: blue;">6</span>)</span>
or <span style="color: blue;">72</span> square hand-breadths, its depth (or <span style="color: red;">
tri</span>plets) being hidden within the limitations of two-dimensional space.
However, in <span style="color: red;">thr</span>ee dimensions they are <span style="color: blue;">6</span> x (<span style="color: blue;">6</span> + <span style="color: blue;">6</span>) times </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">3<span style="color: black;">,</span> </span></span>or <span style="color: blue;"><span style="color: black;">what amounts to</span> 72</span> x <span style="color: red;">3</span>, which of course is <span style="color: red;">216</span>
cubic hand-breadths, but from this "height" we can perceive the <span style="color: red;">216</span> letters
in three dimensions (see the model below). This is very much like human consciousness. It
reaches ever-greater levels as the number of facets increase.
Contemplate this. There are 70 facets of the Torah. The receiving of the
luchot (that mathematically and geometrically reflects the letters of
God’s Name) provides us with a paradigm shift in relative consciousness,
and that consciousness by the way, need not be limited to Israel. It has
affected every nation on earth (over the millennia) to varying degrees
and in varying ways. However, Israel was/is in the direct path of this
reflection and has received the brightest light and gained the greatest
awareness of God; His Name; plan; and expectations. Again, it doesn’t
end with three dimensions. Knowledge and understanding are not
instantaneous. They are achieved over time. </span></li></ul>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWp2x3GiUTq8BznMzkMvtoz1fcZFxBkZkzlHLBY1rFl8lM2un7byXVCDA4A_c90e6-Jbfnx1gAryVJ5x3Wtjl1Xre-cXS9fT4oL4xMLTW7Amgx8nRqi6aPUNTjRp815B1c5LbzelNfLs1U/s1600/Luchot+Template+%2528Side-by-Side%2529.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWp2x3GiUTq8BznMzkMvtoz1fcZFxBkZkzlHLBY1rFl8lM2un7byXVCDA4A_c90e6-Jbfnx1gAryVJ5x3Wtjl1Xre-cXS9fT4oL4xMLTW7Amgx8nRqi6aPUNTjRp815B1c5LbzelNfLs1U/s320/Luchot+Template+%2528Side-by-Side%2529.tiff" width="320" /></a></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The Shnei Luchot (Side-by-Side)</span></span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">6 x 12 (<span style="color: blue;">72</span>) times <span style="color: red;">3</span> = <span style="color: red;">216</span></span></span></div>
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> Enter the 4th dimension....</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"> </span><br />
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">The fourth dimension</span>:
The fourth dimensions is time. After the exodus, Israel’s level of awareness increased again, this time
to four dimensions as depicted in the structural geometry of, for example, the altar
of incense (representing service to God) see the model below. The Jewish people were on
their way to Israel to build the Temple, through which all men could
recognize their Creator. On the way they built a Tabernacle. Its
structural geometry was a mirror image of God’s Name as seen in the post
on <a href="https://sapphiremagendavid.blogspot.com/2023/03/vayakhel.html" target="_blank">VaYakhel</a>.
The altar however, took this reflection to the next level (into the
fourth dimension). It was 1 cubit, by 1 cubit, by 2 cubits, or what
amounts to two “cubes” (stacked on top of each other) that are each 6 x 6 x 6 hand-breadths. Two cubes
side-by-side are often used to depict what is called a hypercube (3
dimensions of space moving through 1 dimension of time). In this case,
the “hypercube” (altar) not only represents how the letters of God’s
Name oversee “movement” through the three dimensions of space, but how
they guide the process of creation as time progresses (moves forward)
where time is the 4th dimension. Each cubic half of the altar reflects
the mathematic nature of the <span style="color: red;">216</span> letters (and also the luchot that were brought down twice <i>over time</i> ~ two times a cubit-cubed). That is how and why (through
service to God as specified in Torah) we can gain an even greater
knowledge and awareness of God as time progresses. </span><span face=""arial" , "helvetica" , sans-serif">The altar of incense was the
exact same size as <u>both</u> sets of the luchot in their combined
cubic form
(two cubes that were each 6 x 6 x 6 hand-breadths) which is
mathematically and geometrically identical to the cosmic blueprint that
"defines" the three dimensions of space and the (one)
dimension of time.</span> </li></ul>
<br />
<div style="text-align: center;">
<br />
<span face=""arial" , "helvetica" , sans-serif">The Altar of Incense</span></div>
<div style="text-align: center;">
<i><span face=""arial" , "helvetica" , sans-serif">Golden Altar</span></i></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: x-small;">(Both the upper half and the lower half were <i><span style="color: blue;">one cubit-cubed</span></i>)</span></span></div>
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg241mwWK215j6_F4VWSdeUB62ne2OKJtXQE5AXkJfBi8yGCTkNGgSC-_AIQST4j0bXD9IDjfmVeMixSzG-gmb2Eoy3FO94i9tD4CaD3tl4JsFb8dX_F0Clbm-cxAl5sqmuqjVgsDD4RAWm/s1600/Altar+Template.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg241mwWK215j6_F4VWSdeUB62ne2OKJtXQE5AXkJfBi8yGCTkNGgSC-_AIQST4j0bXD9IDjfmVeMixSzG-gmb2Eoy3FO94i9tD4CaD3tl4JsFb8dX_F0Clbm-cxAl5sqmuqjVgsDD4RAWm/s320/Altar+Template.tiff" width="267" /></a></span></div>
<br />
<br />
<span face=""arial" , "helvetica" , sans-serif">This
evolution of awareness of God’s Name as explained above, can be thought
of as a program running parallel to each of the other elements at any
given moment in time on the cosmic clock where each and every tick is
specified in the blueprint (luchot). To see how this works, lets take a
look at the second element and its various dimensions, or in this case
phases (time related implementation).<br /><br /><span style="color: red;">The second element</span>:
The second component of the creation process is the blueprint (luchot)
previously mentioned. The combined cubic form of the luchot has 5
internal mathematic constructs<span style="font-size: xx-small;">3</span>, but each
construct has a polar opposite, so the constructs (internally) take the
form of 5 opposite 5. This is like the 10 commandments on the 2 tablets
when they are divided and brought down by Moshe (</span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">5 opposite 5</span>) that will be discussed momentarily. Together these
constructs define the edges, borders and faces of the combined cubic
form of the luchot, that in turn reflects the nature of the 216 letters
in the Name of the Architect (6 x 6 x 6 = <span style="color: red;">216</span>).
This is how 5 opposite 5 is related to 6 x 6 x 6. One pertains to its
external (revealed) metrics, and the other to it's internal (hidden)
metrics. If you find any of this hard to follow, we will model it in a
moment, to show in practical terms how it shapes reality (the history of
mankind and specifically the Jewish people).</span><br />
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">Phase one</span>:
In the first phase of the creation process, the luchot are not yet
divided (not yet brought down by Moshe) and so we perceive these 5 mathematic
constructs and their opposites as part of the internal cubic structure
of the undivided (foundation) stone under the throne (<a href="https://sapphiremagendavid.blogspot.com/2023/02/mishpatim.html" target="_blank">Mishpatim</a>)
that is, in essence, "the" underlying mathematic system that was just
as "true" before creation, as it is "true" during creation (His
[primordial] torah being a "true" mathematic representation of reality).
The letters are 6 x 6 x 6 (<span style="color: red;">216</span>) but without <i>duality</i> a male-female universe cannot exist (we explained this division in more detail in Ki Thetze).
Without actual “duality” (physical separation of the male/female
components) the vessels
that are needed to interact with creation </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(or sephirot that we’ll discuss in a moment) </span>cannot hold or transmit the
light. So while the 5 constructs in dual form exist in potential, within
the blueprint, they are not physically separated into male and female
halves until 'Moshe divides them' (a real-world <i>physical reflection</i> of what actually happened above, <i>outside of space-time</i>) and brings them down, at which point it
becomes possible to transmit this light (knowledge of God and His Name)
to the world <i>that is inside of space-time</i>. These constructs by the way, have their counterpart in the
5 string theories that are reconciled by <i>dual</i> resonance (as mentioned
in Sh'lach). Enter Phase 2.... </span></li></ul>
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">Phase 2</span>:
In this phase the cubic form is physically divided in half (the luchot
are brought down by Moshe with 5 commandments on one half and 5 on the
other). In this form, the sephirot that are integral to the blueprint
(luchot) can go forth as 5 opposite 5 (male-female form) and now contain the
light without shattering as explained in Sefer Yetzirah. That is, human consciousness can form an
attachment to “the Architect” (man can now <i>see</i> the light and have <i>
knowledge of God</i> <i>and His Name</i>). The shnei luchot (two tablets) are in
essence <i>twins</i>, a two-dimensional (or male-female) reflection of the
Architect’s Name in as many dimensions. The knowledge of God and what
God expects of man are part of this light that can now be attached to or
become part of human consciousness, but only <i>after</i> the blueprint (cubic
form of the luchot) is “divided” and brought down by Moshe, which is again <u>a</u> <u>reflection</u> <u>of</u> <u>a</u> <u>process</u> <i>outside of space-time</i>.
Contemplate this (you will see the elements and their symmetry modeled
in the paragraphs ahead). In this male-female form, the effects of the
sephirot are (still)
somewhat limited. They can hold the light (knowledge of God) but cannot
necessarily transmit that light (convey knowledge of God to others).
Enter Phase 3...</span> </li></ul>
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">Phase 3</span>:
In this phase we see the third dimension of the luchot (there is a
third aspect to human consciousness). That is, we understand the
importance of implementing its instructions (halacha or observance of
the laws that it commands). In the third dimension we have not only a
separation between male and female, but balance between the two halves (the sephirot depicted in three columns).
Human consciousness is
now fully prepared to recognize God’s Name and what God expects of man.
So the light (genuine knowledge of God) can now be transmitted and
conveyed to others (specifically by our setting an example that is
itself dependent on our halachic observance). We can see the "<i>why</i>, <i>when</i>, and <i>where"</i> of this reality, when the Torah acknowledges a shift in the consciousness of Yaacov, <u>after</u> <u>sleeping</u> on Har HaBayit (the <i>'when' </i>and the<i> 'where</i>'). It continues with "<i>and he</i> (Yaacov) <i>awoke</i>" (וַיִּיקַץ) from his <i>sleep</i>. The deeper implication is that when "<i>the sleeper awakes</i>" he acquires <i>'awareness,'</i>
which is an aspect of consciousness. True human consciousness is the
awareness of God and His Name. After sleeping on Har HaBayit, Yaacov
acquires <i>awareness</i>, and reaches the pinnacle of human consciousness. How do we know? The gematria of "<i>and he awoke</i>" is <span style="color: red;">216</span>, which is the number of letters in the Explicit Name of the <i>One</i>
(God) that comes to awaken man (adam/mankind) who is collectively
asleep (the consciousness of man has yet to become collectively aware of
this Name or that its letters actually 'rule' the universe in one form
of another). Just as </span><span face=""arial" , "helvetica" , sans-serif">the gematria of the phrase: </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">"<i>and he awoke</i>" is <span style="color: red;">216</span>,
so too is the volumetric measure of the (foundation) "stone" (combined
cubic form of the luchot) by which all men are measured. </span>Until
man can perceive this larger reality, he is said to be asleep. He
continues to sleep because God hides Himself. He even hides the fact
that He hides Himself. Yet He is there, peering from behind the lattice,
to see if man will '<i>see</i>' Him. How did Yaacov perceive God's presence? When he (Yaacov) awoke, he said </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">"<i>HaShem</i> (the Name) <i>is definitely in this place</i>" (אָכֵן יֵשׁ יְהוָה בַּמָּקוֹם הַזֶּה) </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><i>and I did not know it</i> (</span></span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">וְאָנֹכִי לֹא יָדָעְתִּי</span></span>)." </span></span>The gematria of the first sequence of letters is <span style="color: red;">612</span>, which is the <i><u>inverse</u></i> integer sequence of <span style="color: red;">216<span style="color: black;">.</span></span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> The text continues with the second sequence of letters "<i>and I did not know it</i>" (וְאָנֹכִי לֹא יָדָעְתִּי). That is, "<i>I did not know"</i> that HaShem was in this place, because He hid Himself. The gematria of "<i>and I did not know it</i>" is <u>also</u> <span style="color: red;">612</span> and again the <u><i>inverse</i></u>. This was his</span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"> moment of awareness (when the hidden was revealed). The cosmic blueprint (luchot) would be given to his descendants, and </span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">ultimately </span></span>brought down <u>twice</u> (<span style="color: red;">216</span> + <span style="color: red;">216</span>). Man's consciousness (a form of <i>light</i>) is found in the true speed of (primordial) light, which was/is </span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">(<span style="color: red;">216</span> + <span style="color: red;">216</span>) <i>squared,</i> or 186,624 miles per second (see the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-speed-of-light.html" target="_blank">Speed of Light</a> for a more detailed explanation)</span></span>. Without this consciousness (light) man is asleep, which is the <u><i>inverse</i></u> of being consciously aware of something. The sum of all three (of the above) gematrias' is 1,440 (2 x <span style="color: blue;">72</span>
'tens') like the measure, in hand-breadths, of the two walls in the
Tabernacle surrounding the Holy of Holies. The third wall (another <span style="color: blue;">72</span>
hand-breadths) came to reconcile the difference (VaYahkel) making the
combined length of the walls in this portion of the Tabernacle (<span style="color: red;">3</span> x <span style="color: blue;">72</span> or <span style="color: red;">216</span> hand-breadths) reflecting once again the letters of God's Name. All three of these '<i>witnesses</i>' (216, 612, 612) are hidden just beneath the surface</span> </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">of
the text and become the 'mouth' of the two or three witnesses required
to determine such matters. What witness? The luchot in two or three
dimensions</span></span>. <i>When</i> does this shift in Yaacov's <i>consciousness</i> occur? After sleeping on Har HaBayit. <i>Where</i> does this shift occur? On Har HaBayit. <i>Why</i>
does it occur? Because the purpose of creation is to awaken the soul of
man to an awareness of God, and the larger reality, that God (by way of
the <span style="color: red;">216</span> letters in His Name and its
abbreviated forms) "rules" over everything; that He has expectations of
man (laws/halacha) that are basically the common sense basis of peace
and prosperity; and that these expectations must be acknowledged and
accepted by all men, as the guiding principles of a free and orderly
society. This will eventually occur, within the 6 thousand year allotted
period. </span></li></ul>
<br />
<span face=""arial" , "helvetica" , sans-serif">Notice how
our perception of each component in the creative process evolves over
time beginning with the awareness of the Architect’s Name (the nature of
that Name and how it is <i>hidden</i> in one, two or three dimensions along with the significance of its letters).
However, notice also how this awareness runs parallel to the state of
the blueprint (luchot) <u>at any moment in time</u> as in: its combined cubic
form; its divided or twin form, divided into male and female
counterparts; or its triad form (as triplets) hidden in the third
dimension.<br /><br /><span style="color: red;">The third element</span>: The
third component of the creative process is the sephirot and as you may
suspect, it too parallels the evolution of the first two components. The
third component is/are the sephirot.</span><br />
<br />
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">Phase 1</span>:
In the first phase, the aforementioned luchot were one and not yet
physically separated (divided) so the sephirot (not yet male or female)
descend in a single column and cannot hold the light of the Ein Sof, let
alone transmit that light. This results in the shattering of the
vessels (a real-world reflection of this is seen when Moshe shatters the
luchot/tablets).</span></li></ul>
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">Phase 2</span>:
In phase two however, the aforementioned luchot are brought down again.
The sephirot conform to this new configuration, and so they are brought
back, this time in male-female form as 5 opposite 5 (Sefer Yetzirah).
One is a mirror image of the other, both reflecting their role in the
geometry of the 216 letters that started the process.</span> </li></ul>
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">Phase 3</span>:
In phase three, the sephirot are depicted in three columns
(three-dimensions) male and female along with “balance” between the two
(a middle column). Without this balance the world(s) would merely be
destroyed over and over again because of the attribute of justice
overcoming the attribute of mercy. But with this center column (balance)
the world can survive and come to know God and His Name (the Signature
of the Architect and all that it entails). How is this done? It's done
through the fourth element. </span></li></ul>
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="color: red;">The fourth element</span>:
The fourth element you will recall is (are) the letters of creation
that form and create the reality that surrounds us (you may have a
flashback here to a scene in a movie about "The Matrix"). We will only
say that 5 of these letters take one form when they appear in the middle
of any word combination, and a different form when they are at the end
of any word (letter combination). In other words, they are 5 opposite 5
just like the sephirot before them, that were also 5 opposite 5 (Sefer
Yetzirah); and these were like the shnei luchot (two tablets) before
them with their internal mathematic constructs that were/are also 5
opposite 5. </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">The symmetry is very precise. The job of "</span>engineering"
the universe, or any part thereof is specified in terms of varying
levels of tolerance that can best be described as acceptable limits in
the ratio between the attribute of justice and that of mercy, allowing
the world to continue until such time as an "adjustment" becomes
necessary. </span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />All
of these elements, regardless of their place and position at any given
moment in time, are reflections of one another, and of the Architect’s
Name. But how does all this translate into human events, the 5th
element?<br /><br /><span style="color: red;">The fifth element</span> is the shadow below (actual events in the history of mankind). </span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Witness "the Flood," or the "40 years in the wilderness" to name a few of the "adjustments" mentioned above. </span>These
are “shadows” cast by all the other elements (the Architect, His
blueprint, sephirot and letters). That is, the shadows of these things
are the events that happen over the 6,000 years of creation, as the
world works toward the culmination of the process
(tikkun/rectification). Let's look at some of these shadows (events) and compare
them to their point(s) of origin above (the previous 4 elements).</span><br />
<br />
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">Phase 1</span>:
In phase one, the letters of God’s Name are a perfect unity (as God is a
perfect unity) and so, the “brick under the throne” is not yet divided
into male and female halves. There is no duality. A universe with
male-female characteristics (good and evil) must exist before this light
can be discerned. This is evidenced in the 10 sephirot that are not yet
divided into 2 columns (male and female / 5 opposite 5) and cannot contain the light
and so they shatter. The reflection down below, is seen as the rise of
10 pre-flood kings who are collectively unable to convey the knowledge
of what God expects of man to their respective generations. Their world
is destroyed, like the 10 sephirot that are their counterparts above,
and like the luchot (blueprint above the sephirot) with 10 commandments
that were shattered by Moshe etc. Each is a reflection of one or more
characteristics of the preceding elements (the larger reality). Each is merely the same
shadow, at a different moment in time. The diagram below graphically
illustrates this process, the evolution of its components and the beauty
and symmetry of the creative process is quite remarkable because the
dots always connect back to the letters of God’s Name.</span> </li></ul>
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="color: blue;">Phase 2</span>: In this phase the letters are seen in the division of the luchot as twins (described in the posts on <a href="https://sapphiremagendavid.blogspot.com/2022/11/toldot.html" target="_blank">Toldot</a> and <a href="https://sapphiremagendavid.blogspot.com/2022/12/vayeshev.html" target="_blank">VaYeshev</a>).
This division has its origin in the division resulting in the letters
of the Tetragrammaton opposite those in the Havayah of Adnoot (the
primary abbreviations of what would otherwise be incomprehensible). The
sephirot now come forth in 2 columns (5 opposite 5) and the earthly
"kings"
below manifest the same way. That is, 5 "kings" arise, that reign <u>before</u> the dividing of the continents and then 5 more "kings" arise, and reign <u>after</u> the "dividing" of the continents. </span><span face=""arial" , "helvetica" , sans-serif">The
events below are a mirror image of their counterparts above (the luchot
and sephirot that are both "5 opposite 5"). Although what we are seeing
is really a reflection <u>within</u> a reflection, since it actually flows from the <span style="color: red;">216</span> letters that define the two halves in the first place, each being 6 x 6 x 3 hand-breadths (<span style="color: blue;">108</span> cubic hand-breadths) in the <u>now</u> <u>divided</u> <u>form</u> of the blueprint/luchot. The significance of this (and the symmetry) was especially evident in last week's post on <a href="https://sapphiremagendavid.blogspot.com/2023/09/beresheit-and-noach.html" target="_blank">Beresheit and Noach</a> where these numbers and patterns were found in the reign of the
pre-flood kings. God has hidden Himself from the casual observer, but
it's as though He has challenged everyone else to open their eyes, and to
come and find him. </span></li></ul>
<span face=""arial" , "helvetica" , sans-serif">Now, open your eyes and see how the realm above shapes and defines the realm below:</span><br />
<br />
<div style="text-align: center;">
<span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif">(click to enlarge)</span></span><br />
<span style="font-size: x-small;"> </span><br />
<i><b><span face=""arial" , "helvetica" , sans-serif" style="font-size: small;">The Geometry of Creation </span></b></i></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="color: #38761d;"><span style="font-size: x-small;"><span style="color: black;">(<i>the symmetry and its implications must be contemplated</i>)</span></span></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="color: #38761d;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0SPRLcVSQpQbPEUtCpjmhUEVutS9Z_drEitSFCoVy6PynUP_h3Dm0TODVTTDz3xxqU2C6BE-5fBl7EVFcch2cR01L7n8KBPl_1iYjfdFquW84Q8_9OIj4zQ2lirnaf7RdnRa7xoO-0zFC/s1600/Creation+Process+2a.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0SPRLcVSQpQbPEUtCpjmhUEVutS9Z_drEitSFCoVy6PynUP_h3Dm0TODVTTDz3xxqU2C6BE-5fBl7EVFcch2cR01L7n8KBPl_1iYjfdFquW84Q8_9OIj4zQ2lirnaf7RdnRa7xoO-0zFC/s640/Creation+Process+2a.tiff" width="403" /></a></div>
<span face=""arial" , "helvetica" , sans-serif"><br /><br />Notice
that Parashah Beresheit is a mirror image of the 1st phase and that
Parashah Noach is the mirror image of the 2nd phase (we’ll get to Lehk
Lehka and phase 3 in a moment). </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">In
phase 1 (Beresheit) Adam is given the role of kingship to lead/teach
mankind . This one “king” who was a giant among men (speaking
figuratively) and his descendants (10 kings in all) fail in their
mission. Their world is destroyed and phase 2 begins.<br /><br />In Parashah
Noach (phase 2) the last “king” of the first phase joins with the first
king of the second phase (his son Shem) and together these 2 "kings"
begin to rectify the errors of the past that led to the world’s
destruction. These 2 were “giants among men” in their generation
(figuratively speaking) and they set the stage for 10 more generations
to arise. The next 10 however are decidedly different from the first 10.
Shem establishes schools to convey the knowledge of God to the
post-flood generations. Enter Phase 3...<br /><br />This week’s post on Lehk Lehka is a mirror image of the third phase. We
saw the first phase begin with Adam (1 man). The second phase begins
after the flood with Noach and Shem (2 men). Noach hands over “the
mantle of shepherd kingship” to Shem and the second phase begins with 10 more
generations. The third phase begins with Avraham, immediately followed
by Yitzak and Ya’acov (3 men) and yet another 10 generations. A picture
is beginning to emerge, and it has a distinct mathematic pattern. That picture is a
shadow of the elements and the creative pattern we’ve been examining:
the Architect whose Name is concealed within the dynamics of the
blueprint (combined cubic form of the luchot) the sephirot and the
letters; one dimensions, two dimensions, three dimensions etc.</span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">In
the first phase of human consciousness the Name is completely hidden.
In the second phase it emerges but perceived as a composite of its
male-female letters (as in the Tetragrammaton and the Havayah of Adnoot).
In Lehk Lehka we see the beginning of the third phase where it is
recognized in triad form...<br /><br /><span style="color: blue;">Phase 3</span>:
Avraham is succeeded by Yitzak and Ya’acov and these (now three)
“giants among men” (again speaking figuratively) set the stage for the
nations to know God, His Name; and His expectations of man. This
knowledge can now enter the world via the descendants of these 3 men.</span><br />
<div style="text-align: left;">
<br /></div>
<span face=""arial" , "helvetica" , sans-serif">The
symmetry of this 3-step process can be seen in these three portions.
Parashah Beresheit reveals the 1st phase (where the first 10 “kings” are
reflections of mathematic constructs within the blueprint, sephirot or
actual men). Parashah Noach reveals the second phase (where the second
10 “kings,” are reflections of the constructs within the blueprint,
sephirot or actual men) and Parashah Lehk Lehka the third phase (where
the reflections are again elements in the process). It is here in the
third phase that an understanding of the blueprint and its connection
to the Architect’s Name takes on a third dimension, and so the sephirot
are (now) depicted in three columns (by the Sages of Israel who would
preserve and expand upon this knowledge). The shadow
below takes the form of three “king’s” (Avraham, Yitzak and Ya’acov)
who begin the next 10 generations. It is here that knowledge of God and
His Name begins to spread. These patterns are unmistakable. Each phase
consists of 10 generations, just like the blueprint with its 10 aspects
that are 5 opposite 5, either in potential or actual duality when they
are divided and brought down by Moshe. Each phase sees a further
rectification of the soul as it coincides with knowledge of God. It will
culminate when all the nations know God's Name, and by that we mean his
real Name (as opposed to the names of false god's and rantings of
foolish clerics that demand obtuse and destructive behavior from their
followers). When God's real Name is accepted among the nations, then they will all come to
Jerusalem on Sukkoth.<br /><br />The first phase (Beresheit) is
one-dimensional (beginning with Adam as 1 giant among men). The second
phase (Noach) is two-dimensional (beginning with Noach & Shem being 2
giants among men in their generation). The third phase (Lehk Lehka) is
three-dimensional (with Avraham, Yitzak and Ya’acov being 3 giants among
men in their generation) together setting the stage for transmitting
the light (a knowledge of God) to the nations. We will not delve into
the fourth dimension, which is mirrored in the events surrounding the
life of Yoseph (</span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Ya'acov's son and the fourth in line of these 10 generations) </span> as it is beyond the scope of this post. However, each is a reflection of a larger reality.<br /><br />The
beauty and the symmetry of the creation process is found embedded;
first in the characteristics of the Architect’s Name; second in the
characteristics of His blueprint; third in the characteristics of the
sephirot; fourth in the characteristics of the letters; and fifth in the
actual events that take place over time. Each one is a shadow of the
former, and all originate with the characteristics of the 216 letters in
their triad form. To perceive these things with any degree of clarity is a function/measure of
human consciousness. <br /><br />The diagram below is an illustration of the symmetry to help students <u>visualize</u> the connection between one thing and another.</span><br />
<div style="text-align: center;">
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: x-small;"><span face=""arial" , "helvetica" , sans-serif">(click to enlarge)</span></span></span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
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<br /></div>
<br />
<span face=""arial" , "helvetica" , sans-serif">The mathematic and geometric precision of all these things is astounding, and must be contemplated to be truly appreciated. What
all of this shows is that every aspect of reality; every event that
takes place throughout history, is one way or another connected and that
the connection invariably leads to the mathematic and geometric
characteristics of the letters in God’s Name as seen in all three
dimensions of the luchot. It's just that the mechanics of the process are
hidden from the casual observer to allow for free will and the plan
that ultimately unfolds over 6,000 years. Were this knowledge revealed
in the beginning, this would not be the case. Free will would not exist,
and without free will the process would collapse. </span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif">This
brings us to the paradox of free will. In a recent discussion the
question was asked: if everything below is just a reflection of the plan
above, then how is free will incorporated into the plan? The best way
to describe the paradox is to think of a man on top of a mountain. There
is a road at the bottom of the mountain that runs around to the other
side where there is a bridge. The bridge however, has collapsed, and so
there is no way anyone can cross it. On the other side of the mountain
there is a car headed toward the bridge. The driver cannot see the bridge and
does not know it has collapsed. The man on top the mountain (the
dimension above) knows that when the driver reaches the bridge he will
turn around and find another route. Just because the man above knows
what the driver will do, does not mean the driver doesn't have free
will. The driver can turn around any time he wants. It just means the
driver will not do so until such time as he possesses "knowledge" of the
collapsed bridge, and recognizes the need for him to "turn around," at
which time his free will can be exercised accordingly. This is like
repentance. It does not happen until a person has sufficient knowledge
to recognize the necessity of turning from one direction, and heading in
another.<br /><br />The world has almost reached that point. The King’s
builders (the Jewish people) have over millennia suffered at the hands of the nations who are only now
beginning to realize the importance of learning truth (specifically about God) rather than
promoting errant and destructive beliefs that have little or no basis in
reality (although there are specific <i>groups</i> that are lagging far behind others). However, when the nations realize their error, the builders
who know God's Name will become the head (of the nations) and not the
tail (Devarim 28:13). The nations will then send representatives to
Jerusalem on Sukkoth, to celebrate their knowledge of the One, whose
Name of 4 letters (in abbreviated form) correspond to the 4 species
that when held and waved in the hands are a reflection of all the letters and the luchot (see the post on <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_6.html" target="_blank">the four species and the 216 letters</a>).
They will grab hold of the tzitzith of a Jew (the strands on the 4
corners of the talith that also represent these letters) and ask to be
taught about the true faith in the One True God.</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br />________<br /><br /><span style="font-size: xx-small;">Footnote
1 - Consciousness can be described many ways. Perhaps the best way is
to describe it in terms of thought. A man's thoughts are a comprised of
words and sentences. Consciousness is loosely related (or perhaps more
than that) to the ratio between the average number of letters in any
given word (used to think about something) the number of words that are
employed (in the thought process) and the time it takes to think about
it. For example, the astrophysicist that contemplates planetary motion
over the course of several years has a higher level of consciousness
than a thug or miscreant whose vocabulary is limited to a few
four-letter-words. True consciousness requires a knowledge of God’s
Explicit Name. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><br />Footnote 2 - The average person does not want to know God’s Name, but rather to impose their (often errant) beliefs on others.</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;">Footnote
3 - These mathematic constructs represent the nature of the physical
universe (creation) in the form of 5 opposite 5. They define the
geometry of 5 regular convex polyhedrons commonly referred to as the
platonic solids. However, the constructs go far beyond mere geometry.</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><br />Footnote 4 - You can’t have a creation without a creator</span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: xx-small;"><span face=""arial" , "helvetica" , sans-serif">Special thanks goes to Avraham Agassi for running the numbers (gematria) of Yaacov on Har HaBayit. </span></span></span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-30539322247279100712023-09-26T06:29:00.001+03:002023-09-26T06:29:50.903+03:00Beresheit and Noach<p><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The facts that will be
presented in this post are highly significant. They demonstrate once again that the letters of
God’s Explicit Name are both mathematically and geometrically unique,
significant, and do in fact shape reality. In this case however, they
have a role to play in the establishment of the human race and the
history of mankind. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">We say in Shacharit<span style="font-size: xx-small;">1</span>: “...<i>then all humanity will call upon [His] Name</i>,”
a prayer that cannot be fulfilled until this Name is known among the
nations. But how can that happen? There has been a proliferation of
false names among the nations. What proof exists to discern one from
another? Is there anything that would cause the nations to recognize one
name above all the others? Is there anything that might cause them to
accept this one Name as the actual Name of God? The facts presented in
this particular post have that potential.<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #333333; line-height: 115%;"> </span></span></span></span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">We will examine these facts in the paragraphs ahead</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">. However, if you are new to this
blog you should read each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where the<i> signature geometry </i>is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>.</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: #333333; line-height: 115%;"> </span></span></span><br />Insofar as
this post is concerned, what you are about to read is the actual account
of the earliest historical records pertaining to mankind, and
specifically those of the reign of the ten pre-flood '<i>kings</i>,' a
term used in the ancient world for the leader/shepherd of mankind before
the deluge (the Torah does not use the term "king" when referring to these
men). This
particular account would be completely unknown except for the
preservation of an obscure but very ancient document whose contents have
been conveyed to us by other historians. An addendum will be provided
to explain its mathematic significance. In the meantime, for now, the
reader need
only be made aware that this document is of a secular nature, having no
particular religious motivation. Yet, it is remarkable for what it
reveals about the reign of these pre-flood kings, and specifically the
length of their reign as it would apply to God’s Name. We will show for
example, that each king voluntarily abdicated the throne at a specific
time, to coincide with precedents set by God and/or Adam. The facts are
astonishing because they have a direct and irrefutable connection to the
letters of the Triad Havayah. The first ten kings to reign on the face
of the earth either knew this Name or respected the knowledge of their
predecessors and what was expected of them in that regard.<br /><br />To my
knowledge the significance of this has never been made known. It was
unknown to generations past, just as it is unknown today, but not
because the information has been unavailable. Rather, it has been
because no one has correctly understood the meaning of the numbers
conveyed by the texts, since a familiarity with God’s Explicit Name on a mathematic level is
so extremely rare. However, the nature of the historical
account, and the connection that it has to the One Explicit Name, is
something that the nations, and indeed every single religion amongst the
nations, will ultimately have to deal with, if they are to eliminate
political and religious dissension and arrive at consensus. <br /><br />To
that end we will first tell a short story: Once upon a time a son was
born to a great king. The king was a good king and he wanted his son to
understand that a righteous king was like a shepherd. A shepherd shows
concern for his flock. He finds sheep that are lost and gently leads
them back to the right path. The king wanted his son to know these
things before leading the king’s subjects in the ways of righteousness.
God forbid he should use his position for selfish purposes.<br /><br />Most
king’s throughout history use their position to enrich themselves at the
expense of others, often turning their subjects into serfs. A righteous
king however, serves the people, and in so doing he helps to create a
better society. He does this by encouraging his subjects to seek the
truth for the sake of knowing the truth, and teaches them how to discern
the fine line between one thing and another (unlike today when the sign
of a “great leader” is his ability to lie with a straight face and
forward whatever private agenda serves the purpose of financial
oligarchs, usually having something to do with increasing their wealth
and power). <br /><br />In this case, the king was righteous and patiently
explained all of these things to his son. It was a very long time before
he felt his son was ready. He wanted to make sure that his son fully
understood the obligation of such a position before giving him this
responsibility. To that end he spent a great deal of time walking with
his son and talking with him about such matters in the royal garden.
Finally, when his son reached an appropriate age, a point in time that
was predetermined by the king, the king transferred responsibility for
the kingdom to his son. The king loved this son very much and so he gave
him a special mantle and a sceptre to symbolize the passing of
kingship. The
coronation of the king’s son was carefully timed to coincide with the
king’s unique signature as well, and this tradition along with the
mantle and scepter were then handed down from generation to generation,
to identify the rightful heir to the throne, lest anyone contend
otherwise. <br /><br />The king’s son eventually grew up, and like his
father before him, he taught the ways of righteousness to his son. When
it was time, the responsibility for leading the kingdom was transferred
to him as well, and thus the mantle and the scepter passed from father
to son.<br /><br />Each successive king received authority the same way, in
the same manner. Each recognized and honored the original king’s name.
However, the further down the line this knowledge was passed, the
further the people were from the original teachings, and so eventually
the subjects strayed from these wise precepts and became corrupt in
their ways. The kingdom finally collapsed under the weight of the
corruption. Fortunately (or unfortunately) as fate would have it, these
corrupt people died in a great catastrophe. Later, when another
righteous king arose, he was able to rectify to a certain extent the
errors of his predecessors. <br /><br />The explanation of this story is really quite simple and you may have already guessed the identity of the players. <br /><br />The
King in our story is of course God and his son was Adam. In the years
immediately following creation, the world’s population was quite small
and it would be many years before a leader was needed to convey the
King's teachings to the rest of mankind. During this time, God walked
with Adam and prepared him for his role to teach and lead the people.
God walked with Adam in the garden and taught him. After <span style="color: red;">216</span>
years Adam was ready and so God gave him a mantle and a sceptre and
made him king (we'll show you how this time period is derived in just a
moment). Adam was mankind’s first king, but a king of the shepherd-kind
who teaches and leads his flock.<br /><br />The birthright, or maybe we
should call it the birth-responsibility, was eventually passed to one of
Adam’s sons. Moreover, it was done exactly the same way, and manner,
over the same period of time. Subsequent kings also honored this
tradition. Specifically, as the title (or birthright) was passed down
from father to son in succeeding generations, each king limited the
duration of his reign to the precedent set by the first king. That is,
none would reign longer than God Himself, who limited His reign to 216
years. At least three of these kings voluntarily abdicated after serving for
the maximum period of time. <br /><br />Noah was the last king to reign
before the Flood. He also reigned for 216 years, but then the waters of
the deep broke forth and the rains began. The Flood of course destroyed
the world. The people had become increasingly corrupt. As righteous as
these ten kings were, they were simply unable to transmit the light
(those things that God had taught to Adam when they walked in the
garden) to the rest of the world. As its population grew, so did the
corruption. The world was then destroyed.<br /><br />Did these kings really limit their reign to 216 years? How do we know? Why isn’t this common knowledge?<br /><br />The
reason is that the truth is concealed in the numbers passed down
through ancient sources (outside the Torah) that have never been
understood. You’ll see why when you read the addendum to this post at
the very bottom. The facts are so well concealed that no one could
possibly know how these ten kings honored the original King, or Adam, or
what part the King’s Name played in the length of their reign. Few
understand the purpose of the mantle and scepter (symbols of leadership)
that were passed to each succeeding king, or the timing involved. Yet,
all of this can be ascertained from ancient records. <br /><br />In
addition to these record(s) we also have the Torah itself. The Torah
provides a similar if more limited account of the events, but it
confirms the validity of the other records. The Torah is not a history
book, even though it provides us with some important aspects of the
historical narrative. It does not, for example, use the word “king” to
describe these ten individuals (since God Himself is really the only
“King”) but from other sources we know that these men were nevertheless
thought of as kings in the ancient world. There are actually a number of
ancient "king lists” that provide us with information about these men
and their reign(s), each with varying degrees of accuracy. Some have
obvious rounding errors. However, the oldest and most accurate (that
we’ll describe in a moment) gives us the exact length of time that each
king reigned.<br /><br />This king list can be found in the writings of
historians like Polyhistor and Eusebius. It was actually compiled by an
earlier historian and librarian by the name of Berosus, whose writings
have since been lost to antiquity. However, even that list was not
actually written by Berosus. His list originated from even earlier
records, and specifically those of the Chaldeans. The Chaldeans date
back to a time before Abraham to the years immediately after the Flood,
and so it is really the oldest, even though it wasn’t redacted by
Berosus until the time of the Persian Empire. Many scholars mistakenly
attribute this list to Berosus himself and consider it to be one of the
newer lists, but that is not the case. It not only originates from the
oldest sources, but it is the most accurate (we'll prove this beyond
reasonable doubt in the addendum below). In the meantime, its important
to understand that Berosus merely translated and compiled the records.
When we use this list to calculate how long these ten pre-flood “kings”
reigned, we find that they reigned for a total of 1,440 years. <u>Remember</u> <u>that</u> <u>number</u>.<br /><br />Using
the Masoretic texts (the original/kosher/authoritative version of the
bible) we can confirm the number of years that elapsed between the
creation of Adam and the Flood. This has been done many times, by many
different scholars, and it always comes out the same. From the creation
of Adam until the Flood waters broke forth, exactly 1,656 years elapsed.
<u>Remember</u> <u>that</u> <u>number</u> <u>as</u> <u>well</u>. <br /><br />What
all of this means is that there was a period of time preceding the
reign of these ten kings, preceding even Adam, in which no man reigned
(that is to say that no one person acted as teacher/shepherd for
mankind). As we said in our story, the earth’s population was until then
quite small. No one was needed to act as a leader. During this time,
God Himself essentially reigned alone. He walked with Adam in the
(royal) garden and taught him many things, including and especially what
was expected of man. <br /><br />Among the things that God taught Adam during this time was:</span></span><br />
</p><ol><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">How man would be '<i>measured</i>' by the seven laws<span style="font-size: xx-small;">2</span>; </span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">How space and volume are
measured by the characteristics of the cubit, and in fact literally
defined by "the cubit," with the measurement of the cubit being the
primary physical characteristic of the blueprint itself (in the combined
cubic form of the luchot) that was 6 x 6 x 6 hand-breadths (one
cubit-cubed) having 216 cubic hand-breadths with its many fractional
proportions; </span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">How time is measured in
cycles of seven (currently seen in calendar related halacha) conforming to
cycles of 7 x 7 x 7, as in seven days, seven weeks, seven years, seven
millennia, 7 x 7 weeks/years etc. (described in <a href="https://sapphiremagendavid.blogspot.com/2023/05/behar-and-bechuko-thai.html" target="_blank">BeHar and BeChuko-thai</a>); and </span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">How time and space relate to one another (as described in <a href="https://sapphiremagendavid.blogspot.com/2023/04/metzora.html" target="_blank">Metzora</a>); and then last but certainly not least; </span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">How the letters of His Name literally define reality and celestial movement (as described in <a href="https://sapphiremagendavid.blogspot.com/2023/05/behalothekha.html" target="_blank">BeHa'alothekha</a>). </span></span></li></ol>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Once Adam’s education
was complete, God gave him a scepter and a mantle to mark that moment in
time when kingship and responsibility for mankind was passed from
father to son. These symbols even today denote such things. <br /><br />Now
lets do the math. If the total time between the creation of Adam and the
Flood was 1,656 years and the total reign of the ten pre-flood kings was
1,440 years, then how much time elapsed before God gave Adam the mantle
of kingship? That's right. When you subtract 1,440 years from 1,656
years, you get <span style="color: red;">216</span> years. If you’ve read
the essential constructs listed in the column to the right, then you
know what this means. It happens to be the number of letters in the
King’s One Explicit Name. The short story that we told above should now
begin to make sense. <br /><br />God Himself reigned alone for <span style="color: red;">216</span>
years before appointing Adam as shepherd (leader/king/teacher) over
mankind, and that’s very interesting, considering that it is not only
the number of letters in His Name, but the same mathematic reflection
that we've seen over and over again throughout Torah and indeed the
entire physical universe (which is in fact the subject of this blog).
Sometimes we see one or more of the abbreviated forms of this Name as
seen in the posts on <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank">Ki Thetze</a> and <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thavo.html" target="_blank">Ki Thavo</a>.
If we run the numbers (that is the exact dates derived from the king
list) then the coronation of the King’s son would have been on his <span style="color: red;">216</span>th
birthday. That would have been on Rosh Hashanah in the <span style="color: red;">216</span>th year of
the first millennium. Keep in mind that Ya’acov made for Yoseph (that is
he assigned to Yoseph) the mantle (coat) in the <span style="color: red;">216</span>th year of the third
millennium (the year 2<span style="color: red;">216</span> from creation). Is this a coincidence or are we seeing a continuation of the tradition<span style="font-size: xx-small;">5</span> established by the pre-flood kings? You’re about to find out!<br /><br />We’ll
need to find a least one more witness to determine the validity of the
assumption, or maybe four witnesses, because that’s how many there are!
In fact, there are even more than four witnesses if you include several
other factors. Let's first look at the side-by-side comparison of the
king lists below. One is from the Torah, one from Berosus, and another
from what is called the Weld Prism (w/rounding errors corrected using
Berosus numbers). In the columns of that list you will see the ten men
mentioned in the Torah (Adam through Noah) opposite their counterparts
from the other lists. <br /><br />The first thing you will notice is the
similarity in some of the names and in the lengths of their reign.
However the most important thing to notice is that none of these kings
reigned longer than <span style="color: red;">216</span> years. In fact, at least three of them, Mahalalel,
Enoch and Noah voluntarily abdicated their positions of responsibility
after reigning for </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">216</span></span></span> years! Why? Because it would have been
inappropriate for a man to reign longer than God Himself, who set the
precedent by limiting His reign to <span style="color: red;">216</span> years before passing the
responsibility to Adam. This is highly significant. If we include the
reign of the first King (God Himself) then we have four witnesses that
testify to the significance of this period of time (5 if you include the
combined reign of Methuselah and Lamech). There were other variations of
course (but none over </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">216</span></span></span>) and even those have great significance as
you will see.<br /><br />For example, if you study the list below, not only
will you see the four who reigned for </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">216</span></span></span> years, but you will also see that
the King’s son (Adam) limited his reign to just <span style="color: blue;">120</span> years. There was a
reason for this (as it relates to the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">216</span></span></span> letters) that we’ll explain in
a moment. But before we get into that, notice that at least two other
kings limited their reign to </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">120</span></span></span> years as well, and then abdicated.
Why? </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
kings who abdicated after </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">120</span></span></span> years felt that a precedent had been set
by the first man (Adam) and that it would be inappropriate to reign
longer than him. Moreover, in at least one instance, a father and son’s
combined reign totaled </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">216</span></span></span> years. The father reigned for </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">120</span></span></span> years (to
honor the precedent set by Adam) and the son reigned another <span style="color: blue;">96</span> years so
that the combined period would equate to (and honor the precedent) that
had been set by God Himself.</span></span><br />
<br />
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="font-size: x-small;">Click to Enlarge </span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSVnfx646LWm_zhCLq3vcX0jUTxZQbWqYFlNC52iKQ7Qh1Imq8ThxpJPlq2EkQSL5fxNFD0D4vMvXBL0bOXN9JptFtoRwgq2nu9sQNr-ZSDy1ESGOcSxoxSrQR-exmSxQcAPAl9Sk-IjeQ/s1600/King+List+New+1.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSVnfx646LWm_zhCLq3vcX0jUTxZQbWqYFlNC52iKQ7Qh1Imq8ThxpJPlq2EkQSL5fxNFD0D4vMvXBL0bOXN9JptFtoRwgq2nu9sQNr-ZSDy1ESGOcSxoxSrQR-exmSxQcAPAl9Sk-IjeQ/s400/King+List+New+1.tiff" width="400" /></a></span></span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">According
to the Weld Prism (after correcting its rounding errors) at least three
combinations of father and son would honor the precedent set by the
first King, reigning together for <span style="color: red;">216</span> years. These numbers are
impossible to ignore and equally impossible to ascribe to coincidence.
According to the Torah, each of these kings lived far longer than the
time in which they reigned. However, the fact that each was aware of the
length of time in which God reigned (before Adam) and that each limited
his own reign accordingly, honoring one or more precedents, whether it
be <span style="color: blue;">120</span> or </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">216</span></span></span>, is quite telling in-and-of itself. The facts are
astonishing and highly significant. Each king in his own way showed
respect for, and honored the King and/or his son (Adam) by their
adherence to one or more of the precedents set down in the beginning. In
almost every case, or combination of cases, the numbers equate, one way
or the other, to the number of letters in the King’s Explicit Name
(even the number <span style="color: blue;">120</span> as you are about to see).<br /><br />The next thing you
should note about these king lists, is the name of the last king
(Noah). He was also known in other ancient civilizations as Zeusuddra,
or Zesuthros. Do you see anything familiar about the root letters of
these names? The root letters of <span style="color: #a64d79;">Zeus-</span>uddra and <span style="color: #a64d79;">Zesu</span>-thros
(alternatively spelled Xiousudra and Xisuthros) both incorporate the letters of the name “Zeus,” who in Greek and Roman
mythology was the <u>father</u> of the “gods.” Zeus was none other than Noah.
How did Noah come to be worshiped as a god? Why were his sons also
considered gods? <br /><br />Noah and family were possessed of antediluvian
physiology and according to the Torah they outlived even their
great-great-great-great grandchildren. Noah was still alive when Sarah
was born (11 generations from Noah). To later generations these "heros"
appeared to be immortal. Everyone in the ancient world had heard of
these legendary people who saved mankind from destruction. If you have
the capability to save mankind and you appear to be immortal, then what
are you? You are a “god” of course. That is why ancient civilizations
fell into ancestor worship. <br /><br />In mythology, Zeus had a son named Jupiter<span style="font-size: xx-small;">3</span>.
The root (Hebrew) letters of Jupiter are Yud-Pey-Tav. Who was this man
in Torah? It was JaPheTh, the son of Noah. The root letters of <span style="color: orange;">J</span>a<span style="color: orange;">P</span>he<span style="color: orange;">T</span>h are those of <span style="color: orange;">J</span>u<span style="color: orange;">P</span>i<span style="color: orange;">T</span>er.
In other words Zeus and his son Jupiter, were none other than Noah and
his son Yaphet/Japheth. This is how the false gods and the mythology
surrounding them arose. Noah was the father and so naturally Zeus
(Noah's name in other cultures) came to be known as the “father of the
gods.”<br /><br />The ancient (false) gods were almost always Noah and his
wife Naamah (known as Naama-Ishtar or Venus in much of the ancient
world). Along with Shem, cHam and Yaphet and their wives, these heroes
were worshipped for their wisdom, knowledge and longevity. <br /><br />As an
example, the original pantheon of Egyptian gods consisted of “Nu” (the
father god) and his wife “Nut,” (the mother “goddess”) along with their
three sons and wives who “<i>crossed over the waters of judgment on a sacred boat</i>.”
Sound familiar? The equivalent of those “words” are from the Egyptian
hieroglyphs themselves! Almost every ancient civilization had a father
“god” and three sons who were of course “son-gods.” <br /><br />In the Norse
pantheon, Odin was the father god, and Thor, Baldur and Loki were his three
sons. In other civilizations it was Bel, Annu and Merodach.<br /><br />Long
after the Flood, the survivor's descendants would make pilgrimages to
the “sacred boat” and tear off bits and pieces for luck, good fortune,
fertility etc., basically collecting a souvenir of their visit. The ark
was a 515 feet long (300 cubit long) reed boat with upturned ends, and
with
its covering it looked very much like a giant egg. In fact, the
hieroglyphs say it was washed white with natron (bleached from the sun)
so it even had the color of an egg shell. After Noah removed part of the
covering, the ark took on the appearance of a large cracked egg.
Venus (the Greek and Roman name for Ishtar) was said to be hatched from
an egg. When Noah’s wife (known also in the ancient world as
Naamah-Ishtar) emerged from the ark as "the mother of those who
survived," she became a symbol for fertility that went hand-in-hand with
the egg mythology. Eventually, as the world fell into ancestor worship,
the ark itself came to be revered and worshiped. No one in their right
mind today would worship “the egg of Ishtar,” as it came to be called,
yet everyone is familiar with a tradition of the Easter Egg and they are
one in the same. The egg of Ishtar is what gave rise to these beliefs
and traditions that have been passed down to us over the millennia. It
was also known as the egg of Typhon for the same reason (although Typhon
was Shem).<br /><br />At any rate, the longevity of those on board the ark
was far in excess of their descendants and so, to the rest of the world,
who simply didn’t know any better, the men of legend who crossed the
waters on "the sacred boat,” were immortal. When the world fell into
ancestor worship, Shem could see what was happening so he established
schools (yeshivot) to ensure that his descendants didn’t make the same
mistake. He came to be known as Melchizedek, meaning “our righteous
king,” for having preserved the truth. The Jewish people were descended
from Shem and had the advantage of learning in his yeshivot. The rest of
the world did not, and they suffered the consequences (and still do)
from the confusion caused by the false names and false gods originating
with the worship of Noah and family. Some of this was eventually mixed
with the truth contained in Torah, making for an even more confusing
admixture of half-truth that confounds the world to this day. But lets
get back to why Adam abdicated after <span style="color: blue;">120</span> years. We have a few more
witnesses that would like to testify.<br /><br />Why would Adam pass on the
responsibility to Seth after only </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">120</span></span></span> years? Why would he not reign for <span style="color: red;">
216</span> years, as God had done before him? Other kings did. Adam must have
had a reason.<br /><br />The answer lies in the fact that a father generally
wants his son to follow in his footsteps, as we asserted in our story
above. God wanted Adam to follow in his footsteps, and so likewise, Adam
wanted his son to follow in his, and especially the son who would
inherit the birthright (kingship). You may remember that Adam originally
had two sons, Cain and Abel (Kayin and Hevel). <br /><br />Hevel (Abel) was
found righteous before God and his sacrifice accepted. It was decreed
that he should receive the birthright which included the kingship, the
mantle and the scepter. That’s why Kayin was so jealous of Hevel and
this was the motive for Hevel’s murder. Kayin believed that if his
brother were no longer alive, then Adam would have no alternative but to
pass the mantle to him. This is like Esau (Esav) who stole the mantle
for the same reason (although it was eventually recovered). Ya’acov
passed the mantle/coat to Yoseph. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
problem (for Kayin) was that God had already decreed that Hevel would
be the next in line to follow Adam, and what the King decrees must be
fulfilled (especially when the King is God). So it was that Hevel was
reincarnated (in the gilgul<span style="font-size: xx-small;">7</span> of Seth) and received the birthright as originally intended. How do we know? <br /><br />Adam
abdicated and passed the mantle of kingship to Seth in the 336th year
of the first millennium (we know this from the king list that shows <span style="color: red;">216</span>
years elapsed before it was passed to Adam and another </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: blue;">120</span></span></span> elapsed
before Adam abdicated and passed it to Seth, so the total amount of time
was 336 years). Adam walked the earth as a man for <span style="color: red;">216</span> years before God
appointed him shepherd over mankind, so Adam wanted to do the same for
his son. Adam’s son however, was <u>born</u> like any other man (not “<u>made</u>”
from the dust of the earth like Adam). Adam would have to wait a full
and complete 12 years (the 13th year being the equivalent of manhood as
is the age of bar mitzvah) before his heir was a man, and then he would
have to wait another 216 years, during which time he would walk the
earth as Adam had done when he was taught by God, before receiving the
mantle of kingship. Who was the heir? It couldn’t have been Seth for two
reasons, 1) God had decreed that the birthright (kingship) should be
passed to Hevel and 2) Seth was born in the year 130 (which would not
allow enough time to elapse before Adam abdicated). If you start with
130 years into the 1st millennium and add 12 years (until he reached
manhood) and then allow another <span style="color: red;">216</span> years to walk the earth and to be
taught like his father Adam, you will arrive at the 358th year of the
first millennium. Adam however, had abdicated in the 336th year. In
other
words, it wasn’t Seth. Who then was the heir? <br /><br />If we start with
the year in which Adam abdicated (the 336th year of the first millennium)
and work backward, subtracting first the <span style="color: red;">216</span> years that he would have
walked the earth as a man (like Adam before him) and then subtract
another 12 complete years which would have to elapse before he was a man
at the age of 13, then whoever the heir was, he would have to have been
born in the 108th year of the first millennium. There were only two men
born before Seth, and they were Kayin and Hevel. <br /><br />Kayin and Hevel were <span style="color: blue;"><u>twins</u></span> and they were <u>both</u> born in the <span style="color: blue;">108</span>th year of the <span style="color: #ea9999;">first</span> millennium, just as Ya’acov and Esav were <span style="color: blue;"><u>twins</u></span> and <u>both</u> born in the <span style="color: blue;">108</span>th year of the <span style="color: #ea9999;">third</span> millennium. This is like the luchot (<span style="color: blue;"><u>twins</u></span>) that were <u>both</u> <span style="color: blue;">108</span>
cubic hand-breadths. And if those reflections aren’t bright enough to
blind, then remember that the mantle was passed to Adam in the <span style="color: red;">216</span>th year of the <span style="color: #ea9999;">first</span> millennium, and that Ya’acov passed the mantle to Yoseph in the <span style="color: red;">216</span>th year of the <span style="color: #ea9999;">third</span>
millennium. Each of these historical events: the birth of the first set
of twins; the birth of the second set of twins; and the birth of the
third set of twins (the luchot) is a mirror image of the Signature of
the
Architect with it’s <span style="color: red;">216</span> letters. The unmistakable shadow of these letters is found in the mathematic and geometric nature of:</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<br />
<ul><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The luchot (twins) that were <span style="color: blue;">108</span> cubic hand-breadths (2 x <span style="color: blue;">108</span> = <span style="color: red;">216</span>);</span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Kayin and Hevel who were born in 0<span style="color: blue;">108</span>; and, </span></span></li><li><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Ya’acov and Esav who were born in 2<span style="color: blue;">108</span>. </span></span></li></ul>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">That is why
we say our reality down here on earth is just a reflection of the
characteristics of the blueprint (the “cubit” above that was 6 x 6 x 6)
which is the combined cubic form of the luchot ...twins (like Kayin and
Hevel were twins) ...twins (like Ya’acov and Esav were twins) ...twins
(like the two luchot were mathematic and geometric sapphire twins)
...twins that, one way or the other were each “<span style="color: blue;">108</span>,” or together “<span style="color: red;">216</span>.”</span></span><br />
<br />
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<div class="separator" style="clear: both; text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcQbAGqP-Nrkq05R0fYdBKr_G_M4zCrjK0OENb6-VVzem6jAJdMCCL5-EUw3t2XyS7Korval-hfuK2KWdRpIf-WY0rVwsUWIx3M4Mmem7SfCMrqlEcRAJNyf9Y9bdl0rQS3iwlhLYwJJr/s1600/Luchot+108+++108+=+216.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcQbAGqP-Nrkq05R0fYdBKr_G_M4zCrjK0OENb6-VVzem6jAJdMCCL5-EUw3t2XyS7Korval-hfuK2KWdRpIf-WY0rVwsUWIx3M4Mmem7SfCMrqlEcRAJNyf9Y9bdl0rQS3iwlhLYwJJr/s400/Luchot+108+++108+=+216.jpg" width="400" /></a></span></span></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">All
are reflections of a larger reality. The point of all this, is that the
king’s decree (that the birthright would be passed to Hevel) was
actually fulfilled in the gilgul of Seth. The original timetable calling
for Adam to abdicate after 120 years was still in place, and the
coronation of Hevel (who had been murdered) would take place as
scheduled, only with Seth. In other words, even though God had held the
position for <span style="color: red;">216</span> years, Adam abdicated after only 120 years because
Hevel was scheduled to become king at that time. Since Hevel had been
born in the year <span style="color: blue;">108</span>, and needed to reach 13 years of age to become a
man and then another <span style="color: red;">216</span> years to be taught by Adam, his prerequisites
would be fulfilled in the year 336 (<span style="color: blue;">108</span> + 12 + <span style="color: red;">216</span> = 336). “Hevel” would
now be ready to take on the kingship, but Hevel was dead. So it was
through his gilgul as Seth, that he would now begin his reign. Seth's
reign thus began in the year 336 rather than 358, since it was actually
Hevel’s reign as decreed by God. As if to acknowledge this "glitch in
the matrix," (resulting from Hevel's murder) Seth abdicated after
reigning for only <span style="color: blue;">10,8</span>00 days (3 saroi) or <span style="color: blue;">108</span> (hundreds of pre-flood days<span style="font-size: xx-small;">6</span>) and then passed the throne to Enosh (you will see this in the addendum below). The length of Seth's reign was limited to <span style="color: blue;">"108</span>" (hundred days) to acknowledge the fulfillment of the King's decree and honor the memory of Hevel who was born in the <span style="color: blue;">108</span>th year of the 1st millennium. The connection that all of this has to the <span style="color: red;">216</span> letters of the King's Name as well as the geometry of the cosmic blueprint in the form of the luchot should not go unnoticed.</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
full force and effect of the king’s decree, and its ultimate
fulfillment, has remained unknown until today, and you are reading about
it here, for what is quite possibly the first time since it actually
happened 5,77<span face=""arial" , "helvetica" , sans-serif">8</span> years ago.<br /><br />Why? Not because there weren’t men
throughout history smart enough to have known, or men willing to delve
into such matters, but simply because the numbers were so well
concealed, and the knowledge of God’s One Explicit Name so rare. All of
that is about to change, when “...all humanity will call upon [this]
Name” to turn the wicked toward God. As for how and why these numbers
were concealed by the King we offer the following...</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /> </span></span><br />
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><b>AN ADDENDUM ON THE CONVERSION OF TIME</b></span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">(pre-flood orbit / the Sar, Saros, Saroi, Neroi and Sossoi / days and years)</span></span></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">A
number of scholars now understand that prior to the Flood, the earth
orbited the sun every 300 days. One of the first to recognize this was
David Fasold<span style="font-size: xx-small;">4</span>.
David (of blessed memory) was a
B’nai Noach who worked in marine salvage. Over the years he developed an
interest in Noah’s Ark, and eventually proved that the Tendürek
geologic formation in Turkey (also known as the Durupinar site) was the
disintegrated remains of the “sacred boat” whom pilgrims had sought for
so many millennia. His book is the definitive work on Noah’s Ark.
However, his research went far beyond that subject, taking into account
ancient history and the reign of the pre-flood kings in particular.
David uncovered archaeological evidence showing that a pre-flood year
consisted of 300 days (10 months of 30 days) or as little as 291 days
just prior to the Flood. In one case, the archaeological evidence shows
that the scientists of the day had noticed a perturbation in the earths
orbit, and were greatly concerned (David’s book by the way should be
considered required reading). At any rate, this fact is alluded to in
the Torah where it says the waters rose for 150 days (5 months) and
receded for 150 days (another 5 months). The pattern of 5 opposite 5 is
the structure of the physical universe that is derived from the
mathematic nature of the Triad Havayah (the sephirot being described as 5
opposite 5 in sefer yetzirah and found in the letters of creation).
However in addition to the above, the number of saros (a pre-flood unit
of measure that equates to 3,600 days) that each king reigned was
divisible by both 12 and 300. Berosus time was given in terms of saroi,
neroi and sossoi. The Saroi (a Sumerian Sar) is currently thought to be 3,600 years, the Neros
600 years, and the Sassos 60 years. These assertions are incorrect. Scholars who errantly assume that the Saros is 3,600 <u>years</u>, have never been able to reconcile the inordinate number
of years</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">
that each king reigned, and so the numbers have largely
remained a mystery. Fasold reconciled these errors and was able to determine that a saros was simply a period of 3,600 days,
which was, before the flood, a period of 12 years, or one Saroi. So when a
king reigned for 64,800</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"> (days) he actually reigned for 18 Saroi or <span style="color: red;">216</span>
pre-flood years. These numbers by the way reflect certain measurements
of the Temple (Beit Rishon) specifically those of the columns. At any
rate, when you divide 64,800 days by the number of days in a
pre-flood year (which was 300) you get </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">216</span></span></span> years. David knew this to be
true, although he never understood the significance of the number as it
would relate to the letters of God’s Name or the geometry of the evan shetiyah. Indeed, few do. <br /><br />The
king list below is similar to the one presented above, except with the
addition of columns showing the number of days that each king reigned.
It also shows the number of 12 year periods (Saroi) that correspond to what
would amount to terms of office (much like the U.S. president serves for
4 years and can be re-elected for another 4). Before the Flood, any
given king would serve for 12 years with the number of 12 year periods
depending on any given king’s circumstances. The maximum was in most
cases either 10 periods of 12 years (the precedent set by Adam) or 18
periods of 12 years (the precedent set by God).</span></span><br />
<br />
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<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg556XFgd5CQO0RDcBqx1zOWgSkM4k2WVeZ3MluBfUFXmhS9IE2alVS361HsrAJ6jlT91nSpNQsve0h1tLev8uoMbzDDqKiuQeJzXLuYJeqcBbkNdFWveE-XRBEGLeBivm-WWmDbCcKhgYJ/s1600/King+List+New+2.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="152" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg556XFgd5CQO0RDcBqx1zOWgSkM4k2WVeZ3MluBfUFXmhS9IE2alVS361HsrAJ6jlT91nSpNQsve0h1tLev8uoMbzDDqKiuQeJzXLuYJeqcBbkNdFWveE-XRBEGLeBivm-WWmDbCcKhgYJ/s400/King+List+New+2.tiff" width="400" /></a></span></span></div>
<div style="text-align: center;">
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span></div>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">You
will notice that the Weld Prism rounds hundreds (of days) to the
nearest thousand, which is an indication that it is less accurate.
Indeed, several periods of reign are different from those given to us by
Berosus. However, since the Prism has established itself as inaccurate
by virtue of its rounding errors, the remaining discrepancies are likely
errors as well. Nevertheless, from these rounding errors we can
logically infer that Berosus list is not only accurate, but literally
accurate to the day. </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Notice
that the numbers on Berosus list all divide by 12, by 300, and by 3600.
This is because the earth's orbit really was 300 days as the
archaeological records would seem to indicate. The numbers are divisible
by 12, 300, and 3600, because the “term" (of office) was one saroi, or 12 years (3600 pre-flood days (12 x 300 = 3600). In
fact, if you add up the total number of days
that each King/king (God plus all 10 pre-flood "kings") reigned (496,800) and divide by 300, you get 1,656 years,
which is <u>the exact amount of time the Torah <span face=""arial" , "helvetica" , sans-serif">account</span></u><span face=""arial" , "helvetica" , sans-serif"> provides</span>
as the period of time elapsed between the
creation of Adam and the mabul/flood. In other words, the Torah
effectively
puts its stamp of approval on the numbers conveyed in this document as
long as one realizes that Fasold's assertions were correct.
These facts not only prove
beyond reasonable doubt that either the pre-flood kings knew God's Name
or simply honored the precedent He set, without knowing the reason. It
also proves that the earth's orbit at that time was
in fact 300 days. There really is no other viable conclusion.</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span></span>
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
Prism meanwhile, gives us alternate names for these ten kings; confirms
the identity of the mythological Zeus; and provides the basis for
identifying his relatives (the other false gods) in various cultures.</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><br /></span><span style="font-size: small;">
</span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">The
significance of this should not be underestimated. The facts, taken as a
whole, indicate that everything we've discussed in this blog about
God's Name and the connection that it has to such things as the history
of mankind; the events and the nature of so many things described in
Torah; the mathematic and geometric connections to the luchot; in
particular the star tetrahedron (magen david) in both two and three
dimensions; the physics of time and space; quantum mechanics; biology
and celestial dynamics; are all very real reflections of the letters in
God's Explicit Name, and that the various underlying components of our
reality are literally defined by those letters. The fact that they are
all interconnected and that these connections can be seen quite clearly
through the prism of the magen david (the mathematic and geometric
nature of the </span></span><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;"><span style="color: red;">216</span></span></span> letters) is astonishing, but when you consider how it
has been so carefully concealed from the casual observer you can begin
to see the magnitude of the plan, that was specifically designed to
unfold over a period of 6,000 years (6 days). </span></span><br />
<br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Once again, it is the
Jewish people who are central to this plan. The very existence of the
Jewish people, over the millennia, in spite of all odds, testifies to
the existence of God. It is the Jewish people who have preserved
knowledge of this Name, how to pronounce its letters and when and under
what circumstances it is permissible to pronounce. When the nations come
to know the role the Jewish people play in the cosmic scheme of things,
and stop their incessant attempts to abrogate God's promise to Israel
(regarding for example it's future borders) or their attempts to
delegitimize Israel or (God forbid) destroy it altogether, then and
only then, will there be peace on earth. </span><br /> </span><br />
<span face=""arial" , "helvetica" , sans-serif">_____</span><br />
<span face=""arial" , "helvetica" , sans-serif"><br /><span style="font-size: x-small;">Footnote 1 - Morning prayers</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span style="font-size: x-small;">Footnote
2 – These would later be known as the 7 Noahide laws, which after the
Flood and re-population of the world, mankind was required to observe. As
Noah was the oldest survivor of the Flood, and since he taught them
even before the Flood, they became known as the 7 Noahide laws. <br />Footnote
3 - In some sources Zeus and Jupiter are considered to be one in the
same (merely two different names for the same person). This can be
explained by the magnitude of confusion and error being transmitted
across so many ancient civilizations, and also by the acceptance of
gilgul as the basis for hereditary right to rule. Over the centuries,
the truth (or really the accuracy of what happened) was lost in the
mechanics of "tradition." </span></span><br />
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;">Footnote 4 - David was a personal friend</span><br />
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;">Footnote
5 - After the Flood, the sceptre, mantle, and kingship that they
represented, did not necessarily pass from father to son. Sometimes it
skipped a generation or more.</span><br />
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;">Footnote
6 - The number 108 in "hundreds" also alludes to Hevel's "going away"
by the hand of Kayin. The gematria of "lehk lehka" (go away) is 100,
which by the strangest of coincidences, also happens to be the name of
the next parashah. </span><br />
<span face=""arial" , "helvetica" , sans-serif" style="font-size: x-small;">Footnote
7 - A gilgul is like reincarnation. It is not a a physical return, but
rather the return of the soul to complete its tikkun (rectification). </span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-34723154239774348862023-09-10T05:34:00.000+03:002023-09-10T05:34:39.382+03:00VaYelehk and HaAzinu<p><span face=""><span style="font-size: small;">In <i>Parashah VaYelehk</i> Moshe
informs the people that he has reached the age of 120 and will no longer
“come and go.” He knows that after he dies the people will turn from
God and worship idols, and that they will eventually experience all of
the curses mentioned in the previous parashah. Knowing their fate, he
teaches them a song and makes them memorize the words. The purpose of
the song is:</span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">1) to warn them in advance of the mistake they will make, and to prepare them for</span></span><br />
<span face=""><span style="font-size: small;">2) what will happen when they ignore the warning and make that mistake, and</span></span><br />
<span face=""><span style="font-size: small;">3) to inform them that God will be with them even in exile among the nations, and that </span></span><br />
<span face=""><span style="font-size: small;">4) they will repent and eventually be brought back to Israel.</span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;"><i>Parashah
VaYelehk</i> ends, and <i>Parashah HaAzinu</i> opens with the words of this song. A
story about the Ramban will serve to illustrate its importance. </span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">The
Ramban had a gifted student by the name of R. Avner. One day this
student decided to reject the Torah and completely divorce himself from
Judaism. He assimilated and quickly rose to a level of prominence,
attaining a position that allowed him to enforce dictates upon the
people. The student used his authority to summon the Ramban on <i>Yom
Kippur</i> and in the hope of getting him to repent, the Ramban complied
with the demand. However when he arrived, his former student slaughtered
a pig and ate it in front of his mentor. The student’s behavior was
puzzling, even more so when he asked the Ramban how many sins he had
just committed that would incur “<i>karet</i>” (premature death). The Ramban
answered: “four sins,” however R. Avner disputed, contending that five sins
were involved. He then proceeded to list and explain each of the five,
bringing various proofs from the Talmud and commentaries. His
dissertation was precise and given with such great erudition that the
Ramban had to agree. Curious about what had just transpired, he asked R.
Avner why, “<i>if you are so learned and wise, did you abandon the true faith</i>?” The former student replied: “<i>you
are responsible, because I heard you give a sermon stating that the
song in HaAzinu contains allusions to everything that would befall the
Jewish people and I could not accept such a preposterous statement.
Because of that, I lost faith in you, the Torah, and ultimately God</i>.” The Ramban acknowledged that he had indeed made such a statement, but insisted that it “<i>was true and</i> [<i>that he was</i>] <i>prepared to prove it</i>.” Rav Avner then challenged the Ramban: “...<i>if that is so, then what allusion is there to my existence</i>?” The Ramban told him to look at the third letter of each word in the verse:</span></span><br />
<br />
</p><div style="text-align: center;">
<span face=""> אמרתי אפאיהם אשביתה מאנוש זכרם </span></div>
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">When
Rav Avner saw that every third letter spelled out “Rav Avner,” he was
stunned and overcome with remorse, especially in light of what the verse
said, so he asked the Ramban “<i>what must I do to atone for my sins</i>?” The Ramban replied “<i>fulfill the words of the verse</i> [<i>in which your name appears</i>].”
Since the song applied to those who would turn from God and suffer
exile, the words of this particular verse were most disturbing. It said
of these people, that they would “...<i>travel to the ends of the earth and leave no trace of</i> [<i>their</i>] <i>existence behind</i>.”
R. Avner did just that. He set sail aboard a ship and neither he, nor
the ship, nor any of the other passengers was ever heard from again. The
point of the story is to demonstrate the significance of the Song of
Moshe and how it does indeed contain detailed allusions to what would
happen to Israel. <br /><br />We will illustrate the point a bit differently, with a somewhat obvious parable: Once
upon a time there was a king who loved his people very much. However,
the king possessed great wisdom and he understood the nature of men and
realized there would come a time when his people would turn against him.
He also knew that it would become necessary to banish them from the
kingdom or they would never come to their senses. The king really didn’t
want this to happen, but he had no choice. The people would never
recognize or acknowledge their mistake until they experienced the
consequences. Only through “exile” (separation from the king) would they
learn why their decisions had been a mistake. In order to prepare the
people, the king had his viceroy teach them a song. The words of the
song would serve to encourage them in exile, promise them forgiveness
and provide for their return when they eventually realized their
mistake. So great was this king’s wisdom, that he knew in advance how
many of his people would lose their way, and so he alluded to them in
the song of promise and signed an official document to that effect. The
document of course bore the royal seal wherein the King's Signature was
hidden. <br /><br />You
already know (at least most of) the explanation to this parable. The
King is of course God. The viceroy was Moshe and the song was the song
in Parashah HaAzinu. The song is printed in most books as a series of
sentences that follow one-after-the-other. However, in the King’s
official document (a kosher Torah scroll) the words are written differently. In
the King’s scroll, it is laid out in 2 columns with 70 lines<span style="font-size: xx-small;">1</span>
with words to the left and words to the right, and a space in the
middle (70 opposite 70). The number 70 is significant in-and-of itself,
however a pair of 70s has additional significance that will become
apparent as we proceed.</span></span><br />
<br />
<span face=""><span style="font-size: small;"><span style="font-size: small;"><span face="">We will look at the significance in a moment</span></span><span face=""><span style="font-size: small;">. In the meantime, if you are new to this
blog, please read each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>.</span></span><br />
<br />
<span face=""><span style="font-size: small;">If you've read the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-name-on-stone.html" target="_blank">Name in the <span face="">S</span>tone</a> and it's sequel, the <a href="http://sapphiremagendavid.blogspot.co.il/p/the-supernal-stream.html" target="_blank"><span face="">S</span>upernal <span face="">S</span>tream</a>, then you know that there are 70 points <span face="">having zero-dimensionality <span face="">between the measured hand-breadths on</span> <span face="">the</span> small and large face of <span face="">each tablet<span face=""><span face="">. There are</span>
70 to the left (on one tablet) and 70 to the right (on the other
tablet). This is true of the visible side, but it is also true of the
opposing (non-visible) side<span face="">, where once again, there are 70 opposite 70. This is <span face="">just one exampl<span face="">e<span face=""> of this pattern hidden in the geometry of the stones.</span></span></span></span></span></span></span></span></span><br />
<span face=""><span style="font-size: small;"><span style="color: #333333; line-height: 115%;"> </span><br />We have discussed pairs of 7s many times
throughout this blog and so it will not be repeated here (except for a
brief review below). If you’ve not yet read the essential constructs
listed in the column to the right, you should do so before proceeding,
along with the most important posts that are also listed, and especially
the post on Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/05/emor.html" target="_blank">Emor</a>
that deals with the mathematic and geometric significance for pairs of
opposing 7s as they relate to the royal seal where the letters of God’s Name are
mathematically hidden. <br /><br />In this case, the Song of Moshe is a
super-pair of 7s, or more specifically a pair of 7 <i>tens</i> (70s) and
it goes
without saying that this has very special significance. Before delving
into specifics, it is important to understand that the star of david
(magen david) can be expressed numerically in terms of its most basic
elements. There are 7 elements in half of a magen david, and 7 elements
in the other half (7
opposite 7). The magen of course consists of two geometric opposites,
specifically two triangles merged together, facing opposite directions.
This is a one-dimensional mathematic reflection, not only for the
male-female nature of the universe, but
also the nature of the letters in God’s Name that sustains it. A
triangle (which is one half of the magen) has 3 points, 3 lines and 1
face (a total of 7 elements). These 7 elements stand opposite their 7
female counterparts. When
the counterparts are married together, the geometry results in the
royal seal where the numbers and sets of numbers correspond to the
number and nature of the letters of God’s Name. So when you see pairs of
7s in the Torah, and specifically multiple pairs of 7s, it is a
reflection of the King’s Name hidden ever so carefully from the eyes of
the casual observer. The characteristics of these 7 elements are
symbolic of a transition from nothingness through two-dimensions<span style="font-size: xx-small;">2</span>, however they are not limited to these lower dimensions. We explained in previous posts (like the post on Parashah Emor, <i><a href="https://sapphiremagendavid.blogspot.com/2023/07/massey-and-devarim.html" target="_blank">Massey and Devarim</a></i> as well as <a href="https://sapphiremagendavid.blogspot.com/2023/06/chukath.html" target="_blank"><i>Chukath</i></a>)
that while pairs of 7s mathematically allude to a two-dimensional magen
david, a pair of 14s alludes to a three-dimensional magen david (or
star tetrahedron). We then showed where pairs of opposing 14s were found in Torah. Yoseph’s
existence, for example, was characterized by the 14 years he spent as a
slave
opposite the 14 years in which he “ruled” (in Pharaoh’s dream) where 7
years of plenty were followed by 7 years of famine. The pair of 7s
within a pair of 14s is a prime example, and a crystal clear reflection of the elements in
both the two-dimensional magen david (with its 7 elements opposite 7
elements) and its three-dimensional counterpart (with 14 elements
opposite 14 elements) which are again
reflections of the geometry wherein the number of letters in the Name
are mathematically hidden. Details were provided in the post on Parashah <a href="https://sapphiremagendavid.blogspot.com/2022/12/miketz.html" target="_blank"><i>Miketz</i></a> and also Emor. </span></span><br />
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<span face=""><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnS0oTZQOKddxix_ewFxKUnWB459g7K0sZh2YI8K2fNtXvFknr_9xbLC3wHBrfvKRTWTllKQ3ZB7oQc-BD4fd-hbCzI4H0EfrTOgOsqp48JKpr6zb6bXMl0Ew6scTVdTp7FThhGbQvZLfA/s1600/triangles+and+magen+and+tetrahderons+and+star.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnS0oTZQOKddxix_ewFxKUnWB459g7K0sZh2YI8K2fNtXvFknr_9xbLC3wHBrfvKRTWTllKQ3ZB7oQc-BD4fd-hbCzI4H0EfrTOgOsqp48JKpr6zb6bXMl0Ew6scTVdTp7FThhGbQvZLfA/s1600/triangles+and+magen+and+tetrahderons+and+star.jpg" width="348" /></a></span></span></div>
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">A triangle is a two-dimensional shadow of its three-dimensional
counterpart, the latter consisting of 14 elements (4 faces, 4 points and
6 lines). When the two halves are merged together in opposing
directions (14 elements opposite their 14 counterparts) the lines of
intersection subdivide each half and create even more elements. The
increase in the number of elements can be calculated as follows: <br /><br />The
subdivision results in 4 tetrahedrons that are half the size of the
original with an octahedron in the middle (see the “exploded” geometric
below of two tetrahedrons). A single tetrahedron has 4 faces and 4
points, so the 4
tetrahedral stellations resulting from the division, have 16 faces and
16 points. The octahedron in the
center has 8 faces and 6 points. The lines of division are
one-dimensional and should not be counted twice (you don't need two
knives
to slice a cake in half). The number of lines is therefore 4 x 6 or 24,
and together with the 22 points and 24 faces, the geometry consists of
70 components. Since there are two tetrahedrons, the three-dimensional
geometry of the resulting "marriage" can be expressed numerically as 70
(elements) opposite 70
(elements).</span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<br />
<div style="text-align: center;">
<span face=""><span style="font-size: small;"><span style="font-size: x-small;">Click to Enlarge</span> </span></span></div>
<span face=""><span style="font-size: small;"><br /></span></span>
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<span face=""><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfmMlHVe3uQOvunNPcJCyLGRwDbAKSRIdL726GmQVb22MBO66kmuO93O7nGOekJ062FFwi5v6JR842FzURHSF_l4OHOmw0P59MdvMcse56rNk9cuv22KGd0-VfvX8nVY5KHAsTatwff4Ww/s1600/Tetrahedron+%2528Exploded+Angle+View%2529+for+HaAzinu.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfmMlHVe3uQOvunNPcJCyLGRwDbAKSRIdL726GmQVb22MBO66kmuO93O7nGOekJ062FFwi5v6JR842FzURHSF_l4OHOmw0P59MdvMcse56rNk9cuv22KGd0-VfvX8nVY5KHAsTatwff4Ww/s400/Tetrahedron+%2528Exploded+Angle+View%2529+for+HaAzinu.jpg" width="400" /></a></span></span></div>
<div style="text-align: center;">
<span face=""><span style="font-size: small;"><br /></span></span>
<span face="" style="font-size: x-small;">It should be emphasized that the merging of two tetrahedrons</span></div>
<div style="text-align: center;">
<span face="" style="font-size: x-small;">does <u>not</u> result in a geometric "explosion" as pictured to the left.</span></div>
<div style="text-align: center;">
<span face=""><span style="font-size: small;"><span style="font-size: x-small;">The exploded/separated view is provided merely for clarity.</span> </span></span></div>
<span face=""><span style="font-size: small;"><br /> </span></span><br />
<span face=""><span style="font-size: small;">Having
provided a brief review on pairs of 7s (and pairs of 14s) it is time to
turn our attention to the Song of Moshe where, instead of a pair of 7s,
we see “a pair of 70s,” or what could be considered a “super-pair” of
7s. The implications will be covered in a moment.<br /><br />The lines of
the Song of Moses are <u>literally</u> 70 opposite 70, like the number of elements
resulting from the marriage of the two halves of a star tetrahedron (the
royal seal in three-dimensions) wherein <span style="color: blue;">72</span> <span style="color: red;">tri</span>angular points (<span style="color: blue;">72</span> x <span style="color: red;">3</span>)
allude to the triplets in the King’s One Explicit Name (the lines as
they appear in a Torah scroll will be pictured in next weeks' post where
we will elaborate further). </span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">There is also a
second mathematic or geometric allusion to confirm the first. The
most simple and obvious way to factor the number 70 is to break it down
into 7 (tens) opposite 7 (tens). So the number, or rather the expanded
nature of the number, should immediately suggest that it is not only
significant in terms of its loftier three-dimensional geometry (as just
explained) but that it is also somehow related to the King’s Name on the
lower (more down-to-earth) two-dimensional level as a magen david. And indeed it does,
because 7 (tens) opposite 7 (tens) are like 10 two-dimensional
magen davids that each consist of 7 elements opposite 7 elements. We’ve
seen this same symbolic language elsewhere in the Torah. <br /><br />You may remember Yoseph’s dream in which “...<i>the sun and the moon, and 11 stars prostrated themselves to</i>
[him].” The dream was interpreted to mean that Yoseph’s mother and
father, as well as his 11 brothers would bow down to Yoseph. But the
dream suggests something else. The metaphors that are part of this
dream’s language, are identical to the geometry involved in the merging
of two tetrahedrons and the resulting star tetrahedron. The 2 parents are
male and female opposites of one another. Just as the moon reflects the
light of the sun, the female tetrahedron is a mirror image of the male.
When they are married together they give birth to 12 smaller
(triangular) faces oriented in one direction opposite 12 smaller
(triangular) faces oriented in the other direction. When each of these
faces is merged with its polar opposite, the result is 12 “stars” in the
form of magen davids. In Yoseph’s dream, his brothers are likened to
stars. Together with the parents, the 11 stars bow down to the 12th star
(Yoseph). How do we know that Yoseph is like his brothers in this
regard? In the first dream his brother's sheaves prostrate themselves to
the sheaf of Yoseph and there are 12 sheaves. On one level God was
speaking to Yoseph’s family who would eventually come under Yoseph’s
“rule” in Egypt. However, the symbolic language of the geometry suggests
that through his descent into Egypt and subsequent rise to power,
Yoseph would sanctify (unify the male and female halves of the letters
in) God’s Name, just as the unification of the two-dimensional triangular
faces (like those on three-dimensional tetrahedrons) result in stars in the
form of magen davids. There is a mathematic "witness" to this allusion
in the <span style="color: blue;">72</span> <span style="color: red;">tri</span>plets (72 groups of three-letters in the Triad Name) that have a
direct one-to-one relationship to each of the 6 points with 3 corners on
the 12 two-dimensional stars (6 x 3 x 12 = 216 letters) further
alluding to "the unification of the Holy One Blessed be He," that would
be a part of the process. </span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<br />
<div style="text-align: center;">
<span face=""><span style="font-size: small;">12 Halves Opposite their 12 Counterparts</span></span><br />
<span face=""><span style="font-size: small;"> </span></span></div>
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<span face=""><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5bI2H-cdRgDdOfPw-ahvSecOPBekngpZUy5HHyAjri1BJoJ20a8kLDxv5G8wPOkcFbXu7oMT58OiHErCivgaPsdTL648jrRItNL5i1_Vo8lpnBJ5OHoxKPCGMa1WgmthE5jiXZCo3PVlr/s1600/12+Stars+of+David.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5bI2H-cdRgDdOfPw-ahvSecOPBekngpZUy5HHyAjri1BJoJ20a8kLDxv5G8wPOkcFbXu7oMT58OiHErCivgaPsdTL648jrRItNL5i1_Vo8lpnBJ5OHoxKPCGMa1WgmthE5jiXZCo3PVlr/s1600/12+Stars+of+David.jpg" /></a></span></span></div>
<div style="text-align: center;">
<span face=""><span style="font-size: small;">12 Stars</span></span><br />
<span face=""><span style="font-size: small;">12 Tribes</span></span></div>
<div style="text-align: center;">
<span face=""><span style="font-size: small;">(<span style="font-size: x-small;"><b><span style="color: blue;">72</span></b> triangles with <b><span style="color: blue;">3</span></b> corners = <span style="color: red;"><b>216</b></span></span>) </span></span></div>
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">The 12 male '<i>halves</i>' of the stars, opposite the twelve female '<i>halves</i>,'
are like the 12 stones on the east bank of the Jordan River opposite
the 12 stones on the west bank of the Jordan River that we saw in the
Post on <i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thavo.html" target="_blank">Ki Thavo</a></i>. Both are a reflection of the Tri-Tetra-Grammaton<span style="font-size: xx-small;">3</span> or 12-letter abbreviation of the Explicit Name.<br /><br />The
nature of the Song of Moses is a bit different, as is the purpose and
message, but the symbolic language and the mathematic reflections are
essentially identical. The point of the song is to warn the people of
their fate should they turn from God, a fate that would ultimately lead
to exile. In this case there are 10 “pairs of 7s” in the song that are
like 10 stars or magen davids (as opposed to the 12 in Yoseph’s dream).
The number of stars that we see in the lines of the song, are the same
as the number of tribes that would be lost in exile (<i>i.e.</i> 10 'lost' tribes).</span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<br />
<div style="text-align: center;">
<span face=""><span style="font-size: small;">10 Pairs of 7s / 10 Stars</span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span></div>
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<span face=""><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiakycE85lb78vtWhAQdQU6I-UHgTlyBL2h4cyMtZDgopt1wyCoyMWPqrxWssZ-1QeekVtl_qZYiDgXDD7fKc_Yao5DuNniSmfgqro9Jo3BS8S-3TBmawv-uhEtwhSl9dTDwPMdWwsz8hF6/s1600/10%252BStars%252Bof%252BDavid.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiakycE85lb78vtWhAQdQU6I-UHgTlyBL2h4cyMtZDgopt1wyCoyMWPqrxWssZ-1QeekVtl_qZYiDgXDD7fKc_Yao5DuNniSmfgqro9Jo3BS8S-3TBmawv-uhEtwhSl9dTDwPMdWwsz8hF6/s400/10%252BStars%252Bof%252BDavid.tiff" width="400" /></a></span></span></div>
<div style="text-align: center;">
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">10 Lost Tribes</span></span></div>
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">Some
sources suggest these lost souls will never return. Certainly, in most
cases, it is doubtful they even know who they are. However other sources
explain that when mashiach comes, he will identify them and bring them
back to the Land. <br /><br />The admonition is simply that if you know you
are Jewish, there is an obligation to return, or at the very least, to
make plans to return. The importance of return is related to the four
exiles of the people from the Land, that are like the marriage of the four
letters in the Tetragrammaton to the four
letters in the Havaya of Adnoot. In order for
God’s Name to be sanctified (among the nations) the letters must be
unified, and this requires aliya (a return to the Land). The word
“<i>aliya</i>” means to “go up to,” as in ascending a mountain. In last week’s
post on <i><a href="https://sapphiremagendavid.blogspot.com/2022/09/nitzavim.html" target="_blank">Nitzavim</a></i>, we showed how this was implied in the primal language of symbols, like the mountains of Sinai, Gerizim and Ebal
that figure so prominently in the Torah. In each case the people are
presented with a choice: accept or reject; return or remain in exile,
exist or perish. The spiritual ladder (like the one seen by Ya'acov)
goes in two directions. We either “connect with,” or otherwise “return,”
for purpose of inheriting one’s estate, <u>or</u> we cease to exist (as
was
the case with those who remained in Egypt or those who remained in
Germany prior to WWII). It is a story that continually repeats itself
and will continue to do so right up until the very end. At this point in
history, returning to the Land is one of, if not the greatest mitzvoth
of
all, in that it has to do with the ultimate unification/sanctification
of God’s Name. All of the above serves to demonstrate why returning to
the Land is so important and why so many nations are determined to
prevent it.<br /><br />The Song of Moshe is about our return and the
inheritance that God has promised. It will eventually happen, one way or
the other, but as is so often the case, it can be the easy way, or it
can be the hard way. We should strive to make it as easy as possible, if
not for us, then for our children, and if not for them, then the nations that will suffer the consequences
should our full and complete return within specified borders be further
delayed or prevented. </span></span><br />
<br />
<span face="">_____</span><br />
<br />
<span face=""><span style="font-size: xx-small;">Footnote
1 - Rambam. A Torah scroll usually has 42 lines per column and so the
song is spread out over 2 columns of the scroll. The first column in
which the song appears has the first 6 lines of the previous parashah
(VaYelekh) and then a line is left blank. The remaining 35 lines of the
column are the first half (70 stanzas) of the "song" in HaAzinu. Each
line is written in two parts with a space in between (so that 1 column
of the scroll has 2 columns of the song). The second column begins with
the 35 lines of the second half of the "song" (another 70 stanzas)
followed by a blank line and then 6 regular lines. The layout not only
divides into 70 lines to the right opposite 70 lines to the left, but
the first half is 70 "above" and the second half is 70 "below." So it
can be seen as 70 opposite 70 (left/right) but also 70 opposite 70
(above/below) creating in essence 4 quadrants, any 2 of which equate to
70, standing opposite the remaining 2 that equate to 70. The 6 lines
preceding the song and the 6 lines after the song allude to the combined
cubic geometry of the luchot, each 6 x 6 hand-breadths, times the two
luchot that were 3 hand-breadths thick, where the total number of
handbreadths equals the number of letters in God's Explicit Name
(216). </span></span><br />
<br />
<span face=""><span style="font-size: xx-small;">Footnote 2 - The</span><span style="font-size: xx-small;">
face of a regular polygon is by nature
two-dimensional; a line (or border of the face) is one-dimensional; and a
point merely a facet of a higher dimension. A single “point” if
anything at all, is an
infinitesimal, indiscernible part of dimensionality.</span></span><br />
<br />
<span face=""><span style="font-size: xx-small;">Footnote 3 - Tri-Tetra-Grammaton is a term that I use for the 12 letter abbreviation of the Explicit Name.</span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-78766900748581536522023-09-06T17:19:00.000+03:002023-09-06T17:19:25.914+03:00Nitzavim<p><span face="">This
post on <i>Parashah
Nitzavim</i> is about the symbolic language of human consciousness and the
role it plays in the path toward higher levels of consciousness (greater
awareness) of the King's Name; and in this case, more specifically, the
connection the Name has to the nature of a covenant between various
parties. It acknowledges aspects of language that are revealed in books
like Babel by Avraham Abehasera, that show how each language today is a
fragment of a larger universal language with archetypal elements.</span><br />
<br />
<span face=""><span style="font-size: small;"><span style="font-size: small;"><span face="">We will examine the symbolic language in this parashah as it pertains to the covenant in a moment.</span></span><span face=""><span style="font-size: small;"> In the meantime, if you are new to this
blog, please read each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>.</span></span><br />
<br />
<span face="">In biblical times the act of
establishing a covenant was believed to be sacrosanct and the parties
adhered to the terms of the covenant no matter how disreputable their
character, if only because it was believed to be enforced by a higher
authority.<br /><br />One method used to establish a covenant was to have
the parties pass between two halves of a slaughtered animal. The terms
would then become binding upon the participants. If you stop and think
about what happened, it doesn’t make much sense. What possible
significance could this have to the parties, and how did it contribute
to the validity of the agreement or the willingness of the participants
to adhere to the terms of a contract?</span><br />
<span face=""><br />In
the ancient world, there were many civilizations that offered
sacrifices to God for a variety of reasons, but in the case of a
covenant established between two halves of a slaughtered animal, it was
tantamount to an appeal requesting His oversight. The parties were
essentially asking God to act as both <i>Witness</i> and <i>Guarantor</i> to the
terms, and in so doing they recognized the necessity of honoring the
agreement. </span><br />
<br />
<span face=""><span face="">When
God made a covenant with Avraham He passed between the two halves of a
slaughtered animal. This "<i>covenant between the halves</i>" is highly
significant, not only because of what it means to Israel, but because it
bears the Signature of the Architect who would be the <i>Guarantor</i>. </span></span><br />
<span face=""><br />If
you’ve read the essential constructs listed in the column to the right
then you may already suspect
why this type of covenant process was significant, whether the specific
reason for the significance was known to the parties, or not. The
gematria of the Hebrew word for “<i>half</i>” (chetzei) is <span style="color: blue;">108</span>. It also just happens to be <i>
half</i> the number of letters in God’s Explicit Name (with two halves together being
<span style="color: red;"> 216</span>). When the parties to a covenant sacrificed an animal and passed
between the two halves, they were in effect establishing a covenant
using the King's Name. <br /><br />In this parashah, the nation of Israel enters into their covenant: “<i>Today you stand before God... that you be brought into the covenant of God... and accept the oath He is making with you... </i><i>He is establishing you as a nation, so that He will be your God</i>.” <br /><br />The
proclamation is made in this parashah, but it is at the conclusion of
the blessings and the curses from the preceding parashah, and it is here
that God affirms the terms of the covenant. However, if you read the
text carefully, you will not find any sacrifice being made where two
halves of an animal were involved as it was with Avraham. An altar was
built and there were burnt offerings and peace offerings, but no
“halves.” The King’s Signature was nevertheless a part of the covenant,
as it was included in the promise to Avraham. What was it that signified
the covenant relationship applied to all of Israel, at this time in
particular, and what was it that signified the King’s
participation in the ongoing agreement?<br /><br /><span style="color: blue;"><span style="color: black;">The Torah explains that </span>half</span> the tribes stood on Mt Gerizim for the blessings, and the other <span style="color: blue;">half</span>
stood on Mt Ebal for the curses. These two mountains of stone were like
the
"halves" of the sacrifice mentioned above. The people had received the
stone tablets, and each half of their combined cubic form (the cubic
measurement being 6 x 6 x
6 hand-breadths) was <span style="color: blue;">108</span> cubic hand-breadths in volume. Moreover, just as the</span><span face=""><span face=""> gematria of the word “<span style="color: blue;">half</span>”
is <span style="color: blue;">108</span>, so too is the word for “the stones,” both being a mathematic aspect of the Name (<span style="color: blue;">2</span> of either, times <span style="color: blue;">108</span> is <span style="color: red;">216<span style="color: black;"> the total number of letters in the Name)</span></span>. </span></span><br />
<br />
<span face=""><span face="">These symbols are in fact archetypes of human consciousness<span style="font-size: xx-small;">1</span>, but at the same
time they are symbolic "letters" of a primordial language that demonstrates
the
interconnected nature of reality. In this case, they are an extension of
the letters in God's Name. This is why both the word for <i>half</i> in Hebrew, and e</span>ach <i>half</i> of the combined
cubic form of the luchot measured <span style="color: blue;">108</span>. Their intrinsic nature
corresponds to the Signature of the Architect (the <i>Guarantor</i> of the covenant in this case). The same is true for the
geometry of the star tetrahedron (one of the constructs within the
combined cubic form of the luchot) that consists of two tetrahedrons
married together in opposing directions having <span style="color: blue;">72</span> <span style="color: red;">tri</span>angular corners (<span style="color: blue;">3</span> x <span style="color: blue;">72</span> = <span style="color: red;">216</span>). Each tetrahedral (<span style="color: blue;">half</span>)
of the star has 36 of the triangular corners, so each half has 3 x 36
or <span style="color: blue;">108</span> unique elements in the form of corner points, like the number of
cubic hand-breadths in each of the luchot, or the gematria of the word. <br /><br />Just how interconnected is our reality? When
<span style="color: blue;"> half</span> of Israel stood on Mt Gerizim for the blessings and the opposing <span style="color: blue;">
half</span> on Mt. Ebal for the curses, the two opposing male-female
halves
were like those of an animal being sacrificed, only in this case it was
Israel that was separated into 'halves,' with half the people on one
mountain and half the people on the other. Some sources say the
people passed between the mountains as if they had passed between the
halves. The point being that the King was both <i>witness</i> and <i>guarantor</i> to
this covenant. </span><br />
<br />
<span face="">In symbolic language, a <i>mountain</i>
is something that is difficult if not impossible to overcome. It
represents something that is enduring, like a promise; or something that
cannot be moved from it's place. The letter '<i>alpeh'</i> is like a <i>mountain</i> in both form and context. It has two '<i>vavs</i>' and two '<i>yuds</i>,' where the two '<i>vavs</i>' are adjacent to one another, joined together, and so act as a wall to separate the </span><span face=""><span face="">two '<i>yuds,</i>'</span>
like a mountain that separates one side from the other. Without the
'additional yud' as it is sometimes written, the aleph is like a '<i>mountain</i>' symbolizing the Holy "One" in the "<i>duality</i>" of the world He has created, that is separate and apart from that creation, yet somehow a part of it at the same time.</span><br />
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<span face="">The mountain (in this form of the aleph) is similar to the <i>dalet</i> when it is rotated counterclockwise 60 degrees (1/6 of 360 degrees).</span><br />
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<span face="">The <i>dalet</i> represents the number <i>four</i> and two '<i>dalets</i>' are '<i>eight</i>,' like the two mountains, or "<i>Names</i>:"
(<i>yud-key-vav-key</i>) and (<i>aleph-dalet-nun-yud</i>) that have a total of eight
letters that are married together in the unification as is known
(described in the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">marriage of the letters</a>). The letter <i>dalet</i> (means, or is the symbolic equivalent of) a door, also known, which is a primal concept that represents a '<i>path</i>,' either toward truth, or away from truth. Two '<i>doors</i>' are indicative of these opposing paths, where the one path/door leads to a blessing, and the other path/door, to a curse. </span><br />
<span face=""><br />In the '<i>proto-language</i>'
of human consciousness, these basic concepts are associated with basic
symbols, be they letters, what the letters represent, or related
concepts that are otherwise attached to innate aspects of human
consciousness. Higher consciousness is dependent on the ability to
freely associate and integrate such symbols into one's paradigm. A
person can see that a tetrahedron (a three-dimensional polyhedron) is
like a mountain. The mountain is in turn a symbol for the tetrahedron
that is, in turn, a symbol for each half of the Name, and also the
choice these halves represent, which is the direction any given
individual takes throughout his or her life, right or wrong, according
to what God expects. So the symbol may be right-side-up, or upside-down,
dependent on an individual's place and position in the cosmic scheme of
things. This is the nature of a primal language. At this primal level,
the image quickly transcends any combination of letters, which are no
longer necessary to convey the thought. A simple triangle (in two
dimensions) does the same thing. In each of these cases, the geometry
depicts a larger reality that is (and here specifically) dependent upon
God's Name. Moreover, the knowledge of this reality (which may be
sublimated at the conscious level) is intuitively understood by the
unconscious mind, allowing the symbolic language to speak directly to
the soul. Right or wrong? Blessing or curse? Gerizim or Ebal?</span><br />
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<div style="text-align: center;">
<span face="" style="font-size: x-small;">The mountains above are neither Gerizim or Ebal, merely symbolic of primal concepts</span><br />
<span face="" style="font-size: x-small;">as are the Two-Dimensional Triangles and Three-Dimensional Tetrahedrons </span></div>
<br />
<span face="">Is
there any evidence of this primal language in our sources? There is a
tradition that when
the luchot were given at Mt. Sinai, the mountain was turned
upside-down, hanging over the heads of the people (Tractate Shabbat
88a). What would ever possess a rational person to envision a mountain
as being upside-down, hanging over their head? Some take this literally,
suggesting that it was a threat or
warning to the people: "<i>accept the Torah, or the universe will cease to
exist</i>," and in one sense it was. However, the symbol has a deeper
meaning. It must be remembered that this
type of reference alludes to lofty concepts that are
usually beyond human comprehension. However, in this case it is rooted
in a knowledge of the Creator's One Unique Explicit Name, and the
choices that one makes throughout his or her life. </span><br />
<div style="text-align: center;">
<span face=""><br /></span></div>
<div style="text-align: center;">
<span face="" style="font-size: x-small;">Click to Enlarge</span><br />
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<div style="text-align: left;">
<span face=""> Male </span><span face=""><span face="">Before</span> Heaven</span></div>
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<span face=""> Female After Earth</span></div>
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<span face=""> Good </span><span face=""><span face="">Accept</span> Existence</span></div>
</div>
<div style="text-align: left;">
<span face=""> Evil Reject Non-Existence</span></div>
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<br /></div>
<span face="">In the symbolic language of human consciousness, the
triangle together with its upside-down counterpart are the two halves
of the King's Name hidden in the geometry of the royal seal or magen
david that we spoke about in <i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2023/05/emor.html" target="_blank">Emor</a></i>.
However, it is also indicative of the free choice that God has given to
mankind. All of this remains hidden, like the third dimension of
tetrahedral geometry that is hidden within the limitations of
two-dimensional space in a simple triangle.
In three dimensions we perceive the connection to God's Name more
clearly, by virtue of the geometry associated with the
star tetrahedron and its characteristics that conform to the </span><span face=""><span face=""><span style="color: blue;">72</span> <span style="color: red;">tri</span>plets</span> in the King’s Name, <u>but</u> <u>even</u> <u>then</u> the nature of the geometry requires wisdom. <br /><br />A mountain that is turned upside-down is a faint reflection of this geometry, be it “right-side-up <i>opposite</i>
up-side-down” (Sinai) or side-by-side (Gerizim and Ebal). The events
are both reflections of a larger reality that is entirely dependent on
the letters of God's Name embodied so clearly in the royal seal.</span><br />
<br />
<br />
<div style="text-align: center;">
<span face="">The Two "Doors" ~ Two Mountains</span></div>
<div style="text-align: center;">
<span face=""><span style="font-size: x-small;"><i>One Toward the Blessing ~ One Toward the Curse</i></span></span><br />
<span face=""><span style="font-size: x-small;"><i>"Four" Opposite "Four"</i></span></span><br />
<span face=""><span style="font-size: x-small;"><i> yud-key-vav-key Opposite </i></span></span><span face=""><span style="font-size: x-small;"><i>aleph-dalet-nun-yud</i></span></span></div>
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<br />
<span face="">The above "symbols" are the same, yet they are different, as one is the inverse of the other. Everything
that exists in this world, or the next, whether the world is moving in
the right direction, or turned up-side-down and headed in the wrong
direction—all that we see around us—past, present and future—is a
reflection of God’s Name that is mathematically and geometrically
embedded within (and <u>defines</u>) the recombinant cubic form of the sapphire blueprint (a three-dimensional <span style="color: blue;">cube</span> that was divided in <span style="color: blue;">half</span> and brought down by Moshe) more commonly known as the shnei luchot through which the contiguous stream of 304,805
letters (in the written Torah) were received. </span><br />
<br />
<br />
<br />
<span face="">________</span><br />
<br />
<span face=""><span style="font-size: xx-small;">Footnote
1 - The fact that the combined cubic form of the luchot is an archetype
of human consciousness can be seen in the 'awareness' of its form and
substance in, for example, films or stories where a mysterious cube is
involved. The cube is seen in the plots of movies like "<i>Captain America</i>" where a "<i>blue crystal cube</i>" is the source of "<i>incredible power</i>," or films like "<i>Transformers</i>," where a mysterious cube is used either to '<i>create or destroy</i>,' and thus sought after by all concerned. It's found in movies like "<i>Contact</i>," where a "<i>blueprint is given to man</i>" that cannot be understood until it is learned that '<i>the blueprint is three-dimensional</i>.'
The writers do not even realize the implications of their stories,
which are reflections of ancient paradigms, and conform to a basic
archetype that goes back to the creation of the universe. Nor do they
realize its connection to God's Name. </span></span>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0tag:blogger.com,1999:blog-1924719707627454565.post-16634157554954670522023-08-26T20:28:00.001+03:002023-08-26T20:33:48.867+03:00Ki Thavo<p><span face=""><span style="font-size: small;">In <i>Parashah Ki Thavo</i> we
transition from events and halachic requirements that reflect the math
and geometry of the four-letter abbreviations for the Name (<i>the Tetragrammaton, the Havayah of Adnoot and Ehyeh</i>) to the events and requirements reflecting that of the twelve-letter abbreviation(s).</span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span><span face=""><span style="font-size: small;"><span style="font-size: small;"><span face="">In
the paragraphs ahead you will see these allusions to the twelve-letter (Explicit) 'Name'</span></span><span face=""><span style="font-size: small;">. In the meantime, if you are new to this
blog, please read each of the essential constructs listed in
the column to the right before proceeding. These pages reveal some of the
basic </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">mathematic </span></span>connections between the letters of God's Explicit Name and the
multidimensional geometric characteristics of the luchot,
both in the divided state and combined cubic form, along with the
internal geometry that casts a shadow known as a magen david. There is a
special connection between the Name, the luchot and the geometry of the
magen, and together they form a unique signature. We refer to this geometry and its mathematic common denominator as the </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><i>Signature of the Architect</i></span></span>. The purpose of this blog is to show how all of these things connect, and to reveal where <i>the signature geometry </i>is
hidden, not only in each week’s parashah, but the physics of time and
space, quantum mechanics and celestial dynamics to name a few. Once you
are familiar with these constructs you can more fully appreciate each
post</span></span>. </span></span><span face=""><span style="font-size: small;">In
order to more fully appreciate the allusions mentioned above, it is
also important to have read last week's post on <i>Parashah</i> <a href="https://sapphiremagendavid.blogspot.com/2023/08/ki-thetze.html" target="_blank"><i>Ki Thetze</i></a> where the four-letter 'Names' were examined. </span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">In that post, you may remember the allusions involved the marriage between the <span style="color: blue;">four</span> letters of the Tetragrammaton and the <span style="color: red;">four</span> letters in Adnoot, that result in the <span style="color: #6aa84f;">four</span> letters of Ehyeh. </span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">These letters were mirrored in the requirement for <i>tzitzith</i> where <span style="color: blue;">four</span> strands were doubled over against their <span style="color: red;"><span style="color: red;">four</span></span> opposing halves, tied through the <span style="color: #6aa84f;">four</span>
corners of the talith. The nature of their division into opposing male-female counterparts
sustain the physical universe in like form. The
letters in turn, are manifested in the physics of the four primary (<span style="color: blue;">male</span>-<span style="color: red;">female</span>) continuum's in the dimensions of time and space, as well as the four (<span style="color: blue;">male</span>-<span style="color: red;">female</span>) forces in quantum mechanics that “rule” the universe (like the <span style="color: blue;">plus</span> and <span style="color: red;">minus</span> of electricity or magnetism).<br /><br />In
last week’s parashah we also showed how the four letters of each '<i>Name</i>'
had their geometric counterpart in the star tetrahedron (a
three-dimensional magen david) resulting from the male-female
combination of two opposing tetrahedrons. A tetrahedron has four faces,
so two “opposing tetrahedrons” have <span style="color: blue;">four</span> faces on one, opposite <span style="color: red;">four</span>
faces on the other, like the letters, and like the <i>tzitzith</i>. When they
are merged (or married together) or otherwise mathematically unified,
they form what is called a star tetrahedron. In their unified state,
each of the former faces is now divided into <span style="color: #6aa84f;">four</span> smaller faces. The geometry of the unification is a mirror image of the marriage between the letters (<span style="color: blue;">four</span> and <span style="color: red;">four</span> resulting in </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: #6aa84f;">four</span></span></span>). <br /><br />Now
in this week’s <i>parashah</i>, we see the exact same reflection, except that
in <i>Ki Thavo</i> it takes the expanded form, mirroring the twelve-letter abbreviation(s) of the
'<i>Name</i>' that are referred to as explicit because, like <i>the Tetragrammaton, Adnoot and Ehyeh</i>, they are also abbreviations of the One Explicit Name of <span style="color: red;">216</span> letters. The four letters are really a subset of the twelve letters, that are in turn a subset of the <span style="color: red;">216</span>.<br /><br />According
to tradition, God taught Moshe this twelve-letter '<i>Name</i>' at the burning
bush and reminded him of this knowledge when he was blocked by the
angel from ascending to receive the luchot. It consists among other forms, of twelve letters
that are a tri<span face="">ad</span> version of the Tetragrammaton. That is, the combination
of letters in the Tetragrammaton are repeated 3 times:</span></span><br />
<br />
</p><div style="text-align: center;">
<span face=""><span style="font-size: small;">“<span style="color: blue;">yud-key-vav-key</span> -- <span style="color: red;">yud-key-vav-key</span> -- <span style="color: #6aa84f;">yud-key-vav-key</span>” </span></span></div>
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">In
the meantime, just as the <span style="color: blue;">four</span>-letter Name has its <span style="color: red;">four</span> letter counterpart
resulting in a <span style="color: #6aa84f;">four</span> letter combination, so too does the twelve-letter <span face="">Name</span>.
The </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">twelve-</span></span>letter (tripled) “version” of the Tetragrammaton, could best be
described as a Tri-tetra-grammaton, since the four letters are tripled. It's counterparts (<i>aleph-dalet-nun-yud</i> and <i><span face="">aleph<span face="">-heh-yud-heh</span></span></i>) each
have their triad counterpart, consisting of the same number of letters<span face=""> <span face="">in triad form. <span face="">These may be </span></span></span>combined or married <span face="">just as their primal forms</span> are combined or married (<span style="color: blue;">twelve</span>, </span></span><span face=""><span style="font-size: small;"><span style="color: red;"><span face=""><span style="font-size: small;">twelve</span></span></span> and </span></span><span face=""><span style="font-size: small;"><span style="color: #6aa84f;"><span face=""><span style="font-size: small;">twelve</span></span></span>). We'll see where the Torah alludes to these three triad forms in a moment.<br /><br />In the meantime, just as the four-letter '<i>Names</i>' cast their geometric shadows in the form of a magen david (as explained in last week’s post) so too, the twelve-letter '<i>Names</i>' cast their geometric shadows in <span face="">the magen</span>. <br /><br />A
tetrahedron, for example, has four <span face="">faces</span> and four points. When two tetrahedrons are
merged together to form a star tetrahedron, there are <span style="color: blue;">four</span> points on one,
opposite <span style="color: red;">four</span> points on the other. However, each point or stellation, has three faces that merge to form each
point (<span style="color: blue;">twelve</span> opposite <span style="color: red;">twelve</span>). Since there are four stellations on each of the two tetrahedrons (each
having three faces) there are a total of twelve small faces on each of the
opposing tetrahedrons. In other words, there are </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: blue;">twelve</span></span></span> on one, opposite </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: red;"><span face=""><span style="font-size: small;">twelve</span></span></span></span></span> on the other (the picture below shows the <i>three</i> faces that merge to form each of the <i>four</i> points on each of the <i>two</i> tetrahedrons in the star). </span></span><br />
<div style="text-align: center;">
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<span style="font-size: x-small;"><span face="">Click to Enlarge</span></span></div>
<div style="text-align: center;">
<span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">On the Eight Stellations of a Star Tetrahedron</span></span></span></span><br />
<span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"> </span></span>Three Faces Merge to Form Each Point </span></span></div>
<span face=""><span style="font-size: small;"><br /></span></span>
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<span face=""><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTPRnO6ndEVem3XyX_Hzm9Cuf_sONZW0K0WGhSf97yfKcq2K5WzeoLAQTWaMv6b9_PoEgfgME532GA3mmgzSXSNPkU_TJ-3bzssoSII_Ed1TWl-4nuGGFSJVyFwGgmElCeJkyx8S-0RTKI/s1600/Star+Tetrahedron+%281,2,3%29.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTPRnO6ndEVem3XyX_Hzm9Cuf_sONZW0K0WGhSf97yfKcq2K5WzeoLAQTWaMv6b9_PoEgfgME532GA3mmgzSXSNPkU_TJ-3bzssoSII_Ed1TWl-4nuGGFSJVyFwGgmElCeJkyx8S-0RTKI/s320/Star+Tetrahedron+(1,2,3).jpg" width="320" /> </a></span></span></div>
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<span style="font-size: small;"><span face=""><span style="color: blue;">Four</span> Faces Opposite <span style="color: red;">Four</span> <span face="">Faces</span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><span face=""><span style="color: blue;">Twelve</span> Small Faces Opposite <span style="color: red;">Twelve</span> Small Faces </span></span></div>
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<span style="font-size: small;"><span face=""><br /></span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span face=""><span style="color: blue;">Four</span> Letters Opposite <span style="color: red;">Four</span> Letters</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span face=""><span style="color: blue;">Twelve</span> Letters Opposite <span style="color: red;">Twelve</span> Letters </span></span></div>
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">The three-dimensional magen david
reflects all of these characteristics. Not only does it reflect the characteristics of the <u>three</u> '<i>Names</i>' with four
letters, but it also reflects the characteristics of the <u>three</u> triad versions of these '<i>Names</i>' with twelve letters. Now, where do
we find allusions to these <u>three</u> twelve-letter abbreviations of the Name in the Torah? We find
them in this parashah where it says: “<i>On the day that you cross the Jordan [river] to the Land that God your Lord is giving you, you must erect large stones</i>...”</span></span><br />
<br />
<span face=""><span style="font-size: small;">Before we elaborate on this text, please remember that all of the (internal) geometry </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">above </span></span>is framed within the (external) geometry of the <span style="color: blue;"><i>evan shetiyah</i></span> (foundation stone) or cubit<span face="">-</span>cubed, otherwise known as (the combined cubic form of<span face="">)</span> the shnei luchot (two tablets)<span face=""> w<span face="">ith a volumetric measure of <span style="color: red;">216</span> cubic hand-breadths, a surface measure of <span style="color: red;">216</span> square hand-breadths, and <span style="color: red;">2</span>,<span style="color: red;">16</span>0 degrees in its twenty-four 90 degree angles<span face=""> (all reflecting <span face="">its connection to</span> <span face="">the <span style="color: red;">216</span> letter Name) as well as the <span style="color: blue;">42</span> sets of <span style="color: blue;">42</span> linear hand-breadths<span face="">, </span>explained in the post on the <span style="color: blue;">42</span> Letters in Sapphire (that </span></span></span></span></span></span><span face=""><span style="font-size: small;"><span face=""><span face=""><span face=""><span face=""><span face=""><span style="font-size: small;"><span face=""><span face=""><span face="">reflect the nature of <span face="">the <span style="color: blue;"><span face="">42</span></span> letter Name</span></span></span></span></span></span>). </span>These are the only <u>real</u> fundamental "constants" in the universe.</span></span></span> E<span face="">v</span>en the sp<span face="">e</span>ed of light is subject to and <span face="">dependent</span> <span face="">upon</span> these primal <i>constants,</i> that again, correspond to th<span face=""><span face="">e</span> l</span>etters of <span face="">the</span> Name(s) (<span face="">see the</span> post on the sp<span face="">e</span>ed of light).</span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">W<span face="">i</span>th <span face="">all of this</span> in mind, we return to this week's parashah and its allusion <span face="">to the 12 letter Name<span face="">(s) </span></span>where it says: “<i>On the day that you cross the Jordan [river] to the Land that God your Lord is giving you, you must erect large stones</i>...”</span></span> </span></span><br />
<br />
<span face=""><span style="font-size: small;">The
written Torah does not provide the details. However, we have many sources
that do. The entire Torah was written on these stones, some say in all
70 languages. There were <span style="color: blue;">twelve</span> stones set up on the east bank of the Jordan
River and another <span style="color: red;">twelve</span> stones on the west bank (in what is today Jordan).
In other words, there were </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: blue;">twelve</span></span></span> stones on one shore opposite </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: red;">twelve</span></span></span> stones on the other. <span face="">Moreover</span>, there were actually <u>three</u> sets, because in addition to these two sets of twelve stones, another <span style="color: #6aa84f;">twelve</span>
were removed from the Jordan River and then replaced. <span face="">T</span>he word “<i>stone</i>”
in Hebrew has a <u>double</u> meaning that is used in referring to the
permutation of <i>letters</i> in a name or a word, as it says in Sefer
Yetzirah: “<i>three stones build six houses</i> [and] <i>four stones build twenty-four houses</i>,”
referring to how many permutations of letters there are in words of this
length. Insofar as the twelve stones are concerned, the <i>twelve</i> "stones" allude to the <i>twelve</i>
letters in the Name. There are <i>three</i> sets of <i>twelve</i> letters and so there are <i>three</i> sets of <i>twelve</i> stones<span face="">. T</span>hat is, there are three <span face="">triad versions</span> of the Name <span face="">(having</span> twelve letters<span face="">)</span> that parallel the three singular versions of the Name <span face="">(</span>having four-letter<span face="">s</span>).</span></span><br />
<span face=""><span style="font-size: small;"><br /><span face="">This is why </span>the tzitzith are <span style="color: blue;">four</span> opposite <span style="color: red;">four</span> (strands) on <span style="color: #6aa84f;">four</span> corners (as mentioned above and in last week's post on <i>Ki Thetze</i>) and <span face="">also</span> why (in this week's parashah) there are </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: blue;">twelve</span></span></span></span></span> opposite </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: red;">twelve</span></span></span> (stones) with <span style="color: #6aa84f;">twelve</span></span></span><span face=""><span style="font-size: small;">
in the middle (reflecting the marriage of the two opposing twelves'). Take
the time to contemplate this, and understand it well. <span face="">These are all aspects of</span> God's Name hidden in the geometry of the foundation stone. <span face="">C</span>onsider the
following:<br /><br />In the last post on Parashah Ki Thetze we showed how
the letters of the two primary four-letter abbreviations provided the underlying basis
for the <span style="color: blue;">four</span> <span face="">directions</span>' (opposite <span style="color: red;">four</span> <span face="">directions</span>) in the <span style="color: #6aa84f;">four</span> <span face="">continuums</span> of <i>space-time,</i> as well as the <span style="color: blue;">four</span> forces in quantum mechanics, opposite their <span style="color: red;">four</span> counterparts (like the plus ~ minus of electricity). </span></span>
<span face=""><span style="font-size: small;">The twelve-letter
abbreviations are much the same, however the letters cast their
collective shadow into the physical universe somewhat differently. </span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: blue;"><span style="color: black;">The</span> twelve</span></span></span></span></span></span></span><span face=""><span style="font-size: small;"> "<i>stones</i>" opposite </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: red;">twelve</span></span></span></span></span><span face=""><span style="font-size: small;"> "<i>stones</i>" (</span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: blue;">twelve</span></span></span></span></span></span></span><span face=""><span style="font-size: small;"> <i>letters</i> opposite </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: red;">twelve</span></span></span></span></span><span face=""><span style="font-size: small;"> <i>letters</i>)</span></span> are a primary aspect of human
physiology. You may remember that God took one of Adam’s ribs to form
Eve. Eve was a real person but nevertheless symbolic of the female half of
the creation-equation. Just so, the twelve-letter abbreviations are the basis of human physiology
where we find </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: blue;">twelve</span></span></span></span></span></span></span> ribs opposite </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span style="color: red;">twelve</span></span></span></span></span> ribs in human anatomy<span face="">, <span face="">man being made</span> </span>in the image of God [i.e. <span face="">His</span> Name<span face="">]</span>. The
combination forms the one rib cage that serves to protect and support
the internal organs.</span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">The <i>Carbon-12</i> mystery is also rooted in the </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">twelve</span></span></span></span></span></span>-letter Name. </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><i>Carbon-12</i></span></span> is the basis
of all life. Were it not for <i>Carbon-12</i>, none of us would exist. It is
formed during a stellar process referred to as the "tri-alpha process" (sometimes called
triple-alpha) so-named because it involves <span style="color: red;">3</span> alpha particles. When an
alpha particle fuses with Beryllium-8 (both at rest) they form the <i>Carbon-12</i> nucleus with an excitation energy equal to <span style="color: blue;">7.2</span>8 MeV (a function of Hoyle’s calculations where the short lived state is slightly more). <span style="color: red;">Tri</span>-alpha (<span style="color: red;">3</span> alpha particles) and <span style="color: blue;">7.2</span> should look familiar. The numbers are a reflection of the <span style="color: red;">Tri</span>ad Havayah of <span style="color: blue;">72</span>, but it does not end there! </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><i>Carbon-12</i></span></span>
gives life (or is the chemical/biological basis of life). This is the
opposite of a sacrifice, which involves the taking of a life. In the
requirements for various sacrifices, we find the same set of numbers in
the same ratio. </span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">The halachic
requirements for various sacrifices explained in
<i>Parashah <a href="https://sapphiremagendavid.blogspot.com/2022/07/pinchas.html" target="_blank">Pinchas</a></i> are the inverse of this process. The measure of meal and oil was equal to <span style="color: red;">3</span> tenth's of an ephah (for the bulls) a tenth being<b> </b><span style="color: blue;">7.2</span>
lugim. The same requirement is also found in the combined sacrifices of
rams and sheep where one requires 2 tenths of an ephah and the other 1
tenth of an ephah, the total being <span style="color: red;">3</span> tenth's, where a tenth is again <span style="color: blue;">7.2</span> lugim, the two reflections being one in the same. The
halachic requirement and the formation of </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><i>Carbon-12</i></span></span> have something in
common, specifically the numbers, sets of numbers, and ratios, that
characterize the letters of God's Name. </span></span><br />
<span face=""><span style="font-size: small;"><br /></span></span>
<span face=""><span style="font-size: small;">The
<span style="color: red;">tri-</span>alpha process, by the way, involves
the fusion of Helium-4 with Beryllium-8 (the combined number of
particles in the nuclei being 12).
One of the elements (Beryllium-8) has <span style="color: blue;">four</span> protons opposite <span style="color: red;">four</span> neutrons
(male-female) but these combine with another <span style="color: #6aa84f;">four</span> particles in the nucleus of another Helium atom. This is like the <span style="color: blue;">four</span> opposite <span style="color: red;">four</span> (a total of eight letters) that
“marry” (fuse together) to become the <span style="color: #6aa84f;">four</span> letters of Ehyeh</span></span><span face=""><span style="font-size: small;">. These <span style="color: blue;">four</span>
opposite <span style="color: red;">four</span> are married together, but both are also combined and become one with
another <span style="color: #6aa84f;">four</span> during that '<i>unification</i>' process, just like their chemical counterparts and the physics that
sustain life. The internal subatomic structure of these two elements are
what marry to form </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;"><i>Carbon-12</i></span></span> which is a clear reflection of the twelve-letter Name (as diagrammed below) as it relates to the <i>Tetragrammaton, Adnoot and Ehyeh</i>
(the three Names with four letters and their three expanded forms that each
consist of twelve letters). Life is quite literally sustained in the
physical universe by the letters of the Explicit Name. Physicists delving into the Hoyle state would do well to know these '<i>Names</i>.' Recent research (Epelbaum) even
suggests that the alpha particles in the ground state appear to be in
the form of a compact <span style="color: red;">tri</span>angle which would be another reflection of the
<span style="color: red;"> tri</span>ad nature of the Name and the geometry of the magen.</span></span><br />
<br />
<span face=""><span style="font-size: small;">For
purpose of visual comparison, we've depicted the numbers and the nature
of those numbers involved in the atomic structure of the tri-alpha
process, where four particles combine with another four particles and
result in a specific "marriage" of four particles opposite four
particles, or '<i>four pairs</i>' of male~female couples
(protons~neutrons) and then; in the ongoing and subsequent bonding
process, or marriage to another four couples, the end result is the
twelve particles of <i>Carbon-12</i>. The numbers and sets of numbers, and the nature of those sets, is the same as the </span></span><span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">numbers
and sets of numbers, and the nature of the letters in the primary
abbreviations of the Name that are ultimately tripled in the twelve
letter abbreviation. Coincidence? The chemical/biological basis of life,
in Carbon-12, at the atomic level, is a very accurate reflection of the
number and nature of the letters in the Name. The release of energy in
the Hoyle state of the <span style="color: red;">tri</span>-alpha process is again, <span style="color: blue;">7</span>.<span style="color: blue;">2</span>8 MeV. Using your knowledge of God's Name and its primary abbreviations, explained in the post on the <a href="http://sapphiremagendavid.blogspot.co.il/p/blog-page_4.html" target="_blank">marriage of the letters</a>, and also your knowledge of the twelve-letter '<i>Name</i>'
as it correlates with its subset, of four, contemplate the atomic
structure involved in the process pictured below and see if a familiar
'pattern' emerges. </span></span></span></span><br />
<br />
<div style="text-align: center;">
<span style="font-size: x-small;"><span face="">Click to Enlarge</span></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju9zRVa3JkGuq_Q2sk_xJEuS9s06t6YJoo70hyz5jRB9l3X4JcYVz7AxbV1xm-yt-wbM1cJehU-I_B1sCgDibs8YMLVpXuIihB-A6iZOQsCUd4Hk-RyUm_WK5T8h71lJu0mQnjwfLgimr1/s1600/Sphere+Helium+&+Beryllium+&+C12+w:+12+N&P.tiff" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju9zRVa3JkGuq_Q2sk_xJEuS9s06t6YJoo70hyz5jRB9l3X4JcYVz7AxbV1xm-yt-wbM1cJehU-I_B1sCgDibs8YMLVpXuIihB-A6iZOQsCUd4Hk-RyUm_WK5T8h71lJu0mQnjwfLgimr1/s1600/Sphere+Helium+&+Beryllium+&+C12+w:+12+N&P.tiff" width="400" /></a></div>
<br />
<span face=""><span style="font-size: small;"><span face=""><span style="font-size: small;">Man
is the only creature capable of perceiving God at this level. It is in
fact the destiny of mankind to know God's Name. This is the messianic
promise that may soon be fulfilled as the secrets of the universe
continue to unfold. </span></span> </span></span><br />
<span face=""><span style="font-size: small;"><br />In
summary, we see once again that the text of the Torah, historical
events, halachic requirements, calendric observance (etc) continue to
mirror the letters of God’s Name
and its abbreviated forms, and that these letters in turn sustain every
aspect of the universe. The system (of the physical and non-physical
universe) operates like any other, according to certain established
rules. Who performs the mitzvoth that maintain the framework necessary
for the system to operate? The Jewish people! This is why the Sages of
Israel said that if the Jewish people ever ceased to exist (God forbid)
or if their observance of these mitzvoth ever ceased (God forbid) there
would be no reason for the universe to continue and it too would cease
to exist. All of the underlying mechanics however, goes unnoticed by the
casual observer. The interconnected nature of our present reality with
the letters of His Name and those of Torah is very complex, with each
aspect measured to a hair’s breadth, but all of this is hidden right
under the collective "nose" of an unbelieving world, including the most
brilliant scientists, who don't have a
clue who really sustains it. </span></span><p> </p>Davidhttp://www.blogger.com/profile/04561164246767325595noreply@blogger.com0